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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755E1D it is the complementary color #8AA1E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755E1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755E1D shade: #7A5E18, #8B702B, #9C823E, #AD9451 and #BEA664

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755E1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755E1D shade: #755E1D, #644C0A, #533A00, #422800 and #311600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755E1D shade: #765F1D, #76471D, #762F1D and #761D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755E1D shade: #765F1D, #75761D, #5D761D, #45761D and #2D761D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755E1D shade matches the following richer shades: #765F1D, #826411 and #8E6A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755E1D shade: #765F1D, #6A5929, #5E5335, #524D41 and #46484D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755E1D shade: #762F1D, #76461D, #765E1D, #76761D and #5E761D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755E1D shade: #342A0D, #554415, #765F1D, #977925 and #B8942E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755E1D shade: #755E1D, #23761D and #3B1D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755E1D shade: #755E1D, #1D765E and #5E1D76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755E1D shade: #755E1D, #23761D, #1D3576 and #701D76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755E1D shade: #755E1D, #1D7632, #1D3576 and #761D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 75 / 54

HEX #755E1D

RGB 117 94 29

HSL 44.32, 0.6%, 0.29%

LAB 41.02, 1.96, 38.96

 

Complementary color

CMYK 39 / 29 / 0 / 11

HEX #8AA1E2

RGB 138 161 226

HSL 224.32, 0.6%, 0.71%

LAB 66.81, 7.98, -35.43

 

CMYK 0 / 23 / 80 / 52

HEX #7A5E18

RGB 122 94 24

HSL 42.86, 0.67%, 0.29%

LAB 41.55, 4.13, 41.79

 

CMYK 0 / 19 / 69 / 45

HEX #8B702B

RGB 139 112 43

HSL 43.13, 0.53%, 0.36%

LAB 48.58, 2.69, 41.05

 

CMYK 0 / 17 / 60 / 39

HEX #9C823E

RGB 156 130 62

HSL 43.4, 0.43%, 0.43%

LAB 55.46, 1.56, 39.86

 

CMYK 0 / 14 / 53 / 32

HEX #AD9451

RGB 173 148 81

HSL 43.7, 0.36%, 0.5%

LAB 62.22, 0.65, 38.55

 

CMYK 0 / 13 / 47 / 25

HEX #BEA664

RGB 190 166 100

HSL 44, 0.41%, 0.57%

LAB 68.85, -0.1, 37.24

 

CMYK 0 / 20 / 75 / 54

HEX #755E1D

RGB 117 94 29

HSL 44.32, 0.6%, 0.29%

LAB 41.02, 1.96, 38.96

 

CMYK 0 / 24 / 90 / 61

HEX #644C0A

RGB 100 76 10

HSL 44, 0.82%, 0.22%

LAB 33.77, 3.61, 39.01

 

CMYK 0 / 30 / 100 / 67

HEX #533A00

RGB 83 58 0

HSL 41.93, 1%, 0.16%

LAB 26.35, 5.82, 35.82

 

CMYK 0 / 39 / 100 / 74

HEX #422800

RGB 66 40 0

HSL 36.36, 1%, 0.13%

LAB 18.7, 8.56, 27.11

 

CMYK 0 / 55 / 100 / 81

HEX #311600

RGB 49 22 0

HSL 26.94, 1%, 0.1%

LAB 10.75, 11.57, 16.32

 

CMYK 0 / 19 / 75 / 54

HEX #765F1D

RGB 118 95 29

HSL 44.49, 0.61%, 0.29%

LAB 41.41, 1.85, 39.39

 

CMYK 0 / 40 / 75 / 54

HEX #76471D

RGB 118 71 29

HSL 28.31, 0.61%, 0.29%

LAB 34.9, 16.24, 32.72

 

CMYK 0 / 60 / 75 / 54

HEX #762F1D

RGB 118 47 29

HSL 12.13, 0.61%, 0.29%

LAB 29.34, 29.97, 26.71

 

CMYK 0 / 75 / 75 / 54

HEX #761D1D

RGB 118 29 29

HSL 0, 0.61%, 0.29%

LAB 26.21, 38.37, 23.15

 

CMYK 0 / 19 / 75 / 54

HEX #765F1D

RGB 118 95 29

HSL 44.49, 0.61%, 0.29%

LAB 41.41, 1.85, 39.39

 

CMYK 1 / 0 / 75 / 54

HEX #75761D

RGB 117 118 29

HSL 60.67, 0.61%, 0.29%

LAB 48.04, -11.76, 45.81

 

CMYK 21 / 0 / 75 / 54

HEX #5D761D

RGB 93 118 29

HSL 76.85, 0.61%, 0.29%

LAB 46.14, -22.61, 43.31

 

CMYK 42 / 0 / 75 / 54

HEX #45761D

RGB 69 118 29

HSL 93.03, 0.61%, 0.29%

LAB 44.68, -32.34, 41.37

 

CMYK 62 / 0 / 75 / 54

HEX #2D761D

RGB 45 118 29

HSL 109.21, 0.61%, 0.29%

LAB 43.66, -40.03, 40.02

 

CMYK 0 / 19 / 75 / 54

HEX #765F1D

RGB 118 95 29

HSL 44.49, 0.61%, 0.29%

LAB 41.41, 1.85, 39.39

 

CMYK 0 / 23 / 87 / 49

HEX #826411

RGB 130 100 17

HSL 44.07, 0.77%, 0.29%

LAB 44.09, 4.19, 46.89

 

