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Color name
HEX #7A2A28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A2A28 it is the complementary color #85D5D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A2A28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A2A28 shade: #7F2A23, #903C36, #A14E49, #B2605C and #C3726F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A2A28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A2A28 shade: #7A2A28, #691815, #580602, #470000 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A2A28 shade: #7B2A27 and #7B2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A2A28 shade: #7B2A27, #7B4027, #7B5627, #7B6D27 and #727B27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A2A28 shade matches the following richer shades: #7B2A27, #881D1A, #95100D and #A20400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A2A28 shade: #7B2A27, #6E3635, #604342, #534F4F and #465C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A2A28 shade: #7B2752, #7B273C, #7B2927, #7B3F27 and #7B5527

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A2A28 shade: #3C1413, #5C1F1D, #7B2A27, #9A3432 and #B93F3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A2A28 shade: #7A2A28, #697B27 and #27477B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A2A28 shade: #7A2A28, #277B29 and #29277B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A2A28 shade: #7A2A28, #697B27, #27797B and #3A277B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A2A28 shade: #7A2A28, #507B27, #27797B and #52277B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

Complementary color

CMYK 38 / 1 / 0 / 16

HEX #85D5D7

RGB 133 213 215

HSL 181.46, 0.51%, 0.68%

LAB 80.45, -23.93, -8.73

 

CMYK 0 / 67 / 72 / 50

HEX #7F2A23

RGB 127 42 35

HSL 4.57, 0.57%, 0.32%

LAB 30.13, 36.28, 24.39

 

CMYK 0 / 58 / 63 / 44

HEX #903C36

RGB 144 60 54

HSL 4, 0.45%, 0.39%

LAB 36.79, 35.13, 21.45

 

CMYK 0 / 52 / 55 / 37

HEX #A14E49

RGB 161 78 73

HSL 3.41, 0.38%, 0.46%

LAB 43.52, 33.88, 19.1

 

CMYK 0 / 46 / 48 / 30

HEX #B2605C

RGB 178 96 92

HSL 2.79, 0.36%, 0.53%

LAB 50.22, 32.67, 17.16

 

CMYK 0 / 42 / 43 / 24

HEX #C3726F

RGB 195 114 111

HSL 2.14, 0.41%, 0.6%

LAB 56.86, 31.55, 15.52

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 0 / 77 / 80 / 59

HEX #691815

RGB 105 24 21

HSL 2.14, 0.67%, 0.25%

LAB 22.69, 35.45, 23.55

 

CMYK 0 / 93 / 98 / 65

HEX #580602

RGB 88 6 2

HSL 2.79, 0.96%, 0.18%

LAB 16.55, 35.06, 24.7

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 66 / 68 / 52

HEX #7B2A27

RGB 123 42 39

HSL 2.14, 0.52%, 0.32%

LAB 29.45, 35.03, 20.86

 

CMYK 0 / 68 / 68 / 52

HEX #7B2727

RGB 123 39 39

HSL 0, 0.52%, 0.32%

LAB 28.92, 36.43, 20.22

 

CMYK 0 / 66 / 68 / 52

HEX #7B2A27

RGB 123 42 39

HSL 2.14, 0.52%, 0.32%

LAB 29.45, 35.03, 20.86

 

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

CMYK 0 / 30 / 68 / 52

HEX #7B5627

RGB 123 86 39

HSL 33.57, 0.52%, 0.32%

LAB 39.6, 10.2, 32.76

 

CMYK 0 / 11 / 68 / 52

HEX #7B6D27

RGB 123 109 39

HSL 50, 0.52%, 0.32%

LAB 46.04, -3.31, 39.74

 

CMYK 7 / 0 / 68 / 52

HEX #727B27

RGB 114 123 39

HSL 66.43, 0.52%, 0.32%

LAB 49.36, -15.25, 42.97

 

CMYK 0 / 66 / 68 / 52

HEX #7B2A27

RGB 123 42 39

HSL 2.14, 0.52%, 0.32%

LAB 29.45, 35.03, 20.86

 

CMYK 0 / 79 / 81 / 47

HEX #881D1A

RGB 136 29 26

HSL 1.64, 0.68%, 0.32%

LAB 29.88, 44.26, 30.08

 

CMYK 0 / 89 / 91 / 42

HEX #95100D

RGB 149 16 13

HSL 1.32, 0.84%, 0.32%

LAB 31.32, 51.32, 39.37

 

CMYK 0 / 98 / 100 / 36

HEX #A20400

RGB 162 4 0

HSL 1.48, 1%, 0.32%

LAB 33.5, 56.52, 47.57

 

CMYK 0 / 66 / 68 / 52

HEX #7B2A27

RGB 123 42 39

HSL 2.14, 0.52%, 0.32%

LAB 29.45, 35.03, 20.86

 

CMYK 0 / 51 / 52 / 57

HEX #6E3635

RGB 110 54 53

HSL 1.05, 0.35%, 0.32%

LAB 29.94, 24.64, 12.03

 

