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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB352E it is the complementary color #44CAD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB352E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB352E shade: #C03529, #D1473C, #E2594F, #F36B62 and #FF7D75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB352E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB352E shade: #BB352E, #AA231B, #991108, #880000 and #770000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB352E shade: #BC342D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB352E shade: #BC342D, #BC5B2D, #BC822D, #BCA82D and #AABC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB352E shade matches the following richer shades: #BC342D, #CF231A and #E21207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB352E shade: #BC342D, #A94540, #965753, #836866 and #707979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB352E shade: #BC2D75, #BC2D4F, #BC322D, #BC582D and #BC7E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB352E shade: #7A221D, #9B2B25, #BC342D, #D14942 and #D96963

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB352E shade: #BB352E, #9BBC2D and #2D62BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB352E shade: #BB352E, #2DBC32 and #322DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB352E shade: #BB352E, #9BBC2D, #2DB8BC and #4F2DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB352E shade: #BB352E, #70BC2D, #2DB8BC and #7A2DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

Complementary color

CMYK 67 / 3 / 0 / 18

HEX #44CAD1

RGB 68 202 209

HSL 182.98, 0.61%, 0.54%

LAB 74.87, -33.26, -14.07

 

CMYK 0 / 72 / 79 / 25

HEX #C03529

RGB 192 53 41

HSL 4.77, 0.65%, 0.46%

LAB 44.11, 54.34, 39.74

 

CMYK 0 / 66 / 71 / 18

HEX #D1473C

RGB 209 71 60

HSL 4.43, 0.62%, 0.53%

LAB 49.96, 53.68, 36.47

 

CMYK 0 / 61 / 65 / 11

HEX #E2594F

RGB 226 89 79

HSL 4.08, 0.72%, 0.6%

LAB 55.97, 52.73, 33.57

 

CMYK 0 / 56 / 60 / 5

HEX #F36B62

RGB 243 107 98

HSL 3.72, 0.86%, 0.67%

LAB 62.04, 51.64, 31.05

 

CMYK 0 / 51 / 54 / 0

HEX #FF7D75

RGB 255 125 117

HSL 3.48, 1%, 0.73%

LAB 67.44, 48.74, 27.78

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 0 / 79 / 84 / 33

HEX #AA231B

RGB 170 35 27

HSL 3.36, 0.73%, 0.39%

LAB 37.53, 53.04, 39.37

 

CMYK 0 / 89 / 95 / 40

HEX #991108

RGB 153 17 8

HSL 3.72, 0.9%, 0.32%

LAB 32.24, 52.19, 42.53

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 31 / 76 / 26

HEX #BC822D

RGB 188 130 45

HSL 35.66, 0.61%, 0.46%

LAB 58.83, 14.81, 52.38

 

CMYK 0 / 11 / 76 / 26

HEX #BCA82D

RGB 188 168 45

HSL 51.61, 0.61%, 0.46%

LAB 68.67, -5.84, 61.75

 

CMYK 10 / 0 / 76 / 26

HEX #AABC2D

RGB 170 188 45

HSL 67.55, 0.61%, 0.46%

LAB 72.7, -23.81, 64.96

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 83 / 87 / 19

HEX #CF231A

RGB 207 35 26

HSL 2.98, 0.78%, 0.46%

LAB 45, 63.79, 49.2

 

CMYK 0 / 92 / 97 / 11

HEX #E21207

RGB 226 18 7

HSL 3.01, 0.94%, 0.46%

LAB 47.77, 71.56, 59.56

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 59 / 62 / 34

HEX #A94540

RGB 169 69 64

HSL 2.86, 0.45%, 0.46%

LAB 42.86, 40.78, 23.92

 

CMYK 0 / 42 / 45 / 41

HEX #965753

RGB 150 87 83

HSL 3.58, 0.29%, 0.46%

LAB 44.13, 25.54, 13.59

 

CMYK 0 / 21 / 22 / 49

HEX #836866

RGB 131 104 102

HSL 4.14, 0.12%, 0.46%

LAB 46.56, 10.44, 5.22

 

