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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 34 82 it is the complementary color RGB 132 221 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 34 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 34 82 shade: RGB 128 34 77, RGB 145 52 96, RGB 162 70 115, RGB 179 88 134 and RGB 196 106 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 34 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 34 82 shade: RGB 123 34 82, RGB 106 16 63, RGB 89 0 44, RGB 72 0 25 and RGB 55 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 34 82 shade: RGB 124 33 82, RGB 124 33 58 and RGB 124 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 34 82 shade: RGB 124 33 82, RGB 124 33 106, RGB 117 33 124, RGB 92 33 124 and RGB 68 33 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 34 82 shade matches the following richer shades: RGB 124 33 82, RGB 136 21 83 and RGB 149 8 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 34 82 shade: RGB 124 33 82, RGB 111 46 81, RGB 98 59 80, RGB 85 72 79 and RGB 72 85 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 34 82 shade: RGB 116 33 124, RGB 124 33 107, RGB 124 33 83, RGB 124 33 59 and RGB 124 33 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 34 82 shade: RGB 59 16 39, RGB 91 25 61, RGB 124 33 82, RGB 156 42 104 and RGB 188 51 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 34 82 shade: RGB 123 34 82, RGB 124 92 33 and RGB 33 119 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 34 82 shade: RGB 123 34 82, RGB 83 124 33 and RGB 33 83 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 34 82 shade: RGB 123 34 82, RGB 124 92 33, RGB 33 124 74 and RGB 33 65 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 34 82 shade: RGB 123 34 82, RGB 124 119 33, RGB 33 124 74 and RGB 33 38 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

Complementary color

CMYK 40 / 0 / 22 / 13

HEX #84DDAD

RGB 132 221 173

HSL 147.64, 0.57%, 0.69%

LAB 81.64, -37.28, 15.31

 

CMYK 0 / 73 / 40 / 50

HEX #80224D

RGB 128 34 77

HSL 332.55, 0.58%, 0.32%

LAB 30.08, 43.65, -3.12

 

CMYK 0 / 64 / 34 / 43

HEX #913460

RGB 145 52 96

HSL 331.61, 0.47%, 0.39%

LAB 36.59, 43.6, -5.41

 

CMYK 0 / 57 / 29 / 36

HEX #A24673

RGB 162 70 115

HSL 330.65, 0.4%, 0.45%

LAB 43.21, 43.09, -7.11

 

CMYK 0 / 51 / 25 / 30

HEX #B35886

RGB 179 88 134

HSL 329.67, 0.37%, 0.52%

LAB 49.84, 42.37, -8.45

 

CMYK 0 / 46 / 22 / 23

HEX #C46A99

RGB 196 106 153

HSL 328.67, 0.43%, 0.59%

LAB 56.43, 41.58, -9.55

 

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

CMYK 0 / 85 / 41 / 58

HEX #6A103F

RGB 106 16 63

HSL 328.67, 0.74%, 0.24%

LAB 22.98, 41.84, -4.72

 

CMYK 0 / 100 / 51 / 65

HEX #59002C

RGB 89 0 44

HSL 330.34, 1%, 0.17%

LAB 17.02, 39.56, -0.57

 

CMYK 0 / 100 / 65 / 72

HEX #480019

RGB 72 0 25

HSL 339.17, 1%, 0.14%

LAB 12.27, 33.43, 6.19

 

CMYK 0 / 100 / 89 / 78

HEX #370006

RGB 55 0 6

HSL 353.45, 1%, 0.11%

LAB 7.46, 27.27, 9.32

 

CMYK 0 / 73 / 34 / 51

HEX #7C2152

RGB 124 33 82

HSL 327.69, 0.58%, 0.31%

LAB 29.37, 43.44, -7.56

 

CMYK 0 / 73 / 53 / 51

HEX #7C213A

RGB 124 33 58

HSL 343.52, 0.58%, 0.31%

LAB 28.59, 40.83, 7.26

 

CMYK 0 / 73 / 73 / 51

HEX #7C2121

RGB 124 33 33

HSL 0, 0.58%, 0.31%

LAB 28.07, 39.05, 23.07

 

CMYK 0 / 73 / 34 / 51

HEX #7C2152

RGB 124 33 82

HSL 327.69, 0.58%, 0.31%

LAB 29.37, 43.44, -7.56

 

CMYK 0 / 73 / 15 / 51

HEX #7C216A

RGB 124 33 106

HSL 311.87, 0.58%, 0.31%

LAB 30.43, 46.86, -21.53

 

CMYK 6 / 73 / 0 / 51

HEX #75217C

RGB 117 33 124

HSL 295.38, 0.58%, 0.31%

LAB 30.22, 48.21, -33.4

 

CMYK 26 / 73 / 0 / 51

HEX #5C217C

RGB 92 33 124

HSL 278.9, 0.58%, 0.31%

LAB 26.21, 42.49, -40.05

 

CMYK 45 / 73 / 0 / 51

HEX #44217C

RGB 68 33 124

HSL 263.08, 0.58%, 0.31%

LAB 22.9, 37.47, -45.57

 

CMYK 0 / 73 / 34 / 51

HEX #7C2152

RGB 124 33 82

HSL 327.69, 0.58%, 0.31%

LAB 29.37, 43.44, -7.56

 

