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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 44 85 it is the complementary color RGB 147 211 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 44 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 44 85 shade: RGB 113 44 80, RGB 130 62 99, RGB 147 80 118, RGB 164 98 137 and RGB 181 116 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 44 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 91 26 66, RGB 74 8 47, RGB 57 0 28 and RGB 40 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 108 44 68, RGB 108 44 50 and RGB 108 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 108 44 102, RGB 97 44 108, RGB 79 44 108 and RGB 62 44 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 44 85 shade matches the following richer shades: RGB 108 44 85, RGB 121 31 89, RGB 133 19 92 and RGB 145 7 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 96 56 82, RGB 83 69 78, RGB 71 81 75 and RGB 59 93 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 44 85 shade: RGB 96 44 108, RGB 108 44 103, RGB 108 44 86, RGB 108 44 69 and RGB 108 44 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 44 85 shade: RGB 50 20 39, RGB 79 32 62, RGB 108 44 85, RGB 137 56 108 and RGB 167 68 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 108 79 44 and RGB 44 108 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 86 108 44 and RGB 44 86 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 108 79 44, RGB 44 108 66 and RGB 44 73 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 44 85 shade: RGB 108 44 85, RGB 108 98 44, RGB 44 108 66 and RGB 44 54 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

Complementary color

CMYK 30 / 0 / 19 / 17

HEX #93D3AA

RGB 147 211 170

HSL 141.56, 0.42%, 0.7%

LAB 79.44, -28.79, 13.9

 

CMYK 0 / 61 / 29 / 56

HEX #712C50

RGB 113 44 80

HSL 328.7, 0.44%, 0.31%

LAB 29.14, 34.67, -6.79

 

CMYK 0 / 52 / 24 / 49

HEX #823E63

RGB 130 62 99

HSL 327.35, 0.35%, 0.38%

LAB 36.16, 33.97, -8.21

 

CMYK 0 / 46 / 20 / 42

HEX #935076

RGB 147 80 118

HSL 325.97, 0.3%, 0.45%

LAB 43.14, 33.15, -9.29

 

CMYK 0 / 40 / 16 / 36

HEX #A46289

RGB 164 98 137

HSL 324.55, 0.27%, 0.51%

LAB 50.02, 32.31, -10.18

 

CMYK 0 / 36 / 14 / 29

HEX #B5749C

RGB 181 116 156

HSL 323.08, 0.31%, 0.58%

LAB 56.8, 31.51, -10.93

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 71 / 27 / 64

HEX #5B1A42

RGB 91 26 66

HSL 323.08, 0.56%, 0.23%

LAB 21.42, 34.05, -9.43

 

CMYK 0 / 89 / 36 / 71

HEX #4A082F

RGB 74 8 47

HSL 324.55, 0.8%, 0.16%

LAB 14.59, 33.26, -6.72

 

CMYK 0 / 100 / 51 / 78

HEX #39001C

RGB 57 0 28

HSL 330.53, 1%, 0.11%

LAB 8.6, 29.59, -1.88

 

CMYK 0 / 100 / 78 / 84

HEX #280009

RGB 40 0 9

HSL 346.5, 1%, 0.08%

LAB 4.25, 19.43, 3.03

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 59 / 37 / 58

HEX #6C2C44

RGB 108 44 68

HSL 337.5, 0.42%, 0.3%

LAB 27.86, 31.22, -0.83

 

CMYK 0 / 59 / 54 / 58

HEX #6C2C32

RGB 108 44 50

HSL 354.38, 0.42%, 0.3%

LAB 27.35, 29.12, 10.43

 

CMYK 0 / 59 / 59 / 58

HEX #6C2C2C

RGB 108 44 44

HSL 0, 0.42%, 0.3%

LAB 27.22, 28.55, 14.22

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 59 / 6 / 58

HEX #6C2C66

RGB 108 44 102

HSL 305.63, 0.42%, 0.3%

LAB 29.28, 36.72, -20.96

 

CMYK 10 / 59 / 0 / 58

HEX #612C6C

RGB 97 44 108

HSL 289.69, 0.42%, 0.3%

LAB 27.91, 34.64, -27.08

 

CMYK 27 / 59 / 0 / 58

HEX #4F2C6C

RGB 79 44 108

HSL 272.81, 0.42%, 0.3%

LAB 25.4, 29.44, -31.23

 

CMYK 43 / 59 / 0 / 58

HEX #3E2C6C

RGB 62 44 108

HSL 256.88, 0.42%, 0.3%

LAB 23.37, 24.81, -34.6

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 74 / 26 / 53

HEX #791F59

RGB 121 31 89

HSL 321.33, 0.59%, 0.3%

LAB 28.81, 44.27, -13.05

 

CMYK 0 / 86 / 31 / 48

HEX #85135C

RGB 133 19 92

HSL 321.58, 0.75%, 0.3%

LAB 29.97, 51.54, -13.04

 

