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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E13A it is the complementary color #891EC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E13A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76E13A shade: #7BE135, #8CF348, #9DFF5B, #AEFF6E and #BFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E13A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76E13A shade: #76E13A, #65CF27, #54BD14, #43AB01 and #329900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76E13A shade: #74E137, #A2E137, #CFE137, #E1C437 and #E19637

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76E13A shade: #74E137, #46E137, #37E155, #37E183 and #37E1B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76E13A shade matches the following richer shades: #74E137 and #6FF324

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76E13A shade: #74E137, #79CE49, #7EBC5C, #84A96F and #899681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76E13A shade: #D0E137, #A2E137, #75E137, #48E137 and #37E153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76E13A shade: #4EAC19, #5ED01F, #74E137, #8DE65B and #A6EB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76E13A shade: #76E13A, #37E1C4 and #E137B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76E13A shade: #76E13A, #3775E1 and #E13775

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76E13A shade: #76E13A, #37E1C4, #A237E1 and #E13753

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76E13A shade: #76E13A, #37CAE1, #A237E1 and #E14D37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 74 / 12

HEX #76E13A

RGB 118 225 58

HSL 98.44, 0.74%, 0.55%

LAB 80.74, -58.07, 67.45

 

Complementary color

CMYK 30 / 85 / 0 / 23

HEX #891EC5

RGB 137 30 197

HSL 278.44, 0.74%, 0.45%

LAB 38.34, 67.38, -64.34

 

CMYK 45 / 0 / 76 / 12

HEX #7BE135

RGB 123 225 53

HSL 95.58, 0.74%, 0.55%

LAB 80.92, -56.86, 69.27

 

CMYK 42 / 0 / 70 / 5

HEX #8CF348

RGB 140 243 72

HSL 96.14, 0.88%, 0.62%

LAB 87.07, -57.36, 69.28

 

CMYK 38 / 0 / 64 / 0

HEX #9DFF5B

RGB 157 255 91

HSL 95.85, 1%, 0.68%

LAB 91.43, -55.32, 66.96

 

CMYK 32 / 0 / 57 / 0

HEX #AEFF6E

RGB 174 255 110

HSL 93.52, 1%, 0.72%

LAB 92.42, -48.08, 60.42

 

CMYK 25 / 0 / 49 / 0

HEX #BFFF81

RGB 191 255 129

HSL 90.48, 1%, 0.75%

LAB 93.53, -40.33, 53.44

 

CMYK 48 / 0 / 74 / 12

HEX #76E13A

RGB 118 225 58

HSL 98.44, 0.74%, 0.55%

LAB 80.74, -58.07, 67.45

 

CMYK 51 / 0 / 81 / 19

HEX #65CF27

RGB 101 207 39

HSL 97.86, 0.68%, 0.48%

LAB 74.53, -57.35, 67.02

 

CMYK 56 / 0 / 89 / 26

HEX #54BD14

RGB 84 189 20

HSL 97.28, 0.81%, 0.41%

LAB 68.26, -56.3, 65.54

 

CMYK 61 / 0 / 99 / 33

HEX #43AB01

RGB 67 171 1

HSL 96.71, 0.99%, 0.34%

LAB 61.93, -54.84, 62.78

 

CMYK 67 / 0 / 100 / 40

HEX #329900

RGB 50 153 0

HSL 100.39, 1%, 0.3%

LAB 55.54, -52.72, 57.66

 

CMYK 48 / 0 / 76 / 12

HEX #74E137

RGB 116 225 55

HSL 98.47, 0.74%, 0.55%

LAB 80.65, -58.83, 68.3

 

CMYK 28 / 0 / 76 / 12

HEX #A2E137

RGB 162 225 55

HSL 82.24, 0.74%, 0.55%

LAB 82.81, -43.52, 71.12

 

CMYK 8 / 0 / 76 / 12

HEX #CFE137

RGB 207 225 55

HSL 66.35, 0.74%, 0.55%

LAB 85.7, -25.93, 74.86

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 0 / 33 / 76 / 12

HEX #E19637

RGB 225 150 55

HSL 33.53, 0.74%, 0.55%

LAB 68.09, 20.32, 58.78

 

CMYK 48 / 0 / 76 / 12

HEX #74E137

RGB 116 225 55

HSL 98.47, 0.74%, 0.55%

LAB 80.65, -58.83, 68.3

 

CMYK 69 / 0 / 76 / 12

HEX #46E137

RGB 70 225 55

HSL 114.71, 0.74%, 0.55%

LAB 79.29, -69.76, 66.51

 

CMYK 76 / 0 / 62 / 12

HEX #37E155

RGB 55 225 85

HSL 130.59, 0.74%, 0.55%

LAB 79.22, -69.49, 55.06

 

CMYK 76 / 0 / 42 / 12

HEX #37E183

RGB 55 225 131

HSL 146.82, 0.74%, 0.55%

LAB 79.79, -62.88, 34.11

 

CMYK 76 / 0 / 21 / 12

HEX #37E1B1

RGB 55 225 177

HSL 163.06, 0.74%, 0.55%

LAB 80.65, -53.37, 11.48

 

CMYK 48 / 0 / 76 / 12

HEX #74E137

RGB 116 225 55

HSL 98.47, 0.74%, 0.55%

LAB 80.65, -58.83, 68.3

 

CMYK 54 / 0 / 85 / 5

HEX #6FF324

RGB 111 243 36

HSL 98.26, 0.9%, 0.55%

LAB 85.81, -67.53, 77.9

 

CMYK 48 / 0 / 76 / 12

HEX #74E137

RGB 116 225 55

HSL 98.47, 0.74%, 0.55%

LAB 80.65, -58.83, 68.3

 

