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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3BEE5 it is the complementary color #3C411A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3BEE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3BEE5 shade: #C8BEE0, #D9D0F3, #EAE2FF and #FBF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3BEE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3BEE5 shade: #C3BEE5, #B2ACD2, #A19ABF, #9088AC and #7F7699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3BEE5 shade: #C2BDE4, #CDBDE4, #D7BDE4, #E2BDE4 and #E4BDDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3BEE5 shade: #C2BDE4 and #BDBDE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3BEE5 shade matches the following richer shades: #C2BDE4, #BCB5EC, #B7AEF3 and #B1A7FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3BEE5 shade: #C2BDE4, #C7C4DD, #CDCCD5, #D2D3CE and #D8DBC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3BEE5 shade: #BDCDE4, #BDC3E4, #C1BDE4, #CCBDE4 and #D7BDE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3BEE5 shade: #8B82CD, #A79FD9, #C2BDE4, #DDDAF0 and #F8F8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3BEE5 shade: #C3BEE5, #E4BDD8 and #C8E4BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3BEE5 shade: #C3BEE5, #E4C1BD and #BDE4C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3BEE5 shade: #C3BEE5, #E4BDD8, #E0E4BD and #BDE4C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3BEE5 shade: #C3BEE5, #E4BDCC, #E0E4BD and #BDE4D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

Complementary color

CMYK 8 / 0 / 60 / 75

HEX #3C411A

RGB 60 65 26

HSL 67.69, 0.43%, 0.18%

LAB 26.2, -8.86, 22.79

 

CMYK 11 / 15 / 0 / 12

HEX #C8BEE0

RGB 200 190 224

HSL 257.65, 0.35%, 0.81%

LAB 78.75, 10, -15.68

 

CMYK 11 / 14 / 0 / 5

HEX #D9D0F3

RGB 217 208 243

HSL 255.43, 0.59%, 0.88%

LAB 85.17, 9.7, -16.04

 

CMYK 8 / 11 / 0 / 0

HEX #EAE2FF

RGB 234 226 255

HSL 256.55, 1%, 0.94%

LAB 91.28, 8.04, -13.07

 

CMYK 2 / 4 / 0 / 0

HEX #FBF4FF

RGB 251 244 255

HSL 278.18, 1%, 0.98%

LAB 97, 4.27, -4.45

 

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

CMYK 15 / 18 / 0 / 18

HEX #B2ACD2

RGB 178 172 210

HSL 249.47, 0.3%, 0.75%

LAB 71.98, 9.76, -18.46

 

CMYK 16 / 19 / 0 / 25

HEX #A19ABF

RGB 161 154 191

HSL 251.35, 0.22%, 0.68%

LAB 65.32, 10.1, -18.17

 

CMYK 16 / 21 / 0 / 33

HEX #9088AC

RGB 144 136 172

HSL 253.33, 0.18%, 0.6%

LAB 58.52, 10.48, -17.89

 

CMYK 17 / 23 / 0 / 40

HEX #7F7699

RGB 127 118 153

HSL 255.43, 0.15%, 0.53%

LAB 51.57, 10.91, -17.63

 

CMYK 15 / 17 / 0 / 11

HEX #C2BDE4

RGB 194 189 228

HSL 247.69, 0.42%, 0.82%

LAB 78.15, 9.45, -18.78

 

CMYK 10 / 17 / 0 / 11

HEX #CDBDE4

RGB 205 189 228

HSL 264.62, 0.42%, 0.82%

LAB 79.03, 12.98, -17.37

 

CMYK 6 / 17 / 0 / 11

HEX #D7BDE4

RGB 215 189 228

HSL 280, 0.42%, 0.82%

LAB 79.87, 16.24, -16.02

 

CMYK 1 / 17 / 0 / 11

HEX #E2BDE4

RGB 226 189 228

HSL 296.92, 0.42%, 0.82%

LAB 80.83, 19.88, -14.48

 

CMYK 0 / 17 / 4 / 11

HEX #E4BDDC

RGB 228 189 220

HSL 312.31, 0.42%, 0.82%

LAB 80.77, 19.09, -10.25

 

CMYK 15 / 17 / 0 / 11

HEX #C2BDE4

RGB 194 189 228

HSL 247.69, 0.42%, 0.82%

LAB 78.15, 9.45, -18.78

 

CMYK 17 / 17 / 0 / 11

HEX #BDBDE4

RGB 189 189 228

HSL 240, 0.42%, 0.82%

LAB 77.77, 7.86, -19.4

 

CMYK 15 / 17 / 0 / 11

HEX #C2BDE4

RGB 194 189 228

HSL 247.69, 0.42%, 0.82%

LAB 78.15, 9.45, -18.78

 

CMYK 20 / 23 / 0 / 7

HEX #BCB5EC

RGB 188 181 236

HSL 247.64, 0.59%, 0.82%

LAB 75.94, 13.69, -26.5

 

CMYK 25 / 28 / 0 / 5

HEX #B7AEF3

RGB 183 174 243

HSL 247.83, 0.74%, 0.82%

LAB 74.07, 17.66, -33.2

 

