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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1C437 it is the complementary color #1E3BC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1C437. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1C437 shade: #E6C432, #F7D645, #FFE858, #FFFA6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1C437. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1C437 shade: #E1C437, #D0B224, #BFA011, #AE8E00 and #9D7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1C437 shade: #E1C437, #E19637, #E16837, #E13A37 and #E13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1C437 shade: #E1C437, #D0E137, #A2E137, #74E137 and #46E137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1C437 shade matches the following richer shades: #E1C437 and #F3D024

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1C437 shade: #E1C437, #CEB749, #BCAB5C, #A99F6F and #969381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1C437 shade: #E16737, #E19437, #E1C237, #D3E137 and #A5E137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1C437 shade: #AC9319, #D0B11F, #E1C437, #E6CE5B and #EBD97F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1C437 shade: #E1C437, #37E13A and #7E37E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1C437 shade: #E1C437, #37E1C2 and #C237E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1C437 shade: #E1C437, #37E13A, #3756E1 and #E137DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1C437 shade: #E1C437, #37E16D, #3756E1 and #E137AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

Complementary color

CMYK 85 / 71 / 0 / 22

HEX #1E3BC8

RGB 30 59 200

HSL 229.76, 0.74%, 0.45%

LAB 33.08, 42.89, -75.09

 

CMYK 0 / 15 / 78 / 10

HEX #E6C432

RGB 230 196 50

HSL 48.67, 0.78%, 0.55%

LAB 79.92, -2.02, 71.83

 

CMYK 0 / 13 / 72 / 3

HEX #F7D645

RGB 247 214 69

HSL 48.88, 0.92%, 0.62%

LAB 86.15, -3.27, 71.77

 

CMYK 0 / 9 / 65 / 0

HEX #FFE858

RGB 255 232 88

HSL 51.74, 1%, 0.67%

LAB 91.54, -8.04, 70.18

 

CMYK 0 / 2 / 58 / 0

HEX #FFFA6B

RGB 255 250 107

HSL 57.97, 1%, 0.71%

LAB 96.28, -15.7, 67.48

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 0 / 14 / 83 / 18

HEX #D0B224

RGB 208 178 36

HSL 49.53, 0.7%, 0.48%

LAB 73.14, -2.63, 69.23

 

CMYK 0 / 16 / 91 / 25

HEX #BFA011

RGB 191 160 17

HSL 49.31, 0.84%, 0.41%

LAB 66.72, -1.05, 67.67

 

CMYK 0 / 18 / 100 / 32

HEX #AE8E00

RGB 174 142 0

HSL 48.97, 1%, 0.34%

LAB 60.2, 0.76, 64.66

 

CMYK 0 / 21 / 100 / 38

HEX #9D7C00

RGB 157 124 0

HSL 47.39, 1%, 0.31%

LAB 53.58, 2.89, 59.21

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 0 / 33 / 76 / 12

HEX #E19637

RGB 225 150 55

HSL 33.53, 0.74%, 0.55%

LAB 68.09, 20.32, 58.78

 

CMYK 0 / 54 / 76 / 12

HEX #E16837

RGB 225 104 55

HSL 17.29, 0.74%, 0.55%

LAB 58.21, 44.19, 48.86

 

CMYK 0 / 74 / 76 / 12

HEX #E13A37

RGB 225 58 55

HSL 1.06, 0.74%, 0.55%

LAB 51.05, 63.32, 41.27

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 8 / 0 / 76 / 12

HEX #D0E137

RGB 208 225 55

HSL 66, 0.74%, 0.55%

LAB 85.77, -25.52, 74.95

 

CMYK 28 / 0 / 76 / 12

HEX #A2E137

RGB 162 225 55

HSL 82.24, 0.74%, 0.55%

LAB 82.81, -43.52, 71.12

 

CMYK 48 / 0 / 76 / 12

HEX #74E137

RGB 116 225 55

HSL 98.47, 0.74%, 0.55%

LAB 80.65, -58.83, 68.3

 

CMYK 69 / 0 / 76 / 12

HEX #46E137

RGB 70 225 55

HSL 114.71, 0.74%, 0.55%

LAB 79.29, -69.76, 66.51

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 0 / 14 / 85 / 5

HEX #F3D024

RGB 243 208 36

HSL 49.86, 0.9%, 0.55%

LAB 84.12, -3.02, 79.68

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 0 / 11 / 65 / 19

HEX #CEB749

RGB 206 183 73

HSL 49.62, 0.58%, 0.55%

LAB 74.49, -4.46, 57.11

 

