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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D5BBC it is the complementary color #92A443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D5BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D5BBC shade: #725BB7, #836DCA, #947FDD, #A591F0 and #B6A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D5BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D5BBC shade: #6D5BBC, #5C49A9, #4B3796, #3A2583 and #291370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D5BBC shade: #6D5CBC, #875CBC, #A15CBC, #BB5CBC and #BC5CA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D5BBC shade: #6D5CBC and #5C5CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D5BBC shade matches the following richer shades: #6D5CBC, #6249CF, #5636E1 and #4A24F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D5BBC shade: #6D5CBC, #796EA9, #858197, #909384 and #9CA672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D5BBC shade: #5C7DBC, #5C64BC, #6D5CBC, #875CBC and #A15CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D5BBC shade: #48398C, #5845A9, #6D5CBC, #8879C8 and #A296D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D5BBC shade: #6D5BBC, #BC5C97 and #70BC5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D5BBC shade: #6D5BBC, #BC6D5C and #5CBC6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D5BBC shade: #6D5BBC, #BC5C97, #AABC5C and #5CBC81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D5BBC shade: #6D5BBC, #BC5C7A, #AABC5C and #5CBC9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

Complementary color

CMYK 11 / 0 / 59 / 36

HEX #92A443

RGB 146 164 67

HSL 71.13, 0.42%, 0.45%

LAB 64.22, -20.59, 47.13

 

CMYK 38 / 50 / 0 / 28

HEX #725BB7

RGB 114 91 183

HSL 255, 0.39%, 0.54%

LAB 44.91, 30.97, -45.68

 

CMYK 35 / 46 / 0 / 21

HEX #836DCA

RGB 131 109 202

HSL 254.19, 0.47%, 0.61%

LAB 51.87, 29.9, -45.48

 

CMYK 33 / 43 / 0 / 13

HEX #947FDD

RGB 148 127 221

HSL 253.4, 0.58%, 0.68%

LAB 58.69, 28.96, -45.33

 

CMYK 31 / 40 / 0 / 6

HEX #A591F0

RGB 165 145 240

HSL 252.63, 0.76%, 0.75%

LAB 65.39, 28.11, -45.21

 

CMYK 29 / 36 / 0 / 0

HEX #B6A3FF

RGB 182 163 255

HSL 252.39, 1%, 0.82%

LAB 71.8, 26.36, -43.24

 

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

CMYK 46 / 57 / 0 / 34

HEX #5C49A9

RGB 92 73 169

HSL 251.88, 0.4%, 0.47%

LAB 37.67, 32.45, -49.15

 

CMYK 50 / 63 / 0 / 41

HEX #4B3796

RGB 75 55 150

HSL 252.63, 0.46%, 0.4%

LAB 30.47, 33.93, -49.41

 

CMYK 56 / 72 / 0 / 49

HEX #3A2583

RGB 58 37 131

HSL 253.4, 0.56%, 0.33%

LAB 23.21, 35.5, -49.54

 

CMYK 63 / 83 / 0 / 56

HEX #291370

RGB 41 19 112

HSL 254.19, 0.71%, 0.26%

LAB 16.04, 36.85, -49.24

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 28 / 51 / 0 / 26

HEX #875CBC

RGB 135 92 188

HSL 266.88, 0.42%, 0.55%

LAB 47.54, 37.22, -44.27

 

CMYK 14 / 51 / 0 / 26

HEX #A15CBC

RGB 161 92 188

HSL 283.13, 0.42%, 0.55%

LAB 50.53, 44.36, -39.36

 

CMYK 1 / 51 / 0 / 26

HEX #BB5CBC

RGB 187 92 188

HSL 299.38, 0.42%, 0.55%

LAB 53.87, 51.68, -33.87

 

CMYK 0 / 51 / 14 / 26

HEX #BC5CA2

RGB 188 92 162

HSL 316.25, 0.42%, 0.55%

LAB 52.9, 47.52, -20.25

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 51 / 51 / 0 / 26

HEX #5C5CBC

RGB 92 92 188

HSL 240, 0.42%, 0.55%

LAB 43.6, 26.58, -50.81

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 53 / 65 / 0 / 19

HEX #6249CF

RGB 98 73 207

HSL 251.19, 0.58%, 0.55%

LAB 41, 45.01, -65.99

 

CMYK 62 / 76 / 0 / 12

HEX #5636E1

RGB 86 54 225

HSL 251.23, 0.74%, 0.55%

LAB 37.94, 58.56, -81.4

 

