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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #640595 it is the complementary color #9BFA6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #640595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #640595 shade: #690590, #7A17A3, #8B29B6, #9C3BC9 and #AD4DDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #640595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #640595 shade: #640595, #530082, #42006F, #31005C and #200049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #640595 shade: #630494, #8A0494, #940477, #940451 and #94042A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #640595 shade: #630494, #3C0494, #150494 and #040494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #640595 shade matches the following richer shades: #630494

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #640595 shade: #630494, #5F1088, #5B1D7B, #57296F and #533662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #640595 shade: #150494, #3B0494, #620494, #880494 and #94047A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #640595 shade: #2D0244, #48036C, #630494, #7E05BC and #9907E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #640595 shade: #640595, #94041A and #049428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #640595 shade: #640595, #946204 and #049462

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #640595 shade: #640595, #94041A, #369404 and #04947E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #640595 shade: #640595, #941A04, #369404 and #047E94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 97 / 0 / 42

HEX #640595

RGB 100 5 149

HSL 279.58, 0.94%, 0.3%

LAB 26.7, 57.64, -54.81

 

Complementary color

CMYK 38 / 0 / 58 / 2

HEX #9BFA6A

RGB 155 250 106

HSL 99.58, 0.94%, 0.7%

LAB 90.04, -52.6, 59.18

 

CMYK 27 / 97 / 0 / 44

HEX #690590

RGB 105 5 144

HSL 283.17, 0.93%, 0.29%

LAB 27.09, 57.3, -51.05

 

CMYK 25 / 86 / 0 / 36

HEX #7A17A3

RGB 122 23 163

HSL 282.43, 0.75%, 0.36%

LAB 32.69, 59.99, -53.43

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 22 / 71 / 0 / 21

HEX #9C3BC9

RGB 156 59 201

HSL 280.99, 0.57%, 0.51%

LAB 44.82, 61.66, -56.03

 

CMYK 21 / 65 / 0 / 14

HEX #AD4DDC

RGB 173 77 220

HSL 280.28, 0.67%, 0.58%

LAB 51.1, 61.49, -56.68

 

CMYK 33 / 97 / 0 / 42

HEX #640595

RGB 100 5 149

HSL 279.58, 0.94%, 0.3%

LAB 26.7, 57.64, -54.81

 

CMYK 36 / 100 / 0 / 49

HEX #530082

RGB 83 0 130

HSL 278.31, 1%, 0.25%

LAB 21.77, 52.59, -51.14

 

CMYK 41 / 100 / 0 / 56

HEX #42006F

RGB 66 0 111

HSL 275.68, 1%, 0.22%

LAB 17.02, 46.47, -46.86

 

CMYK 47 / 100 / 0 / 64

HEX #31005C

RGB 49 0 92

HSL 271.96, 1%, 0.18%

LAB 12.13, 40.18, -42.43

 

CMYK 56 / 100 / 0 / 71

HEX #200049

RGB 32 0 73

HSL 266.3, 1%, 0.14%

LAB 7.12, 33.58, -37.74

 

CMYK 33 / 97 / 0 / 42

HEX #630494

RGB 99 4 148

HSL 279.58, 0.95%, 0.3%

LAB 26.38, 57.49, -54.72

 

CMYK 7 / 97 / 0 / 42

HEX #8A0494

RGB 138 4 148

HSL 295.83, 0.95%, 0.3%

LAB 33.2, 63.27, -43.34

 

CMYK 0 / 97 / 20 / 42

HEX #940477

RGB 148 4 119

HSL 312.08, 0.95%, 0.3%

LAB 33.38, 60.82, -24.87

 

CMYK 0 / 97 / 45 / 42

HEX #940451

RGB 148 4 81

HSL 327.92, 0.95%, 0.3%

LAB 31.75, 56.59, -2.83

 

CMYK 0 / 97 / 72 / 42

HEX #94042A

RGB 148 4 42

HSL 344.17, 0.95%, 0.3%

LAB 30.76, 53.89, 21.68

 

CMYK 33 / 97 / 0 / 42

HEX #630494

RGB 99 4 148

HSL 279.58, 0.95%, 0.3%

LAB 26.38, 57.49, -54.72

 

CMYK 59 / 97 / 0 / 42

HEX #3C0494

RGB 60 4 148

HSL 263.33, 0.95%, 0.3%

LAB 20.77, 53.57, -64.16

 

CMYK 86 / 97 / 0 / 42

HEX #150494

RGB 21 4 148

HSL 247.08, 0.95%, 0.3%

LAB 17.39, 51.78, -69.89

 

CMYK 97 / 97 / 0 / 42

HEX #040494

RGB 4 4 148

HSL 240, 0.95%, 0.3%

LAB 16.75, 51.5, -70.96

 

CMYK 33 / 97 / 0 / 42

HEX #630494

RGB 99 4 148

HSL 279.58, 0.95%, 0.3%

LAB 26.38, 57.49, -54.72

 

CMYK 33 / 97 / 0 / 42

HEX #630494

RGB 99 4 148

HSL 279.58, 0.95%, 0.3%

LAB 26.38, 57.49, -54.72

 

CMYK 30 / 88 / 0 / 47

HEX #5F1088

RGB 95 16 136

HSL 279.5, 0.79%, 0.3%

LAB 25.51, 51.9, -48.72

 

