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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23761D it is the complementary color #DC89E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23761D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23761D shade: #287618, #39882B, #4A9A3E, #5BAC51 and #6CBE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23761D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23761D shade: #23761D, #12640A, #015200, #004000 and #002E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23761D shade: #22771C, #3B771C, #53771C, #6B771C and #77691C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23761D shade: #22771C, #1C772F, #1C7747, #1C775F and #1C7677

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23761D shade matches the following richer shades: #22771C, #188310 and #0E8E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23761D shade: #22771C, #2D6B28, #375F34, #415340 and #4C474C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23761D shade: #54771C, #3C771C, #24771C, #1C772D and #1C7745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23761D shade: #0F340C, #195514, #22771C, #2C9824 and #36B92C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23761D shade: #23761D, #1C6C77 and #771C48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23761D shade: #23761D, #1C2477 and #771C24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23761D shade: #23761D, #1C6C77, #6F1C77 and #77271C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23761D shade: #23761D, #1C5177, #6F1C77 and #77421C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

Complementary color

CMYK 3 / 39 / 0 / 11

HEX #DC89E2

RGB 220 137 226

HSL 295.96, 0.61%, 0.71%

LAB 68.46, 45.38, -32.3

 

CMYK 66 / 0 / 80 / 54

HEX #287618

RGB 40 118 24

HSL 109.79, 0.66%, 0.28%

LAB 43.47, -41.7, 41.67

 

CMYK 58 / 0 / 68 / 47

HEX #39882B

RGB 57 136 43

HSL 110.97, 0.52%, 0.35%

LAB 50.28, -42.56, 41.2

 

CMYK 52 / 0 / 60 / 40

HEX #4A9A3E

RGB 74 154 62

HSL 112.17, 0.43%, 0.42%

LAB 56.99, -42.93, 40.16

 

CMYK 47 / 0 / 53 / 33

HEX #5BAC51

RGB 91 172 81

HSL 113.41, 0.36%, 0.5%

LAB 63.61, -43.04, 38.93

 

CMYK 43 / 0 / 47 / 25

HEX #6CBE64

RGB 108 190 100

HSL 114.67, 0.41%, 0.57%

LAB 70.13, -42.98, 37.65

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 82 / 0 / 90 / 61

HEX #12640A

RGB 18 100 10

HSL 114.67, 0.82%, 0.22%

LAB 36.49, -40.65, 39.37

 

CMYK 99 / 0 / 100 / 68

HEX #015200

RGB 1 82 0

HSL 119.27, 1%, 0.16%

LAB 29.52, -37.65, 36.5

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 71 / 0 / 76 / 53

HEX #22771C

RGB 34 119 28

HSL 116.04, 0.62%, 0.29%

LAB 43.68, -43.1, 40.33

 

CMYK 50 / 0 / 76 / 53

HEX #3B771C

RGB 59 119 28

HSL 99.56, 0.62%, 0.29%

LAB 44.53, -36.34, 41.46

 

CMYK 30 / 0 / 76 / 53

HEX #53771C

RGB 83 119 28

HSL 83.74, 0.62%, 0.29%

LAB 45.79, -27.4, 43.13

 

CMYK 10 / 0 / 76 / 53

HEX #6B771C

RGB 107 119 28

HSL 67.91, 0.62%, 0.29%

LAB 47.5, -16.95, 45.37

 

CMYK 0 / 12 / 76 / 53

HEX #77691C

RGB 119 105 28

HSL 50.77, 0.62%, 0.29%

LAB 44.39, -3.55, 42.76

 

CMYK 71 / 0 / 76 / 53

HEX #22771C

RGB 34 119 28

HSL 116.04, 0.62%, 0.29%

LAB 43.68, -43.1, 40.33

 

CMYK 76 / 0 / 61 / 53

HEX #1C772F

RGB 28 119 47

HSL 132.53, 0.62%, 0.29%

LAB 43.72, -42.11, 31.72

 

CMYK 76 / 0 / 40 / 53

HEX #1C7747

RGB 28 119 71

HSL 148.35, 0.62%, 0.29%

LAB 44.08, -37.93, 19.1

 

CMYK 76 / 0 / 20 / 53

HEX #1C775F

RGB 28 119 95

HSL 164.18, 0.62%, 0.29%

LAB 44.61, -32.18, 5.78

 

CMYK 76 / 1 / 0 / 53

HEX #1C7677

RGB 28 118 119

HSL 180.66, 0.62%, 0.29%

LAB 44.99, -24.61, -7.99

 

CMYK 71 / 0 / 76 / 53

HEX #22771C

RGB 34 119 28

HSL 116.04, 0.62%, 0.29%

LAB 43.68, -43.1, 40.33

 

CMYK 82 / 0 / 88 / 49

HEX #188310

RGB 24 131 16

HSL 115.83, 0.78%, 0.29%

LAB 47.58, -49.69, 47.8

 

CMYK 90 / 0 / 97 / 44

HEX #0E8E04

RGB 14 142 4

HSL 115.65, 0.95%, 0.29%

LAB 51.21, -54.62, 53.22

 

