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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B29B6 it is the complementary color #74D649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B29B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B29B6 shade: #9029B1, #A13BC4, #B24DD7, #C35FEA and #D471FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B29B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B29B6 shade: #8B29B6, #7A17A3, #690590, #58007D and #47006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B29B6 shade: #8B29B6, #B129B6, #B62995, #B6296F and #B62949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B29B6 shade: #8B29B6, #6529B6, #3F29B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B29B6 shade matches the following richer shades: #8B29B6, #9217C9 and #9905DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B29B6 shade: #8B29B6, #843BA4, #7D4D92, #765F80 and #6F726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B29B6 shade: #3E29B6, #6429B6, #8A29B6, #AF29B6 and #B62998

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B29B6 shade: #581A73, #722195, #8B29B6, #A237D1 and #B259D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B29B6 shade: #8B29B6, #B6293A and #29B651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B29B6 shade: #8B29B6, #B68A29 and #29B68A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B29B6 shade: #8B29B6, #B6293A, #56B629 and #29B6A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B29B6 shade: #8B29B6, #B64329, #56B629 and #299CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

Complementary color

CMYK 46 / 0 / 66 / 16

HEX #74D649

RGB 116 214 73

HSL 101.7, 0.63%, 0.56%

LAB 77.45, -53.35, 58.56

 

CMYK 19 / 77 / 0 / 31

HEX #9029B1

RGB 144 41 177

HSL 285.44, 0.62%, 0.43%

LAB 39.05, 61.24, -51.35

 

CMYK 18 / 70 / 0 / 23

HEX #A13BC4

RGB 161 59 196

HSL 284.67, 0.54%, 0.5%

LAB 45.21, 61.69, -52.46

 

CMYK 17 / 64 / 0 / 16

HEX #B24DD7

RGB 178 77 215

HSL 283.91, 0.63%, 0.57%

LAB 51.47, 61.58, -53.22

 

CMYK 17 / 59 / 0 / 8

HEX #C35FEA

RGB 195 95 234

HSL 283.17, 0.77%, 0.65%

LAB 57.78, 61.16, -53.74

 

CMYK 16 / 55 / 0 / 1

HEX #D471FD

RGB 212 113 253

HSL 282.43, 0.97%, 0.72%

LAB 64.08, 60.56, -54.11

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 25 / 86 / 0 / 36

HEX #7A17A3

RGB 122 23 163

HSL 282.43, 0.75%, 0.36%

LAB 32.69, 59.99, -53.43

 

CMYK 27 / 97 / 0 / 44

HEX #690590

RGB 105 5 144

HSL 283.17, 0.93%, 0.29%

LAB 27.09, 57.3, -51.05

 

CMYK 30 / 100 / 0 / 51

HEX #58007D

RGB 88 0 125

HSL 282.24, 1%, 0.25%

LAB 22.14, 52.18, -47.32

 

CMYK 33 / 100 / 0 / 58

HEX #47006A

RGB 71 0 106

HSL 280.19, 1%, 0.21%

LAB 17.37, 45.99, -42.98

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 3 / 77 / 0 / 29

HEX #B129B6

RGB 177 41 182

HSL 297.87, 0.63%, 0.44%

LAB 44.67, 68.64, -45

 

CMYK 0 / 77 / 18 / 29

HEX #B62995

RGB 182 41 149

HSL 314.04, 0.63%, 0.44%

LAB 43.8, 64.76, -26.65

 

CMYK 0 / 77 / 39 / 29

HEX #B6296F

RGB 182 41 111

HSL 330.21, 0.63%, 0.44%

LAB 42.28, 60.18, -5.67

 

CMYK 0 / 77 / 60 / 29

HEX #B62949

RGB 182 41 73

HSL 346.38, 0.63%, 0.44%

LAB 41.24, 56.94, 16.7

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 45 / 77 / 0 / 29

HEX #6529B6

RGB 101 41 182

HSL 265.53, 0.63%, 0.44%

LAB 33.41, 54.81, -63.75

 

CMYK 65 / 77 / 0 / 29

HEX #3F29B6

RGB 63 41 182

HSL 249.36, 0.63%, 0.44%

LAB 29.46, 49.8, -70.4

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 27 / 89 / 0 / 21

HEX #9217C9

RGB 146 23 201

HSL 281.46, 0.79%, 0.44%

LAB 39.48, 71.09, -64.75

 

CMYK 30 / 98 / 0 / 14

HEX #9905DB

RGB 153 5 219

HSL 281.5, 0.96%, 0.44%

LAB 41.21, 77.89, -72.29

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 20 / 64 / 0 / 36

HEX #843BA4

RGB 132 59 164

HSL 281.71, 0.47%, 0.44%

LAB 39.09, 48.49, -43.63

 

