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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6FEB it is the complementary color #209014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6FEB shade: #E46FE6, #F581F9, #FF93FF, #FFA5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6FEB shade: #DF6FEB, #CE5DD8, #BD4BC5, #AC39B2 and #9B279F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6FEB shade: #DF6FEB, #EB6FD5, #EB6FB4, #EB6F93 and #EB6F71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6FEB shade: #DF6FEB, #BD6FEB, #9C6FEB, #7B6FEB and #6F6FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6FEB shade matches the following richer shades: #DF6FEB and #EA62F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6FEB shade: #DF6FEB, #D47CDE, #CA89D1, #BF96C3 and #B4A4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6FEB shade: #9C6FEB, #BD6FEB, #DF6FEB, #EB6FD6 and #EB6FB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6FEB shade: #CF26E1, #D74BE6, #DF6FEB, #E793F0 and #EFB7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6FEB shade: #DF6FEB, #EB7B6F and #6FEBAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6FEB shade: #DF6FEB, #EBDF6F and #6FEBDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6FEB shade: #DF6FEB, #EB7B6F, #7BEB6F and #6FDFEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6FEB shade: #DF6FEB, #EBA06F, #7BEB6F and #6FB9EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

Complementary color

CMYK 78 / 0 / 86 / 44

HEX #209014

RGB 32 144 20

HSL 114.19, 0.76%, 0.32%

LAB 52.18, -52.49, 50.97

 

CMYK 1 / 52 / 0 / 10

HEX #E46FE6

RGB 228 111 230

HSL 298.99, 0.7%, 0.67%

LAB 64.62, 61.32, -40.41

 

CMYK 2 / 48 / 0 / 2

HEX #F581F9

RGB 245 129 249

HSL 298, 0.91%, 0.74%

LAB 70.84, 60.74, -41

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 5 / 57 / 0 / 15

HEX #CE5DD8

RGB 206 93 216

HSL 295.12, 0.61%, 0.61%

LAB 57.95, 61.37, -43.26

 

CMYK 4 / 62 / 0 / 23

HEX #BD4BC5

RGB 189 75 197

HSL 296.07, 0.51%, 0.53%

LAB 51.7, 61.64, -42.45

 

CMYK 3 / 68 / 0 / 30

HEX #AC39B2

RGB 172 57 178

HSL 297.02, 0.51%, 0.46%

LAB 45.51, 61.55, -41.36

 

CMYK 3 / 75 / 0 / 38

HEX #9B279F

RGB 155 39 159

HSL 298, 0.61%, 0.39%

LAB 39.45, 60.85, -39.85

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 53 / 9 / 8

HEX #EB6FD5

RGB 235 111 213

HSL 310.65, 0.76%, 0.68%

LAB 64.83, 60.41, -30.53

 

CMYK 0 / 53 / 23 / 8

HEX #EB6FB4

RGB 235 111 180

HSL 326.61, 0.76%, 0.68%

LAB 63.61, 55.53, -13.76

 

CMYK 0 / 53 / 37 / 8

HEX #EB6F93

RGB 235 111 147

HSL 342.58, 0.76%, 0.68%

LAB 62.62, 51.41, 3.66

 

CMYK 0 / 53 / 52 / 8

HEX #EB6F71

RGB 235 111 113

HSL 359.03, 0.76%, 0.68%

LAB 61.85, 48.07, 22.08

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 20 / 53 / 0 / 8

HEX #BD6FEB

RGB 189 111 235

HSL 277.74, 0.76%, 0.68%

LAB 60.06, 52, -50.71

 

CMYK 34 / 53 / 0 / 8

HEX #9C6FEB

RGB 156 111 235

HSL 261.77, 0.76%, 0.68%

LAB 56.52, 43.7, -56.56

 

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 53 / 53 / 0 / 8

HEX #6F6FEB

RGB 111 111 235

HSL 240, 0.76%, 0.68%

LAB 52.67, 33.64, -62.95

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 6 / 60 / 0 / 3

HEX #EA62F8

RGB 234 98 248

HSL 294.4, 0.91%, 0.68%

LAB 64.17, 71.73, -51.04

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 5 / 44 / 0 / 13

HEX #D47CDE

RGB 212 124 222

HSL 293.88, 0.6%, 0.68%

LAB 64.71, 49.01, -35.97

 

