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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 126 102 it is the complementary color RGB 140 129 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 126 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 126 102 shade: RGB 120 126 97, RGB 137 144 116, RGB 154 162 135, RGB 171 180 154 and RGB 188 198 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 126 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 126 102 shade: RGB 115 126 102, RGB 98 108 83, RGB 81 90 64, RGB 64 72 45 and RGB 47 54 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 126 102 shade: RGB 115 127 102, RGB 122 127 102, RGB 127 125 102, RGB 127 118 102 and RGB 127 111 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 126 102 shade: RGB 115 127 102, RGB 108 127 102, RGB 102 127 102, RGB 102 127 108 and RGB 102 127 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 126 102 shade matches the following richer shades: RGB 115 127 102, RGB 117 145 83, RGB 118 164 64, RGB 120 183 46 and RGB 121 201 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 126 102 shade: RGB 115 127 102, RGB 114 108 120, RGB 112 90 139, RGB 111 71 157 and RGB 109 53 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 126 102 shade: RGB 127 125 102, RGB 122 127 102, RGB 116 127 102, RGB 109 127 102 and RGB 102 127 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 126 102 shade: RGB 74 81 65, RGB 94 104 83, RGB 115 127 102, RGB 136 148 122 and RGB 156 166 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 126 102 shade: RGB 115 126 102, RGB 102 127 118 and RGB 127 102 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 126 102 shade: RGB 115 126 102, RGB 102 116 127 and RGB 127 102 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 126 102 shade: RGB 115 126 102, RGB 102 127 118, RGB 113 102 127 and RGB 127 102 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 126 102 shade: RGB 115 126 102, RGB 102 127 126, RGB 113 102 127 and RGB 127 102 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

Complementary color

CMYK 8 / 16 / 0 / 40

HEX #8C8199

RGB 140 129 153

HSL 267.5, 0.11%, 0.55%

LAB 55.66, 8.96, -11.33

 

CMYK 5 / 0 / 23 / 51

HEX #787E61

RGB 120 126 97

HSL 72.41, 0.13%, 0.44%

LAB 51.59, -7.6, 15.07

 

CMYK 5 / 0 / 19 / 44

HEX #899074

RGB 137 144 116

HSL 75, 0.11%, 0.51%

LAB 58.53, -7.7, 14.05

 

CMYK 5 / 0 / 17 / 36

HEX #9AA287

RGB 154 162 135

HSL 77.78, 0.13%, 0.58%

LAB 65.33, -7.78, 13.1

 

CMYK 5 / 0 / 14 / 29

HEX #ABB49A

RGB 171 180 154

HSL 80.77, 0.15%, 0.65%

LAB 71.98, -7.85, 12.2

 

CMYK 5 / 0 / 13 / 22

HEX #BCC6AD

RGB 188 198 173

HSL 84, 0.18%, 0.73%

LAB 78.52, -7.92, 11.36

 

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

CMYK 9 / 0 / 23 / 58

HEX #626C53

RGB 98 108 83

HSL 84, 0.13%, 0.37%

LAB 44.16, -8.73, 12.75

 

CMYK 10 / 0 / 29 / 65

HEX #515A40

RGB 81 90 64

HSL 80.77, 0.17%, 0.3%

LAB 36.8, -8.7, 13.89

 

CMYK 11 / 0 / 38 / 72

HEX #40482D

RGB 64 72 45

HSL 77.78, 0.23%, 0.23%

LAB 29.19, -8.65, 15.16

 

CMYK 13 / 0 / 52 / 79

HEX #2F361A

RGB 47 54 26

HSL 75, 0.35%, 0.16%

LAB 21.27, -8.51, 16.57

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 4 / 0 / 20 / 50

HEX #7A7F66

RGB 122 127 102

HSL 72, 0.11%, 0.45%

LAB 52.15, -6.53, 12.99

 

CMYK 0 / 2 / 20 / 50

HEX #7F7D66

RGB 127 125 102

HSL 55.2, 0.11%, 0.45%

LAB 51.99, -3.39, 12.84

 

CMYK 0 / 7 / 20 / 50

HEX #7F7666

RGB 127 118 102

HSL 38.4, 0.11%, 0.45%

LAB 50.01, 0.61, 10.07

 

CMYK 0 / 13 / 20 / 50

HEX #7F6F66

RGB 127 111 102

HSL 21.6, 0.11%, 0.45%

LAB 48.06, 4.69, 7.3

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 20 / 0 / 20 / 50

HEX #667F66

RGB 102 127 102

HSL 120, 0.11%, 0.45%

LAB 50.64, -14.28, 10.66

 

CMYK 20 / 0 / 15 / 50

HEX #667F6C

RGB 102 127 108

HSL 134.4, 0.11%, 0.45%

LAB 50.79, -13.1, 7.37

 

CMYK 20 / 0 / 9 / 50

HEX #667F73

RGB 102 127 115

HSL 151.2, 0.11%, 0.45%

LAB 50.97, -11.64, 3.54

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 19 / 0 / 43 / 43

HEX #759153

RGB 117 145 83

HSL 87.1, 0.27%, 0.45%

LAB 56.74, -21.06, 29.68

 

CMYK 28 / 0 / 61 / 36

HEX #76A440

RGB 118 164 64

HSL 87.6, 0.44%, 0.45%

LAB 62.32, -32.1, 45.86

 