CMYK 0 / 95 / 34 / 43

HEX #91075F

RGB 145 7 95

HSL 321.74, 0.91%, 0.3%

LAB 31.8, 56.87, -11.98

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 42 / 15 / 62

HEX #603852

RGB 96 56 82

HSL 321, 0.26%, 0.3%

LAB 29.22, 22, -8.23

 

CMYK 0 / 17 / 6 / 67

HEX #53454E

RGB 83 69 78

HSL 321.43, 0.09%, 0.3%

LAB 30.99, 7.76, -3.17

 

CMYK 12 / 0 / 7 / 68

HEX #47514B

RGB 71 81 75

HSL 144, 0.07%, 0.3%

LAB 33.42, -5.34, 2.18

 

CMYK 37 / 0 / 24 / 64

HEX #3B5D47

RGB 59 93 71

HSL 141.18, 0.22%, 0.3%

LAB 36.39, -17.7, 8.79

 

CMYK 11 / 59 / 0 / 58

HEX #602C6C

RGB 96 44 108

HSL 288.75, 0.42%, 0.3%

LAB 27.77, 34.34, -27.33

 

CMYK 0 / 59 / 5 / 58

HEX #6C2C67

RGB 108 44 103

HSL 304.69, 0.42%, 0.3%

LAB 29.33, 36.91, -21.52

 

CMYK 0 / 59 / 20 / 58

HEX #6C2C56

RGB 108 44 86

HSL 320.63, 0.42%, 0.3%

LAB 28.54, 33.9, -11.71

 

CMYK 0 / 59 / 36 / 58

HEX #6C2C45

RGB 108 44 69

HSL 336.56, 0.42%, 0.3%

LAB 27.9, 31.35, -1.45

 

CMYK 0 / 59 / 53 / 58

HEX #6C2C33

RGB 108 44 51

HSL 353.44, 0.42%, 0.3%

LAB 27.38, 29.22, 9.8

 

CMYK 0 / 60 / 22 / 80

HEX #321427

RGB 50 20 39

HSL 322, 0.43%, 0.14%

LAB 11.45, 18.14, -6.08

 

CMYK 0 / 59 / 22 / 69

HEX #4F203E

RGB 79 32 62

HSL 321.7, 0.42%, 0.22%

LAB 20.22, 26.25, -8.71

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 59 / 21 / 46

HEX #89386C

RGB 137 56 108

HSL 321.48, 0.42%, 0.38%

LAB 36.42, 40.82, -13.39

 

CMYK 0 / 59 / 22 / 35

HEX #A74483

RGB 167 68 131

HSL 321.82, 0.42%, 0.46%

LAB 44.22, 47.91, -15.3

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 27 / 59 / 58

HEX #6C4F2C

RGB 108 79 44

HSL 32.81, 0.42%, 0.3%

LAB 35.91, 7.76, 25.22

 

CMYK 59 / 0 / 3 / 58

HEX #2C6C69

RGB 44 108 105

HSL 177.19, 0.42%, 0.3%

LAB 41.66, -21.05, -4.48

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 20 / 0 / 59 / 58

HEX #566C2C

RGB 86 108 44

HSL 80.63, 0.42%, 0.3%

LAB 42.59, -19.25, 32.59

 

CMYK 59 / 20 / 0 / 58

HEX #2C566C

RGB 44 86 108

HSL 200.63, 0.42%, 0.3%

LAB 34.55, -7.56, -17.08

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 27 / 59 / 58

HEX #6C4F2C

RGB 108 79 44

HSL 32.81, 0.42%, 0.3%

LAB 35.91, 7.76, 25.22

 

CMYK 59 / 0 / 39 / 58

HEX #2C6C42

RGB 44 108 66

HSL 140.63, 0.42%, 0.3%

LAB 40.66, -30.87, 17.52

 

CMYK 59 / 32 / 0 / 58

HEX #2C496C

RGB 44 73 108

HSL 212.81, 0.42%, 0.3%

LAB 30.36, 0.67, -23.58

 

CMYK 0 / 59 / 21 / 58

HEX #6C2C55

RGB 108 44 85

HSL 321.56, 0.42%, 0.3%

LAB 28.5, 33.74, -11.12

 

CMYK 0 / 9 / 59 / 58

HEX #6C622C

RGB 108 98 44

HSL 50.63, 0.42%, 0.3%

LAB 41.38, -3.63, 31.69

 

CMYK 59 / 0 / 39 / 58

HEX #2C6C42

RGB 44 108 66

HSL 140.63, 0.42%, 0.3%

LAB 40.66, -30.87, 17.52

 

CMYK 59 / 50 / 0 / 58

HEX #2C366C

RGB 44 54 108

HSL 230.63, 0.42%, 0.3%

LAB 24.5, 13.57, -32.87

 

Description

Color code: RGB 108 44 85 | qconv.com Color code: RGB 108 44 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 44 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 44 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 21 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 21% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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