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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40ECC3 it is the complementary color #BF133C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40ECC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40ECC3 shade: #45ECBE, #56FED1, #67FFE4, #78FFF7 and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40ECC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40ECC3 shade: #40ECC3, #2FDAB0, #1EC89D, #0DB68A and #00A477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40ECC3 shade: #40ECC3, #40EC95, #40EC66, #48EC40 and #77EC40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40ECC3 shade: #40ECC3, #40E6EC, #40B8EC, #408AEC and #405CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40ECC3 shade matches the following richer shades: #40ECC3 and #2FFDCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40ECC3 shade: #40ECC3, #51DBBA, #62CAB1, #73B9A8 and #84A89F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40ECC3 shade: #40EC65, #40EC93, #40ECC1, #40E9EC and #40BBEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40ECC3 shade: #13C69C, #1BE8B7, #40ECC3, #66EFCF and #8BF3DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40ECC3 shade: #40ECC3, #4049EC and #EC7C40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40ECC3 shade: #40ECC3, #C140EC and #ECC140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40ECC3 shade: #40ECC3, #4049EC, #EC406B and #ECE340

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40ECC3 shade: #40ECC3, #6B40EC, #EC406B and #C1EC40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

Complementary color

CMYK 0 / 90 / 69 / 25

HEX #BF133C

RGB 191 19 60

HSL 345.7, 0.82%, 0.41%

LAB 41.01, 63.74, 24.9

 

CMYK 71 / 0 / 19 / 7

HEX #45ECBE

RGB 69 236 190

HSL 163.47, 0.81%, 0.6%

LAB 84.47, -53, 10.12

 

CMYK 66 / 0 / 18 / 0

HEX #56FED1

RGB 86 254 209

HSL 163.93, 0.99%, 0.67%

LAB 90.54, -53.47, 8.96

 

CMYK 60 / 0 / 11 / 0

HEX #67FFE4

RGB 103 255 228

HSL 169.34, 1%, 0.7%

LAB 91.69, -46.61, 0.85

 

CMYK 53 / 0 / 3 / 0

HEX #78FFF7

RGB 120 255 247

HSL 176.44, 1%, 0.74%

LAB 92.68, -38.81, -7.48

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 78 / 0 / 19 / 15

HEX #2FDAB0

RGB 47 218 176

HSL 165.26, 0.7%, 0.52%

LAB 78.39, -51.65, 8.78

 

CMYK 85 / 0 / 22 / 22

HEX #1EC89D

RGB 30 200 157

HSL 164.82, 0.74%, 0.45%

LAB 72.24, -50.55, 10.16

 

CMYK 93 / 0 / 24 / 29

HEX #0DB68A

RGB 13 182 138

HSL 164.38, 0.87%, 0.38%

LAB 66.04, -49.06, 11.68

 

CMYK 100 / 0 / 27 / 36

HEX #00A477

RGB 0 164 119

HSL 163.54, 1%, 0.32%

LAB 59.78, -47.13, 13.37

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 73 / 0 / 37 / 7

HEX #40EC95

RGB 64 236 149

HSL 149.65, 0.82%, 0.59%

LAB 83.57, -62.37, 30.05

 

CMYK 73 / 0 / 57 / 7

HEX #40EC66

RGB 64 236 102

HSL 133.26, 0.82%, 0.59%

LAB 82.93, -69.75, 51.94

 

CMYK 69 / 0 / 73 / 7

HEX #48EC40

RGB 72 236 64

HSL 117.21, 0.82%, 0.59%

LAB 82.77, -72.24, 67.01

 

CMYK 50 / 0 / 73 / 7

HEX #77EC40

RGB 119 236 64

HSL 100.81, 0.82%, 0.59%

LAB 84.11, -61.48, 68.79

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 73 / 3 / 0 / 7

HEX #40E6EC

RGB 64 230 236

HSL 182.09, 0.82%, 0.59%

LAB 83.83, -39.02, -15.06

 

CMYK 73 / 22 / 0 / 7

HEX #40B8EC

RGB 64 184 236

HSL 198.14, 0.82%, 0.59%

LAB 70.47, -16.43, -35.45

 

CMYK 73 / 42 / 0 / 7

HEX #408AEC

RGB 64 138 236

HSL 214.19, 0.82%, 0.59%

LAB 57.39, 9.67, -56.06

 

