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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C297B it is the complementary color #93D684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C297B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C297B shade: #712976, #823B89, #934D9C, #A45FAF and #B571C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C297B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C297B shade: #6C297B, #5B1768, #4A0555, #390042 and #28002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C297B shade: #6B287A, #7A2873, #7A285D, #7A2847 and #7A2831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C297B shade: #6B287A, #55287A, #3F287A, #29287A and #28287A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C297B shade matches the following richer shades: #6B287A, #731B87, #7C0E94 and #8401A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C297B shade: #6B287A, #63366D, #5A435F, #525052 and #495D45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C297B shade: #3F287A, #55287A, #6B287A, #7A2873 and #7A285D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C297B shade: #35143C, #501E5B, #6B287A, #863399 and #A13DB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C297B shade: #6C297B, #7A2A28 and #287A4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C297B shade: #6C297B, #7A6B28 and #287A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C297B shade: #6C297B, #7A2A28, #377A28 and #28797A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C297B shade: #6C297B, #7A4228, #377A28 and #28607A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 67 / 0 / 52

HEX #6C297B

RGB 108 41 123

HSL 289.02, 0.5%, 0.32%

LAB 29.92, 42.37, -33.33

 

Complementary color

CMYK 31 / 0 / 38 / 16

HEX #93D684

RGB 147 214 132

HSL 109.02, 0.5%, 0.68%

LAB 79.59, -36.58, 33.94

 

CMYK 4 / 65 / 0 / 54

HEX #712976

RGB 113 41 118

HSL 296.1, 0.48%, 0.31%

LAB 30.41, 42.67, -29.34

 

CMYK 5 / 57 / 0 / 46

HEX #823B89

RGB 130 59 137

HSL 294.62, 0.4%, 0.38%

LAB 37.26, 42.33, -30.19

 

CMYK 6 / 51 / 0 / 39

HEX #934D9C

RGB 147 77 156

HSL 293.16, 0.34%, 0.46%

LAB 44.11, 41.69, -30.78

 

CMYK 6 / 46 / 0 / 31

HEX #A45FAF

RGB 164 95 175

HSL 291.75, 0.33%, 0.53%

LAB 50.89, 40.94, -31.21

 

CMYK 7 / 42 / 0 / 24

HEX #B571C2

RGB 181 113 194

HSL 290.37, 0.4%, 0.6%

LAB 57.59, 40.16, -31.57

 

CMYK 12 / 67 / 0 / 52

HEX #6C297B

RGB 108 41 123

HSL 289.02, 0.5%, 0.32%

LAB 29.92, 42.37, -33.33

 

CMYK 13 / 78 / 0 / 59

HEX #5B1768

RGB 91 23 104

HSL 290.37, 0.64%, 0.25%

LAB 23.12, 42.13, -32.18

 

CMYK 13 / 94 / 0 / 67

HEX #4A0555

RGB 74 5 85

HSL 291.75, 0.89%, 0.18%

LAB 16.6, 40.59, -30.21

 

CMYK 14 / 100 / 0 / 74

HEX #390042

RGB 57 0 66

HSL 291.82, 1%, 0.13%

LAB 11.02, 35.56, -26.25

 

CMYK 15 / 100 / 0 / 82

HEX #28002F

RGB 40 0 47

HSL 291.06, 1%, 0.09%

LAB 5.93, 27.7, -20.82

 

CMYK 12 / 67 / 0 / 52

HEX #6B287A

RGB 107 40 122

HSL 289.02, 0.51%, 0.32%

LAB 29.53, 42.38, -33.32

 

CMYK 0 / 67 / 6 / 52

HEX #7A2873

RGB 122 40 115

HSL 305.12, 0.51%, 0.32%

LAB 31.56, 44.98, -25.53

 

CMYK 0 / 67 / 24 / 52

HEX #7A285D

RGB 122 40 93

HSL 321.22, 0.51%, 0.32%

LAB 30.51, 41.41, -13.05

 

CMYK 0 / 67 / 42 / 52

HEX #7A2847

RGB 122 40 71

HSL 337.32, 0.51%, 0.32%

LAB 29.69, 38.5, 0.14

 

CMYK 0 / 67 / 60 / 52

HEX #7A2831

RGB 122 40 49

HSL 353.41, 0.51%, 0.32%

LAB 29.1, 36.33, 13.88

 

CMYK 12 / 67 / 0 / 52

HEX #6B287A

RGB 107 40 122

HSL 289.02, 0.51%, 0.32%

LAB 29.53, 42.38, -33.32

 

CMYK 30 / 67 / 0 / 52

HEX #55287A

RGB 85 40 122

HSL 272.93, 0.51%, 0.32%

LAB 26.31, 36.9, -38.66

 

CMYK 48 / 67 / 0 / 52

HEX #3F287A

RGB 63 40 122

HSL 256.83, 0.51%, 0.32%

LAB 23.6, 31.88, -43.18

 

CMYK 66 / 67 / 0 / 52

HEX #29287A

RGB 41 40 122

HSL 240.73, 0.51%, 0.32%

LAB 21.56, 27.76, -46.6

 

CMYK 67 / 67 / 0 / 52

HEX #28287A

RGB 40 40 122

HSL 240, 0.51%, 0.32%

LAB 21.48, 27.6, -46.73

 

CMYK 12 / 67 / 0 / 52

HEX #6B287A

RGB 107 40 122

HSL 289.02, 0.51%, 0.32%

LAB 29.53, 42.38, -33.32

 

CMYK 15 / 80 / 0 / 47

HEX #731B87

RGB 115 27 135

HSL 288.89, 0.67%, 0.32%

LAB 29.86, 52.02, -40.89

 

