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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A6EEB it is the complementary color #859114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A6EEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A6EEB shade: #7F6EE6, #9080F9, #A192FF, #B2A4FF and #C3B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A6EEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A6EEB shade: #7A6EEB, #695CD8, #584AC5, #4738B2 and #36269F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A6EEB shade: #7B6FEB, #9C6FEB, #BE6FEB, #DF6FEB and #EB6FD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A6EEB shade: #7B6FEB and #6F6FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A6EEB shade matches the following richer shades: #7B6FEB and #7062F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A6EEB shade: #7B6FEB, #857CDE, #9089D1, #9B96C3 and #A5A4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A6EEB shade: #6FA7EB, #6F86EB, #796FEB, #9A6FEB and #BB6FEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A6EEB shade: #3826E1, #594BE6, #7B6FEB, #9C93F0 and #BDB7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A6EEB shade: #7A6EEB, #EB6FC8 and #96EB6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A6EEB shade: #7A6EEB, #EB796F and #6FEB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A6EEB shade: #7A6EEB, #EB6FC8, #E1EB6F and #6FEB92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A6EEB shade: #7A6EEB, #EB6FA3, #E1EB6F and #6FEBB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 53 / 0 / 8

HEX #7A6EEB

RGB 122 110 235

HSL 245.76, 0.76%, 0.68%

LAB 53.26, 36.5, -61.95

 

Complementary color

CMYK 8 / 0 / 86 / 43

HEX #859114

RGB 133 145 20

HSL 65.76, 0.76%, 0.32%

LAB 57.35, -19.16, 57.36

 

CMYK 45 / 52 / 0 / 10

HEX #7F6EE6

RGB 127 110 230

HSL 248.5, 0.71%, 0.67%

LAB 53.36, 36.13, -58.97

 

CMYK 42 / 49 / 0 / 2

HEX #9080F9

RGB 144 128 249

HSL 247.93, 0.91%, 0.74%

LAB 60.08, 34.92, -58.7

 

CMYK 37 / 43 / 0 / 0

HEX #A192FF

RGB 161 146 255

HSL 248.26, 1%, 0.79%

LAB 66.02, 30.36, -52.44

 

CMYK 30 / 36 / 0 / 0

HEX #B2A4FF

RGB 178 164 255

HSL 249.23, 1%, 0.82%

LAB 71.71, 24.7, -43.39

 

CMYK 24 / 29 / 0 / 0

HEX #C3B6FF

RGB 195 182 255

HSL 250.68, 1%, 0.86%

LAB 77.45, 19.56, -34.37

 

CMYK 48 / 53 / 0 / 8

HEX #7A6EEB

RGB 122 110 235

HSL 245.76, 0.76%, 0.68%

LAB 53.26, 36.5, -61.95

 

CMYK 51 / 57 / 0 / 15

HEX #695CD8

RGB 105 92 216

HSL 246.29, 0.61%, 0.6%

LAB 46.47, 37.97, -62.26

 

CMYK 55 / 62 / 0 / 23

HEX #584AC5

RGB 88 74 197

HSL 246.83, 0.51%, 0.53%

LAB 39.59, 39.62, -62.54

 

CMYK 60 / 69 / 0 / 30

HEX #4738B2

RGB 71 56 178

HSL 247.38, 0.52%, 0.46%

LAB 32.66, 41.42, -62.73

 

CMYK 66 / 76 / 0 / 38

HEX #36269F

RGB 54 38 159

HSL 247.93, 0.61%, 0.39%

LAB 25.78, 43.25, -62.65

 

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 34 / 53 / 0 / 8

HEX #9C6FEB

RGB 156 111 235

HSL 261.77, 0.76%, 0.68%

LAB 56.52, 43.7, -56.56

 

CMYK 19 / 53 / 0 / 8

HEX #BE6FEB

RGB 190 111 235

HSL 278.23, 0.76%, 0.68%

LAB 60.17, 52.26, -50.52

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 53 / 9 / 8

HEX #EB6FD5

RGB 235 111 213

HSL 310.65, 0.76%, 0.68%

LAB 64.83, 60.41, -30.53

 

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 53 / 53 / 0 / 8

HEX #6F6FEB

RGB 111 111 235

HSL 240, 0.76%, 0.68%

LAB 52.67, 33.64, -62.95

 

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 55 / 60 / 0 / 3

HEX #7062F8

RGB 112 98 248

HSL 245.6, 0.91%, 0.68%

LAB 50.64, 45.44, -73.49

 

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 40 / 44 / 0 / 13

HEX #857CDE

RGB 133 124 222

HSL 245.51, 0.6%, 0.68%

LAB 56.76, 27.07, -49.03

 

CMYK 31 / 34 / 0 / 18

HEX #9089D1

RGB 144 137 209

HSL 245.83, 0.44%, 0.68%

LAB 60.27, 18.93, -36.14

 