CMYK 73 / 61 / 0 / 7

HEX #405CEC

RGB 64 92 236

HSL 230.23, 0.82%, 0.59%

LAB 45.36, 38.18, -75.5

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 81 / 0 / 19 / 1

HEX #2FFDCC

RGB 47 253 204

HSL 165.73, 0.98%, 0.59%

LAB 89.49, -58.77, 9.97

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 63 / 0 / 15 / 14

HEX #51DBBA

RGB 81 219 186

HSL 165.65, 0.66%, 0.59%

LAB 79.59, -45.02, 5.26

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB1

RGB 98 202 177

HSL 165.58, 0.5%, 0.59%

LAB 74.83, -36.26, 3.28

 

CMYK 38 / 0 / 9 / 27

HEX #73B9A8

RGB 115 185 168

HSL 165.43, 0.33%, 0.59%

LAB 70.29, -25.99, 1.67

 

CMYK 21 / 0 / 5 / 34

HEX #84A89F

RGB 132 168 159

HSL 165, 0.17%, 0.59%

LAB 66.07, -14.16, 0.61

 

CMYK 73 / 0 / 57 / 7

HEX #40EC65

RGB 64 236 101

HSL 132.91, 0.82%, 0.59%

LAB 82.92, -69.87, 52.38

 

CMYK 73 / 0 / 38 / 7

HEX #40EC93

RGB 64 236 147

HSL 148.95, 0.82%, 0.59%

LAB 83.54, -62.74, 31.02

 

CMYK 73 / 0 / 18 / 7

HEX #40ECC1

RGB 64 236 193

HSL 165, 0.82%, 0.59%

LAB 84.45, -52.93, 8.51

 

CMYK 73 / 1 / 0 / 7

HEX #40E9EC

RGB 64 233 236

HSL 181.05, 0.82%, 0.59%

LAB 84.7, -40.38, -13.75

 

CMYK 73 / 21 / 0 / 7

HEX #40BBEC

RGB 64 187 236

HSL 197.09, 0.82%, 0.59%

LAB 71.34, -18.01, -34.11

 

CMYK 90 / 0 / 21 / 22

HEX #13C69C

RGB 19 198 156

HSL 165.92, 0.82%, 0.43%

LAB 71.51, -50.69, 9.64

 

CMYK 88 / 0 / 21 / 9

HEX #1BE8B7

RGB 27 232 183

HSL 165.66, 0.82%, 0.51%

LAB 82.57, -57.01, 11.01

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 57 / 0 / 13 / 6

HEX #66EFCF

RGB 102 239 207

HSL 165.99, 0.81%, 0.67%

LAB 86.54, -44.88, 4.29

 

CMYK 43 / 0 / 10 / 5

HEX #8BF3DA

RGB 139 243 218

HSL 165.58, 0.81%, 0.75%

LAB 89.23, -36.03, 2.61

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 73 / 69 / 0 / 7

HEX #4049EC

RGB 64 73 236

HSL 236.86, 0.82%, 0.59%

LAB 41.07, 49.57, -82.53

 

CMYK 0 / 47 / 73 / 7

HEX #EC7C40

RGB 236 124 64

HSL 20.93, 0.82%, 0.59%

LAB 63.85, 38.83, 50.89

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 18 / 73 / 0 / 7

HEX #C140EC

RGB 193 64 236

HSL 285, 0.82%, 0.59%

LAB 53.02, 73.96, -62.5

 

CMYK 0 / 18 / 73 / 7

HEX #ECC140

RGB 236 193 64

HSL 45, 0.82%, 0.59%

LAB 79.81, 2.64, 67.09

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 73 / 69 / 0 / 7

HEX #4049EC

RGB 64 73 236

HSL 236.86, 0.82%, 0.59%

LAB 41.07, 49.57, -82.53

 

CMYK 0 / 73 / 55 / 7

HEX #EC406B

RGB 236 64 107

HSL 345, 0.82%, 0.59%

LAB 54.62, 67.41, 15.77

 

CMYK 0 / 4 / 73 / 7

HEX #ECE340

RGB 236 227 64

HSL 56.86, 0.82%, 0.59%

LAB 88.52, -14.58, 75.44

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC3

RGB 64 236 195

HSL 165.7, 0.82%, 0.59%

LAB 84.49, -52.45, 7.52

 

CMYK 55 / 73 / 0 / 7

HEX #6B40EC

RGB 107 64 236

HSL 255, 0.82%, 0.59%

LAB 42.53, 59.44, -80.02

 

CMYK 0 / 73 / 55 / 7

HEX #EC406B

RGB 236 64 107

HSL 345, 0.82%, 0.59%

LAB 54.62, 67.41, 15.77

 

CMYK 18 / 0 / 73 / 7

HEX #C1EC40

RGB 193 236 64

HSL 75, 0.82%, 0.59%

LAB 87.82, -36.2, 73.68

 

Description

Color code: HEX #40ECC3 | qconv.com Color code: HEX #40ECC3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 236 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 236 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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