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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5B2A it is the complementary color #82A4D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5B2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5B2A shade: #825B25, #936D38, #A47F4B, #B5915E and #C6A371

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5B2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5B2A shade: #7D5B2A, #6C4917, #5B3704, #4A2500 and #391300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5B2A shade: #7E5B2A, #7E452A, #7E2E2A and #7E2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5B2A shade: #7E5B2A, #7E722A, #737E2A, #5C7E2A and #457E2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5B2A shade matches the following richer shades: #7E5B2A, #8B5E1C, #99600E and #A76301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5B2A shade: #7E5B2A, #705937, #625645, #555452 and #475160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5B2A shade: #7E2E2A, #7E442A, #7E5B2A, #7E712A and #747E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5B2A shade: #402E15, #5F451F, #7E5B2A, #9D7234 and #BC883E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5B2A shade: #7D5B2A, #3C7E2A and #392A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5B2A shade: #7D5B2A, #2A7E5B and #5B2A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5B2A shade: #7D5B2A, #3C7E2A, #2A4D7E and #6B2A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5B2A shade: #7D5B2A, #2A7E31, #2A4D7E and #7E2A77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 66 / 51

HEX #7D5B2A

RGB 125 91 42

HSL 35.42, 0.5%, 0.33%

LAB 41.23, 8.37, 33.07

 

Complementary color

CMYK 39 / 23 / 0 / 16

HEX #82A4D5

RGB 130 164 213

HSL 215.42, 0.5%, 0.67%

LAB 66.6, 0.62, -28.63

 

CMYK 0 / 30 / 72 / 49

HEX #825B25

RGB 130 91 37

HSL 34.84, 0.56%, 0.33%

LAB 41.79, 10.38, 36.43

 

CMYK 0 / 26 / 62 / 42

HEX #936D38

RGB 147 109 56

HSL 34.95, 0.45%, 0.4%

LAB 48.79, 8.99, 35

 

CMYK 0 / 23 / 54 / 36

HEX #A47F4B

RGB 164 127 75

HSL 35.06, 0.37%, 0.47%

LAB 55.66, 7.87, 33.52

 

CMYK 0 / 20 / 48 / 29

HEX #B5915E

RGB 181 145 94

HSL 35.17, 0.37%, 0.54%

LAB 62.41, 6.95, 32.11

 

CMYK 0 / 18 / 43 / 22

HEX #C6A371

RGB 198 163 113

HSL 35.29, 0.43%, 0.61%

LAB 69.03, 6.18, 30.78

 

CMYK 0 / 27 / 66 / 51

HEX #7D5B2A

RGB 125 91 42

HSL 35.42, 0.5%, 0.33%

LAB 41.23, 8.37, 33.07

 

CMYK 0 / 32 / 79 / 58

HEX #6C4917

RGB 108 73 23

HSL 35.29, 0.65%, 0.26%

LAB 34.01, 9.94, 34.37

 

CMYK 0 / 40 / 96 / 64

HEX #5B3704

RGB 91 55 4

HSL 35.17, 0.92%, 0.19%

LAB 26.64, 11.97, 34.87

 

CMYK 0 / 50 / 100 / 71

HEX #4A2500

RGB 74 37 0

HSL 30, 1%, 0.15%

LAB 19.14, 14.67, 27.95

 

CMYK 0 / 67 / 100 / 78

HEX #391300

RGB 57 19 0

HSL 20, 1%, 0.11%

LAB 11.52, 17.55, 17.63

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 63 / 67 / 51

HEX #7E2E2A

RGB 126 46 42

HSL 2.86, 0.5%, 0.33%

LAB 30.78, 34.42, 20.72

 

CMYK 0 / 67 / 67 / 51

HEX #7E2A2A

RGB 126 42 42

HSL 0, 0.5%, 0.33%

LAB 30.06, 36.34, 19.82

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 10 / 67 / 51

HEX #7E722A

RGB 126 114 42

HSL 51.43, 0.5%, 0.33%

LAB 47.8, -4.56, 40.3

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 27 / 0 / 67 / 51

HEX #5C7E2A

RGB 92 126 42

HSL 84.29, 0.5%, 0.33%

LAB 48.72, -26.09, 40.47

 

CMYK 45 / 0 / 67 / 51

HEX #457E2A

RGB 69 126 42

HSL 100.71, 0.5%, 0.33%

LAB 47.44, -34.8, 38.71

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 32 / 80 / 45

HEX #8B5E1C

RGB 139 94 28

HSL 35.68, 0.66%, 0.33%

LAB 43.62, 12.37, 42.82

 

CMYK 0 / 37 / 91 / 40

HEX #99600E

RGB 153 96 14

HSL 35.4, 0.83%, 0.33%

LAB 45.87, 17.24, 50.38

 

CMYK 0 / 41 / 99 / 35

HEX #A76301

RGB 167 99 1

HSL 35.42, 0.99%, 0.33%

LAB 48.44, 21.63, 56.12

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 21 / 51 / 56

HEX #705937

RGB 112 89 55

HSL 35.79, 0.34%, 0.33%

LAB 39.35, 4.66, 23.18

 

