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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C2FBB it is the complementary color #83D044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C2FBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C2FBB shade: #812FB6, #9241C9, #A353DC, #B465EF and #C577FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C2FBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C2FBB shade: #7C2FBB, #6B1DA8, #5A0B95, #490082 and #38006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C2FBB shade: #7C2EBB, #A22EBB, #BB2EAF, #BB2E89 and #BB2E63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C2FBB shade: #7C2EBB, #562EBB, #302EBB and #2E2EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C2FBB shade matches the following richer shades: #7C2EBB, #7E1BCE and #8008E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C2FBB shade: #7C2EBB, #7A41A8, #785495, #766782 and #747A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C2FBB shade: #312EBB, #562EBB, #7C2EBB, #A12EBB and #BB2EAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C2FBB shade: #501E79, #66269A, #7C2EBB, #9043D0 and #A464D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C2FBB shade: #7C2FBB, #BB2E52 and #2EBB44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C2FBB shade: #7C2FBB, #BB7C2E and #2EBB7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C2FBB shade: #7C2FBB, #BB2E52, #6EBB2E and #2EBB98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C2FBB shade: #7C2FBB, #BB352E, #6EBB2E and #2EB4BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 75 / 0 / 27

HEX #7C2FBB

RGB 124 47 187

HSL 273, 0.6%, 0.46%

LAB 37.67, 57.36, -59.63

 

Complementary color

CMYK 37 / 0 / 67 / 18

HEX #83D044

RGB 131 208 68

HSL 93, 0.6%, 0.54%

LAB 76.29, -46.51, 59.51

 

CMYK 29 / 74 / 0 / 29

HEX #812FB6

RGB 129 47 182

HSL 276.44, 0.59%, 0.45%

LAB 37.98, 57.16, -56.15

 

CMYK 27 / 68 / 0 / 21

HEX #9241C9

RGB 146 65 201

HSL 275.74, 0.56%, 0.52%

LAB 44.39, 56.99, -56.79

 

CMYK 26 / 62 / 0 / 14

HEX #A353DC

RGB 163 83 220

HSL 275.04, 0.66%, 0.59%

LAB 50.85, 56.45, -57.16

 

CMYK 25 / 58 / 0 / 6

HEX #B465EF

RGB 180 101 239

HSL 274.35, 0.81%, 0.67%

LAB 57.31, 55.73, -57.38

 

CMYK 23 / 53 / 0 / 0

HEX #C577FF

RGB 197 119 255

HSL 274.41, 1%, 0.73%

LAB 63.58, 54.26, -56.11

 

CMYK 34 / 75 / 0 / 27

HEX #7C2FBB

RGB 124 47 187

HSL 273, 0.6%, 0.46%

LAB 37.67, 57.36, -59.63

 

CMYK 36 / 83 / 0 / 34

HEX #6B1DA8

RGB 107 29 168

HSL 273.67, 0.71%, 0.39%

LAB 31.42, 56.93, -58.62

 

CMYK 40 / 93 / 0 / 42

HEX #5A0B95

RGB 90 11 149

HSL 274.35, 0.86%, 0.31%

LAB 25.51, 55.22, -56.82

 

CMYK 44 / 100 / 0 / 49

HEX #490082

RGB 73 0 130

HSL 273.69, 1%, 0.25%

LAB 20.16, 51.49, -53.85

 

CMYK 50 / 100 / 0 / 56

HEX #38006F

RGB 56 0 111

HSL 270.27, 1%, 0.22%

LAB 15.43, 45.42, -49.53

 

CMYK 34 / 75 / 0 / 27

HEX #7C2EBB

RGB 124 46 187

HSL 273.19, 0.61%, 0.46%

LAB 37.53, 57.77, -59.87

 

CMYK 13 / 75 / 0 / 27

HEX #A22EBB

RGB 162 46 187

HSL 289.36, 0.61%, 0.46%

LAB 43.1, 64.97, -50.59

 

CMYK 0 / 75 / 6 / 27

HEX #BB2EAF

RGB 187 46 175

HSL 305.11, 0.61%, 0.46%

LAB 46.46, 68.17, -37.93

 

CMYK 0 / 75 / 27 / 27

HEX #BB2E89

RGB 187 46 137

HSL 321.28, 0.61%, 0.46%

LAB 44.7, 62.9, -17.92

 

CMYK 0 / 75 / 47 / 27

HEX #BB2E63

RGB 187 46 99

HSL 337.45, 0.61%, 0.46%

LAB 43.39, 58.82, 3.55

 

CMYK 34 / 75 / 0 / 27

HEX #7C2EBB

RGB 124 46 187

HSL 273.19, 0.61%, 0.46%

LAB 37.53, 57.77, -59.87

 

CMYK 54 / 75 / 0 / 27

HEX #562EBB

RGB 86 46 187

HSL 257.02, 0.61%, 0.46%

LAB 32.96, 51.65, -67.52

 

CMYK 74 / 75 / 0 / 27

HEX #302EBB

RGB 48 46 187

HSL 240.85, 0.61%, 0.46%

LAB 29.84, 47.3, -72.78

 

CMYK 75 / 75 / 0 / 27

HEX #2E2EBB

RGB 46 46 187

HSL 240, 0.61%, 0.46%

LAB 29.72, 47.13, -72.98

 

CMYK 34 / 75 / 0 / 27

HEX #7C2EBB

RGB 124 46 187

HSL 273.19, 0.61%, 0.46%

LAB 37.53, 57.77, -59.87

 

CMYK 39 / 87 / 0 / 19

HEX #7E1BCE

RGB 126 27 206

HSL 273.18, 0.77%, 0.46%

LAB 37.25, 68.53, -71.42

 

