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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DB02E it is the complementary color #824FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DB02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DB02E shade: #82B029, #93C23C, #A4D44F, #B5E662 and #C6F875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DB02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DB02E shade: #7DB02E, #6C9E1B, #5B8C08, #4A7A00 and #396800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DB02E shade: #7EB22E, #A2B22E, #B29E2E, #B27B2E and #B2572E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DB02E shade: #7EB22E, #5AB22E, #37B22E, #2EB248 and #2EB26C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DB02E shade matches the following richer shades: #7EB22E, #82C41B and #86D609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DB02E shade: #7EB22E, #7AA040, #768E52, #727B64 and #6E6976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DB02E shade: #B29E2E, #A2B22E, #7FB22E, #5CB22E and #39B22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DB02E shade: #4F701D, #679125, #7EB22E, #94CC3C and #A6D55D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DB02E shade: #7DB02E, #2EB27B and #B02EB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DB02E shade: #7DB02E, #2E7FB2 and #B22E7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DB02E shade: #7DB02E, #2EB27B, #602EB2 and #B22E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DB02E shade: #7DB02E, #2EB2A2, #602EB2 and #B22E3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 74 / 31

HEX #7DB02E

RGB 125 176 46

HSL 83.54, 0.59%, 0.44%

LAB 66.22, -36.29, 57.41

 

Complementary color

CMYK 38 / 62 / 0 / 18

HEX #824FD1

RGB 130 79 209

HSL 263.54, 0.59%, 0.56%

LAB 45.55, 48.55, -59.61

 

CMYK 26 / 0 / 77 / 31

HEX #82B029

RGB 130 176 41

HSL 80.44, 0.62%, 0.43%

LAB 66.49, -34.63, 59.46

 

CMYK 24 / 0 / 69 / 24

HEX #93C23C

RGB 147 194 60

HSL 81.04, 0.53%, 0.5%

LAB 72.97, -35.13, 59.43

 

CMYK 23 / 0 / 63 / 17

HEX #A4D44F

RGB 164 212 79

HSL 81.65, 0.61%, 0.57%

LAB 79.35, -35.49, 58.87

 

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

CMYK 20 / 0 / 53 / 3

HEX #C6F875

RGB 198 248 117

HSL 82.9, 0.9%, 0.72%

LAB 91.88, -35.9, 57.04

 

CMYK 29 / 0 / 74 / 31

HEX #7DB02E

RGB 125 176 46

HSL 83.54, 0.59%, 0.44%

LAB 66.22, -36.29, 57.41

 

CMYK 32 / 0 / 83 / 38

HEX #6C9E1B

RGB 108 158 27

HSL 82.9, 0.71%, 0.36%

LAB 59.64, -35.68, 56.89

 

CMYK 35 / 0 / 94 / 45

HEX #5B8C08

RGB 91 140 8

HSL 82.27, 0.89%, 0.29%

LAB 52.95, -34.8, 54.93

 

CMYK 39 / 0 / 100 / 52

HEX #4A7A00

RGB 74 122 0

HSL 83.61, 1%, 0.24%

LAB 46.14, -33.53, 50.67

 

CMYK 45 / 0 / 100 / 59

HEX #396800

RGB 57 104 0

HSL 87.12, 1%, 0.2%

LAB 39.19, -31.99, 44.89

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22E

RGB 126 178 46

HSL 83.64, 0.59%, 0.44%

LAB 66.88, -36.81, 58.07

 

CMYK 9 / 0 / 74 / 30

HEX #A2B22E

RGB 162 178 46

HSL 67.27, 0.59%, 0.44%

LAB 69.27, -22.21, 61.2

 

CMYK 0 / 11 / 74 / 30

HEX #B29E2E

RGB 178 158 46

HSL 50.91, 0.59%, 0.44%

LAB 65.05, -4.9, 57.65

 

CMYK 0 / 31 / 74 / 30

HEX #B27B2E

RGB 178 123 46

HSL 35, 0.59%, 0.44%

LAB 55.92, 14.33, 48.67

 

CMYK 0 / 51 / 74 / 30

HEX #B2572E

RGB 178 87 46

HSL 18.64, 0.59%, 0.44%

LAB 47.6, 34.08, 40.03

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22E

RGB 126 178 46

HSL 83.64, 0.59%, 0.44%

LAB 66.88, -36.81, 58.07

 

CMYK 49 / 0 / 74 / 30

HEX #5AB22E

RGB 90 178 46

HSL 100, 0.59%, 0.44%

LAB 65.13, -49.21, 55.76

 

CMYK 69 / 0 / 74 / 30

HEX #37B22E

RGB 55 178 46

HSL 115.91, 0.59%, 0.44%

LAB 64.04, -57.92, 54.31

 

CMYK 74 / 0 / 60 / 30

HEX #2EB248

RGB 46 178 72

HSL 131.82, 0.59%, 0.44%

LAB 64.07, -56.86, 43.46

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26C

RGB 46 178 108

HSL 148.18, 0.59%, 0.44%

LAB 64.57, -51.1, 25.96

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22E

RGB 126 178 46

HSL 83.64, 0.59%, 0.44%

LAB 66.88, -36.81, 58.07

 

CMYK 34 / 0 / 86 / 23

HEX #82C41B

RGB 130 196 27

HSL 83.43, 0.76%, 0.44%

LAB 72.43, -44.01, 68.52

 

CMYK 37 / 0 / 96 / 16

HEX #86D609

RGB 134 214 9

HSL 83.41, 0.92%, 0.44%

LAB 77.98, -50.41, 75.78

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22E

RGB 126 178 46

HSL 83.64, 0.59%, 0.44%

LAB 66.88, -36.81, 58.07

 