CMYK 29 / 33 / 0 / 2

HEX #B1A7FB

RGB 177 167 251

HSL 247.14, 0.91%, 0.82%

LAB 72.19, 21.76, -40.48

 

CMYK 15 / 17 / 0 / 11

HEX #C2BDE4

RGB 194 189 228

HSL 247.69, 0.42%, 0.82%

LAB 78.15, 9.45, -18.78

 

CMYK 10 / 11 / 0 / 13

HEX #C7C4DD

RGB 199 196 221

HSL 247.2, 0.27%, 0.82%

LAB 80.09, 5.84, -12.05

 

CMYK 4 / 4 / 0 / 16

HEX #CDCCD5

RGB 205 204 213

HSL 246.67, 0.1%, 0.82%

LAB 82.36, 2.02, -4.35

 

CMYK 0 / 0 / 2 / 17

HEX #D2D3CE

RGB 210 211 206

HSL 72, 0.05%, 0.82%

LAB 84.35, -1.24, 2.34

 

CMYK 1 / 0 / 9 / 14

HEX #D8DBC7

RGB 216 219 199

HSL 69, 0.22%, 0.82%

LAB 86.69, -4.5, 9.48

 

CMYK 17 / 10 / 0 / 11

HEX #BDCDE4

RGB 189 205 228

HSL 215.38, 0.42%, 0.82%

LAB 81.88, -0.71, -13.2

 

CMYK 17 / 14 / 0 / 11

HEX #BDC3E4

RGB 189 195 228

HSL 230.77, 0.42%, 0.82%

LAB 79.3, 4.63, -17.08

 

CMYK 15 / 17 / 0 / 11

HEX #C1BDE4

RGB 193 189 228

HSL 246.15, 0.42%, 0.82%

LAB 78.07, 9.13, -18.91

 

CMYK 11 / 17 / 0 / 11

HEX #CCBDE4

RGB 204 189 228

HSL 263.08, 0.42%, 0.82%

LAB 78.95, 12.65, -17.5

 

CMYK 6 / 17 / 0 / 11

HEX #D7BDE4

RGB 215 189 228

HSL 280, 0.42%, 0.82%

LAB 79.87, 16.24, -16.02

 

CMYK 32 / 37 / 0 / 20

HEX #8B82CD

RGB 139 130 205

HSL 247.2, 0.43%, 0.66%

LAB 57.91, 20.54, -37.62

 

CMYK 23 / 27 / 0 / 15

HEX #A79FD9

RGB 167 159 217

HSL 248.28, 0.43%, 0.74%

LAB 68.04, 15.13, -28.4

 

CMYK 15 / 17 / 0 / 11

HEX #C2BDE4

RGB 194 189 228

HSL 247.69, 0.42%, 0.82%

LAB 78.15, 9.45, -18.78

 

CMYK 8 / 9 / 0 / 6

HEX #DDDAF0

RGB 221 218 240

HSL 248.18, 0.42%, 0.9%

LAB 87.88, 5.12, -10.38

 

CMYK 2 / 2 / 0 / 1

HEX #F8F8FC

RGB 248 248 252

HSL 240, 0.4%, 0.98%

LAB 97.68, 0.71, -1.92

 

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

CMYK 0 / 17 / 5 / 11

HEX #E4BDD8

RGB 228 189 216

HSL 318.46, 0.42%, 0.82%

LAB 80.65, 18.39, -8.27

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

CMYK 0 / 15 / 17 / 11

HEX #E4C1BD

RGB 228 193 189

HSL 6.15, 0.42%, 0.82%

LAB 80.91, 11.8, 6.63

 

CMYK 17 / 0 / 15 / 11

HEX #BDE4C1

RGB 189 228 193

HSL 126.15, 0.42%, 0.82%

LAB 87.07, -19.32, 12.91

 

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

CMYK 0 / 17 / 5 / 11

HEX #E4BDD8

RGB 228 189 216

HSL 318.46, 0.42%, 0.82%

LAB 80.65, 18.39, -8.27

 

CMYK 2 / 0 / 17 / 11

HEX #E0E4BD

RGB 224 228 189

HSL 66.15, 0.42%, 0.82%

LAB 89.4, -7.83, 18.62

 

CMYK 17 / 0 / 12 / 11

HEX #BDE4C9

RGB 189 228 201

HSL 138.46, 0.42%, 0.82%

LAB 87.25, -17.88, 8.98

 

CMYK 15 / 17 / 0 / 10

HEX #C3BEE5

RGB 195 190 229

HSL 247.69, 0.43%, 0.82%

LAB 78.51, 9.43, -18.76

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 2 / 0 / 17 / 11

HEX #E0E4BD

RGB 224 228 189

HSL 66.15, 0.42%, 0.82%

LAB 89.4, -7.83, 18.62

 

CMYK 17 / 0 / 7 / 11

HEX #BDE4D5

RGB 189 228 213

HSL 156.92, 0.42%, 0.82%

LAB 87.54, -15.61, 3.09

 

Description

Color code: HEX #C3BEE5 | qconv.com Color code: HEX #C3BEE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 190 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 190 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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