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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618CE7 it is the complementary color #9E7318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618CE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618CE7 shade: #668CE2, #779EF5, #88B0FF, #99C2FF and #AAD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618CE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618CE7 shade: #618CE7, #507AD4, #3F68C1, #2E56AE and #1D449B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618CE7 shade: #5F8AE7, #5F66E7, #7C5FE7, #A15FE7 and #C65FE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618CE7 shade: #5F8AE7, #5F66E7 and #5F5FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618CE7 shade matches the following richer shades: #5F8AE7 and #5085F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618CE7 shade: #5F8AE7, #6E90D8, #7C95C9, #8B9ABA and #9AA0AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618CE7 shade: #5FD5E7, #5FB0E7, #5F8CE7, #5F68E7 and #7A5FE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618CE7 shade: #1F59D4, #3B70E1, #5F8AE7, #83A4EC and #A7BFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618CE7 shade: #618CE7, #D55FE7 and #C2E75F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618CE7 shade: #618CE7, #E75F8C and #8CE75F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618CE7 shade: #618CE7, #D55FE7, #E7B95F and #71E75F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618CE7 shade: #618CE7, #E75FD0, #E7B95F and #5FE775

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 39 / 0 / 9

HEX #618CE7

RGB 97 140 231

HSL 220.75, 0.74%, 0.64%

LAB 59.04, 12.13, -50.58

 

Complementary color

CMYK 0 / 27 / 85 / 38

HEX #9E7318

RGB 158 115 24

HSL 40.75, 0.74%, 0.36%

LAB 51.38, 8.92, 52.15

 

CMYK 55 / 38 / 0 / 11

HEX #668CE2

RGB 102 140 226

HSL 221.61, 0.68%, 0.64%

LAB 59.04, 11.54, -47.77

 

CMYK 51 / 36 / 0 / 4

HEX #779EF5

RGB 119 158 245

HSL 221.43, 0.86%, 0.71%

LAB 65.72, 10.56, -47.64

 

CMYK 47 / 31 / 0 / 0

HEX #88B0FF

RGB 136 176 255

HSL 219.83, 1%, 0.77%

LAB 71.9, 7.13, -43.31

 

CMYK 40 / 24 / 0 / 0

HEX #99C2FF

RGB 153 194 255

HSL 215.88, 1%, 0.8%

LAB 77.62, 1.36, -34.33

 

CMYK 33 / 17 / 0 / 0

HEX #AAD4FF

RGB 170 212 255

HSL 210.35, 1%, 0.83%

LAB 83.36, -3.78, -25.44

 

CMYK 58 / 39 / 0 / 9

HEX #618CE7

RGB 97 140 231

HSL 220.75, 0.74%, 0.64%

LAB 59.04, 12.13, -50.58

 

CMYK 62 / 42 / 0 / 17

HEX #507AD4

RGB 80 122 212

HSL 220.91, 0.61%, 0.57%

LAB 52.26, 13.47, -50.76

 

CMYK 67 / 46 / 0 / 24

HEX #3F68C1

RGB 63 104 193

HSL 221.08, 0.51%, 0.5%

LAB 45.37, 15.11, -50.95

 

CMYK 74 / 51 / 0 / 32

HEX #2E56AE

RGB 46 86 174

HSL 221.25, 0.58%, 0.43%

LAB 38.36, 17.17, -51.16

 

CMYK 81 / 56 / 0 / 39

HEX #1D449B

RGB 29 68 155

HSL 221.43, 0.68%, 0.36%

LAB 31.26, 19.81, -51.31

 

CMYK 59 / 40 / 0 / 9

HEX #5F8AE7

RGB 95 138 231

HSL 221.03, 0.74%, 0.64%

LAB 58.4, 12.94, -51.6

 

CMYK 59 / 56 / 0 / 9

HEX #5F66E7

RGB 95 102 231

HSL 236.91, 0.74%, 0.64%

LAB 49.14, 34.8, -66.47

 

CMYK 46 / 59 / 0 / 9

HEX #7C5FE7

RGB 124 95 231

HSL 252.79, 0.74%, 0.64%

LAB 49.78, 44.43, -65.31

 

CMYK 30 / 59 / 0 / 9

HEX #A15FE7

RGB 161 95 231

HSL 269.12, 0.74%, 0.64%

LAB 53.53, 52.5, -59.09

 

CMYK 14 / 59 / 0 / 9

HEX #C65FE7

RGB 198 95 231

HSL 285.44, 0.74%, 0.64%

LAB 58, 61.29, -51.68

 

CMYK 59 / 40 / 0 / 9

HEX #5F8AE7

RGB 95 138 231

HSL 221.03, 0.74%, 0.64%

LAB 58.4, 12.94, -51.6

 

CMYK 59 / 56 / 0 / 9

HEX #5F66E7

RGB 95 102 231

HSL 236.91, 0.74%, 0.64%

LAB 49.14, 34.8, -66.47

 

CMYK 59 / 59 / 0 / 9

HEX #5F5FE7

RGB 95 95 231

HSL 240, 0.74%, 0.64%

LAB 47.48, 39.02, -69.16

 

CMYK 59 / 40 / 0 / 9

HEX #5F8AE7

RGB 95 138 231

HSL 221.03, 0.74%, 0.64%

LAB 58.4, 12.94, -51.6

 

CMYK 67 / 46 / 0 / 4

HEX #5085F5

RGB 80 133 245

HSL 220.73, 0.89%, 0.64%

LAB 57.15, 18.11, -61.4

 