CMYK 14 / 47 / 0 / 43

HEX #7D4D92

RGB 125 77 146

HSL 281.74, 0.31%, 0.44%

LAB 40.8, 32.94, -30.15

 

CMYK 8 / 26 / 0 / 50

HEX #765F80

RGB 118 95 128

HSL 281.82, 0.15%, 0.44%

LAB 43.65, 15.84, -14.93

 

CMYK 3 / 0 / 4 / 55

HEX #6F726E

RGB 111 114 110

HSL 105, 0.02%, 0.44%

LAB 47.68, -1.95, 1.81

 

CMYK 66 / 77 / 0 / 29

HEX #3E29B6

RGB 62 41 182

HSL 248.94, 0.63%, 0.44%

LAB 29.38, 49.69, -70.53

 

CMYK 45 / 77 / 0 / 29

HEX #6429B6

RGB 100 41 182

HSL 265.11, 0.63%, 0.44%

LAB 33.29, 54.65, -63.96

 

CMYK 24 / 77 / 0 / 29

HEX #8A29B6

RGB 138 41 182

HSL 281.28, 0.63%, 0.44%

LAB 38.49, 61.11, -55.26

 

CMYK 4 / 77 / 0 / 29

HEX #AF29B6

RGB 175 41 182

HSL 297.02, 0.63%, 0.44%

LAB 44.34, 68.24, -45.54

 

CMYK 0 / 77 / 16 / 29

HEX #B62998

RGB 182 41 152

HSL 312.77, 0.63%, 0.44%

LAB 43.94, 65.17, -28.24

 

CMYK 23 / 77 / 0 / 55

HEX #581A73

RGB 88 26 115

HSL 281.8, 0.63%, 0.28%

LAB 23.84, 42.62, -38.17

 

CMYK 23 / 78 / 0 / 42

HEX #722195

RGB 114 33 149

HSL 281.9, 0.64%, 0.36%

LAB 31.43, 52.57, -47.01

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 22 / 74 / 0 / 18

HEX #A237D1

RGB 162 55 209

HSL 281.69, 0.63%, 0.52%

LAB 45.66, 66.03, -59.25

 

CMYK 18 / 59 / 0 / 15

HEX #B259D9

RGB 178 89 217

HSL 281.72, 0.63%, 0.6%

LAB 53.62, 56.43, -50.92

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 0 / 77 / 68 / 29

HEX #B6293A

RGB 182 41 58

HSL 352.77, 0.63%, 0.44%

LAB 40.95, 56.04, 25.69

 

CMYK 77 / 0 / 55 / 29

HEX #29B651

RGB 41 182 81

HSL 137.02, 0.63%, 0.44%

LAB 65.37, -57.74, 40.72

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 0 / 24 / 77 / 29

HEX #B68A29

RGB 182 138 41

HSL 41.28, 0.63%, 0.44%

LAB 60.14, 7.55, 55

 

CMYK 77 / 0 / 24 / 29

HEX #29B68A

RGB 41 182 138

HSL 161.28, 0.63%, 0.44%

LAB 66.34, -46.84, 12.14

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 0 / 77 / 68 / 29

HEX #B6293A

RGB 182 41 58

HSL 352.77, 0.63%, 0.44%

LAB 40.95, 56.04, 25.69

 

CMYK 53 / 0 / 77 / 29

HEX #56B629

RGB 86 182 41

HSL 100.85, 0.63%, 0.44%

LAB 66.21, -52.24, 58.45

 

CMYK 77 / 0 / 9 / 29

HEX #29B6A6

RGB 41 182 166

HSL 173.19, 0.63%, 0.44%

LAB 67.04, -39.6, -2.26

 

CMYK 24 / 77 / 0 / 29

HEX #8B29B6

RGB 139 41 182

HSL 281.7, 0.63%, 0.44%

LAB 38.64, 61.29, -55.01

 

CMYK 0 / 63 / 77 / 29

HEX #B64329

RGB 182 67 41

HSL 11.06, 0.63%, 0.44%

LAB 44.4, 45.23, 39.48

 

CMYK 53 / 0 / 77 / 29

HEX #56B629

RGB 86 182 41

HSL 100.85, 0.63%, 0.44%

LAB 66.21, -52.24, 58.45

 

CMYK 77 / 14 / 0 / 29

HEX #299CB6

RGB 41 156 182

HSL 191.06, 0.63%, 0.44%

LAB 59.55, -22.19, -22.45

 

Description

Color code: HEX #8B29B6 | qconv.com Color code: HEX #8B29B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 41 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 41 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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