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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667CC0 it is the complementary color #99833F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667CC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #667CC0 shade: #6B7CBB, #7C8ECE, #8DA0E1, #9EB2F4 and #AFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667CC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #667CC0 shade: #667CC0, #556AAD, #44589A, #334687 and #223474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #667CC0 shade: #667CC0, #6966C0, #8166C0, #9966C0 and #B166C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #667CC0 shade: #667CC0 and #6666C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #667CC0 shade matches the following richer shades: #667CC0, #5574D2, #446BE3 and #3262F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #667CC0 shade: #667CC0, #7885AF, #898E9E, #9A978C and #ACA07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #667CC0 shade: #66ADC0, #6695C0, #667DC0, #6866C0 and #8066C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #667CC0 shade: #3D5397, #4963B4, #667CC0, #8495CC and #A1AFD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #667CC0 shade: #667CC0, #BC66C0 and #A1C066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #667CC0 shade: #667CC0, #C0667D and #7DC066

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #667CC0 shade: #667CC0, #BC66C0, #C0AA66 and #6BC066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #667CC0 shade: #667CC0, #C066AA, #C0AA66 and #66C07D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

Complementary color

CMYK 0 / 14 / 59 / 40

HEX #99833F

RGB 153 131 63

HSL 45.33, 0.42%, 0.42%

LAB 55.45, -0.26, 39.26

 

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

CMYK 40 / 31 / 0 / 19

HEX #7C8ECE

RGB 124 142 206

HSL 226.83, 0.46%, 0.65%

LAB 59.97, 9.65, -35.04

 

CMYK 37 / 29 / 0 / 12

HEX #8DA0E1

RGB 141 160 225

HSL 226.43, 0.58%, 0.72%

LAB 66.7, 9.08, -35.03

 

CMYK 35 / 27 / 0 / 4

HEX #9EB2F4

RGB 158 178 244

HSL 226.05, 0.8%, 0.79%

LAB 73.31, 8.59, -35.06

 

CMYK 31 / 23 / 0 / 0

HEX #AFC4FF

RGB 175 196 255

HSL 224.25, 1%, 0.84%

LAB 79.51, 6.17, -31.32

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 51 / 39 / 0 / 32

HEX #556AAD

RGB 85 106 173

HSL 225.68, 0.35%, 0.51%

LAB 45.98, 11.43, -38.27

 

CMYK 56 / 43 / 0 / 40

HEX #44589A

RGB 68 88 154

HSL 226.05, 0.39%, 0.44%

LAB 38.8, 12.57, -38.48

 

CMYK 62 / 48 / 0 / 47

HEX #334687

RGB 51 70 135

HSL 226.43, 0.45%, 0.36%

LAB 31.42, 14.05, -38.75

 

CMYK 71 / 55 / 0 / 55

HEX #223474

RGB 34 52 116

HSL 226.83, 0.55%, 0.29%

LAB 23.86, 16.04, -39.06

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 45 / 47 / 0 / 25

HEX #6966C0

RGB 105 102 192

HSL 242, 0.42%, 0.58%

LAB 47.38, 24.65, -47.01

 

CMYK 33 / 47 / 0 / 25

HEX #8166C0

RGB 129 102 192

HSL 258, 0.42%, 0.58%

LAB 49.47, 30.83, -43.57

 

CMYK 20 / 47 / 0 / 25

HEX #9966C0

RGB 153 102 192

HSL 274, 0.42%, 0.58%

LAB 51.93, 37.51, -39.51

 

CMYK 8 / 47 / 0 / 25

HEX #B166C0

RGB 177 102 192

HSL 290, 0.42%, 0.58%

LAB 54.72, 44.46, -34.94

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 47 / 47 / 0 / 25

HEX #6666C0

RGB 102 102 192

HSL 240, 0.42%, 0.58%

LAB 47.15, 23.93, -47.4

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 60 / 45 / 0 / 18

HEX #5574D2

RGB 85 116 210

HSL 225.12, 0.58%, 0.58%

LAB 50.78, 17.42, -51.98

 

CMYK 70 / 53 / 0 / 11

HEX #446BE3

RGB 68 107 227

HSL 225.28, 0.74%, 0.58%

LAB 48.62, 26.13, -65.11

 

CMYK 80 / 60 / 0 / 4

HEX #3262F4

RGB 50 98 244

HSL 225.15, 0.9%, 0.58%

LAB 46.9, 35.92, -77.49

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 31 / 24 / 0 / 31

HEX #7885AF

RGB 120 133 175

HSL 225.82, 0.26%, 0.58%

LAB 55.95, 5.33, -23.7

 