CMYK 0 / 9 / 51 / 26

HEX #BCAB5C

RGB 188 171 92

HSL 49.38, 0.42%, 0.55%

LAB 69.89, -4.36, 42.55

 

CMYK 0 / 6 / 34 / 34

HEX #A99F6F

RGB 169 159 111

HSL 49.66, 0.25%, 0.55%

LAB 65.26, -3.78, 26.4

 

CMYK 0 / 2 / 14 / 41

HEX #969381

RGB 150 147 129

HSL 51.43, 0.09%, 0.55%

LAB 60.73, -2.14, 9.93

 

CMYK 0 / 54 / 76 / 12

HEX #E16737

RGB 225 103 55

HSL 16.94, 0.74%, 0.55%

LAB 58.02, 44.67, 48.66

 

CMYK 0 / 34 / 76 / 12

HEX #E19437

RGB 225 148 55

HSL 32.82, 0.74%, 0.55%

LAB 67.62, 21.39, 58.32

 

CMYK 0 / 14 / 76 / 12

HEX #E1C237

RGB 225 194 55

HSL 49.06, 0.74%, 0.55%

LAB 78.96, -2.94, 69.15

 

CMYK 6 / 0 / 76 / 12

HEX #D3E137

RGB 211 225 55

HSL 64.94, 0.74%, 0.55%

LAB 85.99, -24.29, 75.24

 

CMYK 27 / 0 / 76 / 12

HEX #A5E137

RGB 165 225 55

HSL 81.18, 0.74%, 0.55%

LAB 82.98, -42.41, 71.34

 

CMYK 0 / 15 / 85 / 33

HEX #AC9319

RGB 172 147 25

HSL 49.8, 0.75%, 0.39%

LAB 61.4, -2.44, 60.9

 

CMYK 0 / 15 / 85 / 18

HEX #D0B11F

RGB 208 177 31

HSL 49.49, 0.74%, 0.47%

LAB 72.86, -2.24, 70.29

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 0 / 10 / 60 / 10

HEX #E6CE5B

RGB 230 206 91

HSL 49.64, 0.74%, 0.63%

LAB 82.76, -5.07, 58.86

 

CMYK 0 / 8 / 46 / 8

HEX #EBD97F

RGB 235 217 127

HSL 50, 0.73%, 0.71%

LAB 86.41, -5.71, 46.37

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 76 / 0 / 74 / 12

HEX #37E13A

RGB 55 225 58

HSL 121.06, 0.74%, 0.55%

LAB 79.02, -71.95, 65.17

 

CMYK 44 / 76 / 0 / 12

HEX #7E37E1

RGB 126 55 225

HSL 265.06, 0.74%, 0.55%

LAB 42.16, 63.4, -74.31

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 76 / 0 / 14 / 12

HEX #37E1C2

RGB 55 225 194

HSL 169.06, 0.74%, 0.55%

LAB 81.05, -49.2, 3.06

 

CMYK 14 / 76 / 0 / 12

HEX #C237E1

RGB 194 55 225

HSL 289.06, 0.74%, 0.55%

LAB 51.43, 75.13, -58.85

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 76 / 0 / 74 / 12

HEX #37E13A

RGB 55 225 58

HSL 121.06, 0.74%, 0.55%

LAB 79.02, -71.95, 65.17

 

CMYK 76 / 62 / 0 / 12

HEX #3756E1

RGB 55 86 225

HSL 229.06, 0.74%, 0.55%

LAB 42.62, 37.07, -73.78

 

CMYK 0 / 76 / 1 / 12

HEX #E137DE

RGB 225 55 222

HSL 301.06, 0.74%, 0.55%

LAB 56.1, 80.65, -49.39

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 76 / 0 / 52 / 12

HEX #37E16D

RGB 55 225 109

HSL 139.06, 0.74%, 0.55%

LAB 79.48, -66.42, 44.51

 

CMYK 76 / 62 / 0 / 12

HEX #3756E1

RGB 55 86 225

HSL 229.06, 0.74%, 0.55%

LAB 42.62, 37.07, -73.78

 

CMYK 0 / 76 / 24 / 12

HEX #E137AB

RGB 225 55 171

HSL 319.06, 0.74%, 0.55%

LAB 53.69, 73.6, -23.82

 

Description

Color code: HEX #E1C437 | qconv.com Color code: HEX #E1C437 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 196 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 196 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 76 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 76% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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