CMYK 70 / 85 / 0 / 4

HEX #4A24F4

RGB 74 36 244

HSL 250.96, 0.9%, 0.55%

LAB 36.46, 70.2, -94.66

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 28 / 35 / 0 / 34

HEX #796EA9

RGB 121 110 169

HSL 251.19, 0.26%, 0.55%

LAB 49.59, 17.71, -30.07

 

CMYK 12 / 15 / 0 / 41

HEX #858197

RGB 133 129 151

HSL 250.91, 0.1%, 0.55%

LAB 54.99, 6.07, -11.24

 

CMYK 2 / 0 / 10 / 42

HEX #909384

RGB 144 147 132

HSL 72, 0.06%, 0.55%

LAB 60.3, -3.91, 7.56

 

CMYK 6 / 0 / 31 / 35

HEX #9CA672

RGB 156 166 114

HSL 71.54, 0.23%, 0.55%

LAB 66.18, -12.34, 25.8

 

CMYK 51 / 34 / 0 / 26

HEX #5C7DBC

RGB 92 125 188

HSL 219.38, 0.42%, 0.55%

LAB 52.48, 6.26, -36.69

 

CMYK 51 / 47 / 0 / 26

HEX #5C64BC

RGB 92 100 188

HSL 235, 0.42%, 0.55%

LAB 45.66, 21.6, -47.5

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 28 / 51 / 0 / 26

HEX #875CBC

RGB 135 92 188

HSL 266.88, 0.42%, 0.55%

LAB 47.54, 37.22, -44.27

 

CMYK 14 / 51 / 0 / 26

HEX #A15CBC

RGB 161 92 188

HSL 283.13, 0.42%, 0.55%

LAB 50.53, 44.36, -39.36

 

CMYK 49 / 59 / 0 / 45

HEX #48398C

RGB 72 57 140

HSL 250.84, 0.42%, 0.39%

LAB 29.91, 28.92, -44.2

 

CMYK 48 / 59 / 0 / 34

HEX #5845A9

RGB 88 69 169

HSL 251.4, 0.42%, 0.47%

LAB 36.36, 33.99, -51.29

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 32 / 40 / 0 / 22

HEX #8879C8

RGB 136 121 200

HSL 251.39, 0.42%, 0.63%

LAB 55.15, 23.67, -39.12

 

CMYK 24 / 29 / 0 / 17

HEX #A296D4

RGB 162 150 212

HSL 251.61, 0.42%, 0.71%

LAB 65.16, 17.52, -30.11

 

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

CMYK 0 / 51 / 20 / 26

HEX #BC5C97

RGB 188 92 151

HSL 323.13, 0.42%, 0.55%

LAB 52.49, 45.81, -14.42

 

CMYK 40 / 0 / 51 / 26

HEX #70BC5C

RGB 112 188 92

HSL 107.5, 0.42%, 0.55%

LAB 69.6, -41.93, 41

 

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

CMYK 0 / 42 / 51 / 26

HEX #BC6D5C

RGB 188 109 92

HSL 10.63, 0.42%, 0.55%

LAB 54.45, 29.58, 23.07

 

CMYK 51 / 0 / 42 / 26

HEX #5CBC6D

RGB 92 188 109

HSL 130.63, 0.42%, 0.55%

LAB 69, -45.35, 31.49

 

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

CMYK 0 / 51 / 20 / 26

HEX #BC5C97

RGB 188 92 151

HSL 323.13, 0.42%, 0.55%

LAB 52.49, 45.81, -14.42

 

CMYK 10 / 0 / 51 / 26

HEX #AABC5C

RGB 170 188 92

HSL 71.25, 0.42%, 0.55%

LAB 73.08, -20.56, 46.01

 

CMYK 51 / 0 / 31 / 26

HEX #5CBC81

RGB 92 188 129

HSL 143.13, 0.42%, 0.55%

LAB 69.35, -41.81, 21.39

 

CMYK 42 / 52 / 0 / 26

HEX #6D5BBC

RGB 109 91 188

HSL 251.13, 0.42%, 0.55%

LAB 44.75, 31.14, -48.88

 

CMYK 0 / 51 / 35 / 26

HEX #BC5C7A

RGB 188 92 122

HSL 341.25, 0.42%, 0.55%

LAB 51.55, 41.82, 1.39

 

CMYK 10 / 0 / 51 / 26

HEX #AABC5C

RGB 170 188 92

HSL 71.25, 0.42%, 0.55%

LAB 73.08, -20.56, 46.01

 

CMYK 51 / 0 / 16 / 26

HEX #5CBC9D

RGB 92 188 157

HSL 160.63, 0.42%, 0.55%

LAB 69.95, -35.87, 7.07

 

Description

Color code: HEX #6D5BBC | qconv.com Color code: HEX #6D5BBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 91 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 91 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 52 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 52% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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