CMYK 0 / 25 / 96 / 44

HEX #8E6A05

RGB 142 106 5

HSL 44.23, 0.93%, 0.29%

LAB 47.07, 6.16, 52.78

 

CMYK 0 / 19 / 75 / 54

HEX #765F1D

RGB 118 95 29

HSL 44.49, 0.61%, 0.29%

LAB 41.41, 1.85, 39.39

 

CMYK 0 / 16 / 61 / 58

HEX #6A5929

RGB 106 89 41

HSL 44.31, 0.44%, 0.29%

LAB 38.5, 0.48, 29.91

 

CMYK 0 / 12 / 44 / 63

HEX #5E5335

RGB 94 83 53

HSL 43.9, 0.28%, 0.29%

LAB 35.64, -0.3, 19.22

 

CMYK 0 / 6 / 21 / 68

HEX #524D41

RGB 82 77 65

HSL 42.35, 0.12%, 0.29%

LAB 32.88, -0.25, 7.87

 

CMYK 9 / 6 / 0 / 70

HEX #46484D

RGB 70 72 77

HSL 222.86, 0.05%, 0.29%

LAB 30.57, 0.33, -3.27

 

CMYK 0 / 60 / 75 / 54

HEX #762F1D

RGB 118 47 29

HSL 12.13, 0.61%, 0.29%

LAB 29.34, 29.97, 26.71

 

CMYK 0 / 41 / 75 / 54

HEX #76461D

RGB 118 70 29

HSL 27.64, 0.61%, 0.29%

LAB 34.64, 16.84, 32.45

 

CMYK 0 / 20 / 75 / 54

HEX #765E1D

RGB 118 94 29

HSL 43.82, 0.61%, 0.29%

LAB 41.13, 2.45, 39.11

 

CMYK 0 / 0 / 75 / 54

HEX #76761D

RGB 118 118 29

HSL 60, 0.61%, 0.29%

LAB 48.13, -11.29, 45.92

 

CMYK 20 / 0 / 75 / 54

HEX #5E761D

RGB 94 118 29

HSL 76.18, 0.61%, 0.29%

LAB 46.21, -22.18, 43.41

 

CMYK 0 / 19 / 75 / 80

HEX #342A0D

RGB 52 42 13

HSL 44.62, 0.6%, 0.13%

LAB 17.53, 0.45, 19.86

 

CMYK 0 / 20 / 75 / 67

HEX #554415

RGB 85 68 21

HSL 44.06, 0.6%, 0.21%

LAB 29.71, 1.48, 30.06

 

CMYK 0 / 19 / 75 / 54

HEX #765F1D

RGB 118 95 29

HSL 44.49, 0.61%, 0.29%

LAB 41.41, 1.85, 39.39

 

CMYK 0 / 20 / 75 / 41

HEX #977925

RGB 151 121 37

HSL 44.21, 0.61%, 0.37%

LAB 52.27, 2.79, 47.88

 

CMYK 0 / 20 / 75 / 28

HEX #B8942E

RGB 184 148 46

HSL 44.35, 0.6%, 0.45%

LAB 62.98, 3.17, 55.86

 

CMYK 0 / 20 / 75 / 54

HEX #755E1D

RGB 117 94 29

HSL 44.32, 0.6%, 0.29%

LAB 41.02, 1.96, 38.96

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 50 / 75 / 0 / 54

HEX #3B1D76

RGB 59 29 118

HSL 260.22, 0.61%, 0.29%

LAB 20.5, 36.2, -45.7

 

CMYK 0 / 20 / 75 / 54

HEX #755E1D

RGB 117 94 29

HSL 44.32, 0.6%, 0.29%

LAB 41.02, 1.96, 38.96

 

CMYK 75 / 0 / 20 / 54

HEX #1D765E

RGB 29 118 94

HSL 163.82, 0.61%, 0.29%

LAB 44.27, -31.84, 5.88

 

CMYK 20 / 75 / 0 / 54

HEX #5E1D76

RGB 94 29 118

HSL 283.82, 0.61%, 0.29%

LAB 25.46, 43.34, -37.42

 

CMYK 0 / 20 / 75 / 54

HEX #755E1D

RGB 117 94 29

HSL 44.32, 0.6%, 0.29%

LAB 41.02, 1.96, 38.96

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 75 / 55 / 0 / 54

HEX #1D3576

RGB 29 53 118

HSL 223.82, 0.61%, 0.29%

LAB 24.05, 15.34, -40.04

 

CMYK 5 / 75 / 0 / 54

HEX #701D76

RGB 112 29 118

HSL 295.96, 0.61%, 0.29%

LAB 28.46, 47.43, -32.45

 

CMYK 0 / 20 / 75 / 54

HEX #755E1D

RGB 117 94 29

HSL 44.32, 0.6%, 0.29%

LAB 41.02, 1.96, 38.96

 

CMYK 75 / 0 / 58 / 54

HEX #1D7632

RGB 29 118 50

HSL 134.16, 0.61%, 0.29%

LAB 43.43, -41.13, 29.84

 

CMYK 75 / 55 / 0 / 54

HEX #1D3576

RGB 29 53 118

HSL 223.82, 0.61%, 0.29%

LAB 24.05, 15.34, -40.04

 

CMYK 0 / 75 / 18 / 54

HEX #761D61

RGB 118 29 97

HSL 314.16, 0.61%, 0.29%

LAB 28.36, 45.36, -19.02

 

Description

Color code: HEX #755E1D | qconv.com Color code: HEX #755E1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 94 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 94 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 75 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 75% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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