CMYK 16 / 91 / 0 / 42

HEX #7C0E94

RGB 124 14 148

HSL 289.25, 0.83%, 0.32%

LAB 31.2, 59.43, -46.69

 

CMYK 19 / 99 / 0 / 36

HEX #8401A2

RGB 132 1 162

HSL 288.82, 0.99%, 0.32%

LAB 33, 65.16, -52.25

 

CMYK 12 / 67 / 0 / 52

HEX #6B287A

RGB 107 40 122

HSL 289.02, 0.51%, 0.32%

LAB 29.53, 42.38, -33.32

 

CMYK 9 / 50 / 0 / 57

HEX #63366D

RGB 99 54 109

HSL 289.09, 0.34%, 0.32%

LAB 30.39, 29.83, -23.81

 

CMYK 5 / 29 / 0 / 63

HEX #5A435F

RGB 90 67 95

HSL 289.29, 0.17%, 0.32%

LAB 31.84, 15.53, -12.72

 

CMYK 0 / 2 / 0 / 68

HEX #525052

RGB 82 80 82

HSL 300, 0.01%, 0.32%

LAB 34.27, 1.25, -0.89

 

CMYK 22 / 0 / 26 / 64

HEX #495D45

RGB 73 93 69

HSL 110, 0.15%, 0.32%

LAB 37.25, -12.85, 11.35

 

CMYK 48 / 67 / 0 / 52

HEX #3F287A

RGB 63 40 122

HSL 256.83, 0.51%, 0.32%

LAB 23.6, 31.88, -43.18

 

CMYK 30 / 67 / 0 / 52

HEX #55287A

RGB 85 40 122

HSL 272.93, 0.51%, 0.32%

LAB 26.31, 36.9, -38.66

 

CMYK 12 / 67 / 0 / 52

HEX #6B287A

RGB 107 40 122

HSL 289.02, 0.51%, 0.32%

LAB 29.53, 42.38, -33.32

 

CMYK 0 / 67 / 6 / 52

HEX #7A2873

RGB 122 40 115

HSL 305.12, 0.51%, 0.32%

LAB 31.56, 44.98, -25.53

 

CMYK 0 / 67 / 24 / 52

HEX #7A285D

RGB 122 40 93

HSL 321.22, 0.51%, 0.32%

LAB 30.51, 41.41, -13.05

 

CMYK 12 / 67 / 0 / 76

HEX #35143C

RGB 53 20 60

HSL 289.5, 0.5%, 0.16%

LAB 13.13, 23.81, -18.65

 

CMYK 12 / 67 / 0 / 64

HEX #501E5B

RGB 80 30 91

HSL 289.18, 0.5%, 0.24%

LAB 21.54, 33.45, -26.27

 

CMYK 12 / 67 / 0 / 52

HEX #6B287A

RGB 107 40 122

HSL 289.02, 0.51%, 0.32%

LAB 29.53, 42.38, -33.32

 

CMYK 12 / 67 / 0 / 40

HEX #863399

RGB 134 51 153

HSL 288.82, 0.5%, 0.4%

LAB 37.36, 50.39, -39.75

 

CMYK 13 / 67 / 0 / 28

HEX #A13DB8

RGB 161 61 184

HSL 288.78, 0.5%, 0.48%

LAB 44.77, 58.51, -46.17

 

CMYK 12 / 67 / 0 / 52

HEX #6C297B

RGB 108 41 123

HSL 289.02, 0.5%, 0.32%

LAB 29.92, 42.37, -33.33

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 67 / 0 / 39 / 52

HEX #287A4A

RGB 40 122 74

HSL 144.88, 0.51%, 0.32%

LAB 45.45, -36.37, 19.25

 

CMYK 12 / 67 / 0 / 52

HEX #6C297B

RGB 108 41 123

HSL 289.02, 0.5%, 0.32%

LAB 29.92, 42.37, -33.33

 

CMYK 0 / 12 / 67 / 52

HEX #7A6B28

RGB 122 107 40

HSL 49.02, 0.51%, 0.32%

LAB 45.37, -2.57, 38.53

 

CMYK 67 / 0 / 12 / 52

HEX #287A6B

RGB 40 122 107

HSL 169.02, 0.51%, 0.32%

LAB 46.22, -28.36, 1

 

CMYK 12 / 67 / 0 / 52

HEX #6C297B

RGB 108 41 123

HSL 289.02, 0.5%, 0.32%

LAB 29.92, 42.37, -33.33

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 55 / 0 / 67 / 52

HEX #377A28

RGB 55 122 40

HSL 109.02, 0.51%, 0.32%

LAB 45.48, -37.78, 37.31

 

CMYK 67 / 1 / 0 / 52

HEX #28797A

RGB 40 121 122

HSL 180.73, 0.51%, 0.32%

LAB 46.35, -23.45, -7.71

 

CMYK 12 / 67 / 0 / 52

HEX #6C297B

RGB 108 41 123

HSL 289.02, 0.5%, 0.32%

LAB 29.92, 42.37, -33.33

 

CMYK 0 / 46 / 67 / 52

HEX #7A4228

RGB 122 66 40

HSL 19.02, 0.51%, 0.32%

LAB 34.37, 21.71, 26.16

HEX #7A4228

CMYK 55 / 0 / 67 / 52

HEX #377A28

RGB 55 122 40

HSL 109.02, 0.51%, 0.32%

LAB 45.48, -37.78, 37.31

HEX #377A28

CMYK 67 / 21 / 0 / 52

HEX #28607A

RGB 40 96 122

HSL 199.02, 0.51%, 0.32%

LAB 38.24, -9.57, -20.05

HEX #28607A

Description

Color code: HEX #6C297B | qconv.com Color code: HEX #6C297B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 41 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 41 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 67 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 67% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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