CMYK 0 / 30 / 31 / 62

HEX #604342

RGB 96 67 66

HSL 2, 0.19%, 0.32%

LAB 31.57, 12.39, 5.59

 

CMYK 0 / 5 / 5 / 67

HEX #534F4F

RGB 83 79 79

HSL 0, 0.02%, 0.32%

LAB 33.97, 1.64, 0.58

 

CMYK 24 / 0 / 0 / 64

HEX #465C5C

RGB 70 92 92

HSL 180, 0.14%, 0.32%

LAB 37.35, -8.27, -2.73

 

CMYK 0 / 68 / 33 / 52

HEX #7B2752

RGB 123 39 82

HSL 329.29, 0.52%, 0.32%

LAB 30.09, 40.63, -6.5

 

CMYK 0 / 68 / 51 / 52

HEX #7B273C

RGB 123 39 60

HSL 345, 0.52%, 0.32%

LAB 29.38, 38.12, 7.01

 

CMYK 0 / 67 / 68 / 52

HEX #7B2927

RGB 123 41 39

HSL 1.43, 0.52%, 0.32%

LAB 29.27, 35.5, 20.64

 

CMYK 0 / 49 / 68 / 52

HEX #7B3F27

RGB 123 63 39

HSL 17.14, 0.52%, 0.32%

LAB 33.8, 23.82, 26.11

 

CMYK 0 / 31 / 68 / 52

HEX #7B5527

RGB 123 85 39

HSL 32.86, 0.52%, 0.32%

LAB 39.33, 10.8, 32.46

 

CMYK 0 / 67 / 68 / 76

HEX #3C1413

RGB 60 20 19

HSL 1.46, 0.52%, 0.15%

LAB 12.66, 19.64, 10.53

 

CMYK 0 / 66 / 68 / 64

HEX #5C1F1D

RGB 92 31 29

HSL 1.9, 0.52%, 0.24%

LAB 21.37, 27.81, 16.09

 

CMYK 0 / 66 / 68 / 52

HEX #7B2A27

RGB 123 42 39

HSL 2.14, 0.52%, 0.32%

LAB 29.45, 35.03, 20.86

 

CMYK 0 / 66 / 68 / 40

HEX #9A3432

RGB 154 52 50

HSL 1.15, 0.51%, 0.4%

LAB 37.03, 42.39, 24.6

 

CMYK 0 / 66 / 68 / 27

HEX #B93F3C

RGB 185 63 60

HSL 1.44, 0.51%, 0.48%

LAB 44.51, 48.94, 28.98

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 15 / 0 / 68 / 52

HEX #697B27

RGB 105 123 39

HSL 72.86, 0.52%, 0.32%

LAB 48.66, -19.27, 42.01

 

CMYK 68 / 42 / 0 / 52

HEX #27477B

RGB 39 71 123

HSL 217.14, 0.52%, 0.32%

LAB 30.32, 6.52, -33.09

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 68 / 0 / 67 / 52

HEX #277B29

RGB 39 123 41

HSL 121.43, 0.52%, 0.32%

LAB 45.3, -42.22, 36.5

 

CMYK 67 / 68 / 0 / 52

HEX #29277B

RGB 41 39 123

HSL 241.43, 0.52%, 0.32%

LAB 21.4, 28.77, -47.49

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 15 / 0 / 68 / 52

HEX #697B27

RGB 105 123 39

HSL 72.86, 0.52%, 0.32%

LAB 48.66, -19.27, 42.01

 

CMYK 68 / 2 / 0 / 52

HEX #27797B

RGB 39 121 123

HSL 181.43, 0.52%, 0.32%

LAB 46.36, -23.3, -8.3

 

CMYK 53 / 68 / 0 / 52

HEX #3A277B

RGB 58 39 123

HSL 253.57, 0.52%, 0.32%

LAB 22.93, 31.78, -44.93

 

CMYK 0 / 66 / 67 / 52

HEX #7A2A28

RGB 122 42 40

HSL 1.46, 0.51%, 0.32%

LAB 29.28, 34.72, 19.97

 

CMYK 35 / 0 / 68 / 52

HEX #507B27

RGB 80 123 39

HSL 90.71, 0.52%, 0.32%

LAB 47, -29.69, 39.76

 

CMYK 68 / 2 / 0 / 52

HEX #27797B

RGB 39 121 123

HSL 181.43, 0.52%, 0.32%

LAB 46.36, -23.3, -8.3

 

CMYK 33 / 68 / 0 / 52

HEX #52277B

RGB 82 39 123

HSL 270.71, 0.52%, 0.32%

LAB 25.79, 36.98, -40.17

 

Description

Color code: HEX #7A2A28 | qconv.com Color code: HEX #7A2A28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 42 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 42 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 67 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 67% 52% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Offshore Outsourcing...
Link: http://zerone-consulting.com

19% - Offshore Outsourcing...
Link: http://www.zerone-consulting.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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