CMYK 59 / 40 / 0 / 9

HEX #5F8AE7

RGB 95 138 231

HSL 221.03, 0.74%, 0.64%

LAB 58.4, 12.94, -51.6

 

CMYK 49 / 33 / 0 / 15

HEX #6E90D8

RGB 110 144 216

HSL 220.75, 0.58%, 0.64%

LAB 60.09, 7.87, -40.52

 

CMYK 38 / 26 / 0 / 21

HEX #7C95C9

RGB 124 149 201

HSL 220.52, 0.42%, 0.64%

LAB 61.65, 4.22, -29.62

 

CMYK 25 / 17 / 0 / 27

HEX #8B9ABA

RGB 139 154 186

HSL 220.85, 0.25%, 0.64%

LAB 63.46, 1.91, -18.34

 

CMYK 10 / 6 / 0 / 33

HEX #9AA0AB

RGB 154 160 171

HSL 218.82, 0.09%, 0.64%

LAB 65.71, 0.1, -6.44

 

CMYK 59 / 8 / 0 / 9

HEX #5FD5E7

RGB 95 213 231

HSL 187.94, 0.74%, 0.64%

LAB 79.49, -27.96, -18.86

 

CMYK 59 / 24 / 0 / 9

HEX #5FB0E7

RGB 95 176 231

HSL 204.26, 0.74%, 0.64%

LAB 68.93, -8.85, -35.04

 

CMYK 59 / 39 / 0 / 9

HEX #5F8CE7

RGB 95 140 231

HSL 220.15, 0.74%, 0.64%

LAB 58.94, 11.74, -50.74

 

CMYK 59 / 55 / 0 / 9

HEX #5F68E7

RGB 95 104 231

HSL 236.03, 0.74%, 0.64%

LAB 49.62, 33.59, -65.68

 

CMYK 47 / 59 / 0 / 9

HEX #7A5FE7

RGB 122 95 231

HSL 251.91, 0.74%, 0.64%

LAB 49.61, 44.03, -65.6

 

CMYK 85 / 58 / 0 / 17

HEX #1F59D4

RGB 31 89 212

HSL 220.77, 0.74%, 0.48%

LAB 41.52, 28.29, -68.19

 

CMYK 74 / 50 / 0 / 12

HEX #3B70E1

RGB 59 112 225

HSL 220.84, 0.73%, 0.56%

LAB 49.44, 21.1, -62.68

 

CMYK 59 / 40 / 0 / 9

HEX #5F8AE7

RGB 95 138 231

HSL 221.03, 0.74%, 0.64%

LAB 58.4, 12.94, -51.6

 

CMYK 44 / 31 / 0 / 7

HEX #83A4EC

RGB 131 164 236

HSL 221.14, 0.73%, 0.72%

LAB 67.6, 7.27, -39.72

 

CMYK 31 / 21 / 0 / 5

HEX #A7BFF1

RGB 167 191 241

HSL 220.54, 0.73%, 0.8%

LAB 77.18, 3.19, -27.44

 

CMYK 58 / 39 / 0 / 9

HEX #618CE7

RGB 97 140 231

HSL 220.75, 0.74%, 0.64%

LAB 59.04, 12.13, -50.58

 

CMYK 8 / 59 / 0 / 9

HEX #D55FE7

RGB 213 95 231

HSL 292.06, 0.74%, 0.64%

LAB 59.98, 64.94, -48.42

 

CMYK 16 / 0 / 59 / 9

HEX #C2E75F

RGB 194 231 95

HSL 76.32, 0.74%, 0.64%

LAB 86.73, -31.52, 60.75

 

CMYK 58 / 39 / 0 / 9

HEX #618CE7

RGB 97 140 231

HSL 220.75, 0.74%, 0.64%

LAB 59.04, 12.13, -50.58

 

CMYK 0 / 59 / 39 / 9

HEX #E75F8C

RGB 231 95 140

HSL 340.15, 0.74%, 0.64%

LAB 59.04, 56.74, 2.44

 

CMYK 39 / 0 / 59 / 9

HEX #8CE75F

RGB 140 231 95

HSL 100.15, 0.74%, 0.64%

LAB 83.73, -50.69, 56.57

 

CMYK 58 / 39 / 0 / 9

HEX #618CE7

RGB 97 140 231

HSL 220.75, 0.74%, 0.64%

LAB 59.04, 12.13, -50.58

 

CMYK 8 / 59 / 0 / 9

HEX #D55FE7

RGB 213 95 231

HSL 292.06, 0.74%, 0.64%

LAB 59.98, 64.94, -48.42

 

CMYK 0 / 20 / 59 / 9

HEX #E7B95F

RGB 231 185 95

HSL 39.71, 0.74%, 0.64%

LAB 77.59, 6.51, 51.18

 

CMYK 51 / 0 / 59 / 9

HEX #71E75F

RGB 113 231 95

HSL 112.06, 0.74%, 0.64%

LAB 82.64, -58.61, 55.03

 

CMYK 58 / 39 / 0 / 9

HEX #618CE7

RGB 97 140 231

HSL 220.75, 0.74%, 0.64%

LAB 59.04, 12.13, -50.58

 

CMYK 0 / 59 / 10 / 9

HEX #E75FD0

RGB 231 95 208

HSL 310.15, 0.74%, 0.64%

LAB 61.42, 65.66, -33.05

 

CMYK 0 / 20 / 59 / 9

HEX #E7B95F

RGB 231 185 95

HSL 39.71, 0.74%, 0.64%

LAB 77.59, 6.51, 51.18

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

Description

Color code: HEX #618CE7 | qconv.com Color code: HEX #618CE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 140 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 140 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 39 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 39% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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