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Color name
HEX #626D2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626D2C it is the complementary color #9D92D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626D2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #626D2C shade: #676D27, #787F3A, #89914D, #9AA360 and #ABB573

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626D2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #626D2C shade: #626D2C, #515B19, #404906, #2F3700 and #1E2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #626D2C shade: #616C2C, #6C662C, #6C542C, #6C432C and #6C322C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #626D2C shade: #616C2C, #506C2C, #3F6C2C, #2D6C2C and #2C6C3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #626D2C shade matches the following richer shades: #616C2C, #69791F, #728513 and #7A9107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #626D2C shade: #616C2C, #596038, #515345, #494751 and #403B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #626D2C shade: #6C552C, #6C662C, #616C2C, #506C2C and #3F6C2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #626D2C shade: #2D3214, #474F20, #616C2C, #7C8938 and #96A744

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #626D2C shade: #626D2C, #2C6C43 and #5D2C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #626D2C shade: #626D2C, #2C616C and #6C2C61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #626D2C shade: #626D2C, #2C6C43, #372C6C and #6C2C55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #626D2C shade: #626D2C, #2C6C57, #372C6C and #6C2C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 60 / 57

HEX #626D2C

RGB 98 109 44

HSL 70.15, 0.42%, 0.3%

LAB 43.82, -14.49, 34.24

 

Complementary color

CMYK 26 / 31 / 0 / 17

HEX #9D92D3

RGB 157 146 211

HSL 250.15, 0.42%, 0.7%

LAB 63.7, 18.05, -31.85

 

CMYK 6 / 0 / 64 / 57

HEX #676D27

RGB 103 109 39

HSL 65.14, 0.47%, 0.29%

LAB 44.19, -12.64, 37.21

 

CMYK 6 / 0 / 54 / 50

HEX #787F3A

RGB 120 127 58

HSL 66.09, 0.37%, 0.36%

LAB 51.24, -13.19, 36.14

 

CMYK 6 / 0 / 47 / 43

HEX #89914D

RGB 137 145 77

HSL 67.06, 0.31%, 0.44%

LAB 58.14, -13.58, 34.92

 

CMYK 6 / 0 / 41 / 36

HEX #9AA360

RGB 154 163 96

HSL 68.06, 0.27%, 0.51%

LAB 64.89, -13.87, 33.69

 

CMYK 6 / 0 / 36 / 29

HEX #ABB573

RGB 171 181 115

HSL 69.09, 0.31%, 0.58%

LAB 71.52, -14.09, 32.49

 

CMYK 10 / 0 / 60 / 57

HEX #626D2C

RGB 98 109 44

HSL 70.15, 0.42%, 0.3%

LAB 43.82, -14.49, 34.24

 

CMYK 11 / 0 / 73 / 64

HEX #515B19

RGB 81 91 25

HSL 69.09, 0.57%, 0.23%

LAB 36.56, -13.91, 35.09

 

CMYK 12 / 0 / 92 / 71

HEX #404906

RGB 64 73 6

HSL 68.06, 0.85%, 0.15%

LAB 29.08, -13.02, 34.93

 

CMYK 15 / 0 / 100 / 78

HEX #2F3700

RGB 47 55 0

HSL 68.73, 1%, 0.11%

LAB 21.34, -11.51, 29.5

 

CMYK 19 / 0 / 100 / 85

HEX #1E2500

RGB 30 37 0

HSL 71.35, 1%, 0.07%

LAB 13.23, -9.64, 19.29

 

CMYK 10 / 0 / 59 / 58

HEX #616C2C

RGB 97 108 44

HSL 70.31, 0.42%, 0.3%

LAB 43.43, -14.39, 33.77

 

CMYK 0 / 6 / 59 / 58

HEX #6C662C

RGB 108 102 44

HSL 54.38, 0.42%, 0.3%

LAB 42.57, -5.95, 33.05

 

