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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7CBB it is the complementary color #948344. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7CBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B7CBB shade: #707CB6, #818EC9, #92A0DC, #A3B2EF and #B4C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7CBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B7CBB shade: #6B7CBB, #5A6AA8, #495895, #384682 and #27346F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B7CBB shade: #6C7DBB, #706CBB, #866CBB, #9B6CBB and #B06CBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B7CBB shade: #6C7DBB and #6C6CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B7CBB shade matches the following richer shades: #6C7DBB, #5A73CC, #4969DE and #385FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B7CBB shade: #6C7DBB, #7D87AA, #8E9198, #A09B87 and #B1A476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B7CBB shade: #6CA7BB, #6C92BB, #6C7DBB, #706CBB and #856CBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B7CBB shade: #435392, #5064AE, #6C7DBB, #8896C8 and #A4AFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B7CBB shade: #6B7CBB, #BA6CBB and #9DBB6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B7CBB shade: #6B7CBB, #BB6C7D and #7DBB6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B7CBB shade: #6B7CBB, #BA6CBB, #BBAA6C and #6DBB6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B7CBB shade: #6B7CBB, #BB6CA5, #BBAA6C and #6CBB82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

Complementary color

CMYK 0 / 11 / 54 / 42

HEX #948344

RGB 148 131 68

HSL 47.25, 0.37%, 0.42%

LAB 55.02, -2.06, 36.07

 

CMYK 38 / 32 / 0 / 29

HEX #707CB6

RGB 112 124 182

HSL 229.71, 0.32%, 0.58%

LAB 53.21, 10.23, -32.02

 

CMYK 36 / 29 / 0 / 21

HEX #818EC9

RGB 129 142 201

HSL 229.17, 0.4%, 0.65%

LAB 60.1, 9.64, -32

 

CMYK 34 / 27 / 0 / 14

HEX #92A0DC

RGB 146 160 220

HSL 228.65, 0.51%, 0.72%

LAB 66.84, 9.14, -32.04

 

CMYK 32 / 26 / 0 / 6

HEX #A3B2EF

RGB 163 178 239

HSL 228.16, 0.7%, 0.79%

LAB 73.45, 8.7, -32.11

 

CMYK 29 / 23 / 0 / 0

HEX #B4C4FF

RGB 180 196 255

HSL 227.2, 1%, 0.85%

LAB 79.84, 7.57, -30.77

 

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

CMYK 46 / 37 / 0 / 34

HEX #5A6AA8

RGB 90 106 168

HSL 227.69, 0.31%, 0.51%

LAB 46.05, 11.1, -35.21

 

CMYK 51 / 41 / 0 / 42

HEX #495895

RGB 73 88 149

HSL 228.16, 0.34%, 0.44%

LAB 38.84, 12.08, -35.39

 

CMYK 57 / 46 / 0 / 49

HEX #384682

RGB 56 70 130

HSL 228.65, 0.4%, 0.36%

LAB 31.42, 13.34, -35.64

 

CMYK 65 / 53 / 0 / 56

HEX #27346F

RGB 39 52 111

HSL 229.17, 0.48%, 0.29%

LAB 23.79, 15.02, -35.96

 

CMYK 42 / 33 / 0 / 27

HEX #6C7DBB

RGB 108 125 187

HSL 227.09, 0.37%, 0.58%

LAB 53.43, 9.97, -34.56

 

CMYK 40 / 42 / 0 / 27

HEX #706CBB

RGB 112 108 187

HSL 243.04, 0.37%, 0.58%

LAB 49.2, 21.3, -41.2

 

CMYK 28 / 42 / 0 / 27

HEX #866CBB

RGB 134 108 187

HSL 259.75, 0.37%, 0.58%

LAB 51.13, 27.39, -38.02

 

CMYK 17 / 42 / 0 / 27

HEX #9B6CBB

RGB 155 108 187

HSL 275.7, 0.37%, 0.58%

LAB 53.26, 33.58, -34.54

 

CMYK 6 / 42 / 0 / 27

HEX #B06CBB

RGB 176 108 187

HSL 291.65, 0.37%, 0.58%

LAB 55.63, 39.95, -30.66

 

CMYK 42 / 33 / 0 / 27

HEX #6C7DBB

RGB 108 125 187

HSL 227.09, 0.37%, 0.58%

LAB 53.43, 9.97, -34.56

 

CMYK 42 / 42 / 0 / 27

HEX #6C6CBB

RGB 108 108 187

HSL 240, 0.37%, 0.58%

LAB 48.89, 20.26, -41.72

 

CMYK 42 / 33 / 0 / 27

HEX #6C7DBB

RGB 108 125 187

HSL 227.09, 0.37%, 0.58%

LAB 53.43, 9.97, -34.56

 

CMYK 56 / 44 / 0 / 20

HEX #5A73CC

RGB 90 115 204

HSL 226.84, 0.53%, 0.58%

LAB 50.45, 17.04, -49.07

 

CMYK 67 / 53 / 0 / 13

HEX #4969DE

RGB 73 105 222

HSL 227.11, 0.69%, 0.58%

LAB 48, 26.34, -63.29

 

CMYK 77 / 60 / 0 / 6

HEX #385FEF

RGB 56 95 239

HSL 227.21, 0.85%, 0.58%

LAB 45.98, 36.54, -76.18

 

