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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #796EA9 it is the complementary color #869156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #796EA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #796EA9 shade: #7E6EA4, #8F80B7, #A092CA, #B1A4DD and #C2B6F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #796EA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #796EA9 shade: #796EA9, #685C96, #574A83, #463870 and #35265D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #796EA9 shade: #796EAA, #896EAA, #996EAA, #A96EAA and #AA6E9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #796EA9 shade: #796EAA and #6E6EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #796EA9 shade matches the following richer shades: #796EAA, #6D5BBC, #6249CF, #5636E1 and #4A24F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #796EA9 shade: #796EAA, #858097, #909384, #9CA672 and #A8B85F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #796EA9 shade: #6E83AA, #6E73AA, #796EAA, #896EAA and #996EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #796EA9 shade: #52497C, #645896, #796EAA, #9188B9 and #A9A2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #796EA9 shade: #796EA9, #AA6E93 and #7BAA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #796EA9 shade: #796EA9, #AA796E and #6EAA79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #796EA9 shade: #796EA9, #AA6E93, #9FAA6E and #6EAA85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #796EA9 shade: #796EA9, #AA6E81, #9FAA6E and #6EAA97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

Complementary color

CMYK 8 / 0 / 41 / 43

HEX #869156

RGB 134 145 86

HSL 71.19, 0.26%, 0.45%

LAB 58.03, -13.79, 29.97

 

CMYK 23 / 33 / 0 / 36

HEX #7E6EA4

RGB 126 110 164

HSL 257.78, 0.23%, 0.54%

LAB 49.82, 18, -26.77

 

CMYK 22 / 30 / 0 / 28

HEX #8F80B7

RGB 143 128 183

HSL 256.36, 0.28%, 0.61%

LAB 56.78, 17.38, -26.85

 

CMYK 21 / 28 / 0 / 21

HEX #A092CA

RGB 160 146 202

HSL 255, 0.35%, 0.68%

LAB 63.59, 16.82, -26.97

 

CMYK 20 / 26 / 0 / 13

HEX #B1A4DD

RGB 177 164 221

HSL 253.68, 0.46%, 0.75%

LAB 70.26, 16.32, -27.12

 

CMYK 19 / 24 / 0 / 6

HEX #C2B6F0

RGB 194 182 240

HSL 252.41, 0.66%, 0.83%

LAB 76.81, 15.87, -27.29

 

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

CMYK 31 / 39 / 0 / 41

HEX #685C96

RGB 104 92 150

HSL 252.41, 0.24%, 0.47%

LAB 42.46, 18.47, -30.11

 

CMYK 34 / 44 / 0 / 49

HEX #574A83

RGB 87 74 131

HSL 253.68, 0.28%, 0.4%

LAB 35.13, 19.35, -30.22

 

CMYK 38 / 50 / 0 / 56

HEX #463870

RGB 70 56 112

HSL 255, 0.33%, 0.33%

LAB 27.57, 20.41, -30.39

 

CMYK 43 / 59 / 0 / 64

HEX #35265D

RGB 53 38 93

HSL 256.36, 0.42%, 0.26%

LAB 19.78, 21.68, -30.62

 

CMYK 29 / 35 / 0 / 33

HEX #796EAA

RGB 121 110 170

HSL 251, 0.26%, 0.55%

LAB 49.64, 17.97, -30.58

 

CMYK 19 / 35 / 0 / 33

HEX #896EAA

RGB 137 110 170

HSL 267, 0.26%, 0.55%

LAB 51.12, 22.93, -28.17

 

CMYK 10 / 35 / 0 / 33

HEX #996EAA

RGB 153 110 170

HSL 283, 0.26%, 0.55%

LAB 52.76, 28.07, -25.5

 

CMYK 1 / 35 / 0 / 33

HEX #A96EAA

RGB 169 110 170

HSL 299, 0.26%, 0.55%

LAB 54.54, 33.29, -22.6

 

CMYK 0 / 35 / 9 / 33

HEX #AA6E9A

RGB 170 110 154

HSL 316, 0.26%, 0.55%

LAB 54.06, 30.66, -14.02

 

CMYK 29 / 35 / 0 / 33

HEX #796EAA

RGB 121 110 170

HSL 251, 0.26%, 0.55%

LAB 49.64, 17.97, -30.58

 

CMYK 35 / 35 / 0 / 33

HEX #6E6EAA

RGB 110 110 170

HSL 240, 0.26%, 0.55%

LAB 48.72, 14.72, -32.09

 

CMYK 29 / 35 / 0 / 33

HEX #796EAA

RGB 121 110 170

HSL 251, 0.26%, 0.55%

LAB 49.64, 17.97, -30.58

 

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

CMYK 53 / 65 / 0 / 19

HEX #6249CF

RGB 98 73 207

HSL 251.19, 0.58%, 0.55%

LAB 41, 45.01, -65.99

 

CMYK 62 / 76 / 0 / 12

HEX #5636E1

RGB 86 54 225

HSL 251.23, 0.74%, 0.55%

LAB 37.94, 58.56, -81.4

 

