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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE775 it is the complementary color #A0188A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE775. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE775 shade: #64E770, #75F983, #86FF96, #97FFA9 and #A8FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE775. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE775 shade: #5FE775, #4ED562, #3DC34F, #2CB13C and #1B9F29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE775 shade: #5FE775, #6DE75F, #92E75F, #B7E75F and #DBE75F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE775 shade: #5FE775, #5FE799, #5FE7BE, #5FE7E3 and #5FC6E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE775 shade matches the following richer shades: #5FE775 and #50F56B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE775 shade: #5FE775, #6ED87F, #7CC989, #8BBA93 and #9AAB9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE775 shade: #93E75F, #6FE75F, #5FE773, #5FE797 and #5FE7BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE775 shade: #1FD43C, #3BE156, #5FE775, #83EC94 and #A7F1B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE775 shade: #5FE775, #5FB7E7 and #E75F81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE775 shade: #5FE775, #735FE7 and #E7735F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE775 shade: #5FE775, #5FB7E7, #E75FD2 and #E78E5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE775 shade: #5FE775, #5F8EE7, #E75FD2 and #E7B75F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

Complementary color

CMYK 0 / 85 / 14 / 37

HEX #A0188A

RGB 160 24 138

HSL 309.71, 0.74%, 0.36%

LAB 37.77, 62.66, -29.66

 

CMYK 57 / 0 / 52 / 9

HEX #64E770

RGB 100 231 112

HSL 125.5, 0.73%, 0.65%

LAB 82.4, -59.84, 46.9

 

CMYK 53 / 0 / 47 / 2

HEX #75F983

RGB 117 249 131

HSL 126.36, 0.92%, 0.72%

LAB 88.53, -59.97, 45.6

 

CMYK 47 / 0 / 41 / 0

HEX #86FF96

RGB 134 255 150

HSL 127.93, 1%, 0.76%

LAB 91.14, -55.25, 39.87

 

CMYK 41 / 0 / 34 / 0

HEX #97FFA9

RGB 151 255 169

HSL 130.38, 1%, 0.8%

LAB 92.12, -47.64, 31.87

 

CMYK 34 / 0 / 26 / 0

HEX #A8FFBC

RGB 168 255 188

HSL 133.79, 1%, 0.83%

LAB 93.22, -39.53, 23.91

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 63 / 0 / 54 / 16

HEX #4ED562

RGB 78 213 98

HSL 128.89, 0.62%, 0.57%

LAB 76.12, -59.94, 45.74

 

CMYK 69 / 0 / 59 / 24

HEX #3DC34F

RGB 61 195 79

HSL 128.06, 0.53%, 0.5%

LAB 69.89, -59.29, 47.07

 

CMYK 75 / 0 / 66 / 31

HEX #2CB13C

RGB 44 177 60

HSL 127.22, 0.6%, 0.43%

LAB 63.59, -58.22, 48.27

 

CMYK 83 / 0 / 74 / 38

HEX #1B9F29

RGB 27 159 41

HSL 126.36, 0.71%, 0.36%

LAB 57.26, -56.51, 49.11

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 53 / 0 / 59 / 9

HEX #6DE75F

RGB 109 231 95

HSL 113.82, 0.74%, 0.64%

LAB 82.5, -59.66, 54.83

 

CMYK 37 / 0 / 59 / 9

HEX #92E75F

RGB 146 231 95

HSL 97.5, 0.74%, 0.64%

LAB 84.01, -48.76, 56.96

 

CMYK 21 / 0 / 59 / 9

HEX #B7E75F

RGB 183 231 95

HSL 81.18, 0.74%, 0.64%

LAB 86.03, -35.7, 59.78

 

CMYK 5 / 0 / 59 / 9

HEX #DBE75F

RGB 219 231 95

HSL 65.29, 0.74%, 0.64%

LAB 88.47, -21.71, 63.17

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 59 / 0 / 34 / 9

HEX #5FE799

RGB 95 231 153

HSL 145.59, 0.74%, 0.64%

LAB 82.85, -54.4, 27.17

 

CMYK 59 / 0 / 18 / 9

HEX #5FE7BE

RGB 95 231 190

HSL 161.91, 0.74%, 0.64%

LAB 83.6, -46.7, 8.96

 

CMYK 59 / 0 / 2 / 9

HEX #5FE7E3

RGB 95 231 227

HSL 178.24, 0.74%, 0.64%

LAB 84.55, -37.57, -9.16

 

