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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE0D8 it is the complementary color #A41F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE0D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE0D8 shade: #60E0D3, #71F2E6, #82FFF9, #93FFFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE0D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE0D8 shade: #5BE0D8, #4ACEC5, #39BCB2, #28AA9F and #17988C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE0D8 shade: #5CDFD8, #5CDFB4, #5CDF90, #5CDF6D and #6EDF5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE0D8 shade: #5CDFD8, #5CC4DF, #5CA0DF, #5C7DDF and #5C5CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE0D8 shade matches the following richer shades: #5CDFD8 and #4CEFE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE0D8 shade: #5CDFD8, #6BD0CA, #7BC0BC, #8BB0AE and #9AA1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE0D8 shade: #5CDF90, #5CDFB4, #5CDFD7, #5CC5DF and #5CA2DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE0D8 shade: #25C4BA, #39D9CF, #5CDFD8, #7EE6E0 and #A1EDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE0D8 shade: #5BE0D8, #6D5CDF and #DFA25C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE0D8 shade: #5BE0D8, #D75CDF and #DFD75C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE0D8 shade: #5BE0D8, #6D5CDF, #DF5C64 and #CEDF5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE0D8 shade: #5BE0D8, #955CDF, #DF5C64 and #A6DF5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

Complementary color

CMYK 0 / 81 / 76 / 36

HEX #A41F27

RGB 164 31 39

HSL 356.39, 0.68%, 0.38%

LAB 36.02, 52.8, 30.6

 

CMYK 57 / 0 / 6 / 12

HEX #60E0D3

RGB 96 224 211

HSL 173.91, 0.67%, 0.63%

LAB 82.11, -38.35, -4.3

 

CMYK 53 / 0 / 5 / 5

HEX #71F2E6

RGB 113 242 230

HSL 174.42, 0.83%, 0.7%

LAB 88.32, -38.5, -5.1

 

CMYK 49 / 0 / 2 / 0

HEX #82FFF9

RGB 130 255 249

HSL 177.12, 1%, 0.75%

LAB 93.06, -36.31, -7.91

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 64 / 0 / 4 / 19

HEX #4ACEC5

RGB 74 206 197

HSL 175.91, 0.57%, 0.55%

LAB 75.84, -37.58, -6.13

 

CMYK 70 / 0 / 5 / 26

HEX #39BCB2

RGB 57 188 178

HSL 175.42, 0.53%, 0.48%

LAB 69.51, -37.03, -5.2

 

CMYK 76 / 0 / 6 / 33

HEX #28AA9F

RGB 40 170 159

HSL 174.92, 0.62%, 0.41%

LAB 63.1, -36.25, -4.17

 

CMYK 85 / 0 / 8 / 40

HEX #17988C

RGB 23 152 140

HSL 174.42, 0.74%, 0.34%

LAB 56.62, -35.12, -3.01

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD8

RGB 92 223 216

HSL 176.79, 0.67%, 0.62%

LAB 81.84, -37.32, -7.36

 

CMYK 59 / 0 / 19 / 13

HEX #5CDFB4

RGB 92 223 180

HSL 160.31, 0.67%, 0.62%

LAB 80.93, -46.13, 10.41

 

CMYK 59 / 0 / 35 / 13

HEX #5CDF90

RGB 92 223 144

HSL 143.82, 0.67%, 0.62%

LAB 80.22, -53.51, 28.22

 

CMYK 59 / 0 / 51 / 13

HEX #5CDF6D

RGB 92 223 109

HSL 127.79, 0.67%, 0.62%

LAB 79.7, -59.1, 44.97

 

CMYK 51 / 0 / 59 / 13

HEX #6EDF5C

RGB 110 223 92

HSL 111.76, 0.67%, 0.62%

LAB 80.1, -56.71, 53.41

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD8

RGB 92 223 216

HSL 176.79, 0.67%, 0.62%

LAB 81.84, -37.32, -7.36

 

CMYK 59 / 12 / 0 / 13

HEX #5CC4DF

RGB 92 196 223

HSL 192.37, 0.67%, 0.62%

LAB 74.24, -22.35, -22.54

 

CMYK 59 / 28 / 0 / 13

HEX #5CA0DF

RGB 92 160 223

HSL 208.85, 0.67%, 0.62%

LAB 63.95, -3.05, -38.41

 

CMYK 59 / 44 / 0 / 13

HEX #5C7DDF

RGB 92 125 223

HSL 224.89, 0.67%, 0.62%

LAB 54.31, 17.57, -53.65

 

CMYK 59 / 59 / 0 / 13

HEX #5C5CDF

RGB 92 92 223

HSL 240, 0.67%, 0.62%

LAB 45.98, 37.76, -67.07

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD8

RGB 92 223 216

HSL 176.79, 0.67%, 0.62%

LAB 81.84, -37.32, -7.36

 

CMYK 68 / 0 / 4 / 6

HEX #4CEFE5

RGB 76 239 229

HSL 176.32, 0.84%, 0.62%

LAB 86.47, -43.53, -7.42

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD8

RGB 92 223 216

HSL 176.79, 0.67%, 0.62%

LAB 81.84, -37.32, -7.36

 

