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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61CBB2 it is the complementary color #9E344D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61CBB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61CBB2 shade: #66CBAD, #77DDC0, #88EFD3, #99FFE6 and #AAFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61CBB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61CBB2 shade: #61CBB2, #50B99F, #3FA78C, #2E9579 and #1D8366

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61CBB2 shade: #62CAB2, #62CA95, #62CA79, #66CA62 and #83CA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61CBB2 shade: #62CAB2, #62C7CA, #62AACA, #628ECA and #6272CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61CBB2 shade matches the following richer shades: #62CAB2, #51DBBB, #40ECC3 and #2FFDCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61CBB2 shade: #62CAB2, #73B9A9, #84A8A0, #949797 and #A5878E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61CBB2 shade: #62CA78, #62CA94, #62CAB0, #62C8CA and #62ADCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61CBB2 shade: #36A38A, #43C0A2, #62CAB2, #81D5C1 and #A0DFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61CBB2 shade: #61CBB2, #6267CA and #CA8662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61CBB2 shade: #61CBB2, #B062CA and #CAB062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61CBB2 shade: #61CBB2, #6267CA, #CA627C and #CAC562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61CBB2 shade: #61CBB2, #7C62CA, #CA627C and #B0CA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

Complementary color

CMYK 0 / 67 / 51 / 38

HEX #9E344D

RGB 158 52 77

HSL 345.85, 0.5%, 0.41%

LAB 38.31, 45.79, 9.44

 

CMYK 50 / 0 / 15 / 20

HEX #66CBAD

RGB 102 203 173

HSL 162.18, 0.49%, 0.6%

LAB 75.17, -36.74, 5.94

 

CMYK 46 / 0 / 13 / 13

HEX #77DDC0

RGB 119 221 192

HSL 162.94, 0.6%, 0.67%

LAB 81.53, -36.63, 5.04

 

CMYK 43 / 0 / 12 / 6

HEX #88EFD3

RGB 136 239 211

HSL 163.69, 0.76%, 0.74%

LAB 87.81, -36.49, 4.19

 

CMYK 40 / 0 / 10 / 0

HEX #99FFE6

RGB 153 255 230

HSL 165.29, 1%, 0.8%

LAB 93.45, -35.41, 2.59

 

CMYK 33 / 0 / 2 / 0

HEX #AAFFF9

RGB 170 255 249

HSL 175.76, 1%, 0.83%

LAB 94.7, -26.83, -5.31

 

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

CMYK 57 / 0 / 14 / 27

HEX #50B99F

RGB 80 185 159

HSL 165.14, 0.43%, 0.52%

LAB 68.68, -36.68, 4.1

 

CMYK 62 / 0 / 16 / 35

HEX #3FA78C

RGB 63 167 140

HSL 164.42, 0.45%, 0.45%

LAB 62.16, -36.54, 5.15

 

CMYK 69 / 0 / 19 / 42

HEX #2E9579

RGB 46 149 121

HSL 163.69, 0.53%, 0.38%

LAB 55.54, -36.22, 6.32

 

CMYK 78 / 0 / 22 / 49

HEX #1D8366

RGB 29 131 102

HSL 162.94, 0.64%, 0.31%

LAB 48.83, -35.6, 7.66

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB2

RGB 98 202 178

HSL 166.15, 0.5%, 0.59%

LAB 74.86, -36.02, 2.77

 

CMYK 51 / 0 / 26 / 21

HEX #62CA95

RGB 98 202 149

HSL 149.42, 0.5%, 0.59%

LAB 74.19, -42.45, 17.41

 

CMYK 51 / 0 / 40 / 21

HEX #62CA79

RGB 98 202 121

HSL 133.27, 0.5%, 0.59%

LAB 73.69, -47.64, 31.43

 

CMYK 50 / 0 / 51 / 21

HEX #66CA62

RGB 102 202 98

HSL 117.69, 0.5%, 0.59%

LAB 73.51, -49.98, 42.75

 

CMYK 35 / 0 / 51 / 21

HEX #83CA62

RGB 131 202 98

HSL 100.96, 0.5%, 0.59%

LAB 74.79, -41.05, 44.6

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB2

RGB 98 202 178

HSL 166.15, 0.5%, 0.59%

LAB 74.86, -36.02, 2.77

 

CMYK 51 / 1 / 0 / 21

HEX #62C7CA

RGB 98 199 202

HSL 181.73, 0.5%, 0.59%

LAB 74.64, -28.52, -10.54

 

CMYK 51 / 16 / 0 / 21

HEX #62AACA

RGB 98 170 202

HSL 198.46, 0.5%, 0.59%

LAB 66.22, -13.7, -23.26

 

CMYK 51 / 30 / 0 / 21

HEX #628ECA

RGB 98 142 202

HSL 214.62, 0.5%, 0.59%

LAB 58.23, 1.97, -35.61

 

CMYK 51 / 44 / 0 / 21

HEX #6272CA

RGB 98 114 202

HSL 230.77, 0.5%, 0.59%

LAB 50.56, 18.75, -47.71

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB2

RGB 98 202 178

HSL 166.15, 0.5%, 0.59%

LAB 74.86, -36.02, 2.77

 