CMYK 3 / 34 / 0 / 18

HEX #CA89D1

RGB 202 137 209

HSL 294.17, 0.44%, 0.68%

LAB 65.79, 36.62, -27.15

 

CMYK 2 / 23 / 0 / 24

HEX #BF96C3

RGB 191 150 195

HSL 294.67, 0.27%, 0.68%

LAB 67.15, 23.17, -17.37

 

CMYK 1 / 10 / 0 / 29

HEX #B4A4B6

RGB 180 164 182

HSL 293.33, 0.11%, 0.68%

LAB 69.21, 9.11, -7.15

 

CMYK 34 / 53 / 0 / 8

HEX #9C6FEB

RGB 156 111 235

HSL 261.77, 0.76%, 0.68%

LAB 56.52, 43.7, -56.56

 

CMYK 20 / 53 / 0 / 8

HEX #BD6FEB

RGB 189 111 235

HSL 277.74, 0.76%, 0.68%

LAB 60.06, 52, -50.71

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 53 / 9 / 8

HEX #EB6FD6

RGB 235 111 214

HSL 310.16, 0.76%, 0.68%

LAB 64.87, 60.57, -31.03

 

CMYK 0 / 53 / 23 / 8

HEX #EB6FB5

RGB 235 111 181

HSL 326.13, 0.76%, 0.68%

LAB 63.65, 55.66, -14.28

 

CMYK 8 / 83 / 0 / 12

HEX #CF26E1

RGB 207 38 225

HSL 294.22, 0.76%, 0.52%

LAB 51.94, 81.91, -57.92

 

CMYK 7 / 67 / 0 / 10

HEX #D74BE6

RGB 215 75 230

HSL 294.19, 0.76%, 0.6%

LAB 57.26, 73.4, -52.15

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 4 / 39 / 0 / 6

HEX #E793F0

RGB 231 147 240

HSL 294.19, 0.76%, 0.76%

LAB 72.33, 46.08, -33.9

 

CMYK 2 / 25 / 0 / 4

HEX #EFB7F5

RGB 239 183 245

HSL 294.19, 0.76%, 0.84%

LAB 81.19, 30.49, -22.94

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 48 / 53 / 8

HEX #EB7B6F

RGB 235 123 111

HSL 5.81, 0.76%, 0.68%

LAB 64.14, 41.98, 26.27

 

CMYK 53 / 0 / 26 / 8

HEX #6FEBAD

RGB 111 235 173

HSL 150, 0.76%, 0.68%

LAB 84.9, -48.7, 19.74

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 5 / 53 / 8

HEX #EBDF6F

RGB 235 223 111

HSL 54.19, 0.76%, 0.68%

LAB 87.77, -10.14, 55.62

 

CMYK 53 / 0 / 5 / 8

HEX #6FEBDF

RGB 111 235 223

HSL 174.19, 0.76%, 0.68%

LAB 86.07, -37.45, -4.75

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 48 / 53 / 8

HEX #EB7B6F

RGB 235 123 111

HSL 5.81, 0.76%, 0.68%

LAB 64.14, 41.98, 26.27

 

CMYK 48 / 0 / 53 / 8

HEX #7BEB6F

RGB 123 235 111

HSL 114.19, 0.76%, 0.68%

LAB 84.37, -55.61, 49.94

 

CMYK 53 / 5 / 0 / 8

HEX #6FDFEB

RGB 111 223 235

HSL 185.81, 0.76%, 0.68%

LAB 82.99, -28.7, -15.66

 

CMYK 5 / 53 / 0 / 8

HEX #DF6FEB

RGB 223 111 235

HSL 294.19, 0.76%, 0.68%

LAB 64.21, 60.88, -43.89

 

CMYK 0 / 32 / 53 / 8

HEX #EBA06F

RGB 235 160 111

HSL 23.71, 0.76%, 0.68%

LAB 72.2, 22.67, 36.69

 

CMYK 48 / 0 / 53 / 8

HEX #7BEB6F

RGB 123 235 111

HSL 114.19, 0.76%, 0.68%

LAB 84.37, -55.61, 49.94

 

CMYK 53 / 21 / 0 / 8

HEX #6FB9EB

RGB 111 185 235

HSL 204.19, 0.76%, 0.68%

LAB 72.28, -9.29, -31.99

 

Description

Color code: HEX #DF6FEB | qconv.com Color code: HEX #DF6FEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 111 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 111 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 53 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 53% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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