CMYK 21 / 23 / 0 / 24

HEX #9B96C3

RGB 155 150 195

HSL 246.67, 0.27%, 0.68%

LAB 63.93, 11.34, -22.55

 

CMYK 9 / 10 / 0 / 29

HEX #A5A4B6

RGB 165 164 182

HSL 243.33, 0.11%, 0.68%

LAB 67.97, 3.93, -9.13

 

CMYK 53 / 29 / 0 / 8

HEX #6FA7EB

RGB 111 167 235

HSL 212.9, 0.76%, 0.68%

LAB 67.29, 0.64, -39.74

 

CMYK 53 / 43 / 0 / 8

HEX #6F86EB

RGB 111 134 235

HSL 228.87, 0.76%, 0.68%

LAB 58.44, 19.85, -53.7

 

CMYK 49 / 53 / 0 / 8

HEX #796FEB

RGB 121 111 235

HSL 244.84, 0.76%, 0.68%

LAB 53.42, 35.7, -61.7

 

CMYK 34 / 53 / 0 / 8

HEX #9A6FEB

RGB 154 111 235

HSL 260.81, 0.76%, 0.68%

LAB 56.32, 43.21, -56.88

 

CMYK 20 / 53 / 0 / 8

HEX #BB6FEB

RGB 187 111 235

HSL 276.77, 0.76%, 0.68%

LAB 59.83, 51.48, -51.09

 

CMYK 75 / 83 / 0 / 12

HEX #3826E1

RGB 56 38 225

HSL 245.78, 0.76%, 0.52%

LAB 33.27, 63.21, -89.19

 

CMYK 61 / 67 / 0 / 10

HEX #594BE6

RGB 89 75 230

HSL 245.42, 0.76%, 0.6%

LAB 42.57, 49.44, -76.63

 

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 35 / 39 / 0 / 6

HEX #9C93F0

RGB 156 147 240

HSL 245.81, 0.76%, 0.76%

LAB 65.14, 24.54, -45.65

 

CMYK 23 / 25 / 0 / 4

HEX #BDB7F5

RGB 189 183 245

HSL 245.81, 0.76%, 0.84%

LAB 76.85, 14.93, -29.96

 

CMYK 48 / 53 / 0 / 8

HEX #7A6EEB

RGB 122 110 235

HSL 245.76, 0.76%, 0.68%

LAB 53.26, 36.5, -61.95

 

CMYK 0 / 53 / 15 / 8

HEX #EB6FC8

RGB 235 111 200

HSL 316.94, 0.76%, 0.68%

LAB 64.32, 58.4, -24.01

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 48 / 53 / 0 / 8

HEX #7A6EEB

RGB 122 110 235

HSL 245.76, 0.76%, 0.68%

LAB 53.26, 36.5, -61.95

 

CMYK 0 / 49 / 53 / 8

HEX #EB796F

RGB 235 121 111

HSL 4.84, 0.76%, 0.68%

LAB 63.74, 42.98, 25.74

 

CMYK 53 / 0 / 49 / 8

HEX #6FEB79

RGB 111 235 121

HSL 124.84, 0.76%, 0.68%

LAB 84.06, -57.48, 44.75

 

CMYK 48 / 53 / 0 / 8

HEX #7A6EEB

RGB 122 110 235

HSL 245.76, 0.76%, 0.68%

LAB 53.26, 36.5, -61.95

 

CMYK 0 / 53 / 15 / 8

HEX #EB6FC8

RGB 235 111 200

HSL 316.94, 0.76%, 0.68%

LAB 64.32, 58.4, -24.01

 

CMYK 4 / 0 / 53 / 8

HEX #E1EB6F

RGB 225 235 111

HSL 64.84, 0.76%, 0.68%

LAB 90.12, -20.04, 58.16

 

CMYK 53 / 0 / 38 / 8

HEX #6FEB92

RGB 111 235 146

HSL 136.94, 0.76%, 0.68%

LAB 84.42, -53.66, 32.9

 

CMYK 48 / 53 / 0 / 8

HEX #7A6EEB

RGB 122 110 235

HSL 245.76, 0.76%, 0.68%

LAB 53.26, 36.5, -61.95

 

CMYK 0 / 53 / 31 / 8

HEX #EB6FA3

RGB 235 111 163

HSL 334.84, 0.76%, 0.68%

LAB 63.07, 53.3, -4.86

 

CMYK 4 / 0 / 53 / 8

HEX #E1EB6F

RGB 225 235 111

HSL 64.84, 0.76%, 0.68%

LAB 90.12, -20.04, 58.16

 

CMYK 53 / 0 / 22 / 8

HEX #6FEBB7

RGB 111 235 183

HSL 154.84, 0.76%, 0.68%

LAB 85.11, -46.65, 14.83

 

Description

Color code: HEX #7A6EEB | qconv.com Color code: HEX #7A6EEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 110 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 110 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 53 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 53% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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