CMYK 26 / 76 / 0 / 52

HEX #5B1D7B

RGB 91 29 123

HSL 279.57, 0.62%, 0.3%

LAB 25.36, 43.81, -40.79

 

CMYK 22 / 63 / 0 / 56

HEX #57296F

RGB 87 41 111

HSL 279.43, 0.46%, 0.3%

LAB 26.04, 34.14, -32.08

 

CMYK 15 / 45 / 0 / 62

HEX #533662

RGB 83 54 98

HSL 279.55, 0.29%, 0.3%

LAB 27.73, 21.98, -21.06

 

CMYK 86 / 97 / 0 / 42

HEX #150494

RGB 21 4 148

HSL 247.08, 0.95%, 0.3%

LAB 17.39, 51.78, -69.89

 

CMYK 60 / 97 / 0 / 42

HEX #3B0494

RGB 59 4 148

HSL 262.92, 0.95%, 0.3%

LAB 20.65, 53.5, -64.36

 

CMYK 34 / 97 / 0 / 42

HEX #620494

RGB 98 4 148

HSL 279.17, 0.95%, 0.3%

LAB 26.22, 57.36, -54.99

 

CMYK 8 / 97 / 0 / 42

HEX #880494

RGB 136 4 148

HSL 295, 0.95%, 0.3%

LAB 32.83, 62.94, -43.95

 

CMYK 0 / 97 / 18 / 42

HEX #94047A

RGB 148 4 122

HSL 310.83, 0.95%, 0.3%

LAB 33.54, 61.22, -26.52

 

CMYK 34 / 97 / 0 / 73

HEX #2D0244

RGB 45 2 68

HSL 279.09, 0.94%, 0.14%

LAB 9.15, 32.96, -30.81

 

CMYK 33 / 97 / 0 / 58

HEX #48036C

RGB 72 3 108

HSL 279.43, 0.95%, 0.22%

LAB 18.03, 45.66, -43.19

 

CMYK 33 / 97 / 0 / 42

HEX #630494

RGB 99 4 148

HSL 279.58, 0.95%, 0.3%

LAB 26.38, 57.49, -54.72

 

CMYK 33 / 97 / 0 / 26

HEX #7E05BC

RGB 126 5 188

HSL 279.67, 0.95%, 0.38%

LAB 34.34, 68.72, -65.65

 

CMYK 33 / 97 / 0 / 11

HEX #9907E4

RGB 153 7 228

HSL 279.64, 0.94%, 0.46%

LAB 42.04, 79.39, -76.07

 

CMYK 33 / 97 / 0 / 42

HEX #640595

RGB 100 5 149

HSL 279.58, 0.94%, 0.3%

LAB 26.7, 57.64, -54.81

 

CMYK 0 / 97 / 82 / 42

HEX #94041A

RGB 148 4 26

HSL 350.83, 0.95%, 0.3%

LAB 30.54, 53.28, 31.58

 

CMYK 97 / 0 / 73 / 42

HEX #049428

RGB 4 148 40

HSL 135, 0.95%, 0.3%

LAB 53.34, -55.05, 45.4

 

CMYK 33 / 97 / 0 / 42

HEX #640595

RGB 100 5 149

HSL 279.58, 0.94%, 0.3%

LAB 26.7, 57.64, -54.81

 

CMYK 0 / 34 / 97 / 42

HEX #946204

RGB 148 98 4

HSL 39.17, 0.95%, 0.3%

LAB 45.69, 13.6, 52.36

 

CMYK 97 / 0 / 34 / 42

HEX #049462

RGB 4 148 98

HSL 159.17, 0.95%, 0.3%

LAB 54.12, -45.66, 17.28

 

CMYK 33 / 97 / 0 / 42

HEX #640595

RGB 100 5 149

HSL 279.58, 0.94%, 0.3%

LAB 26.7, 57.64, -54.81

 

CMYK 0 / 97 / 82 / 42

HEX #94041A

RGB 148 4 26

HSL 350.83, 0.95%, 0.3%

LAB 30.54, 53.28, 31.58

 

CMYK 64 / 0 / 97 / 42

HEX #369404

RGB 54 148 4

HSL 99.17, 0.95%, 0.3%

LAB 54, -49.96, 55.81

 

CMYK 97 / 0 / 15 / 42

HEX #04947E

RGB 4 148 126

HSL 170.83, 0.95%, 0.3%

LAB 54.77, -38.48, 2.29

 

CMYK 33 / 97 / 0 / 42

HEX #640595

RGB 100 5 149

HSL 279.58, 0.94%, 0.3%

LAB 26.7, 57.64, -54.81

 

CMYK 0 / 82 / 97 / 42

HEX #941A04

RGB 148 26 4

HSL 9.17, 0.95%, 0.3%

LAB 31.91, 48.48, 43.42

 

CMYK 64 / 0 / 97 / 42

HEX #369404

RGB 54 148 4

HSL 99.17, 0.95%, 0.3%

LAB 54, -49.96, 55.81

 

CMYK 97 / 15 / 0 / 42

HEX #047E94

RGB 4 126 148

HSL 189.17, 0.95%, 0.3%

LAB 48.37, -20.79, -20.08

 

Description

Color code: HEX #640595 | qconv.com Color code: HEX #640595 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 5 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 5 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 97 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 97% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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