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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E662 it is the complementary color #4A199D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E662 shade: #BAE65D, #CBF870, #DCFF83, #EDFF96 and #FEFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E662 shade: #B5E662, #A4D44F, #93C23C, #82B029 and #719E16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E662 shade: #B4E660, #D8E660, #E6CF60, #E6AB60 and #E68760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E662 shade: #B4E660, #90E660, #6CE660, #60E678 and #60E69C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E662 shade matches the following richer shades: #B4E660 and #B8F551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E662 shade: #B4E660, #B0D76F, #ACC87D, #A8B98C and #A5AA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E662 shade: #E6CF60, #D8E660, #B5E660, #91E660 and #6DE660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E662 shade: #90D220, #A3E03C, #B4E660, #C5EB83 and #D5F1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E662 shade: #B5E662, #60E6AC and #E160E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E662 shade: #B5E662, #60B5E6 and #E660B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E662 shade: #B5E662, #60E6AC, #9160E6 and #E6609A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E662 shade: #B5E662, #60E6D4, #9160E6 and #E66072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

Complementary color

CMYK 53 / 84 / 0 / 38

HEX #4A199D

RGB 74 25 157

HSL 262.27, 0.73%, 0.36%

LAB 25.52, 51.09, -61.79

 

CMYK 19 / 0 / 60 / 10

HEX #BAE65D

RGB 186 230 93

HSL 79.27, 0.73%, 0.63%

LAB 85.92, -34.27, 60.56

 

CMYK 18 / 0 / 55 / 3

HEX #CBF870

RGB 203 248 112

HSL 79.85, 0.91%, 0.71%

LAB 92.13, -34.52, 59.64

 

CMYK 14 / 0 / 49 / 0

HEX #DCFF83

RGB 220 255 131

HSL 76.94, 1%, 0.76%

LAB 95.32, -29.64, 55.09

 

CMYK 7 / 0 / 41 / 0

HEX #EDFF96

RGB 237 255 150

HSL 70.29, 1%, 0.79%

LAB 96.71, -21.34, 48.11

 

CMYK 0 / 0 / 34 / 0

HEX #FEFFA9

RGB 254 255 169

HSL 60.7, 1%, 0.83%

LAB 98.22, -12.87, 41.05

 

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

CMYK 23 / 0 / 63 / 17

HEX #A4D44F

RGB 164 212 79

HSL 81.65, 0.61%, 0.57%

LAB 79.35, -35.49, 58.87

 

CMYK 24 / 0 / 69 / 24

HEX #93C23C

RGB 147 194 60

HSL 81.04, 0.53%, 0.5%

LAB 72.97, -35.13, 59.43

 

CMYK 26 / 0 / 77 / 31

HEX #82B029

RGB 130 176 41

HSL 80.44, 0.62%, 0.43%

LAB 66.49, -34.63, 59.46

 

CMYK 28 / 0 / 86 / 38

HEX #719E16

RGB 113 158 22

HSL 79.85, 0.76%, 0.35%

LAB 59.91, -33.91, 58.52

 

CMYK 22 / 0 / 58 / 10

HEX #B4E660

RGB 180 230 96

HSL 82.39, 0.73%, 0.64%

LAB 85.58, -36.28, 58.79

 

CMYK 6 / 0 / 58 / 10

HEX #D8E660

RGB 216 230 96

HSL 66.27, 0.73%, 0.64%

LAB 87.99, -22.35, 62.15

 

CMYK 0 / 10 / 58 / 10

HEX #E6CF60

RGB 230 207 96

HSL 49.7, 0.73%, 0.64%

LAB 83.07, -5.23, 56.96

 

CMYK 0 / 26 / 58 / 10

HEX #E6AB60

RGB 230 171 96

HSL 33.58, 0.73%, 0.64%

LAB 74.06, 13.58, 46.53

 

CMYK 0 / 41 / 58 / 10

HEX #E68760

RGB 230 135 96

HSL 17.46, 0.73%, 0.64%

LAB 65.75, 32.7, 36.44

 

CMYK 22 / 0 / 58 / 10

HEX #B4E660

RGB 180 230 96

HSL 82.39, 0.73%, 0.64%

LAB 85.58, -36.28, 58.79

 

CMYK 37 / 0 / 58 / 10

HEX #90E660

RGB 144 230 96

HSL 98.51, 0.73%, 0.64%

LAB 83.64, -48.9, 56.07

 

CMYK 53 / 0 / 58 / 10

HEX #6CE660

RGB 108 230 96

HSL 114.63, 0.73%, 0.64%

LAB 82.18, -59.44, 54.01

 

CMYK 58 / 0 / 48 / 10

HEX #60E678

RGB 96 230 120

HSL 130.75, 0.73%, 0.64%

LAB 82.07, -59.27, 42.66

 

CMYK 58 / 0 / 32 / 10

HEX #60E69C

RGB 96 230 156

HSL 146.87, 0.73%, 0.64%

LAB 82.64, -53.23, 25.34

 

CMYK 22 / 0 / 58 / 10

HEX #B4E660

RGB 180 230 96

HSL 82.39, 0.73%, 0.64%

LAB 85.58, -36.28, 58.79

 

CMYK 25 / 0 / 67 / 4

HEX #B8F551

RGB 184 245 81

HSL 82.32, 0.89%, 0.64%

LAB 89.9, -42.6, 69.6

 