CMYK 0 / 85 / 39 / 47

HEX #881553

RGB 136 21 83

HSL 327.65, 0.73%, 0.31%

LAB 30.39, 50.76, -6.45

 

CMYK 0 / 95 / 44 / 42

HEX #950854

RGB 149 8 84

HSL 327.66, 0.9%, 0.31%

LAB 32.27, 56.53, -4.02

 

CMYK 0 / 73 / 34 / 51

HEX #7C2152

RGB 124 33 82

HSL 327.69, 0.58%, 0.31%

LAB 29.37, 43.44, -7.56

 

CMYK 0 / 59 / 27 / 56

HEX #6F2E51

RGB 111 46 81

HSL 327.69, 0.41%, 0.31%

LAB 29.23, 33.09, -7.34

 

CMYK 0 / 40 / 18 / 62

HEX #623B50

RGB 98 59 80

HSL 327.69, 0.25%, 0.31%

LAB 30.17, 20.58, -5.48

 

CMYK 0 / 15 / 7 / 67

HEX #55484F

RGB 85 72 79

HSL 327.69, 0.08%, 0.31%

LAB 32.1, 6.88, -2.14

 

CMYK 15 / 0 / 8 / 67

HEX #48554E

RGB 72 85 78

HSL 147.69, 0.08%, 0.31%

LAB 34.85, -6.69, 2.37

 

CMYK 6 / 73 / 0 / 51

HEX #74217C

RGB 116 33 124

HSL 294.73, 0.58%, 0.31%

LAB 30.05, 47.98, -33.68

 

CMYK 0 / 73 / 14 / 51

HEX #7C216B

RGB 124 33 107

HSL 311.21, 0.58%, 0.31%

LAB 30.48, 47.01, -22.1

 

CMYK 0 / 73 / 33 / 51

HEX #7C2153

RGB 124 33 83

HSL 327.03, 0.58%, 0.31%

LAB 29.41, 43.57, -8.16

 

CMYK 0 / 73 / 52 / 51

HEX #7C213B

RGB 124 33 59

HSL 342.86, 0.58%, 0.31%

LAB 28.61, 40.92, 6.63

 

CMYK 0 / 73 / 72 / 51

HEX #7C2123

RGB 124 33 35

HSL 358.68, 0.58%, 0.31%

LAB 28.1, 39.15, 21.83

 

CMYK 0 / 73 / 34 / 77

HEX #3B1027

RGB 59 16 39

HSL 327.91, 0.57%, 0.15%

LAB 12.27, 23.93, -4.68

 

CMYK 0 / 73 / 33 / 64

HEX #5B193D

RGB 91 25 61

HSL 327.27, 0.57%, 0.23%

LAB 21.04, 33.78, -6.56

 

CMYK 0 / 73 / 34 / 51

HEX #7C2152

RGB 124 33 82

HSL 327.69, 0.58%, 0.31%

LAB 29.37, 43.44, -7.56

 

CMYK 0 / 73 / 33 / 39

HEX #9C2A68

RGB 156 42 104

HSL 327.37, 0.58%, 0.39%

LAB 37.34, 52, -9.16

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

CMYK 0 / 26 / 73 / 51

HEX #7C5C21

RGB 124 92 33

HSL 38.9, 0.58%, 0.31%

LAB 41.29, 6.73, 37.65

 

CMYK 73 / 4 / 0 / 51

HEX #21777C

RGB 33 119 124

HSL 183.3, 0.58%, 0.31%

LAB 45.6, -22.86, -10.06

 

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

CMYK 33 / 0 / 73 / 51

HEX #537C21

RGB 83 124 33

HSL 87.03, 0.58%, 0.31%

LAB 47.45, -29.46, 42.82

 

CMYK 73 / 33 / 0 / 51

HEX #21537C

RGB 33 83 124

HSL 207.03, 0.58%, 0.31%

LAB 33.91, -2.03, -28.05

 

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

CMYK 0 / 26 / 73 / 51

HEX #7C5C21

RGB 124 92 33

HSL 38.9, 0.58%, 0.31%

LAB 41.29, 6.73, 37.65

 

CMYK 73 / 0 / 40 / 51

HEX #217C4A

RGB 33 124 74

HSL 147.03, 0.58%, 0.31%

LAB 45.95, -38.54, 19.88

 

CMYK 73 / 48 / 0 / 51

HEX #21417C

RGB 33 65 124

HSL 218.9, 0.58%, 0.31%

LAB 28.27, 9.97, -37.01

 

CMYK 0 / 72 / 33 / 52

HEX #7B2252

RGB 123 34 82

HSL 327.64, 0.57%, 0.31%

LAB 29.32, 42.74, -7.65

 

CMYK 0 / 4 / 73 / 51

HEX #7C7721

RGB 124 119 33

HSL 56.7, 0.58%, 0.31%

LAB 48.99, -8.84, 45.39

 

CMYK 73 / 0 / 40 / 51

HEX #217C4A

RGB 33 124 74

HSL 147.03, 0.58%, 0.31%

LAB 45.95, -38.54, 19.88

 

CMYK 73 / 69 / 0 / 51

HEX #21267C

RGB 33 38 124

HSL 236.7, 0.58%, 0.31%

LAB 20.69, 28.67, -49.31

 

Description

Color code: RGB 123 34 82 | qconv.com Color code: RGB 123 34 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 34 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 34 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 33 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 33% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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