CMYK 0 / 22 / 59 / 58

HEX #6C542C

RGB 108 84 44

HSL 37.5, 0.42%, 0.3%

LAB 37.32, 4.71, 26.91

 

CMYK 0 / 38 / 59 / 58

HEX #6C432C

RGB 108 67 44

HSL 21.56, 0.42%, 0.3%

LAB 32.67, 15.1, 21.22

 

CMYK 0 / 54 / 59 / 58

HEX #6C322C

RGB 108 50 44

HSL 5.63, 0.42%, 0.3%

LAB 28.51, 25.22, 15.92

 

CMYK 10 / 0 / 59 / 58

HEX #616C2C

RGB 97 108 44

HSL 70.31, 0.42%, 0.3%

LAB 43.43, -14.39, 33.77

 

CMYK 26 / 0 / 59 / 58

HEX #506C2C

RGB 80 108 44

HSL 86.25, 0.42%, 0.3%

LAB 42.17, -21.8, 32

 

CMYK 42 / 0 / 59 / 58

HEX #3F6C2C

RGB 63 108 44

HSL 102.19, 0.42%, 0.3%

LAB 41.16, -28.47, 30.56

 

CMYK 58 / 0 / 59 / 58

HEX #2D6C2C

RGB 45 108 44

HSL 119.06, 0.42%, 0.3%

LAB 40.35, -34.33, 29.41

 

CMYK 59 / 0 / 44 / 58

HEX #2C6C3C

RGB 44 108 60

HSL 135, 0.42%, 0.3%

LAB 40.55, -32.03, 20.85

 

CMYK 10 / 0 / 59 / 58

HEX #616C2C

RGB 97 108 44

HSL 70.31, 0.42%, 0.3%

LAB 43.43, -14.39, 33.77

 

CMYK 13 / 0 / 74 / 53

HEX #69791F

RGB 105 121 31

HSL 70.67, 0.59%, 0.3%

LAB 47.98, -18.74, 44.64

 

CMYK 14 / 0 / 86 / 48

HEX #728513

RGB 114 133 19

HSL 70, 0.75%, 0.3%

LAB 52.29, -21.49, 52.72

 

CMYK 16 / 0 / 95 / 43

HEX #7A9107

RGB 122 145 7

HSL 70, 0.91%, 0.3%

LAB 56.49, -24.32, 58.76

 

CMYK 10 / 0 / 59 / 58

HEX #616C2C

RGB 97 108 44

HSL 70.31, 0.42%, 0.3%

LAB 43.43, -14.39, 33.77

 

CMYK 7 / 0 / 42 / 62

HEX #596038

RGB 89 96 56

HSL 70.5, 0.26%, 0.3%

LAB 39.2, -9.89, 21.94

 

CMYK 2 / 0 / 17 / 67

HEX #515345

RGB 81 83 69

HSL 68.57, 0.09%, 0.3%

LAB 34.73, -3.64, 7.94

 

CMYK 10 / 12 / 0 / 68

HEX #494751

RGB 73 71 81

HSL 252, 0.07%, 0.3%

LAB 30.68, 3.11, -5.66

 

CMYK 31 / 37 / 0 / 64

HEX #403B5D

RGB 64 59 93

HSL 248.82, 0.22%, 0.3%

LAB 26.76, 10.88, -19.5

 

CMYK 0 / 21 / 59 / 58

HEX #6C552C

RGB 108 85 44

HSL 38.44, 0.42%, 0.3%

LAB 37.6, 4.11, 27.25

 

CMYK 0 / 6 / 59 / 58

HEX #6C662C

RGB 108 102 44

HSL 54.38, 0.42%, 0.3%

LAB 42.57, -5.95, 33.05

 

CMYK 10 / 0 / 59 / 58

HEX #616C2C

RGB 97 108 44

HSL 70.31, 0.42%, 0.3%

LAB 43.43, -14.39, 33.77

 

CMYK 26 / 0 / 59 / 58

HEX #506C2C

RGB 80 108 44

HSL 86.25, 0.42%, 0.3%

LAB 42.17, -21.8, 32

 