CMYK 0 / 12 / 30 / 62

HEX #625645

RGB 98 86 69

HSL 35.17, 0.17%, 0.33%

LAB 37.27, 1.95, 11.71

 

CMYK 0 / 1 / 4 / 67

HEX #555452

RGB 85 84 82

HSL 40, 0.02%, 0.33%

LAB 35.75, -0.01, 1.3

 

CMYK 26 / 16 / 0 / 62

HEX #475160

RGB 71 81 96

HSL 216, 0.15%, 0.33%

LAB 34.13, -0.16, -10.05

 

CMYK 0 / 63 / 67 / 51

HEX #7E2E2A

RGB 126 46 42

HSL 2.86, 0.5%, 0.33%

LAB 30.78, 34.42, 20.72

 

CMYK 0 / 46 / 67 / 51

HEX #7E442A

RGB 126 68 42

HSL 18.57, 0.5%, 0.33%

LAB 35.47, 22.45, 26.44

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 10 / 67 / 51

HEX #7E712A

RGB 126 113 42

HSL 50.71, 0.5%, 0.33%

LAB 47.51, -3.99, 39.99

 

CMYK 8 / 0 / 67 / 51

HEX #747E2A

RGB 116 126 42

HSL 67.14, 0.5%, 0.33%

LAB 50.45, -15.75, 42.84

 

CMYK 0 / 28 / 67 / 75

HEX #402E15

RGB 64 46 21

HSL 34.88, 0.51%, 0.17%

LAB 20.43, 4.86, 19.09

 

CMYK 0 / 27 / 67 / 63

HEX #5F451F

RGB 95 69 31

HSL 35.63, 0.51%, 0.25%

LAB 31.32, 6.56, 26.84

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 27 / 67 / 38

HEX #9D7234

RGB 157 114 52

HSL 35.43, 0.5%, 0.41%

LAB 51.21, 10.36, 40.11

 

CMYK 0 / 28 / 67 / 26

HEX #BC883E

RGB 188 136 62

HSL 35.24, 0.5%, 0.49%

LAB 60.47, 12.38, 46.42

 

CMYK 0 / 27 / 66 / 51

HEX #7D5B2A

RGB 125 91 42

HSL 35.42, 0.5%, 0.33%

LAB 41.23, 8.37, 33.07

 

CMYK 52 / 0 / 67 / 51

HEX #3C7E2A

RGB 60 126 42

HSL 107.14, 0.5%, 0.33%

LAB 47.04, -37.72, 38.16

 

CMYK 55 / 67 / 0 / 51

HEX #392A7E

RGB 57 42 126

HSL 250.71, 0.5%, 0.33%

LAB 23.78, 30.69, -45.46

 

CMYK 0 / 27 / 66 / 51

HEX #7D5B2A

RGB 125 91 42

HSL 35.42, 0.5%, 0.33%

LAB 41.23, 8.37, 33.07

 

CMYK 67 / 0 / 28 / 51

HEX #2A7E5B

RGB 42 126 91

HSL 155, 0.5%, 0.33%

LAB 47.2, -33.98, 11.82

 

CMYK 28 / 67 / 0 / 51

HEX #5B2A7E

RGB 91 42 126

HSL 275, 0.5%, 0.33%

LAB 27.81, 38.29, -38.74

 

CMYK 0 / 27 / 66 / 51

HEX #7D5B2A

RGB 125 91 42

HSL 35.42, 0.5%, 0.33%

LAB 41.23, 8.37, 33.07

 

CMYK 52 / 0 / 67 / 51

HEX #3C7E2A

RGB 60 126 42

HSL 107.14, 0.5%, 0.33%

LAB 47.04, -37.72, 38.16

 

CMYK 67 / 39 / 0 / 51

HEX #2A4D7E

RGB 42 77 126

HSL 215, 0.5%, 0.33%

LAB 32.49, 4.23, -31.5

 

CMYK 15 / 67 / 0 / 51

HEX #6B2A7E

RGB 107 42 126

HSL 286.43, 0.5%, 0.33%

LAB 30.13, 42.28, -34.89

 

CMYK 0 / 27 / 66 / 51

HEX #7D5B2A

RGB 125 91 42

HSL 35.42, 0.5%, 0.33%

LAB 41.23, 8.37, 33.07

 

CMYK 67 / 0 / 61 / 51

HEX #2A7E31

RGB 42 126 49

HSL 125, 0.5%, 0.33%

LAB 46.49, -41.72, 34.04

 

CMYK 67 / 39 / 0 / 51

HEX #2A4D7E

RGB 42 77 126

HSL 215, 0.5%, 0.33%

LAB 32.49, 4.23, -31.5

 

CMYK 0 / 67 / 6 / 51

HEX #7E2A77

RGB 126 42 119

HSL 305, 0.5%, 0.33%

LAB 32.75, 45.89, -26.14

 

Description

Color code: HEX #7D5B2A | qconv.com Color code: HEX #7D5B2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 91 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 91 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 66 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 66% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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