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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #750DD7 it is the complementary color #8AF228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #750DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #750DD7 shade: #7A0DD2, #8B1FE5, #9C31F8, #AD43FF and #BE55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #750DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #750DD7 shade: #750DD7, #6400C4, #5300B1, #42009E and #31008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #750DD7 shade: #750CD8, #AC0CD8, #D80CCD, #D80C96 and #D80C5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #750DD7 shade: #750CD8, #3E0CD8 and #0C0CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #750DD7 shade matches the following richer shades: #750CD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #750DD7 shade: #750CD8, #751FC6, #7431B3, #7444A1 and #73568E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #750DD7 shade: #0C13D8, #3C0CD8, #720CD8, #A90CD8 and #D80CD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #750DD7 shade: #4B088A, #600AB1, #750CD8, #8A1CF1 and #9E43F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #750DD7 shade: #750DD7, #D80C49 and #0CD821

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #750DD7 shade: #750DD7, #D8720C and #0CD872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #750DD7 shade: #750DD7, #D80C49, #72D80C and #0CD89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #750DD7 shade: #750DD7, #D80C0C, #72D80C and #0CD8D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 94 / 0 / 16

HEX #750DD7

RGB 117 13 215

HSL 270.89, 0.89%, 0.45%

LAB 35.94, 72.26, -78.84

 

Complementary color

CMYK 43 / 0 / 83 / 5

HEX #8AF228

RGB 138 242 40

HSL 90.89, 0.89%, 0.55%

LAB 86.53, -59.27, 78.07

 

CMYK 42 / 94 / 0 / 18

HEX #7A0DD2

RGB 122 13 210

HSL 273.2, 0.88%, 0.44%

LAB 36.14, 71.69, -75.6

 

CMYK 39 / 86 / 0 / 10

HEX #8B1FE5

RGB 139 31 229

HSL 272.73, 0.79%, 0.51%

LAB 41.42, 74.07, -77.74

 

CMYK 37 / 80 / 0 / 3

HEX #9C31F8

RGB 156 49 248

HSL 272.26, 0.93%, 0.58%

LAB 47.03, 75.26, -79.19

 

CMYK 32 / 74 / 0 / 0

HEX #AD43FF

RGB 173 67 255

HSL 273.83, 1%, 0.63%

LAB 51.97, 73.06, -74.94

 

CMYK 25 / 67 / 0 / 0

HEX #BE55FF

RGB 190 85 255

HSL 277.06, 1%, 0.67%

LAB 56.75, 68.88, -67.1

 

CMYK 46 / 94 / 0 / 16

HEX #750DD7

RGB 117 13 215

HSL 270.89, 0.89%, 0.45%

LAB 35.94, 72.26, -78.84

 

CMYK 49 / 100 / 0 / 23

HEX #6400C4

RGB 100 0 196

HSL 270.61, 1%, 0.38%

LAB 31.1, 68.49, -75.83

 

CMYK 53 / 100 / 0 / 31

HEX #5300B1

RGB 83 0 177

HSL 268.14, 1%, 0.35%

LAB 26.77, 62.96, -71.79

 

CMYK 58 / 100 / 0 / 38

HEX #42009E

RGB 66 0 158

HSL 265.06, 1%, 0.31%

LAB 22.4, 57.37, -67.6

 

CMYK 65 / 100 / 0 / 45

HEX #31008B

RGB 49 0 139

HSL 261.15, 1%, 0.27%

LAB 18, 51.74, -63.2

 

CMYK 46 / 94 / 0 / 15

HEX #750CD8

RGB 117 12 216

HSL 270.88, 0.89%, 0.45%

LAB 35.99, 72.62, -79.33

 

CMYK 20 / 94 / 0 / 15

HEX #AC0CD8

RGB 172 12 216

HSL 287.06, 0.89%, 0.45%

LAB 44.22, 79.11, -65.53

 

CMYK 0 / 94 / 5 / 15

HEX #D80CCD

RGB 216 12 205

HSL 303.24, 0.89%, 0.45%

LAB 51, 84.23, -47.9

 

CMYK 0 / 94 / 31 / 15

HEX #D80C96

RGB 216 12 150

HSL 319.41, 0.89%, 0.45%

LAB 48.34, 77.45, -19.73

 

CMYK 0 / 94 / 56 / 15

HEX #D80C5F

RGB 216 12 95

HSL 335.59, 0.89%, 0.45%

LAB 46.56, 72.71, 11.33

 

CMYK 46 / 94 / 0 / 15

HEX #750CD8

RGB 117 12 216

HSL 270.88, 0.89%, 0.45%

LAB 35.99, 72.62, -79.33

 

CMYK 71 / 94 / 0 / 15

HEX #3E0CD8

RGB 62 12 216

HSL 254.71, 0.89%, 0.45%

LAB 30.02, 68.87, -89.4

 

CMYK 94 / 94 / 0 / 15

HEX #0C0CD8

RGB 12 12 216

HSL 240, 0.89%, 0.45%

LAB 27.57, 67.67, -93.56

 

CMYK 46 / 94 / 0 / 15

HEX #750CD8

RGB 117 12 216

HSL 270.88, 0.89%, 0.45%

LAB 35.99, 72.62, -79.33

 