CMYK 42 / 0 / 59 / 58

HEX #3F6C2C

RGB 63 108 44

HSL 102.19, 0.42%, 0.3%

LAB 41.16, -28.47, 30.56

 

CMYK 10 / 0 / 60 / 80

HEX #2D3214

RGB 45 50 20

HSL 70, 0.43%, 0.14%

LAB 19.6, -7.79, 18.19

 

CMYK 10 / 0 / 59 / 69

HEX #474F20

RGB 71 79 32

HSL 70.21, 0.42%, 0.22%

LAB 31.89, -11.22, 26.28

 

CMYK 10 / 0 / 59 / 58

HEX #616C2C

RGB 97 108 44

HSL 70.31, 0.42%, 0.3%

LAB 43.43, -14.39, 33.77

 

CMYK 9 / 0 / 59 / 46

HEX #7C8938

RGB 124 137 56

HSL 69.63, 0.42%, 0.38%

LAB 54.51, -16.96, 40.96

 

CMYK 10 / 0 / 59 / 35

HEX #96A744

RGB 150 167 68

HSL 70.3, 0.42%, 0.46%

LAB 65.39, -20.35, 48.06

 

CMYK 10 / 0 / 60 / 57

HEX #626D2C

RGB 98 109 44

HSL 70.15, 0.42%, 0.3%

LAB 43.82, -14.49, 34.24

 

CMYK 59 / 0 / 38 / 58

HEX #2C6C43

RGB 44 108 67

HSL 141.56, 0.42%, 0.3%

LAB 40.68, -30.67, 16.96

 

CMYK 14 / 59 / 0 / 58

HEX #5D2C6C

RGB 93 44 108

HSL 285.94, 0.42%, 0.3%

LAB 27.33, 33.47, -28.05

 

CMYK 10 / 0 / 60 / 57

HEX #626D2C

RGB 98 109 44

HSL 70.15, 0.42%, 0.3%

LAB 43.82, -14.49, 34.24

 

CMYK 59 / 10 / 0 / 58

HEX #2C616C

RGB 44 97 108

HSL 190.31, 0.42%, 0.3%

LAB 38.14, -14.06, -11.59

 

CMYK 0 / 59 / 10 / 58

HEX #6C2C61

RGB 108 44 97

HSL 310.31, 0.42%, 0.3%

LAB 29.04, 35.8, -18.11

 

CMYK 10 / 0 / 60 / 57

HEX #626D2C

RGB 98 109 44

HSL 70.15, 0.42%, 0.3%

LAB 43.82, -14.49, 34.24

 

CMYK 59 / 0 / 38 / 58

HEX #2C6C43

RGB 44 108 67

HSL 141.56, 0.42%, 0.3%

LAB 40.68, -30.67, 16.96

 

CMYK 49 / 59 / 0 / 58

HEX #372C6C

RGB 55 44 108

HSL 250.31, 0.42%, 0.3%

LAB 22.64, 23.05, -35.81

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 10 / 0 / 60 / 57

HEX #626D2C

RGB 98 109 44

HSL 70.15, 0.42%, 0.3%

LAB 43.82, -14.49, 34.24

 

CMYK 59 / 0 / 19 / 58

HEX #2C6C57

RGB 44 108 87

HSL 160.31, 0.42%, 0.3%

LAB 41.13, -26.04, 5.66

 

CMYK 49 / 59 / 0 / 58

HEX #372C6C

RGB 55 44 108

HSL 250.31, 0.42%, 0.3%

LAB 22.64, 23.05, -35.81

 

CMYK 0 / 59 / 40 / 58

HEX #6C2C41

RGB 108 44 65

HSL 340.31, 0.42%, 0.3%

LAB 27.77, 30.83, 1.02

 

Description

Color code: HEX #626D2C | qconv.com Color code: HEX #626D2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 109 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 109 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 60 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 60% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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