CMYK 42 / 33 / 0 / 27

HEX #6C7DBB

RGB 108 125 187

HSL 227.09, 0.37%, 0.58%

LAB 53.43, 9.97, -34.56

 

CMYK 26 / 21 / 0 / 33

HEX #7D87AA

RGB 125 135 170

HSL 226.67, 0.21%, 0.58%

LAB 56.67, 4.43, -19.7

 

CMYK 7 / 5 / 0 / 40

HEX #8E9198

RGB 142 145 152

HSL 222, 0.05%, 0.58%

LAB 60.13, 0.32, -4.08

 

CMYK 0 / 3 / 16 / 37

HEX #A09B87

RGB 160 155 135

HSL 48, 0.12%, 0.58%

LAB 63.89, -1.69, 11.14

 

CMYK 0 / 7 / 33 / 31

HEX #B1A476

RGB 177 164 118

HSL 46.78, 0.27%, 0.58%

LAB 67.43, -2.34, 25.62

 

CMYK 42 / 11 / 0 / 27

HEX #6CA7BB

RGB 108 167 187

HSL 195.19, 0.37%, 0.58%

LAB 65.29, -13.88, -16.31

 

CMYK 42 / 22 / 0 / 27

HEX #6C92BB

RGB 108 146 187

HSL 211.14, 0.37%, 0.58%

LAB 59.28, -2.29, -25.47

 

CMYK 42 / 33 / 0 / 27

HEX #6C7DBB

RGB 108 125 187

HSL 227.09, 0.37%, 0.58%

LAB 53.43, 9.97, -34.56

 

CMYK 40 / 42 / 0 / 27

HEX #706CBB

RGB 112 108 187

HSL 243.04, 0.37%, 0.58%

LAB 49.2, 21.3, -41.2

 

CMYK 29 / 42 / 0 / 27

HEX #856CBB

RGB 133 108 187

HSL 258.99, 0.37%, 0.58%

LAB 51.04, 27.1, -38.18

 

CMYK 54 / 43 / 0 / 43

HEX #435392

RGB 67 83 146

HSL 227.85, 0.37%, 0.42%

LAB 36.85, 12.86, -36.76

 

CMYK 54 / 43 / 0 / 32

HEX #5064AE

RGB 80 100 174

HSL 227.23, 0.37%, 0.5%

LAB 44.05, 14.35, -41.94

 

CMYK 42 / 33 / 0 / 27

HEX #6C7DBB

RGB 108 125 187

HSL 227.09, 0.37%, 0.58%

LAB 53.43, 9.97, -34.56

 

CMYK 32 / 25 / 0 / 22

HEX #8896C8

RGB 136 150 200

HSL 226.88, 0.37%, 0.66%

LAB 62.69, 6.78, -27.39

 

CMYK 23 / 18 / 0 / 16

HEX #A4AFD5

RGB 164 175 213

HSL 226.53, 0.37%, 0.74%

LAB 71.8, 4.36, -20.47

 

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

CMYK 1 / 42 / 0 / 27

HEX #BA6CBB

RGB 186 108 187

HSL 299.24, 0.37%, 0.58%

LAB 56.83, 43.01, -28.69

 

CMYK 16 / 0 / 42 / 27

HEX #9DBB6C

RGB 157 187 108

HSL 82.78, 0.37%, 0.58%

LAB 72.09, -23.43, 36.64

 

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

CMYK 0 / 42 / 33 / 27

HEX #BB6C7D

RGB 187 108 125

HSL 347.09, 0.37%, 0.58%

LAB 54.84, 33.43, 4.35

 

CMYK 33 / 0 / 42 / 27

HEX #7DBB6C

RGB 125 187 108

HSL 107.09, 0.37%, 0.58%

LAB 70.16, -35.04, 33.79

 

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

CMYK 1 / 42 / 0 / 27

HEX #BA6CBB

RGB 186 108 187

HSL 299.24, 0.37%, 0.58%

LAB 56.83, 43.01, -28.69

 

CMYK 0 / 9 / 42 / 27

HEX #BBAA6C

RGB 187 170 108

HSL 47.09, 0.37%, 0.58%

LAB 69.75, -2.65, 34.15

 

CMYK 42 / 0 / 42 / 27

HEX #6DBB6C

RGB 109 187 108

HSL 119.24, 0.37%, 0.58%

LAB 69.38, -40.21, 32.63

 

CMYK 43 / 34 / 0 / 27

HEX #6B7CBB

RGB 107 124 187

HSL 227.25, 0.37%, 0.58%

LAB 53.09, 10.31, -35.1

 

CMYK 0 / 42 / 12 / 27

HEX #BB6CA5

RGB 187 108 165

HSL 316.71, 0.37%, 0.58%

LAB 56.09, 39.41, -17.14

 

CMYK 0 / 9 / 42 / 27

HEX #BBAA6C

RGB 187 170 108

HSL 47.09, 0.37%, 0.58%

LAB 69.75, -2.65, 34.15

 

CMYK 42 / 0 / 30 / 27

HEX #6CBB82

RGB 108 187 130

HSL 136.71, 0.37%, 0.58%

LAB 69.71, -36.82, 21.46

 

Description

Color code: HEX #6B7CBB | qconv.com Color code: HEX #6B7CBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 124 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 124 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 34 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 34% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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