CMYK 59 / 14 / 0 / 9

HEX #5FC6E7

RGB 95 198 231

HSL 194.56, 0.74%, 0.64%

LAB 75.2, -20.47, -25.4

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 67 / 0 / 56 / 4

HEX #50F56B

RGB 80 245 107

HSL 129.82, 0.89%, 0.64%

LAB 86.04, -69.52, 53.44

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 49 / 0 / 41 / 15

HEX #6ED87F

RGB 110 216 127

HSL 129.62, 0.58%, 0.64%

LAB 78.44, -49.3, 34.65

 

CMYK 38 / 0 / 32 / 21

HEX #7CC989

RGB 124 201 137

HSL 130.13, 0.42%, 0.64%

LAB 74.74, -37.18, 24.69

 

CMYK 25 / 0 / 21 / 27

HEX #8BBA93

RGB 139 186 147

HSL 130.21, 0.25%, 0.64%

LAB 71.36, -23.46, 14.82

 

CMYK 10 / 0 / 8 / 33

HEX #9AAB9D

RGB 154 171 157

HSL 130.59, 0.09%, 0.64%

LAB 68.34, -8.67, 5.19

 

CMYK 36 / 0 / 59 / 9

HEX #93E75F

RGB 147 231 95

HSL 97.06, 0.74%, 0.64%

LAB 84.06, -48.43, 57.03

 

CMYK 52 / 0 / 59 / 9

HEX #6FE75F

RGB 111 231 95

HSL 112.94, 0.74%, 0.64%

LAB 82.57, -59.14, 54.93

 

CMYK 59 / 0 / 50 / 9

HEX #5FE773

RGB 95 231 115

HSL 128.82, 0.74%, 0.64%

LAB 82.28, -60.57, 45.31

 

CMYK 59 / 0 / 35 / 9

HEX #5FE797

RGB 95 231 151

HSL 144.71, 0.74%, 0.64%

LAB 82.82, -54.77, 28.14

 

CMYK 59 / 0 / 19 / 9

HEX #5FE7BC

RGB 95 231 188

HSL 161.03, 0.74%, 0.64%

LAB 83.56, -47.16, 9.95

 

CMYK 85 / 0 / 72 / 17

HEX #1FD43C

RGB 31 212 60

HSL 129.61, 0.74%, 0.48%

LAB 74.64, -70.65, 59.93

 

CMYK 74 / 0 / 62 / 12

HEX #3BE156

RGB 59 225 86

HSL 129.76, 0.73%, 0.56%

LAB 79.3, -68.81, 54.74

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 44 / 0 / 37 / 7

HEX #83EC94

RGB 131 236 148

HSL 129.71, 0.73%, 0.72%

LAB 85.48, -48.59, 33.44

 

CMYK 31 / 0 / 26 / 5

HEX #A7F1B3

RGB 167 241 179

HSL 129.73, 0.73%, 0.8%

LAB 89.1, -35.04, 22.82

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 59 / 21 / 0 / 9

HEX #5FB7E7

RGB 95 183 231

HSL 201.18, 0.74%, 0.64%

LAB 70.92, -12.63, -31.97

 

CMYK 0 / 59 / 44 / 9

HEX #E75F81

RGB 231 95 129

HSL 345, 0.74%, 0.64%

LAB 58.75, 55.62, 8.45

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 50 / 59 / 0 / 9

HEX #735FE7

RGB 115 95 231

HSL 248.82, 0.74%, 0.64%

LAB 49.01, 42.65, -66.61

 

CMYK 0 / 50 / 59 / 9

HEX #E7735F

RGB 231 115 95

HSL 8.82, 0.74%, 0.64%

LAB 61.72, 43.25, 31.95

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 59 / 21 / 0 / 9

HEX #5FB7E7

RGB 95 183 231

HSL 201.18, 0.74%, 0.64%

LAB 70.92, -12.63, -31.97

 

CMYK 0 / 59 / 9 / 9

HEX #E75FD2

RGB 231 95 210

HSL 309.26, 0.74%, 0.64%

LAB 61.5, 65.97, -34.05

 

CMYK 0 / 39 / 59 / 9

HEX #E78E5F

RGB 231 142 95

HSL 20.74, 0.74%, 0.64%

LAB 67.4, 29.34, 39.04

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 59 / 39 / 0 / 9

HEX #5F8EE7

RGB 95 142 231

HSL 219.26, 0.74%, 0.64%

LAB 59.48, 10.56, -49.88

 

CMYK 0 / 59 / 9 / 9

HEX #E75FD2

RGB 231 95 210

HSL 309.26, 0.74%, 0.64%

LAB 61.5, 65.97, -34.05

 

CMYK 0 / 21 / 59 / 9

HEX #E7B75F

RGB 231 183 95

HSL 38.82, 0.74%, 0.64%

LAB 77.09, 7.57, 50.61

 

Description

Color code: HEX #5FE775 | qconv.com Color code: HEX #5FE775 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 231 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 231 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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