CMYK 49 / 0 / 3 / 18

HEX #6BD0CA

RGB 107 208 202

HSL 176.44, 0.52%, 0.62%

LAB 77.58, -30.93, -6.14

 

CMYK 36 / 0 / 2 / 25

HEX #7BC0BC

RGB 123 192 188

HSL 176.52, 0.35%, 0.62%

LAB 73.25, -22.6, -4.89

 

CMYK 21 / 0 / 1 / 31

HEX #8BB0AE

RGB 139 176 174

HSL 176.76, 0.19%, 0.62%

LAB 69.18, -12.87, -3.1

 

CMYK 4 / 0 / 1 / 37

HEX #9AA1A0

RGB 154 161 160

HSL 171.43, 0.04%, 0.62%

LAB 65.67, -2.68, -0.35

 

CMYK 59 / 0 / 35 / 13

HEX #5CDF90

RGB 92 223 144

HSL 143.82, 0.67%, 0.62%

LAB 80.22, -53.51, 28.22

 

CMYK 59 / 0 / 19 / 13

HEX #5CDFB4

RGB 92 223 180

HSL 160.31, 0.67%, 0.62%

LAB 80.93, -46.13, 10.41

 

CMYK 59 / 0 / 4 / 13

HEX #5CDFD7

RGB 92 223 215

HSL 176.34, 0.67%, 0.62%

LAB 81.81, -37.58, -6.87

 

CMYK 59 / 12 / 0 / 13

HEX #5CC5DF

RGB 92 197 223

HSL 191.91, 0.67%, 0.62%

LAB 74.53, -22.85, -22.1

 

CMYK 59 / 27 / 0 / 13

HEX #5CA2DF

RGB 92 162 223

HSL 207.94, 0.67%, 0.62%

LAB 64.52, -4.18, -37.53

 

CMYK 81 / 0 / 5 / 23

HEX #25C4BA

RGB 37 196 186

HSL 176.23, 0.68%, 0.46%

LAB 71.84, -40.6, -6.17

 

CMYK 74 / 0 / 5 / 15

HEX #39D9CF

RGB 57 217 207

HSL 176.25, 0.68%, 0.54%

LAB 79.04, -42.09, -6.8

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD8

RGB 92 223 216

HSL 176.79, 0.67%, 0.62%

LAB 81.84, -37.32, -7.36

 

CMYK 45 / 0 / 3 / 10

HEX #7EE6E0

RGB 126 230 224

HSL 176.54, 0.68%, 0.7%

LAB 85.21, -31.65, -6.49

 

CMYK 32 / 0 / 2 / 7

HEX #A1EDE8

RGB 161 237 232

HSL 176.05, 0.68%, 0.78%

LAB 88.91, -24.36, -5.05

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 51 / 59 / 0 / 13

HEX #6D5CDF

RGB 109 92 223

HSL 247.79, 0.67%, 0.62%

LAB 47.28, 40.86, -64.91

 

CMYK 0 / 27 / 59 / 13

HEX #DFA25C

RGB 223 162 92

HSL 32.06, 0.67%, 0.62%

LAB 71.08, 15.18, 44.81

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 4 / 59 / 0 / 13

HEX #D75CDF

RGB 215 92 223

HSL 296.34, 0.67%, 0.62%

LAB 59.37, 65.32, -44.88

 

CMYK 0 / 4 / 59 / 13

HEX #DFD75C

RGB 223 215 92

HSL 56.34, 0.67%, 0.62%

LAB 84.52, -12.44, 60.19

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 51 / 59 / 0 / 13

HEX #6D5CDF

RGB 109 92 223

HSL 247.79, 0.67%, 0.62%

LAB 47.28, 40.86, -64.91

 

CMYK 0 / 59 / 55 / 13

HEX #DF5C64

RGB 223 92 100

HSL 356.34, 0.67%, 0.62%

LAB 56.35, 51.77, 21.88

 

CMYK 8 / 0 / 59 / 13

HEX #CEDF5C

RGB 206 223 92

HSL 67.79, 0.67%, 0.62%

LAB 85.34, -23.26, 60.73

 

CMYK 59 / 0 / 4 / 12

HEX #5BE0D8

RGB 91 224 216

HSL 176.39, 0.68%, 0.62%

LAB 82.11, -37.95, -6.98

 

CMYK 33 / 59 / 0 / 13

HEX #955CDF

RGB 149 92 223

HSL 266.11, 0.67%, 0.62%

LAB 51.12, 49.38, -58.52

 

CMYK 0 / 59 / 55 / 13

HEX #DF5C64

RGB 223 92 100

HSL 356.34, 0.67%, 0.62%

LAB 56.35, 51.77, 21.88

 

CMYK 26 / 0 / 59 / 13

HEX #A6DF5C

RGB 166 223 92

HSL 86.11, 0.67%, 0.62%

LAB 82.73, -38.64, 57.1

 

Description

Color code: HEX #5BE0D8 | qconv.com Color code: HEX #5BE0D8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 224 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 224 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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