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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A769E it is the complementary color #858961. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A769E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A769E shade: #7F7699, #9088AC, #A19ABF, #B2ACD2 and #C3BEE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A769E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A769E shade: #7A769E, #69648B, #585278, #474065 and #362E52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A769E shade: #79759D, #84759D, #8F759D, #9A759D and #9D7596

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A769E shade: #79759D and #75759D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A769E shade matches the following richer shades: #79759D, #6A62B0, #5B4FC3, #4C3CD6 and #3D29E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A769E shade: #79759D, #88888A, #989B77, #A7AE64 and #B6C151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A769E shade: #75879D, #757C9D, #79759D, #84759D and #8F759D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A769E shade: #535070, #656188, #79759D, #918DAE and #A8A6BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A769E shade: #7A769E, #9D7591 and #819D75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A769E shade: #7A769E, #9D7975 and #759D79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A769E shade: #7A769E, #9D7591, #999D75 and #759D81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A769E shade: #7A769E, #9D7585, #999D75 and #759D8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 25 / 0 / 38

HEX #7A769E

RGB 122 118 158

HSL 246, 0.17%, 0.54%

LAB 51.34, 10.45, -20.95

 

Complementary color

CMYK 3 / 0 / 29 / 46

HEX #858961

RGB 133 137 97

HSL 66, 0.17%, 0.46%

LAB 55.83, -8.41, 21.02

 

CMYK 17 / 23 / 0 / 40

HEX #7F7699

RGB 127 118 153

HSL 255.43, 0.15%, 0.53%

LAB 51.57, 10.91, -17.63

 

CMYK 16 / 21 / 0 / 33

HEX #9088AC

RGB 144 136 172

HSL 253.33, 0.18%, 0.6%

LAB 58.52, 10.48, -17.89

 

CMYK 16 / 19 / 0 / 25

HEX #A19ABF

RGB 161 154 191

HSL 251.35, 0.22%, 0.68%

LAB 65.32, 10.1, -18.17

 

CMYK 15 / 18 / 0 / 18

HEX #B2ACD2

RGB 178 172 210

HSL 249.47, 0.3%, 0.75%

LAB 71.98, 9.76, -18.46

 

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

CMYK 23 / 25 / 0 / 38

HEX #7A769E

RGB 122 118 158

HSL 246, 0.17%, 0.54%

LAB 51.34, 10.45, -20.95

 

CMYK 24 / 28 / 0 / 45

HEX #69648B

RGB 105 100 139

HSL 247.69, 0.16%, 0.47%

LAB 44.21, 10.95, -20.8

 

CMYK 27 / 32 / 0 / 53

HEX #585278

RGB 88 82 120

HSL 249.47, 0.19%, 0.4%

LAB 36.87, 11.53, -20.71

 

CMYK 30 / 37 / 0 / 60

HEX #474065

RGB 71 64 101

HSL 251.35, 0.22%, 0.32%

LAB 29.28, 12.22, -20.68

 

CMYK 34 / 44 / 0 / 68

HEX #362E52

RGB 54 46 82

HSL 253.33, 0.28%, 0.25%

LAB 21.38, 13.08, -20.74

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

CMYK 16 / 25 / 0 / 38

HEX #84759D

RGB 132 117 157

HSL 262.5, 0.17%, 0.54%

LAB 51.91, 14.12, -19.41

 

CMYK 9 / 25 / 0 / 38

HEX #8F759D

RGB 143 117 157

HSL 279, 0.17%, 0.54%

LAB 52.95, 17.86, -17.74

 

CMYK 2 / 25 / 0 / 38

HEX #9A759D

RGB 154 117 157

HSL 295.5, 0.17%, 0.54%

LAB 54.06, 21.67, -15.95

 

CMYK 0 / 25 / 4 / 38

HEX #9D7596

RGB 157 117 150

HSL 310.5, 0.17%, 0.54%

LAB 54.13, 21.36, -11.73

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

CMYK 25 / 25 / 0 / 38

HEX #75759D

RGB 117 117 157

HSL 240, 0.17%, 0.54%

LAB 50.62, 9.18, -21.51

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

CMYK 40 / 44 / 0 / 31

HEX #6A62B0

RGB 106 98 176

HSL 246.15, 0.33%, 0.54%

LAB 45.54, 22.64, -40.63

 

CMYK 53 / 59 / 0 / 24

HEX #5B4FC3

RGB 91 79 195

HSL 246.21, 0.49%, 0.54%

LAB 40.83, 36.56, -59.36

 

CMYK 64 / 72 / 0 / 16

HEX #4C3CD6

RGB 76 60 214

HSL 246.23, 0.65%, 0.54%

LAB 37.16, 51.11, -76.4

 

CMYK 74 / 82 / 0 / 9

HEX #3D29E9

RGB 61 41 233

HSL 246.25, 0.81%, 0.54%

LAB 34.93, 64.54, -91

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

CMYK 1 / 1 / 0 / 46

HEX #88888A

RGB 136 136 138

HSL 240, 0.01%, 0.54%

LAB 56.76, 0.4, -1.08

 