CMYK 41 / 0 / 65 / 19

HEX #79CE49

RGB 121 206 73

HSL 98.35, 0.58%, 0.55%

LAB 75.26, -48.59, 56.25

 

CMYK 33 / 0 / 51 / 26

HEX #7EBC5C

RGB 126 188 92

HSL 98.75, 0.42%, 0.55%

LAB 70.3, -37.24, 42.01

 

CMYK 22 / 0 / 34 / 34

HEX #84A96F

RGB 132 169 111

HSL 98.28, 0.25%, 0.55%

LAB 65.3, -23.5, 25.95

 

CMYK 9 / 0 / 14 / 41

HEX #899681

RGB 137 150 129

HSL 97.14, 0.09%, 0.55%

LAB 60.53, -8.72, 9.51

 

CMYK 8 / 0 / 76 / 12

HEX #D0E137

RGB 208 225 55

HSL 66, 0.74%, 0.55%

LAB 85.77, -25.52, 74.95

 

CMYK 28 / 0 / 76 / 12

HEX #A2E137

RGB 162 225 55

HSL 82.24, 0.74%, 0.55%

LAB 82.81, -43.52, 71.12

 

CMYK 48 / 0 / 76 / 12

HEX #75E137

RGB 117 225 55

HSL 98.12, 0.74%, 0.55%

LAB 80.69, -58.54, 68.35

 

CMYK 68 / 0 / 76 / 12

HEX #48E137

RGB 72 225 55

HSL 114, 0.74%, 0.55%

LAB 79.33, -69.39, 66.56

 

CMYK 76 / 0 / 63 / 12

HEX #37E153

RGB 55 225 83

HSL 129.88, 0.74%, 0.55%

LAB 79.21, -69.71, 55.89

 

CMYK 55 / 0 / 85 / 33

HEX #4EAC19

RGB 78 172 25

HSL 98.37, 0.75%, 0.39%

LAB 62.67, -51.6, 59.58

 

CMYK 55 / 0 / 85 / 18

HEX #5ED01F

RGB 94 208 31

HSL 98.64, 0.74%, 0.47%

LAB 74.57, -59.99, 68.91

 

CMYK 48 / 0 / 76 / 12

HEX #74E137

RGB 116 225 55

HSL 98.47, 0.74%, 0.55%

LAB 80.65, -58.83, 68.3

 

CMYK 39 / 0 / 60 / 10

HEX #8DE65B

RGB 141 230 91

HSL 98.42, 0.74%, 0.63%

LAB 83.45, -50.35, 57.98

 

CMYK 29 / 0 / 46 / 8

HEX #A6EB7F

RGB 166 235 127

HSL 98.33, 0.73%, 0.71%

LAB 86.53, -40.31, 45.47

 

CMYK 48 / 0 / 74 / 12

HEX #76E13A

RGB 118 225 58

HSL 98.44, 0.74%, 0.55%

LAB 80.74, -58.07, 67.45

 

CMYK 76 / 0 / 13 / 12

HEX #37E1C4

RGB 55 225 196

HSL 169.76, 0.74%, 0.55%

LAB 81.1, -48.69, 2.07

 

CMYK 0 / 76 / 18 / 12

HEX #E137B9

RGB 225 55 185

HSL 314.12, 0.74%, 0.55%

LAB 54.28, 75.38, -31.06

 

CMYK 48 / 0 / 74 / 12

HEX #76E13A

RGB 118 225 58

HSL 98.44, 0.74%, 0.55%

LAB 80.74, -58.07, 67.45

 

CMYK 76 / 48 / 0 / 12

HEX #3775E1

RGB 55 117 225

HSL 218.12, 0.74%, 0.55%

LAB 50.65, 17.48, -60.73

 

CMYK 0 / 76 / 48 / 12

HEX #E13775

RGB 225 55 117

HSL 338.12, 0.74%, 0.55%

LAB 51.86, 67.99, 5.61

 

CMYK 48 / 0 / 74 / 12

HEX #76E13A

RGB 118 225 58

HSL 98.44, 0.74%, 0.55%

LAB 80.74, -58.07, 67.45

 

CMYK 76 / 0 / 13 / 12

HEX #37E1C4

RGB 55 225 196

HSL 169.76, 0.74%, 0.55%

LAB 81.1, -48.69, 2.07

 

CMYK 28 / 76 / 0 / 12

HEX #A237E1

RGB 162 55 225

HSL 277.76, 0.74%, 0.55%

LAB 46.78, 69.3, -66.58

 

CMYK 0 / 76 / 63 / 12

HEX #E13753

RGB 225 55 83

HSL 350.12, 0.74%, 0.55%

LAB 51.11, 65.59, 25.08

 

CMYK 48 / 0 / 74 / 12

HEX #76E13A

RGB 118 225 58

HSL 98.44, 0.74%, 0.55%

LAB 80.74, -58.07, 67.45

 

CMYK 76 / 10 / 0 / 12

HEX #37CAE1

RGB 55 202 225

HSL 188.12, 0.74%, 0.55%

LAB 75.13, -30.09, -22.35

 

CMYK 28 / 76 / 0 / 12

HEX #A237E1

RGB 162 55 225

HSL 277.76, 0.74%, 0.55%

LAB 46.78, 69.3, -66.58

 

CMYK 0 / 66 / 76 / 12

HEX #E14D37

RGB 225 77 55

HSL 7.76, 0.74%, 0.55%

LAB 53.59, 56.35, 44.01

 

Description

Color code: HEX #76E13A | qconv.com Color code: HEX #76E13A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 225 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 225 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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