CMYK 24 / 0 / 60 / 37

HEX #7AA040

RGB 122 160 64

HSL 83.75, 0.43%, 0.44%

LAB 61.35, -28.65, 44.85

 

CMYK 17 / 0 / 42 / 44

HEX #768E52

RGB 118 142 82

HSL 84, 0.27%, 0.44%

LAB 55.89, -19.25, 29.16

 

CMYK 7 / 0 / 19 / 52

HEX #727B64

RGB 114 123 100

HSL 83.48, 0.1%, 0.44%

LAB 50.29, -7.82, 11.47

 

CMYK 7 / 11 / 0 / 54

HEX #6E6976

RGB 110 105 118

HSL 263.08, 0.06%, 0.44%

LAB 45.26, 4.67, -6.55

 

CMYK 0 / 11 / 74 / 30

HEX #B29E2E

RGB 178 158 46

HSL 50.91, 0.59%, 0.44%

LAB 65.05, -4.9, 57.65

 

CMYK 9 / 0 / 74 / 30

HEX #A2B22E

RGB 162 178 46

HSL 67.27, 0.59%, 0.44%

LAB 69.27, -22.21, 61.2

 

CMYK 29 / 0 / 74 / 30

HEX #7FB22E

RGB 127 178 46

HSL 83.18, 0.59%, 0.44%

LAB 66.94, -36.43, 58.15

 

CMYK 48 / 0 / 74 / 30

HEX #5CB22E

RGB 92 178 46

HSL 99.09, 0.59%, 0.44%

LAB 65.21, -48.61, 55.87

 

CMYK 68 / 0 / 74 / 30

HEX #39B22E

RGB 57 178 46

HSL 115, 0.59%, 0.44%

LAB 64.09, -57.53, 54.37

 

CMYK 29 / 0 / 74 / 56

HEX #4F701D

RGB 79 112 29

HSL 83.86, 0.59%, 0.28%

LAB 43.27, -25.57, 40.15

 

CMYK 29 / 0 / 74 / 43

HEX #679125

RGB 103 145 37

HSL 83.33, 0.59%, 0.36%

LAB 55.35, -31.15, 49.55

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22E

RGB 126 178 46

HSL 83.64, 0.59%, 0.44%

LAB 66.88, -36.81, 58.07

 

CMYK 27 / 0 / 71 / 20

HEX #94CC3C

RGB 148 204 60

HSL 83.33, 0.59%, 0.52%

LAB 75.95, -39.26, 62.48

 

CMYK 22 / 0 / 56 / 16

HEX #A6D55D

RGB 166 213 93

HSL 83.5, 0.59%, 0.6%

LAB 79.89, -34.01, 53.42

 

CMYK 29 / 0 / 74 / 31

HEX #7DB02E

RGB 125 176 46

HSL 83.54, 0.59%, 0.44%

LAB 66.22, -36.29, 57.41

 

CMYK 74 / 0 / 31 / 30

HEX #2EB27B

RGB 46 178 123

HSL 155, 0.59%, 0.44%

LAB 64.84, -48.02, 18.26

 

CMYK 1 / 74 / 0 / 30

HEX #B02EB2

RGB 176 46 178

HSL 299.09, 0.59%, 0.44%

LAB 44.8, 66.28, -42.45

 

CMYK 29 / 0 / 74 / 31

HEX #7DB02E

RGB 125 176 46

HSL 83.54, 0.59%, 0.44%

LAB 66.22, -36.29, 57.41

 

CMYK 74 / 29 / 0 / 30

HEX #2E7FB2

RGB 46 127 178

HSL 203.18, 0.59%, 0.44%

LAB 50.66, -6.98, -33.94

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7F

RGB 178 46 127

HSL 323.18, 0.59%, 0.44%

LAB 42.69, 59.36, -15.02

 

CMYK 29 / 0 / 74 / 31

HEX #7DB02E

RGB 125 176 46

HSL 83.54, 0.59%, 0.44%

LAB 66.22, -36.29, 57.41

 

CMYK 74 / 0 / 31 / 30

HEX #2EB27B

RGB 46 178 123

HSL 155, 0.59%, 0.44%

LAB 64.84, -48.02, 18.26

 

CMYK 46 / 74 / 0 / 30

HEX #602EB2

RGB 96 46 178

HSL 262.73, 0.59%, 0.44%

LAB 33.25, 50.73, -61.66

 

CMYK 0 / 74 / 43 / 30

HEX #B22E65

RGB 178 46 101

HSL 335, 0.59%, 0.44%

LAB 41.78, 56.47, -0.24

 

CMYK 29 / 0 / 74 / 31

HEX #7DB02E

RGB 125 176 46

HSL 83.54, 0.59%, 0.44%

LAB 66.22, -36.29, 57.41

 

CMYK 74 / 0 / 9 / 30

HEX #2EB2A2

RGB 46 178 162

HSL 172.73, 0.59%, 0.44%

LAB 65.77, -38.34, -1.9

 

CMYK 46 / 74 / 0 / 30

HEX #602EB2

RGB 96 46 178

HSL 262.73, 0.59%, 0.44%

LAB 33.25, 50.73, -61.66

 

CMYK 0 / 74 / 66 / 30

HEX #B22E3D

RGB 178 46 61

HSL 353.18, 0.59%, 0.44%

LAB 40.83, 53.34, 23.51

 

Description

Color code: HEX #7DB02E | qconv.com Color code: HEX #7DB02E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 176 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 176 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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