CMYK 43 / 96 / 0 / 12

HEX #8008E1

RGB 128 8 225

HSL 273.18, 0.93%, 0.46%

LAB 38.2, 76.06, -80.81

 

CMYK 34 / 75 / 0 / 27

HEX #7C2EBB

RGB 124 46 187

HSL 273.19, 0.61%, 0.46%

LAB 37.53, 57.77, -59.87

 

CMYK 27 / 61 / 0 / 34

HEX #7A41A8

RGB 122 65 168

HSL 273.2, 0.44%, 0.46%

LAB 39.15, 43.92, -46.01

 

CMYK 19 / 44 / 0 / 42

HEX #785495

RGB 120 84 149

HSL 273.23, 0.28%, 0.46%

LAB 42.01, 28, -30.11

 

CMYK 9 / 21 / 0 / 49

HEX #766782

RGB 118 103 130

HSL 273.33, 0.12%, 0.46%

LAB 45.86, 11.45, -12.78

 

CMYK 5 / 0 / 9 / 52

HEX #747A6F

RGB 116 122 111

HSL 92.73, 0.05%, 0.46%

LAB 50.43, -4.44, 5.24

 

CMYK 74 / 75 / 0 / 27

HEX #312EBB

RGB 49 46 187

HSL 241.28, 0.61%, 0.46%

LAB 29.9, 47.39, -72.67

 

CMYK 54 / 75 / 0 / 27

HEX #562EBB

RGB 86 46 187

HSL 257.02, 0.61%, 0.46%

LAB 32.96, 51.65, -67.52

 

CMYK 34 / 75 / 0 / 27

HEX #7C2EBB

RGB 124 46 187

HSL 273.19, 0.61%, 0.46%

LAB 37.53, 57.77, -59.87

 

CMYK 14 / 75 / 0 / 27

HEX #A12EBB

RGB 161 46 187

HSL 288.94, 0.61%, 0.46%

LAB 42.94, 64.77, -50.85

 

CMYK 0 / 75 / 6 / 27

HEX #BB2EAF

RGB 187 46 175

HSL 305.11, 0.61%, 0.46%

LAB 46.46, 68.17, -37.93

 

CMYK 34 / 75 / 0 / 53

HEX #501E79

RGB 80 30 121

HSL 272.97, 0.6%, 0.3%

LAB 23.72, 40.59, -42.26

 

CMYK 34 / 75 / 0 / 40

HEX #66269A

RGB 102 38 154

HSL 273.1, 0.6%, 0.38%

LAB 30.75, 49.38, -51.26

 

CMYK 34 / 75 / 0 / 27

HEX #7C2EBB

RGB 124 46 187

HSL 273.19, 0.61%, 0.46%

LAB 37.53, 57.77, -59.87

 

CMYK 31 / 68 / 0 / 18

HEX #9043D0

RGB 144 67 208

HSL 272.77, 0.6%, 0.54%

LAB 44.94, 57.24, -59.95

 

CMYK 24 / 54 / 0 / 15

HEX #A464D8

RGB 164 100 216

HSL 273.1, 0.6%, 0.62%

LAB 53.99, 47.1, -49.87

 

CMYK 34 / 75 / 0 / 27

HEX #7C2FBB

RGB 124 47 187

HSL 273, 0.6%, 0.46%

LAB 37.67, 57.36, -59.63

 

CMYK 0 / 75 / 56 / 27

HEX #BB2E52

RGB 187 46 82

HSL 344.68, 0.61%, 0.46%

LAB 42.96, 57.43, 13.55

 

CMYK 75 / 0 / 64 / 27

HEX #2EBB44

RGB 46 187 68

HSL 129.36, 0.61%, 0.46%

LAB 66.93, -60.36, 48.52

 

CMYK 34 / 75 / 0 / 27

HEX #7C2FBB

RGB 124 47 187

HSL 273, 0.6%, 0.46%

LAB 37.67, 57.36, -59.63

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2E

RGB 187 124 46

HSL 33.19, 0.61%, 0.46%

LAB 57.25, 17.74, 50.36

 

CMYK 75 / 0 / 34 / 27

HEX #2EBB7C

RGB 46 187 124

HSL 153.19, 0.61%, 0.46%

LAB 67.71, -51.34, 21.64

 

CMYK 34 / 75 / 0 / 27

HEX #7C2FBB

RGB 124 47 187

HSL 273, 0.6%, 0.46%

LAB 37.67, 57.36, -59.63

 

CMYK 0 / 75 / 56 / 27

HEX #BB2E52

RGB 187 46 82

HSL 344.68, 0.61%, 0.46%

LAB 42.96, 57.43, 13.55

 

CMYK 41 / 0 / 75 / 27

HEX #6EBB2E

RGB 110 187 46

HSL 92.77, 0.61%, 0.46%

LAB 68.79, -46.43, 59.65

 

CMYK 75 / 0 / 19 / 27

HEX #2EBB98

RGB 46 187 152

HSL 165.11, 0.61%, 0.46%

LAB 68.31, -44.9, 7.29

 

CMYK 34 / 75 / 0 / 27

HEX #7C2FBB

RGB 124 47 187

HSL 273, 0.6%, 0.46%

LAB 37.67, 57.36, -59.63

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 41 / 0 / 75 / 27

HEX #6EBB2E

RGB 110 187 46

HSL 92.77, 0.61%, 0.46%

LAB 68.79, -46.43, 59.65

 

CMYK 75 / 4 / 0 / 27

HEX #2EB4BB

RGB 46 180 187

HSL 182.98, 0.61%, 0.46%

LAB 67.14, -32.04, -13.72

 

Description

Color code: HEX #7C2FBB | qconv.com Color code: HEX #7C2FBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 47 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 47 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 75 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 75% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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