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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C236B it is the complementary color #83DC94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C236B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C236B shade: #812366, #923579, #A3478C, #B4599F and #C56BB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C236B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C236B shade: #7C236B, #6B1158, #5A0045, #490032 and #38001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C236B shade: #7B226A, #7B2252, #7B223A and #7B2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C236B shade: #7B226A, #74227B, #5C227B, #44227B and #2C227B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C236B shade matches the following richer shades: #7B226A, #881572 and #94097A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C236B shade: #7B226A, #6E2F62, #613C5A, #544952 and #48554A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C236B shade: #5C227B, #73227B, #7B226B, #7B2253 and #7B223B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C236B shade: #3A1032, #5B194E, #7B226A, #9B2B86 and #BB34A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C236B shade: #7C236B, #7B4422 and #227B68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C236B shade: #7C236B, #6B7B22 and #226B7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C236B shade: #7C236B, #7B4422, #227B33 and #22597B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C236B shade: #7C236B, #7B5F22, #227B33 and #223E7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 14 / 51

HEX #7C236B

RGB 124 35 107

HSL 311.46, 0.56%, 0.31%

LAB 30.76, 46.24, -21.67

 

Complementary color

CMYK 40 / 0 / 33 / 14

HEX #83DC94

RGB 131 220 148

HSL 131.46, 0.56%, 0.69%

LAB 80.82, -41.71, 27.22

 

CMYK 0 / 73 / 21 / 49

HEX #812366

RGB 129 35 102

HSL 317.23, 0.57%, 0.32%

LAB 31.41, 46.83, -17.37

 

CMYK 0 / 64 / 17 / 43

HEX #923579

RGB 146 53 121

HSL 316.13, 0.47%, 0.39%

LAB 37.91, 46.99, -19.11

 

CMYK 0 / 56 / 14 / 36

HEX #A3478C

RGB 163 71 140

HSL 315, 0.39%, 0.46%

LAB 44.5, 46.65, -20.38

 

CMYK 0 / 51 / 12 / 29

HEX #B4599F

RGB 180 89 159

HSL 313.85, 0.38%, 0.53%

LAB 51.1, 46.05, -21.36

 

CMYK 0 / 46 / 10 / 23

HEX #C56BB2

RGB 197 107 178

HSL 312.67, 0.44%, 0.6%

LAB 57.66, 45.35, -22.14

 

CMYK 0 / 72 / 14 / 51

HEX #7C236B

RGB 124 35 107

HSL 311.46, 0.56%, 0.31%

LAB 30.76, 46.24, -21.67

 

CMYK 0 / 84 / 18 / 58

HEX #6B1158

RGB 107 17 88

HSL 312.67, 0.73%, 0.24%

LAB 24.42, 45.12, -19.4

 

CMYK 0 / 100 / 23 / 65

HEX #5A0045

RGB 90 0 69

HSL 314, 1%, 0.18%

LAB 18.38, 42.72, -16.21

 

CMYK 0 / 100 / 32 / 71

HEX #490032

RGB 73 0 50

HSL 318.9, 1%, 0.14%

LAB 13.51, 36.29, -10.58

 

CMYK 0 / 100 / 45 / 78

HEX #38001F

RGB 56 0 31

HSL 326.79, 1%, 0.11%

LAB 8.48, 29.67, -4.41

 

CMYK 0 / 72 / 14 / 52

HEX #7B226A

RGB 123 34 106

HSL 311.46, 0.57%, 0.31%

LAB 30.39, 46.21, -21.61

 

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

CMYK 0 / 72 / 72 / 52

HEX #7B2222

RGB 123 34 34

HSL 0, 0.57%, 0.31%

LAB 28.04, 38.34, 22.34

 

CMYK 0 / 72 / 14 / 52

HEX #7B226A

RGB 123 34 106

HSL 311.46, 0.57%, 0.31%

LAB 30.39, 46.21, -21.61

 

CMYK 6 / 72 / 0 / 52

HEX #74227B

RGB 116 34 123

HSL 295.28, 0.57%, 0.31%

LAB 30.13, 47.4, -32.93

 

CMYK 25 / 72 / 0 / 52

HEX #5C227B

RGB 92 34 123

HSL 279.1, 0.57%, 0.31%

LAB 26.3, 41.79, -39.27

 

CMYK 45 / 72 / 0 / 52

HEX #44227B

RGB 68 34 123

HSL 262.92, 0.57%, 0.31%

LAB 23.01, 36.65, -44.76

 

CMYK 64 / 72 / 0 / 52

HEX #2C227B

RGB 44 34 123

HSL 246.74, 0.57%, 0.31%

LAB 20.48, 32.41, -49

 

CMYK 0 / 72 / 14 / 52

HEX #7B226A

RGB 123 34 106

HSL 311.46, 0.57%, 0.31%

LAB 30.39, 46.21, -21.61

 

CMYK 0 / 85 / 16 / 47

HEX #881572

RGB 136 21 114

HSL 311.48, 0.73%, 0.31%

LAB 31.77, 54.69, -24.39

 

CMYK 0 / 94 / 18 / 42

HEX #94097A

RGB 148 9 122

HSL 311.22, 0.89%, 0.31%

LAB 33.77, 60.55, -26.16

 

CMYK 0 / 72 / 14 / 52

HEX #7B226A

RGB 123 34 106

HSL 311.46, 0.57%, 0.31%

LAB 30.39, 46.21, -21.61

 