CMYK 70 / 85 / 0 / 4

HEX #4A24F4

RGB 74 36 244

HSL 250.96, 0.9%, 0.55%

LAB 36.46, 70.2, -94.66

 

CMYK 29 / 35 / 0 / 33

HEX #796EAA

RGB 121 110 170

HSL 251, 0.26%, 0.55%

LAB 49.64, 17.97, -30.58

 

CMYK 12 / 15 / 0 / 41

HEX #858097

RGB 133 128 151

HSL 253.04, 0.1%, 0.55%

LAB 54.72, 6.65, -11.65

 

CMYK 2 / 0 / 10 / 42

HEX #909384

RGB 144 147 132

HSL 72, 0.06%, 0.55%

LAB 60.3, -3.91, 7.56

 

CMYK 6 / 0 / 31 / 35

HEX #9CA672

RGB 156 166 114

HSL 71.54, 0.23%, 0.55%

LAB 66.18, -12.34, 25.8

 

CMYK 9 / 0 / 48 / 28

HEX #A8B85F

RGB 168 184 95

HSL 70.79, 0.39%, 0.55%

LAB 71.85, -19.06, 43.04

 

CMYK 35 / 23 / 0 / 33

HEX #6E83AA

RGB 110 131 170

HSL 219, 0.26%, 0.55%

LAB 54.5, 2.19, -23.12

 

CMYK 35 / 32 / 0 / 33

HEX #6E73AA

RGB 110 115 170

HSL 235, 0.26%, 0.55%

LAB 50.07, 11.69, -29.98

 

CMYK 29 / 35 / 0 / 33

HEX #796EAA

RGB 121 110 170

HSL 251, 0.26%, 0.55%

LAB 49.64, 17.97, -30.58

 

CMYK 19 / 35 / 0 / 33

HEX #896EAA

RGB 137 110 170

HSL 267, 0.26%, 0.55%

LAB 51.12, 22.93, -28.17

 

CMYK 10 / 35 / 0 / 33

HEX #996EAA

RGB 153 110 170

HSL 283, 0.26%, 0.55%

LAB 52.76, 28.07, -25.5

 

CMYK 34 / 41 / 0 / 51

HEX #52497C

RGB 82 73 124

HSL 250.59, 0.26%, 0.39%

LAB 34.01, 16.47, -27.68

 

CMYK 33 / 41 / 0 / 41

HEX #645896

RGB 100 88 150

HSL 251.61, 0.26%, 0.47%

LAB 41.04, 19.75, -32.37

 

CMYK 29 / 35 / 0 / 33

HEX #796EAA

RGB 121 110 170

HSL 251, 0.26%, 0.55%

LAB 49.64, 17.97, -30.58

 

CMYK 22 / 26 / 0 / 27

HEX #9188B9

RGB 145 136 185

HSL 251.02, 0.26%, 0.63%

LAB 59.1, 13.84, -24.41

 

CMYK 16 / 19 / 0 / 22

HEX #A9A2C8

RGB 169 162 200

HSL 251.05, 0.26%, 0.71%

LAB 68.35, 10.21, -18.52

 

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

CMYK 0 / 35 / 14 / 33

HEX #AA6E93

RGB 170 110 147

HSL 323, 0.26%, 0.55%

LAB 53.82, 29.44, -10.29

 

CMYK 28 / 0 / 35 / 33

HEX #7BAA6E

RGB 123 170 110

HSL 107, 0.26%, 0.55%

LAB 65.03, -27.39, 26.03

 

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

CMYK 0 / 29 / 35 / 33

HEX #AA796E

RGB 170 121 110

HSL 11, 0.26%, 0.55%

LAB 55.43, 17.65, 13.64

 

CMYK 35 / 0 / 29 / 33

HEX #6EAA79

RGB 110 170 121

HSL 131, 0.26%, 0.55%

LAB 64.52, -29.92, 19.26

 

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

CMYK 0 / 35 / 14 / 33

HEX #AA6E93

RGB 170 110 147

HSL 323, 0.26%, 0.55%

LAB 53.82, 29.44, -10.29

 

CMYK 6 / 0 / 35 / 33

HEX #9FAA6E

RGB 159 170 110

HSL 71, 0.26%, 0.55%

LAB 67.46, -13.78, 29.68

 

CMYK 35 / 0 / 22 / 33

HEX #6EAA85

RGB 110 170 133

HSL 143, 0.26%, 0.55%

LAB 64.77, -27.62, 13.01

 

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

CMYK 0 / 35 / 24 / 33

HEX #AA6E81

RGB 170 110 129

HSL 341, 0.26%, 0.55%

LAB 53.26, 26.53, -0.56

 

CMYK 6 / 0 / 35 / 33

HEX #9FAA6E

RGB 159 170 110

HSL 71, 0.26%, 0.55%

LAB 67.46, -13.78, 29.68

 

CMYK 35 / 0 / 11 / 33

HEX #6EAA97

RGB 110 170 151

HSL 161, 0.26%, 0.55%

LAB 65.2, -23.8, 3.64

 

Description

Color code: HEX #796EA9 | qconv.com Color code: HEX #796EA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 110 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 110 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 35 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 35% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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