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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70469D it is the complementary color #8FB962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70469D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70469D shade: #754698, #8658AB, #976ABE, #A87CD1 and #B98EE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70469D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70469D shade: #70469D, #5F348A, #4E2277, #3D1064 and #2C0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70469D shade: #71479E, #88479E, #9E479C, #9E4784 and #9E476D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70469D shade: #71479E, #59479E and #47479E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70469D shade matches the following richer shades: #71479E, #7034B0, #6F22C3 and #6F0FD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70469D shade: #71479E, #71598B, #726C79, #737E66 and #739154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70469D shade: #474C9E, #58479E, #6F479E, #87479E and #9E479E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70469D shade: #482D65, #5C3A81, #71479E, #8559B4 and #9A76C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70469D shade: #70469D, #9E4764 and #479E4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70469D shade: #70469D, #9E6F47 and #479E6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70469D shade: #70469D, #9E4764, #759E47 and #479E81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70469D shade: #70469D, #9E474A, #759E47 and #479E9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 55 / 0 / 38

HEX #70469D

RGB 112 70 157

HSL 268.97, 0.38%, 0.45%

LAB 38.3, 35.88, -40.84

 

Complementary color

CMYK 23 / 0 / 47 / 27

HEX #8FB962

RGB 143 185 98

HSL 88.97, 0.38%, 0.55%

LAB 70.47, -28.98, 39.48

 

CMYK 23 / 54 / 0 / 40

HEX #754698

RGB 117 70 152

HSL 274.39, 0.37%, 0.44%

LAB 38.6, 36.01, -37.31

 

CMYK 22 / 49 / 0 / 33

HEX #8658AB

RGB 134 88 171

HSL 273.25, 0.33%, 0.51%

LAB 45.62, 35.09, -37.4

 

CMYK 21 / 44 / 0 / 25

HEX #976ABE

RGB 151 106 190

HSL 272.14, 0.39%, 0.58%

LAB 52.51, 34.22, -37.46

 

CMYK 20 / 41 / 0 / 18

HEX #A87CD1

RGB 168 124 209

HSL 271.06, 0.48%, 0.65%

LAB 59.29, 33.39, -37.51

 

CMYK 19 / 38 / 0 / 11

HEX #B98EE4

RGB 185 142 228

HSL 270, 0.61%, 0.73%

LAB 65.95, 32.62, -37.58

 

CMYK 29 / 55 / 0 / 38

HEX #70469D

RGB 112 70 157

HSL 268.97, 0.38%, 0.45%

LAB 38.3, 35.88, -40.84

 

CMYK 31 / 62 / 0 / 46

HEX #5F348A

RGB 95 52 138

HSL 270, 0.45%, 0.37%

LAB 31.17, 36.86, -40.79

 

CMYK 34 / 71 / 0 / 53

HEX #4E2277

RGB 78 34 119

HSL 271.06, 0.56%, 0.3%

LAB 23.99, 37.67, -40.57

 

CMYK 39 / 84 / 0 / 61

HEX #3D1064

RGB 61 16 100

HSL 272.14, 0.72%, 0.23%

LAB 16.91, 37.83, -39.85

 

CMYK 46 / 100 / 0 / 68

HEX #2C0051

RGB 44 0 81

HSL 272.59, 1%, 0.16%

LAB 10.03, 36.98, -38.43

 

CMYK 28 / 55 / 0 / 38

HEX #71479E

RGB 113 71 158

HSL 268.97, 0.38%, 0.45%

LAB 38.7, 35.83, -40.8

 

CMYK 14 / 55 / 0 / 38

HEX #88479E

RGB 136 71 158

HSL 284.83, 0.38%, 0.45%

LAB 41.55, 42.13, -36.1

 

CMYK 0 / 55 / 1 / 38

HEX #9E479C

RGB 158 71 156

HSL 301.38, 0.38%, 0.45%

LAB 44.48, 47.93, -30.07

 

CMYK 0 / 55 / 16 / 38

HEX #9E4784

RGB 158 71 132

HSL 317.93, 0.38%, 0.45%

LAB 43.42, 43.82, -17.25

 

CMYK 0 / 55 / 31 / 38

HEX #9E476D

RGB 158 71 109

HSL 333.79, 0.38%, 0.45%

LAB 42.58, 40.43, -4.42

 

CMYK 28 / 55 / 0 / 38

HEX #71479E

RGB 113 71 158

HSL 268.97, 0.38%, 0.45%

LAB 38.7, 35.83, -40.8

 

CMYK 44 / 55 / 0 / 38

HEX #59479E

RGB 89 71 158

HSL 252.41, 0.38%, 0.45%

LAB 36.17, 29.68, -44.99

 

CMYK 55 / 55 / 0 / 38

HEX #47479E

RGB 71 71 158

HSL 240, 0.38%, 0.45%

LAB 34.63, 25.6, -47.55

 

CMYK 28 / 55 / 0 / 38

HEX #71479E

RGB 113 71 158

HSL 268.97, 0.38%, 0.45%

LAB 38.7, 35.83, -40.8

 

CMYK 36 / 70 / 0 / 31

HEX #7034B0

RGB 112 52 176

HSL 269.03, 0.54%, 0.45%

LAB 36.05, 50.25, -55.83

 

CMYK 43 / 83 / 0 / 24

HEX #6F22C3

RGB 111 34 195

HSL 268.7, 0.7%, 0.45%

LAB 34.93, 62.06, -68.89

 

CMYK 48 / 93 / 0 / 16

HEX #6F0FD6

RGB 111 15 214

HSL 268.94, 0.87%, 0.45%

LAB 35.16, 71.16, -79.58

 