CMYK 46 / 94 / 0 / 15

HEX #750CD8

RGB 117 12 216

HSL 270.88, 0.89%, 0.45%

LAB 35.99, 72.62, -79.33

 

CMYK 41 / 84 / 0 / 22

HEX #751FC6

RGB 117 31 198

HSL 270.9, 0.73%, 0.45%

LAB 35.67, 64.51, -69.4

 

CMYK 35 / 73 / 0 / 30

HEX #7431B3

RGB 116 49 179

HSL 270.92, 0.57%, 0.45%

LAB 36.3, 53.15, -57.19

 

CMYK 28 / 58 / 0 / 37

HEX #7444A1

RGB 116 68 161

HSL 270.97, 0.41%, 0.45%

LAB 38.59, 39.07, -42.76

 

CMYK 19 / 39 / 0 / 44

HEX #73568E

RGB 115 86 142

HSL 271.07, 0.25%, 0.45%

LAB 41.62, 23.53, -26.55

 

CMYK 94 / 91 / 0 / 15

HEX #0C13D8

RGB 12 19 216

HSL 237.94, 0.89%, 0.45%

LAB 28.12, 65.98, -92.64

 

CMYK 72 / 94 / 0 / 15

HEX #3C0CD8

RGB 60 12 216

HSL 254.12, 0.89%, 0.45%

LAB 29.87, 68.79, -89.67

 

CMYK 47 / 94 / 0 / 15

HEX #720CD8

RGB 114 12 216

HSL 270, 0.89%, 0.45%

LAB 35.59, 72.34, -80

 

CMYK 22 / 94 / 0 / 15

HEX #A90CD8

RGB 169 12 216

HSL 286.18, 0.89%, 0.45%

LAB 43.74, 78.69, -66.34

 

CMYK 0 / 94 / 3 / 15

HEX #D80CD2

RGB 216 12 210

HSL 301.76, 0.89%, 0.45%

LAB 51.28, 84.94, -50.32

 

CMYK 46 / 94 / 0 / 46

HEX #4B088A

RGB 75 8 138

HSL 270.92, 0.89%, 0.29%

LAB 21.96, 51.56, -55.9

 

CMYK 46 / 94 / 0 / 31

HEX #600AB1

RGB 96 10 177

HSL 270.9, 0.89%, 0.37%

LAB 29.1, 62.33, -67.88

 

CMYK 46 / 94 / 0 / 15

HEX #750CD8

RGB 117 12 216

HSL 270.88, 0.89%, 0.45%

LAB 35.99, 72.62, -79.33

 

CMYK 43 / 88 / 0 / 5

HEX #8A1CF1

RGB 138 28 241

HSL 270.99, 0.88%, 0.53%

LAB 42.13, 77.2, -83.38

 

CMYK 35 / 73 / 0 / 4

HEX #9E43F4

RGB 158 67 244

HSL 270.85, 0.89%, 0.61%

LAB 49.27, 68.07, -73.28

 

CMYK 46 / 94 / 0 / 16

HEX #750DD7

RGB 117 13 215

HSL 270.89, 0.89%, 0.45%

LAB 35.94, 72.26, -78.84

 

CMYK 0 / 94 / 66 / 15

HEX #D80C49

RGB 216 12 73

HSL 342.06, 0.89%, 0.45%

LAB 46.1, 71.44, 24.36

 

CMYK 94 / 0 / 85 / 15

HEX #0CD821

RGB 12 216 33

HSL 126.18, 0.89%, 0.45%

LAB 75.64, -74.71, 68.86

 

CMYK 46 / 94 / 0 / 16

HEX #750DD7

RGB 117 13 215

HSL 270.89, 0.89%, 0.45%

LAB 35.94, 72.26, -78.84

 

CMYK 0 / 47 / 94 / 15

HEX #D8720C

RGB 216 114 12

HSL 30, 0.89%, 0.45%

LAB 58.66, 34.53, 64.05

 

CMYK 94 / 0 / 47 / 15

HEX #0CD872

RGB 12 216 114

HSL 150, 0.89%, 0.45%

LAB 76.32, -66.24, 38.04

 

CMYK 46 / 94 / 0 / 16

HEX #750DD7

RGB 117 13 215

HSL 270.89, 0.89%, 0.45%

LAB 35.94, 72.26, -78.84

 

CMYK 0 / 94 / 66 / 15

HEX #D80C49

RGB 216 12 73

HSL 342.06, 0.89%, 0.45%

LAB 46.1, 71.44, 24.36

 

CMYK 47 / 0 / 94 / 15

HEX #72D80C

RGB 114 216 12

HSL 90, 0.89%, 0.45%

LAB 77.71, -57.67, 74.9

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 46 / 94 / 0 / 16

HEX #750DD7

RGB 117 13 215

HSL 270.89, 0.89%, 0.45%

LAB 35.94, 72.26, -78.84

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 47 / 0 / 94 / 15

HEX #72D80C

RGB 114 216 12

HSL 90, 0.89%, 0.45%

LAB 77.71, -57.67, 74.9

 

CMYK 94 / 0 / 0 / 15

HEX #0CD8D8

RGB 12 216 216

HSL 180, 0.89%, 0.45%

LAB 78.55, -42.12, -12.4

 

Description

Color code: HEX #750DD7 | qconv.com Color code: HEX #750DD7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 13 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 13 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 94 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 94% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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