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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E452A it is the complementary color #81BAD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E452A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E452A shade: #834525, #945738, #A5694B, #B67B5E and #C78D71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E452A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E452A shade: #7E452A, #6D3317, #5C2104, #4B0F00 and #3A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E452A shade: #7E452A, #7E2E2A and #7E2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E452A shade: #7E452A, #7E5B2A, #7E722A, #737E2A and #5C7E2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E452A shade matches the following richer shades: #7E452A, #8B401C, #993B0E and #A73601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E452A shade: #7E452A, #704937, #624E45, #555352 and #475860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E452A shade: #7E2A3C, #7E2E2A, #7E442A, #7E5B2A and #7E712A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E452A shade: #402315, #5F341F, #7E452A, #9D5634 and #BC673E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E452A shade: #7E452A, #527E2A and #2A317E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E452A shade: #7E452A, #2A7E44 and #442A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E452A shade: #7E452A, #527E2A, #2A637E and #552A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E452A shade: #7E452A, #397E2A, #2A637E and #6E2A7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

Complementary color

CMYK 39 / 13 / 0 / 16

HEX #81BAD5

RGB 129 186 213

HSL 199.29, 0.5%, 0.67%

LAB 72.62, -11.64, -19.43

 

CMYK 0 / 47 / 72 / 49

HEX #834525

RGB 131 69 37

HSL 20.43, 0.56%, 0.33%

LAB 36.4, 23.75, 30.57

 

CMYK 0 / 41 / 62 / 42

HEX #945738

RGB 148 87 56

HSL 20.22, 0.45%, 0.4%

LAB 43.36, 22.14, 28.56

 

CMYK 0 / 36 / 55 / 35

HEX #A5694B

RGB 165 105 75

HSL 20, 0.38%, 0.47%

LAB 50.23, 20.78, 26.75

 

CMYK 0 / 32 / 48 / 29

HEX #B67B5E

RGB 182 123 94

HSL 19.77, 0.38%, 0.54%

LAB 57, 19.61, 25.14

 

CMYK 0 / 29 / 43 / 22

HEX #C78D71

RGB 199 141 113

HSL 19.53, 0.43%, 0.61%

LAB 63.66, 18.6, 23.7

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 53 / 79 / 57

HEX #6D3317

RGB 109 51 23

HSL 19.53, 0.65%, 0.26%

LAB 28.59, 23.63, 28.89

 

CMYK 0 / 64 / 96 / 64

HEX #5C2104

RGB 92 33 4

HSL 19.77, 0.92%, 0.19%

LAB 21.48, 25.56, 29.83

 

CMYK 0 / 80 / 100 / 71

HEX #4B0F00

RGB 75 15 0

HSL 12, 1%, 0.15%

LAB 14.61, 27.34, 22.43

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 63 / 67 / 51

HEX #7E2E2A

RGB 126 46 42

HSL 2.86, 0.5%, 0.33%

LAB 30.78, 34.42, 20.72

 

CMYK 0 / 67 / 67 / 51

HEX #7E2A2A

RGB 126 42 42

HSL 0, 0.5%, 0.33%

LAB 30.06, 36.34, 19.82

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 10 / 67 / 51

HEX #7E722A

RGB 126 114 42

HSL 51.43, 0.5%, 0.33%

LAB 47.8, -4.56, 40.3

 

CMYK 9 / 0 / 67 / 51

HEX #737E2A

RGB 115 126 42

HSL 67.86, 0.5%, 0.33%

LAB 50.37, -16.2, 42.73

 

CMYK 27 / 0 / 67 / 51

HEX #5C7E2A

RGB 92 126 42

HSL 84.29, 0.5%, 0.33%

LAB 48.72, -26.09, 40.47

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 54 / 80 / 45

HEX #8B401C

RGB 139 64 28

HSL 19.46, 0.66%, 0.33%

LAB 36.44, 29.51, 35.83

 

CMYK 0 / 61 / 91 / 40

HEX #993B0E

RGB 153 59 14

HSL 19.42, 0.83%, 0.33%

LAB 37.72, 37.32, 44.11

 

CMYK 0 / 68 / 99 / 35

HEX #A73601

RGB 167 54 1

HSL 19.16, 0.99%, 0.33%

LAB 39.34, 44.63, 50.72

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 35 / 51 / 56

HEX #704937

RGB 112 73 55

HSL 18.95, 0.34%, 0.33%

LAB 34.97, 14.37, 17.54

 