CMYK 0 / 57 / 11 / 57

HEX #6E2F62

RGB 110 47 98

HSL 311.43, 0.4%, 0.31%

LAB 29.99, 35.06, -17.26

 

CMYK 0 / 38 / 7 / 62

HEX #613C5A

RGB 97 60 90

HSL 311.35, 0.24%, 0.31%

LAB 30.67, 21.48, -11.22

 

CMYK 0 / 13 / 2 / 67

HEX #544952

RGB 84 73 82

HSL 310.91, 0.07%, 0.31%

LAB 32.39, 6.47, -3.64

 

CMYK 15 / 0 / 13 / 67

HEX #48554A

RGB 72 85 74

HSL 129.23, 0.08%, 0.31%

LAB 34.74, -7.57, 4.72

 

CMYK 25 / 72 / 0 / 52

HEX #5C227B

RGB 92 34 123

HSL 279.1, 0.57%, 0.31%

LAB 26.3, 41.79, -39.27

 

CMYK 7 / 72 / 0 / 52

HEX #73227B

RGB 115 34 123

HSL 294.61, 0.57%, 0.31%

LAB 29.96, 47.16, -33.2

 

CMYK 0 / 72 / 13 / 52

HEX #7B226B

RGB 123 34 107

HSL 310.79, 0.57%, 0.31%

LAB 30.44, 46.37, -22.18

 

CMYK 0 / 72 / 33 / 52

HEX #7B2253

RGB 123 34 83

HSL 326.97, 0.57%, 0.31%

LAB 29.36, 42.87, -8.25

 

CMYK 0 / 72 / 52 / 52

HEX #7B223B

RGB 123 34 59

HSL 343.15, 0.57%, 0.31%

LAB 28.57, 40.19, 6.53

 

CMYK 0 / 72 / 14 / 77

HEX #3A1032

RGB 58 16 50

HSL 311.43, 0.57%, 0.15%

LAB 12.61, 25.49, -12.23

 

CMYK 0 / 73 / 14 / 64

HEX #5B194E

RGB 91 25 78

HSL 311.82, 0.57%, 0.23%

LAB 21.83, 36.42, -16.97

 

CMYK 0 / 72 / 14 / 52

HEX #7B226A

RGB 123 34 106

HSL 311.46, 0.57%, 0.31%

LAB 30.39, 46.21, -21.61

 

CMYK 0 / 72 / 14 / 39

HEX #9B2B86

RGB 155 43 134

HSL 311.25, 0.57%, 0.39%

LAB 38.58, 55.46, -26

 

CMYK 0 / 72 / 14 / 27

HEX #BB34A1

RGB 187 52 161

HSL 311.56, 0.56%, 0.47%

LAB 46.44, 64.18, -29.67

 

CMYK 0 / 72 / 14 / 51

HEX #7C236B

RGB 124 35 107

HSL 311.46, 0.56%, 0.31%

LAB 30.76, 46.24, -21.67

 

CMYK 0 / 45 / 72 / 52

HEX #7B4422

RGB 123 68 34

HSL 22.92, 0.57%, 0.31%

LAB 34.92, 20.6, 30.27

 

CMYK 72 / 0 / 15 / 52

HEX #227B68

RGB 34 123 104

HSL 167.19, 0.57%, 0.31%

LAB 46.32, -30.69, 2.91

 

CMYK 0 / 72 / 14 / 51

HEX #7C236B

RGB 124 35 107

HSL 311.46, 0.56%, 0.31%

LAB 30.76, 46.24, -21.67

 

CMYK 13 / 0 / 72 / 52

HEX #6B7B22

RGB 107 123 34

HSL 70.79, 0.57%, 0.31%

LAB 48.77, -18.72, 44.28

 

CMYK 72 / 13 / 0 / 52

HEX #226B7B

RGB 34 107 123

HSL 190.79, 0.57%, 0.31%

LAB 41.67, -16.58, -15.41

 

CMYK 0 / 72 / 14 / 51

HEX #7C236B

RGB 124 35 107

HSL 311.46, 0.56%, 0.31%

LAB 30.76, 46.24, -21.67

 

CMYK 0 / 45 / 72 / 52

HEX #7B4422

RGB 123 68 34

HSL 22.92, 0.57%, 0.31%

LAB 34.92, 20.6, 30.27

 

CMYK 72 / 0 / 59 / 52

HEX #227B33

RGB 34 123 51

HSL 131.46, 0.57%, 0.31%

LAB 45.28, -41.97, 31.56

 

CMYK 72 / 28 / 0 / 52

HEX #22597B

RGB 34 89 123

HSL 202.92, 0.57%, 0.31%

LAB 35.82, -6.01, -24.44

 

CMYK 0 / 72 / 14 / 51

HEX #7C236B

RGB 124 35 107

HSL 311.46, 0.56%, 0.31%

LAB 30.76, 46.24, -21.67

 

CMYK 0 / 23 / 72 / 52

HEX #7B5F22

RGB 123 95 34

HSL 41.12, 0.57%, 0.31%

LAB 42.02, 4.53, 37.88

 

CMYK 72 / 0 / 59 / 52

HEX #227B33

RGB 34 123 51

HSL 131.46, 0.57%, 0.31%

LAB 45.28, -41.97, 31.56

 

CMYK 72 / 50 / 0 / 52

HEX #223E7B

RGB 34 62 123

HSL 221.12, 0.57%, 0.31%

LAB 27.34, 11.81, -37.88

 

Description

Color code: HEX #7C236B | qconv.com Color code: HEX #7C236B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 35 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 35 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 14 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 14% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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