CMYK 34 / 0 / 75 / 28

HEX #78B72E

RGB 120 183 46

HSL 87.59, 0.6%, 0.45%

LAB 68.06, -41.25, 59.11

 

CMYK 40 / 0 / 87 / 21

HEX #79C91B

RGB 121 201 27

HSL 87.59, 0.76%, 0.45%

LAB 73.49, -49.25, 69.25

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 5 / 10 / 0 / 53

HEX #726C78

RGB 114 108 120

HSL 270, 0.05%, 0.45%

LAB 46.52, 4.8, -5.82

 

CMYK 19 / 35 / 0 / 45

HEX #705A8B

RGB 112 90 139

HSL 266.94, 0.21%, 0.45%

LAB 42.19, 19.39, -23.87

 

CMYK 29 / 55 / 0 / 38

HEX #6F479D

RGB 111 71 157

HSL 267.91, 0.38%, 0.45%

LAB 38.41, 35.04, -40.67

 

CMYK 38 / 70 / 0 / 31

HEX #6D35B0

RGB 109 53 176

HSL 267.32, 0.54%, 0.45%

LAB 35.85, 49.17, -56.17

 

CMYK 0 / 2 / 20 / 50

HEX #7F7D66

RGB 127 125 102

HSL 55.2, 0.11%, 0.45%

LAB 51.99, -3.39, 12.84

 

CMYK 4 / 0 / 20 / 50

HEX #7A7F66

RGB 122 127 102

HSL 72, 0.11%, 0.45%

LAB 52.15, -6.53, 12.99

 

CMYK 9 / 0 / 20 / 50

HEX #747F66

RGB 116 127 102

HSL 86.4, 0.11%, 0.45%

LAB 51.67, -8.91, 12.25

 

CMYK 14 / 0 / 20 / 50

HEX #6D7F66

RGB 109 127 102

HSL 103.2, 0.11%, 0.45%

LAB 51.14, -11.63, 11.43

 

CMYK 20 / 0 / 20 / 50

HEX #667F66

RGB 102 127 102

HSL 120, 0.11%, 0.45%

LAB 50.64, -14.28, 10.66

 

CMYK 9 / 0 / 20 / 68

HEX #4A5141

RGB 74 81 65

HSL 86.25, 0.11%, 0.29%

LAB 33.4, -6.16, 8.48

 

CMYK 10 / 0 / 20 / 59

HEX #5E6853

RGB 94 104 83

HSL 88.57, 0.11%, 0.37%

LAB 42.62, -8.07, 10.57

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 8 / 0 / 18 / 42

HEX #88947A

RGB 136 148 122

HSL 87.69, 0.11%, 0.53%

LAB 59.73, -9.25, 12.31

 

CMYK 6 / 0 / 13 / 35

HEX #9CA691

RGB 156 166 145

HSL 88.57, 0.11%, 0.61%

LAB 66.81, -7.47, 9.67

 

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

CMYK 20 / 0 / 7 / 50

HEX #667F76

RGB 102 127 118

HSL 158.4, 0.11%, 0.45%

LAB 51.05, -10.99, 1.9

 

CMYK 0 / 20 / 1 / 50

HEX #7F667E

RGB 127 102 126

HSL 302.4, 0.11%, 0.45%

LAB 46.34, 14.49, -9.56

 

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

CMYK 20 / 9 / 0 / 50

HEX #66747F

RGB 102 116 127

HSL 206.4, 0.11%, 0.45%

LAB 48.07, -2.66, -7.8

 

CMYK 0 / 20 / 9 / 50

HEX #7F6674

RGB 127 102 116

HSL 326.4, 0.11%, 0.45%

LAB 46.01, 12.52, -4.05

 

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

CMYK 20 / 0 / 7 / 50

HEX #667F76

RGB 102 127 118

HSL 158.4, 0.11%, 0.45%

LAB 51.05, -10.99, 1.9

 

CMYK 11 / 20 / 0 / 50

HEX #71667F

RGB 113 102 127

HSL 266.4, 0.11%, 0.45%

LAB 45.01, 9.58, -12.31

 

CMYK 0 / 20 / 13 / 50

HEX #7F666E

RGB 127 102 110

HSL 340.8, 0.11%, 0.45%

LAB 45.83, 11.4, -0.7

 

CMYK 9 / 0 / 19 / 51

HEX #737E66

RGB 115 126 102

HSL 87.5, 0.11%, 0.45%

LAB 51.3, -8.75, 11.72

 

CMYK 20 / 0 / 1 / 50

HEX #667F7E

RGB 102 127 126

HSL 177.6, 0.11%, 0.45%

LAB 51.28, -9.2, -2.45

 

CMYK 11 / 20 / 0 / 50

HEX #71667F

RGB 113 102 127

HSL 266.4, 0.11%, 0.45%

LAB 45.01, 9.58, -12.31

 

CMYK 0 / 20 / 19 / 50

HEX #7F6667

RGB 127 102 103

HSL 357.6, 0.11%, 0.45%

LAB 45.63, 10.17, 3.22

 

Description

Color code: RGB 115 126 102 | qconv.com Color code: RGB 115 126 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 126 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 126 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 19 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 19% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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