CMYK 0 / 20 / 30 / 62

HEX #624E45

RGB 98 78 69

HSL 18.62, 0.17%, 0.33%

LAB 34.95, 6.87, 8.5

 

CMYK 0 / 2 / 4 / 67

HEX #555352

RGB 85 83 82

HSL 20, 0.02%, 0.33%

LAB 35.45, 0.6, 0.87

 

CMYK 26 / 8 / 0 / 62

HEX #475860

RGB 71 88 96

HSL 199.2, 0.15%, 0.33%

LAB 36.3, -4.49, -6.78

 

CMYK 0 / 67 / 52 / 51

HEX #7E2A3C

RGB 126 42 60

HSL 347.14, 0.5%, 0.33%

LAB 30.44, 37.79, 8.58

 

CMYK 0 / 63 / 67 / 51

HEX #7E2E2A

RGB 126 46 42

HSL 2.86, 0.5%, 0.33%

LAB 30.78, 34.42, 20.72

 

CMYK 0 / 46 / 67 / 51

HEX #7E442A

RGB 126 68 42

HSL 18.57, 0.5%, 0.33%

LAB 35.47, 22.45, 26.44

 

CMYK 0 / 28 / 67 / 51

HEX #7E5B2A

RGB 126 91 42

HSL 35, 0.5%, 0.33%

LAB 41.35, 8.84, 33.23

 

CMYK 0 / 10 / 67 / 51

HEX #7E712A

RGB 126 113 42

HSL 50.71, 0.5%, 0.33%

LAB 47.51, -3.99, 39.99

 

CMYK 0 / 45 / 67 / 75

HEX #402315

RGB 64 35 21

HSL 19.53, 0.51%, 0.17%

LAB 17.21, 12.21, 15.2

 

CMYK 0 / 45 / 67 / 63

HEX #5F341F

RGB 95 52 31

HSL 19.69, 0.51%, 0.25%

LAB 26.7, 17.16, 21.45

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 0 / 45 / 67 / 38

HEX #9D5634

RGB 157 86 52

HSL 19.43, 0.5%, 0.41%

LAB 44.34, 26.28, 32.29

 

CMYK 0 / 45 / 67 / 26

HEX #BC673E

RGB 188 103 62

HSL 19.52, 0.5%, 0.49%

LAB 52.66, 30.51, 37.64

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 35 / 0 / 67 / 51

HEX #527E2A

RGB 82 126 42

HSL 91.43, 0.5%, 0.33%

LAB 48.11, -30.06, 39.64

 

CMYK 67 / 61 / 0 / 51

HEX #2A317E

RGB 42 49 126

HSL 235, 0.5%, 0.33%

LAB 24.31, 23.33, -44.65

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 67 / 0 / 46 / 51

HEX #2A7E44

RGB 42 126 68

HSL 138.57, 0.5%, 0.33%

LAB 46.75, -38.78, 24.34

 

CMYK 46 / 67 / 0 / 51

HEX #442A7E

RGB 68 42 126

HSL 258.57, 0.5%, 0.33%

LAB 24.92, 32.96, -43.54

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 35 / 0 / 67 / 51

HEX #527E2A

RGB 82 126 42

HSL 91.43, 0.5%, 0.33%

LAB 48.11, -30.06, 39.64

 

CMYK 67 / 21 / 0 / 51

HEX #2A637E

RGB 42 99 126

HSL 199.29, 0.5%, 0.33%

LAB 39.45, -9.58, -20.61

 

CMYK 33 / 67 / 0 / 51

HEX #552A7E

RGB 85 42 126

HSL 270.71, 0.5%, 0.33%

LAB 27, 36.84, -40.08

 

CMYK 0 / 45 / 67 / 51

HEX #7E452A

RGB 126 69 42

HSL 19.29, 0.5%, 0.33%

LAB 35.71, 21.87, 26.72

 

CMYK 55 / 0 / 67 / 51

HEX #397E2A

RGB 57 126 42

HSL 109.29, 0.5%, 0.33%

LAB 46.92, -38.63, 38

 

CMYK 67 / 21 / 0 / 51

HEX #2A637E

RGB 42 99 126

HSL 199.29, 0.5%, 0.33%

LAB 39.45, -9.58, -20.61

 

CMYK 13 / 67 / 0 / 51

HEX #6E2A7E

RGB 110 42 126

HSL 288.57, 0.5%, 0.33%

LAB 30.59, 43.04, -34.14

 

Description

Color code: HEX #7E452A | qconv.com Color code: HEX #7E452A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 69 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 69 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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