CMYK 7 / 0 / 0 / 53

HEX #707979

RGB 112 121 121

HSL 180, 0.04%, 0.46%

LAB 50.1, -3.35, -1.16

 

CMYK 0 / 76 / 38 / 26

HEX #BC2D75

RGB 188 45 117

HSL 329.79, 0.61%, 0.46%

LAB 44.02, 61.17, -6.67

 

CMYK 0 / 76 / 58 / 26

HEX #BC2D4F

RGB 188 45 79

HSL 345.73, 0.61%, 0.46%

LAB 42.96, 57.83, 15.47

 

CMYK 0 / 73 / 76 / 26

HEX #BC322D

RGB 188 50 45

HSL 2.1, 0.61%, 0.46%

LAB 43.01, 54.29, 36.12

 

CMYK 0 / 53 / 76 / 26

HEX #BC582D

RGB 188 88 45

HSL 18.04, 0.61%, 0.46%

LAB 49.33, 37.5, 42.83

 

CMYK 0 / 33 / 76 / 26

HEX #BC7E2D

RGB 188 126 45

HSL 33.99, 0.61%, 0.46%

LAB 57.85, 17.02, 51.42

 

CMYK 0 / 72 / 76 / 52

HEX #7A221D

RGB 122 34 29

HSL 3.23, 0.62%, 0.3%

LAB 27.76, 37.72, 25.14

 

CMYK 0 / 72 / 76 / 39

HEX #9B2B25

RGB 155 43 37

HSL 3.05, 0.61%, 0.38%

LAB 35.65, 45.83, 30.89

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 65 / 68 / 18

HEX #D14942

RGB 209 73 66

HSL 2.94, 0.61%, 0.54%

LAB 50.35, 53.15, 33.51

 

CMYK 0 / 52 / 54 / 15

HEX #D96963

RGB 217 105 99

HSL 3.05, 0.61%, 0.62%

LAB 57.8, 43.37, 24.23

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 18 / 0 / 76 / 26

HEX #9BBC2D

RGB 155 188 45

HSL 73.85, 0.61%, 0.46%

LAB 71.64, -30.01, 63.59

 

CMYK 76 / 48 / 0 / 26

HEX #2D62BC

RGB 45 98 188

HSL 217.76, 0.61%, 0.46%

LAB 42.65, 14.53, -52.46

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 76 / 0 / 73 / 26

HEX #2DBC32

RGB 45 188 50

HSL 122.1, 0.61%, 0.46%

LAB 67.09, -62.55, 55.89

 

CMYK 73 / 76 / 0 / 26

HEX #322DBC

RGB 50 45 188

HSL 242.1, 0.61%, 0.46%

LAB 29.88, 48.34, -73.3

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 18 / 0 / 76 / 26

HEX #9BBC2D

RGB 155 188 45

HSL 73.85, 0.61%, 0.46%

LAB 71.64, -30.01, 63.59

 

CMYK 76 / 2 / 0 / 26

HEX #2DB8BC

RGB 45 184 188

HSL 181.68, 0.61%, 0.46%

LAB 68.37, -33.75, -12.42

 

CMYK 58 / 76 / 0 / 26

HEX #4F2DBC

RGB 79 45 188

HSL 254.27, 0.61%, 0.46%

LAB 32.19, 51.47, -69.41

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 40 / 0 / 76 / 26

HEX #70BC2D

RGB 112 188 45

HSL 91.89, 0.61%, 0.46%

LAB 69.18, -46.22, 60.39

 

CMYK 76 / 2 / 0 / 26

HEX #2DB8BC

RGB 45 184 188

HSL 181.68, 0.61%, 0.46%

LAB 68.37, -33.75, -12.42

 

CMYK 35 / 76 / 0 / 26

HEX #7A2DBC

RGB 122 45 188

HSL 272.31, 0.61%, 0.46%

LAB 37.2, 58.05, -61.01

 

Description

Color code: HEX #BB352E | qconv.com Color code: HEX #BB352E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 53 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 53 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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