CMYK 63 / 0 / 15 / 14

HEX #51DBBB

RGB 81 219 187

HSL 166.09, 0.66%, 0.59%

LAB 79.61, -44.78, 4.77

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 81 / 0 / 19 / 1

HEX #2FFDCC

RGB 47 253 204

HSL 165.73, 0.98%, 0.59%

LAB 89.49, -58.77, 9.97

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB2

RGB 98 202 178

HSL 166.15, 0.5%, 0.59%

LAB 74.86, -36.02, 2.77

 

CMYK 38 / 0 / 9 / 27

HEX #73B9A9

RGB 115 185 169

HSL 166.29, 0.33%, 0.59%

LAB 70.32, -25.76, 1.16

 

CMYK 21 / 0 / 5 / 34

HEX #84A8A0

RGB 132 168 160

HSL 166.67, 0.17%, 0.59%

LAB 66.1, -13.95, 0.09

 

CMYK 2 / 0 / 0 / 41

HEX #949797

RGB 148 151 151

HSL 180, 0.01%, 0.59%

LAB 62.22, -1.08, -0.39

 

CMYK 0 / 18 / 14 / 35

HEX #A5878E

RGB 165 135 142

HSL 346, 0.14%, 0.59%

LAB 59.23, 12.57, 0.55

 

CMYK 51 / 0 / 41 / 21

HEX #62CA78

RGB 98 202 120

HSL 132.69, 0.5%, 0.59%

LAB 73.67, -47.8, 31.93

 

CMYK 51 / 0 / 27 / 21

HEX #62CA94

RGB 98 202 148

HSL 148.85, 0.5%, 0.59%

LAB 74.17, -42.66, 17.92

 

CMYK 51 / 0 / 13 / 21

HEX #62CAB0

RGB 98 202 176

HSL 165, 0.5%, 0.59%

LAB 74.81, -36.5, 3.78

 

CMYK 51 / 1 / 0 / 21

HEX #62C8CA

RGB 98 200 202

HSL 181.15, 0.5%, 0.59%

LAB 74.93, -29.01, -10.11

 

CMYK 51 / 14 / 0 / 21

HEX #62ADCA

RGB 98 173 202

HSL 196.73, 0.5%, 0.59%

LAB 67.09, -15.3, -21.94

 

CMYK 67 / 0 / 15 / 36

HEX #36A38A

RGB 54 163 138

HSL 166.24, 0.5%, 0.43%

LAB 60.62, -36.84, 4.02

 

CMYK 65 / 0 / 16 / 25

HEX #43C0A2

RGB 67 192 162

HSL 165.6, 0.5%, 0.51%

LAB 70.53, -41.51, 5.07

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB2

RGB 98 202 178

HSL 166.15, 0.5%, 0.59%

LAB 74.86, -36.02, 2.77

 

CMYK 39 / 0 / 9 / 16

HEX #81D5C1

RGB 129 213 193

HSL 165.71, 0.5%, 0.67%

LAB 79.67, -30.13, 1.86

 

CMYK 28 / 0 / 7 / 13

HEX #A0DFD0

RGB 160 223 208

HSL 165.71, 0.5%, 0.75%

LAB 84.38, -23.04, 0.93

 

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

CMYK 51 / 49 / 0 / 21

HEX #6267CA

RGB 98 103 202

HSL 237.12, 0.5%, 0.59%

LAB 47.7, 25.51, -52.29

 

CMYK 0 / 34 / 51 / 21

HEX #CA8662

RGB 202 134 98

HSL 20.77, 0.5%, 0.59%

LAB 62.07, 22.15, 29.98

 

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

CMYK 13 / 51 / 0 / 21

HEX #B062CA

RGB 176 98 202

HSL 285, 0.5%, 0.59%

LAB 54.27, 48.3, -41.37

 

CMYK 0 / 13 / 51 / 21

HEX #CAB062

RGB 202 176 98

HSL 45, 0.5%, 0.59%

LAB 72.55, -0.6, 43.07

 

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

CMYK 51 / 49 / 0 / 21

HEX #6267CA

RGB 98 103 202

HSL 237.12, 0.5%, 0.59%

LAB 47.7, 25.51, -52.29

 

CMYK 0 / 51 / 39 / 21

HEX #CA627C

RGB 202 98 124

HSL 345, 0.5%, 0.59%

LAB 54.81, 43.93, 5.17

 

CMYK 0 / 2 / 51 / 21

HEX #CAC562

RGB 202 197 98

HSL 57.12, 0.5%, 0.59%

LAB 78.09, -11.52, 49.68

 

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

CMYK 39 / 51 / 0 / 21

HEX #7C62CA

RGB 124 98 202

HSL 255, 0.5%, 0.59%

LAB 48.62, 34.59, -50.7

 

CMYK 0 / 51 / 39 / 21

HEX #CA627C

RGB 202 98 124

HSL 345, 0.5%, 0.59%

LAB 54.81, 43.93, 5.17

 

CMYK 13 / 0 / 51 / 21

HEX #B0CA62

RGB 176 202 98

HSL 75, 0.5%, 0.59%

LAB 77.49, -24.49, 48.48

 

Description

Color code: HEX #61CBB2 | qconv.com Color code: HEX #61CBB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 203 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 203 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 12 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 12% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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