CMYK 22 / 0 / 58 / 10

HEX #B4E660

RGB 180 230 96

HSL 82.39, 0.73%, 0.64%

LAB 85.58, -36.28, 58.79

 

CMYK 18 / 0 / 48 / 16

HEX #B0D76F

RGB 176 215 111

HSL 82.5, 0.57%, 0.64%

LAB 81.28, -29.4, 46.83

 

CMYK 14 / 0 / 38 / 22

HEX #ACC87D

RGB 172 200 125

HSL 82.4, 0.41%, 0.64%

LAB 77.02, -22.01, 34.45

 

CMYK 9 / 0 / 24 / 27

HEX #A8B98C

RGB 168 185 140

HSL 82.67, 0.24%, 0.64%

LAB 72.84, -13.83, 20.94

 

CMYK 3 / 0 / 9 / 33

HEX #A5AA9B

RGB 165 170 155

HSL 80, 0.08%, 0.64%

LAB 68.83, -4.55, 7.11

 

CMYK 0 / 10 / 58 / 10

HEX #E6CF60

RGB 230 207 96

HSL 49.7, 0.73%, 0.64%

LAB 83.07, -5.23, 56.96

 

CMYK 6 / 0 / 58 / 10

HEX #D8E660

RGB 216 230 96

HSL 66.27, 0.73%, 0.64%

LAB 87.99, -22.35, 62.15

 

CMYK 21 / 0 / 58 / 10

HEX #B5E660

RGB 181 230 96

HSL 81.94, 0.73%, 0.64%

LAB 85.64, -35.91, 58.88

 

CMYK 37 / 0 / 58 / 10

HEX #91E660

RGB 145 230 96

HSL 98.06, 0.73%, 0.64%

LAB 83.68, -48.57, 56.14

 

CMYK 53 / 0 / 58 / 10

HEX #6DE660

RGB 109 230 96

HSL 114.18, 0.73%, 0.64%

LAB 82.21, -59.18, 54.06

 

CMYK 31 / 0 / 85 / 18

HEX #90D220

RGB 144 210 32

HSL 82.25, 0.74%, 0.47%

LAB 77.36, -44.67, 71.96

 

CMYK 27 / 0 / 73 / 12

HEX #A3E03C

RGB 163 224 60

HSL 82.32, 0.73%, 0.56%

LAB 82.61, -42.46, 69.34

 

CMYK 22 / 0 / 58 / 10

HEX #B4E660

RGB 180 230 96

HSL 82.39, 0.73%, 0.64%

LAB 85.58, -36.28, 58.79

 

CMYK 16 / 0 / 44 / 8

HEX #C5EB83

RGB 197 235 131

HSL 81.92, 0.72%, 0.72%

LAB 88.41, -28.82, 46.29

 

CMYK 12 / 0 / 31 / 5

HEX #D5F1A7

RGB 213 241 167

HSL 82.7, 0.73%, 0.8%

LAB 91.62, -21.39, 32.8

 

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

CMYK 58 / 0 / 25 / 10

HEX #60E6AC

RGB 96 230 172

HSL 154.03, 0.73%, 0.64%

LAB 82.94, -50.03, 17.47

 

CMYK 2 / 58 / 0 / 10

HEX #E160E6

RGB 225 96 230

HSL 297.76, 0.73%, 0.64%

LAB 61.73, 67.29, -44.99

 

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

CMYK 58 / 21 / 0 / 10

HEX #60B5E6

RGB 96 181 230

HSL 201.94, 0.73%, 0.64%

LAB 70.35, -11.67, -32.3

 

CMYK 0 / 58 / 21 / 10

HEX #E660B5

RGB 230 96 181

HSL 321.94, 0.73%, 0.64%

LAB 60.36, 61.01, -19.33

 

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

CMYK 58 / 0 / 25 / 10

HEX #60E6AC

RGB 96 230 172

HSL 154.03, 0.73%, 0.64%

LAB 82.94, -50.03, 17.47

 

CMYK 37 / 58 / 0 / 10

HEX #9160E6

RGB 145 96 230

HSL 261.94, 0.73%, 0.64%

LAB 51.95, 48.09, -61.15

 

CMYK 0 / 58 / 33 / 10

HEX #E6609A

RGB 230 96 154

HSL 334.03, 0.73%, 0.64%

LAB 59.45, 57.55, -5.11

 

CMYK 21 / 0 / 57 / 10

HEX #B5E662

RGB 181 230 98

HSL 82.27, 0.73%, 0.64%

LAB 85.65, -35.73, 58.03

 

CMYK 58 / 0 / 8 / 10

HEX #60E6D4

RGB 96 230 212

HSL 171.94, 0.73%, 0.64%

LAB 83.88, -40.8, -2.23

 

CMYK 37 / 58 / 0 / 10

HEX #9160E6

RGB 145 96 230

HSL 261.94, 0.73%, 0.64%

LAB 51.95, 48.09, -61.15

 

CMYK 0 / 58 / 50 / 10

HEX #E66072

RGB 230 96 114

HSL 351.94, 0.73%, 0.64%

LAB 58.42, 53.47, 16.71

 

Description

Color code: HEX #B5E662 | qconv.com Color code: HEX #B5E662 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 230 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 230 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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