CMYK 2 / 0 / 23 / 39

HEX #989B77

RGB 152 155 119

HSL 65, 0.15%, 0.54%

LAB 62.89, -7.33, 18.57

 

CMYK 4 / 0 / 43 / 32

HEX #A7AE64

RGB 167 174 100

HSL 65.68, 0.31%, 0.54%

LAB 69.05, -13.84, 37.06

 

CMYK 6 / 0 / 58 / 24

HEX #B6C151

RGB 182 193 81

HSL 65.89, 0.47%, 0.54%

LAB 75.25, -19.11, 53.85

 

CMYK 25 / 14 / 0 / 38

HEX #75879D

RGB 117 135 157

HSL 213, 0.17%, 0.54%

LAB 55.63, -1.35, -13.87

 

CMYK 25 / 21 / 0 / 38

HEX #757C9D

RGB 117 124 157

HSL 229.5, 0.17%, 0.54%

LAB 52.54, 5.04, -18.55

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

CMYK 16 / 25 / 0 / 38

HEX #84759D

RGB 132 117 157

HSL 262.5, 0.17%, 0.54%

LAB 51.91, 14.12, -19.41

 

CMYK 9 / 25 / 0 / 38

HEX #8F759D

RGB 143 117 157

HSL 279, 0.17%, 0.54%

LAB 52.95, 17.86, -17.74

 

CMYK 26 / 29 / 0 / 56

HEX #535070

RGB 83 80 112

HSL 245.63, 0.17%, 0.38%

LAB 35.49, 8.96, -17.9

 

CMYK 26 / 29 / 0 / 47

HEX #656188

RGB 101 97 136

HSL 246.15, 0.17%, 0.46%

LAB 42.9, 10.7, -21.04

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

CMYK 17 / 19 / 0 / 32

HEX #918DAE

RGB 145 141 174

HSL 247.27, 0.17%, 0.62%

LAB 60, 8.4, -16.77

 

CMYK 12 / 13 / 0 / 25

HEX #A8A6BF

RGB 168 166 191

HSL 244.8, 0.16%, 0.7%

LAB 69.01, 5.72, -12.54

 

CMYK 23 / 25 / 0 / 38

HEX #7A769E

RGB 122 118 158

HSL 246, 0.17%, 0.54%

LAB 51.34, 10.45, -20.95

 

CMYK 0 / 25 / 8 / 38

HEX #9D7591

RGB 157 117 145

HSL 318, 0.17%, 0.54%

LAB 53.96, 20.42, -9.07

 

CMYK 18 / 0 / 25 / 38

HEX #819D75

RGB 129 157 117

HSL 102, 0.17%, 0.54%

LAB 61.71, -17.53, 17.79

 

CMYK 23 / 25 / 0 / 38

HEX #7A769E

RGB 122 118 158

HSL 246, 0.17%, 0.54%

LAB 51.34, 10.45, -20.95

 

CMYK 0 / 23 / 25 / 38

HEX #9D7975

RGB 157 121 117

HSL 6, 0.17%, 0.54%

LAB 54.16, 13.4, 7.59

 

CMYK 25 / 0 / 23 / 38

HEX #759D79

RGB 117 157 121

HSL 126, 0.17%, 0.54%

LAB 61.02, -21.13, 14.5

 

CMYK 23 / 25 / 0 / 38

HEX #7A769E

RGB 122 118 158

HSL 246, 0.17%, 0.54%

LAB 51.34, 10.45, -20.95

 

CMYK 0 / 25 / 8 / 38

HEX #9D7591

RGB 157 117 145

HSL 318, 0.17%, 0.54%

LAB 53.96, 20.42, -9.07

 

CMYK 3 / 0 / 25 / 38

HEX #999D75

RGB 153 157 117

HSL 66, 0.17%, 0.54%

LAB 63.48, -8.31, 20.5

 

CMYK 25 / 0 / 18 / 38

HEX #759D81

RGB 117 157 129

HSL 138, 0.17%, 0.54%

LAB 61.2, -19.6, 10.27

 

CMYK 23 / 25 / 0 / 38

HEX #7A769E

RGB 122 118 158

HSL 246, 0.17%, 0.54%

LAB 51.34, 10.45, -20.95

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 3 / 0 / 25 / 38

HEX #999D75

RGB 153 157 117

HSL 66, 0.17%, 0.54%

LAB 63.48, -8.31, 20.5

 

CMYK 25 / 0 / 10 / 38

HEX #759D8D

RGB 117 157 141

HSL 156, 0.17%, 0.54%

LAB 61.5, -17.13, 3.94

 

Description

Color code: HEX #7A769E | qconv.com Color code: HEX #7A769E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 118 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 118 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 25 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 25% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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