CMYK 13 / 10 / 0 / 38

HEX #898E9E

RGB 137 142 158

HSL 225.71, 0.1%, 0.58%

LAB 59.1, 1.55, -9.08

 

CMYK 0 / 2 / 9 / 40

HEX #9A978C

RGB 154 151 140

HSL 47.14, 0.06%, 0.58%

LAB 62.42, -0.92, 6.17

 

CMYK 0 / 7 / 28 / 33

HEX #ACA07B

RGB 172 160 123

HSL 45.31, 0.23%, 0.58%

LAB 66.01, -1.52, 20.91

 

CMYK 47 / 10 / 0 / 25

HEX #66ADC0

RGB 102 173 192

HSL 192.67, 0.42%, 0.58%

LAB 66.91, -17.19, -16.65

 

CMYK 47 / 22 / 0 / 25

HEX #6695C0

RGB 102 149 192

HSL 208.67, 0.42%, 0.58%

LAB 60, -4.1, -27.21

 

CMYK 47 / 35 / 0 / 25

HEX #667DC0

RGB 102 125 192

HSL 224.67, 0.42%, 0.58%

LAB 53.27, 9.92, -37.69

 

CMYK 46 / 47 / 0 / 25

HEX #6866C0

RGB 104 102 192

HSL 241.33, 0.42%, 0.58%

LAB 47.3, 24.41, -47.14

 

CMYK 33 / 47 / 0 / 25

HEX #8066C0

RGB 128 102 192

HSL 257.33, 0.42%, 0.58%

LAB 49.37, 30.56, -43.72

 

CMYK 60 / 45 / 0 / 41

HEX #3D5397

RGB 61 83 151

HSL 225.33, 0.42%, 0.42%

LAB 36.77, 13.25, -39.93

 

CMYK 59 / 45 / 0 / 29

HEX #4963B4

RGB 73 99 180

HSL 225.42, 0.42%, 0.5%

LAB 43.71, 15.51, -46.03

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 35 / 27 / 0 / 20

HEX #8495CC

RGB 132 149 204

HSL 225.83, 0.41%, 0.66%

LAB 62.3, 7.25, -30.25

 

CMYK 25 / 19 / 0 / 15

HEX #A1AFD8

RGB 161 175 216

HSL 224.73, 0.41%, 0.74%

LAB 71.69, 4.15, -22.3

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 2 / 47 / 0 / 25

HEX #BC66C0

RGB 188 102 192

HSL 297.33, 0.42%, 0.58%

LAB 56.09, 47.68, -32.7

 

CMYK 16 / 0 / 47 / 25

HEX #A1C066

RGB 161 192 102

HSL 80.67, 0.42%, 0.58%

LAB 73.7, -25.05, 41.73

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 0 / 47 / 35 / 25

HEX #C0667D

RGB 192 102 125

HSL 344.67, 0.42%, 0.58%

LAB 54.23, 38.45, 3.56

 

CMYK 35 / 0 / 47 / 25

HEX #7DC066

RGB 125 192 102

HSL 104.67, 0.42%, 0.58%

LAB 71.57, -38.13, 38.62

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 2 / 47 / 0 / 25

HEX #BC66C0

RGB 188 102 192

HSL 297.33, 0.42%, 0.58%

LAB 56.09, 47.68, -32.7

 

CMYK 0 / 11 / 47 / 25

HEX #C0AA66

RGB 192 170 102

HSL 45.33, 0.42%, 0.58%

LAB 70.12, -1.2, 37.83

 

CMYK 44 / 0 / 47 / 25

HEX #6BC066

RGB 107 192 102

HSL 116.67, 0.42%, 0.58%

LAB 70.72, -43.86, 37.38

 

CMYK 47 / 35 / 0 / 25

HEX #667CC0

RGB 102 124 192

HSL 225.33, 0.42%, 0.58%

LAB 53, 10.52, -38.13

 

CMYK 0 / 47 / 11 / 25

HEX #C066AA

RGB 192 102 170

HSL 314.67, 0.42%, 0.58%

LAB 55.7, 45.01, -20.58

 

CMYK 0 / 11 / 47 / 25

HEX #C0AA66

RGB 192 170 102

HSL 45.33, 0.42%, 0.58%

LAB 70.12, -1.2, 37.83

 

CMYK 47 / 0 / 35 / 25

HEX #66C07D

RGB 102 192 125

HSL 135.33, 0.42%, 0.58%

LAB 70.87, -41.64, 25.65

 

Description

Color code: HEX #667CC0 | qconv.com Color code: HEX #667CC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 124 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 124 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 35 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 35% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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