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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DE15B it is the complementary color #821EA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DE15B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DE15B shade: #82E156, #93F369, #A4FF7C, #B5FF8F and #C6FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DE15B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DE15B shade: #7DE15B, #6CCF48, #5BBD35, #4AAB22 and #39990F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DE15B shade: #7DE05B, #A1E05B, #C5E05B, #E0D85B and #E0B45B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DE15B shade: #7DE05B, #5BE05D, #5BE081, #5BE0A5 and #5BE0C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DE15B shade matches the following richer shades: #7DE05B and #75F04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DE15B shade: #7DE05B, #84D16A, #8CC17A, #94B18A and #9CA299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DE15B shade: #C6E05B, #A2E05B, #7EE05B, #5BE05B and #5BE07E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DE15B shade: #4DC524, #61DA38, #7DE05B, #98E77E and #B4EDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DE15B shade: #7DE15B, #5BE0D8 and #E05BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DE15B shade: #7DE15B, #5B7EE0 and #E05B7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DE15B shade: #7DE15B, #5BE0D8, #BD5BE0 and #E05B64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DE15B shade: #7DE15B, #5BC1E0, #BD5BE0 and #E07A5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

Complementary color

CMYK 21 / 82 / 0 / 36

HEX #821EA4

RGB 130 30 164

HSL 284.78, 0.69%, 0.38%

LAB 34.71, 59.61, -50.7

 

CMYK 42 / 0 / 62 / 12

HEX #82E156

RGB 130 225 86

HSL 101.01, 0.7%, 0.61%

LAB 81.44, -52.26, 57.72

 

CMYK 40 / 0 / 57 / 5

HEX #93F369

RGB 147 243 105

HSL 101.74, 0.85%, 0.68%

LAB 87.64, -52.38, 56.76

 

CMYK 36 / 0 / 51 / 0

HEX #A4FF7C

RGB 164 255 124

HSL 101.68, 1%, 0.74%

LAB 92.07, -49.91, 53.65

 

CMYK 29 / 0 / 44 / 0

HEX #B5FF8F

RGB 181 255 143

HSL 99.64, 1%, 0.78%

LAB 93.16, -42.13, 46.26

 

CMYK 22 / 0 / 36 / 0

HEX #C6FFA2

RGB 198 255 162

HSL 96.77, 1%, 0.82%

LAB 94.37, -33.93, 38.77

 

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

CMYK 48 / 0 / 65 / 19

HEX #6CCF48

RGB 108 207 72

HSL 104, 0.58%, 0.55%

LAB 75, -53.08, 56.23

 

CMYK 52 / 0 / 72 / 26

HEX #5BBD35

RGB 91 189 53

HSL 103.24, 0.56%, 0.47%

LAB 68.66, -52.65, 56.79

 

CMYK 57 / 0 / 80 / 33

HEX #4AAB22

RGB 74 171 34

HSL 102.48, 0.67%, 0.4%

LAB 62.25, -51.89, 56.72

 

CMYK 63 / 0 / 90 / 40

HEX #39990F

RGB 57 153 15

HSL 101.74, 0.82%, 0.33%

LAB 55.77, -50.67, 55.48

 

CMYK 44 / 0 / 59 / 12

HEX #7DE05B

RGB 125 224 91

HSL 104.66, 0.68%, 0.62%

LAB 80.98, -52.91, 55

 

CMYK 28 / 0 / 59 / 12

HEX #A1E05B

RGB 161 224 91

HSL 88.42, 0.68%, 0.62%

LAB 82.72, -40.98, 57.45

 

CMYK 12 / 0 / 59 / 12

HEX #C5E05B

RGB 197 224 91

HSL 72.18, 0.68%, 0.62%

LAB 84.96, -27.38, 60.56

 

CMYK 0 / 4 / 59 / 12

HEX #E0D85B

RGB 224 216 91

HSL 56.39, 0.68%, 0.62%

LAB 84.85, -12.6, 61.02

 

CMYK 0 / 20 / 59 / 12

HEX #E0B45B

RGB 224 180 91

HSL 40.15, 0.68%, 0.62%

LAB 75.6, 5.94, 50.62

 

CMYK 44 / 0 / 59 / 12

HEX #7DE05B

RGB 125 224 91

HSL 104.66, 0.68%, 0.62%

LAB 80.98, -52.91, 55

 

CMYK 59 / 0 / 58 / 12

HEX #5BE05D

RGB 91 224 93

HSL 120.9, 0.68%, 0.62%

LAB 79.8, -61.7, 52.45

 

CMYK 59 / 0 / 42 / 12

HEX #5BE081

RGB 91 224 129

HSL 137.14, 0.68%, 0.62%

LAB 80.25, -56.71, 35.87

 

CMYK 59 / 0 / 26 / 12

HEX #5BE0A5

RGB 91 224 165

HSL 153.38, 0.68%, 0.62%

LAB 80.88, -50.01, 18.22

 

CMYK 59 / 0 / 10 / 12

HEX #5BE0C9

RGB 91 224 201

HSL 169.62, 0.68%, 0.62%

LAB 81.7, -41.78, 0.39

 