CMYK 28 / 55 / 0 / 38

HEX #71479E

RGB 113 71 158

HSL 268.97, 0.38%, 0.45%

LAB 38.7, 35.83, -40.8

 

CMYK 19 / 36 / 0 / 45

HEX #71598B

RGB 113 89 139

HSL 268.8, 0.22%, 0.45%

LAB 42.03, 20.33, -24.11

 

CMYK 6 / 11 / 0 / 53

HEX #726C79

RGB 114 108 121

HSL 267.69, 0.06%, 0.45%

LAB 46.56, 5.01, -6.37

 

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

CMYK 21 / 0 / 42 / 43

HEX #739154

RGB 115 145 84

HSL 89.51, 0.27%, 0.45%

LAB 56.62, -21.72, 28.97

 

CMYK 55 / 52 / 0 / 38

HEX #474C9E

RGB 71 76 158

HSL 236.55, 0.38%, 0.45%

LAB 35.94, 22.37, -45.44

 

CMYK 44 / 55 / 0 / 38

HEX #58479E

RGB 88 71 158

HSL 251.72, 0.38%, 0.45%

LAB 36.08, 29.44, -45.14

 

CMYK 30 / 55 / 0 / 38

HEX #6F479E

RGB 111 71 158

HSL 267.59, 0.38%, 0.45%

LAB 38.47, 35.29, -41.18

 

CMYK 15 / 55 / 0 / 38

HEX #87479E

RGB 135 71 158

HSL 284.14, 0.38%, 0.45%

LAB 41.42, 41.85, -36.32

 

CMYK 0 / 55 / 0 / 38

HEX #9E479E

RGB 158 71 158

HSL 300, 0.38%, 0.45%

LAB 44.58, 48.29, -31.12

 

CMYK 29 / 55 / 0 / 60

HEX #482D65

RGB 72 45 101

HSL 268.93, 0.38%, 0.29%

LAB 24.3, 24.92, -28.51

 

CMYK 29 / 55 / 0 / 49

HEX #5C3A81

RGB 92 58 129

HSL 268.73, 0.38%, 0.37%

LAB 31.55, 30.22, -34.62

 

CMYK 28 / 55 / 0 / 38

HEX #71479E

RGB 113 71 158

HSL 268.97, 0.38%, 0.45%

LAB 38.7, 35.83, -40.8

 

CMYK 26 / 51 / 0 / 29

HEX #8559B4

RGB 133 89 180

HSL 269.01, 0.38%, 0.53%

LAB 46.21, 36.41, -41.74

 

CMYK 20 / 39 / 0 / 24

HEX #9A76C1

RGB 154 118 193

HSL 268.8, 0.38%, 0.61%

LAB 55.76, 28.94, -34.06

 

CMYK 29 / 55 / 0 / 38

HEX #70469D

RGB 112 70 157

HSL 268.97, 0.38%, 0.45%

LAB 38.3, 35.88, -40.84

 

CMYK 0 / 55 / 37 / 38

HEX #9E4764

RGB 158 71 100

HSL 340, 0.38%, 0.45%

LAB 42.3, 39.27, 0.73

 

CMYK 55 / 0 / 52 / 38

HEX #479E4C

RGB 71 158 76

HSL 123.45, 0.38%, 0.45%

LAB 58.33, -43.59, 34.83

 

CMYK 29 / 55 / 0 / 38

HEX #70469D

RGB 112 70 157

HSL 268.97, 0.38%, 0.45%

LAB 38.3, 35.88, -40.84

 

CMYK 0 / 30 / 55 / 38

HEX #9E6F47

RGB 158 111 71

HSL 27.59, 0.38%, 0.45%

LAB 50.8, 13.99, 29.54

 

CMYK 55 / 0 / 30 / 38

HEX #479E6F

RGB 71 158 111

HSL 147.59, 0.38%, 0.45%

LAB 58.92, -37.43, 16.81

 

CMYK 29 / 55 / 0 / 38

HEX #70469D

RGB 112 70 157

HSL 268.97, 0.38%, 0.45%

LAB 38.3, 35.88, -40.84

 

CMYK 0 / 55 / 37 / 38

HEX #9E4764

RGB 158 71 100

HSL 340, 0.38%, 0.45%

LAB 42.3, 39.27, 0.73

 

CMYK 26 / 0 / 55 / 38

HEX #759E47

RGB 117 158 71

HSL 88.28, 0.38%, 0.45%

LAB 60.51, -28.95, 40.46

 

CMYK 55 / 0 / 18 / 38

HEX #479E81

RGB 71 158 129

HSL 160, 0.38%, 0.45%

LAB 59.32, -33.41, 7.3

 

CMYK 29 / 55 / 0 / 38

HEX #70469D

RGB 112 70 157

HSL 268.97, 0.38%, 0.45%

LAB 38.3, 35.88, -40.84

 

CMYK 0 / 55 / 53 / 38

HEX #9E474A

RGB 158 71 74

HSL 357.93, 0.38%, 0.45%

LAB 41.64, 36.48, 15.9

 

CMYK 26 / 0 / 55 / 38

HEX #759E47

RGB 117 158 71

HSL 88.28, 0.38%, 0.45%

LAB 60.51, -28.95, 40.46

 

CMYK 55 / 0 / 2 / 38

HEX #479E9B

RGB 71 158 155

HSL 177.93, 0.38%, 0.45%

LAB 60.03, -26.7, -6.37

 

Description

Color code: HEX #70469D | qconv.com Color code: HEX #70469D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 70 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 70 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 55 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 55% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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