CMYK 71 / 0 / 76 / 53

HEX #22771C

RGB 34 119 28

HSL 116.04, 0.62%, 0.29%

LAB 43.68, -43.1, 40.33

 

CMYK 58 / 0 / 63 / 58

HEX #2D6B28

RGB 45 107 40

HSL 115.52, 0.46%, 0.29%

LAB 39.96, -34.42, 31.01

 

CMYK 42 / 0 / 45 / 63

HEX #375F34

RGB 55 95 52

HSL 115.81, 0.29%, 0.29%

LAB 36.45, -23.86, 20.27

 

CMYK 22 / 0 / 23 / 67

HEX #415340

RGB 65 83 64

HSL 116.84, 0.13%, 0.29%

LAB 33.31, -11.28, 8.88

 

CMYK 0 / 7 / 0 / 70

HEX #4C474C

RGB 76 71 76

HSL 300, 0.03%, 0.29%

LAB 30.79, 3.17, -2.24

 

CMYK 29 / 0 / 76 / 53

HEX #54771C

RGB 84 119 28

HSL 83.08, 0.62%, 0.29%

LAB 45.86, -26.99, 43.22

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 70 / 0 / 76 / 53

HEX #24771C

RGB 36 119 28

HSL 114.73, 0.62%, 0.29%

LAB 43.73, -42.68, 40.4

 

CMYK 76 / 0 / 62 / 53

HEX #1C772D

RGB 28 119 45

HSL 131.21, 0.62%, 0.29%

LAB 43.7, -42.39, 32.69

 

CMYK 76 / 0 / 42 / 53

HEX #1C7745

RGB 28 119 69

HSL 147.03, 0.62%, 0.29%

LAB 44.05, -38.34, 20.19

 

CMYK 71 / 0 / 77 / 80

HEX #0F340C

RGB 15 52 12

HSL 115.5, 0.63%, 0.13%

LAB 18.29, -22.65, 20.56

 

CMYK 71 / 0 / 76 / 67

HEX #195514

RGB 25 85 20

HSL 115.38, 0.62%, 0.21%

LAB 31.24, -33.02, 30.82

 

CMYK 71 / 0 / 76 / 53

HEX #22771C

RGB 34 119 28

HSL 116.04, 0.62%, 0.29%

LAB 43.68, -43.1, 40.33

 

CMYK 71 / 0 / 76 / 40

HEX #2C9824

RGB 44 152 36

HSL 115.86, 0.62%, 0.37%

LAB 55.2, -52.03, 48.96

 

CMYK 71 / 0 / 76 / 27

HEX #36B92C

RGB 54 185 44

HSL 115.74, 0.62%, 0.45%

LAB 66.26, -60.57, 57.21

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 76 / 9 / 0 / 53

HEX #1C6C77

RGB 28 108 119

HSL 187.25, 0.62%, 0.29%

LAB 41.7, -19.35, -12.96

 

CMYK 0 / 76 / 39 / 53

HEX #771C48

RGB 119 28 72

HSL 330.99, 0.62%, 0.29%

LAB 27.35, 42.64, -4.03

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 76 / 70 / 0 / 53

HEX #1C2477

RGB 28 36 119

HSL 234.73, 0.62%, 0.29%

LAB 19.39, 27.51, -48.27

 

CMYK 0 / 76 / 70 / 53

HEX #771C24

RGB 119 28 36

HSL 354.73, 0.62%, 0.29%

LAB 26.39, 39.48, 18.85

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 76 / 9 / 0 / 53

HEX #1C6C77

RGB 28 108 119

HSL 187.25, 0.62%, 0.29%

LAB 41.7, -19.35, -12.96

 

CMYK 7 / 76 / 0 / 53

HEX #6F1C77

RGB 111 28 119

HSL 294.73, 0.62%, 0.29%

LAB 28.23, 47.75, -33.47

 

CMYK 0 / 67 / 76 / 53

HEX #77271C

RGB 119 39 28

HSL 7.25, 0.62%, 0.29%

LAB 28, 34.32, 25.86

 

CMYK 70 / 0 / 75 / 54

HEX #23761D

RGB 35 118 29

HSL 115.96, 0.61%, 0.29%

LAB 43.36, -42.44, 39.62

 

CMYK 76 / 32 / 0 / 53

HEX #1C5177

RGB 28 81 119

HSL 205.05, 0.62%, 0.29%

LAB 32.84, -3.45, -26.64

 

CMYK 7 / 76 / 0 / 53

HEX #6F1C77

RGB 111 28 119

HSL 294.73, 0.62%, 0.29%

LAB 28.23, 47.75, -33.47

 

CMYK 0 / 45 / 76 / 53

HEX #77421C

RGB 119 66 28

HSL 25.05, 0.62%, 0.29%

LAB 33.78, 19.62, 32.11

 

Description

Color code: HEX #23761D | qconv.com Color code: HEX #23761D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 118 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 118 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 75 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 75% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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