CMYK 44 / 0 / 59 / 12

HEX #7DE05B

RGB 125 224 91

HSL 104.66, 0.68%, 0.62%

LAB 80.98, -52.91, 55

 

CMYK 51 / 0 / 69 / 6

HEX #75F04B

RGB 117 240 75

HSL 104.73, 0.85%, 0.62%

LAB 85.31, -62.7, 66.1

 

CMYK 44 / 0 / 59 / 12

HEX #7DE05B

RGB 125 224 91

HSL 104.66, 0.68%, 0.62%

LAB 80.98, -52.91, 55

 

CMYK 37 / 0 / 49 / 18

HEX #84D16A

RGB 132 209 106

HSL 104.85, 0.53%, 0.62%

LAB 77.01, -42.8, 43.46

 

CMYK 27 / 0 / 37 / 24

HEX #8CC17A

RGB 140 193 122

HSL 104.79, 0.36%, 0.62%

LAB 72.97, -30.67, 30.34

 

CMYK 16 / 0 / 22 / 31

HEX #94B18A

RGB 148 177 138

HSL 104.62, 0.2%, 0.62%

LAB 69.17, -17.38, 16.74

 

CMYK 4 / 0 / 6 / 36

HEX #9CA299

RGB 156 162 153

HSL 100, 0.05%, 0.62%

LAB 65.91, -3.85, 3.93

 

CMYK 12 / 0 / 59 / 12

HEX #C6E05B

RGB 198 224 91

HSL 71.73, 0.68%, 0.62%

LAB 85.03, -26.99, 60.66

 

CMYK 28 / 0 / 59 / 12

HEX #A2E05B

RGB 162 224 91

HSL 87.97, 0.68%, 0.62%

LAB 82.78, -40.62, 57.52

 

CMYK 44 / 0 / 59 / 12

HEX #7EE05B

RGB 126 224 91

HSL 104.21, 0.68%, 0.62%

LAB 81.02, -52.61, 55.06

 

CMYK 59 / 0 / 59 / 12

HEX #5BE05B

RGB 91 224 91

HSL 120, 0.68%, 0.62%

LAB 79.78, -61.92, 53.31

 

CMYK 59 / 0 / 44 / 12

HEX #5BE07E

RGB 91 224 126

HSL 135.79, 0.68%, 0.62%

LAB 80.2, -57.19, 37.31

 

CMYK 61 / 0 / 82 / 23

HEX #4DC524

RGB 77 197 36

HSL 104.72, 0.69%, 0.46%

LAB 70.62, -60.23, 63.95

 

CMYK 56 / 0 / 74 / 15

HEX #61DA38

RGB 97 218 56

HSL 104.81, 0.69%, 0.54%

LAB 77.86, -61.44, 65.02

 

CMYK 44 / 0 / 59 / 12

HEX #7DE05B

RGB 125 224 91

HSL 104.66, 0.68%, 0.62%

LAB 80.98, -52.91, 55

 

CMYK 34 / 0 / 45 / 9

HEX #98E77E

RGB 152 231 126

HSL 105.14, 0.69%, 0.7%

LAB 84.66, -43.32, 43.46

 

CMYK 24 / 0 / 32 / 7

HEX #B4EDA0

RGB 180 237 160

HSL 104.42, 0.68%, 0.78%

LAB 88.36, -32.02, 31.63

 

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 0 / 59 / 20 / 12

HEX #E05BB4

RGB 224 91 180

HSL 319.85, 0.68%, 0.62%

LAB 58.63, 61.34, -21.48

 

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

CMYK 59 / 44 / 0 / 12

HEX #5B7EE0

RGB 91 126 224

HSL 224.21, 0.68%, 0.62%

LAB 54.58, 17.1, -53.78

 

CMYK 0 / 59 / 44 / 12

HEX #E05B7E

RGB 224 91 126

HSL 344.21, 0.68%, 0.62%

LAB 56.92, 54.85, 7.44

 

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 16 / 59 / 0 / 12

HEX #BD5BE0

RGB 189 91 224

HSL 284.21, 0.68%, 0.62%

LAB 55.77, 59.58, -51.37

 

CMYK 0 / 59 / 55 / 12

HEX #E05B64

RGB 224 91 100

HSL 355.94, 0.68%, 0.62%

LAB 56.34, 52.57, 21.89

 

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

CMYK 59 / 14 / 0 / 12

HEX #5BC1E0

RGB 91 193 224

HSL 193.98, 0.68%, 0.62%

LAB 73.38, -20.71, -24.4

 

CMYK 16 / 59 / 0 / 12

HEX #BD5BE0

RGB 189 91 224

HSL 284.21, 0.68%, 0.62%

LAB 55.77, 59.58, -51.37

 

CMYK 0 / 46 / 59 / 12

HEX #E07A5B

RGB 224 122 91

HSL 13.98, 0.68%, 0.62%

LAB 62.1, 36.76, 34.43

 

Description

Color code: HEX #7DE15B | qconv.com Color code: HEX #7DE15B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 225 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 225 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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