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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #606A76 it is the complementary color #9F9589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #606A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #606A76 shade: #656A71, #767C84, #878E97, #98A0AA and #A9B2BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #606A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #606A76 shade: #606A76, #4F5863, #3E4650, #2D343D and #1C222A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #606A76 shade: #606A75, #606475, #626075, #676075 and #6D6075

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #606A76 shade: #606A75, #606475 and #606075

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #606A76 shade matches the following richer shades: #606A75, #4F6887, #3D6698, #2C65A9 and #1B63BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #606A76 shade: #606A75, #716B64, #836D53, #946E41 and #A57030

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #606A76 shade: #607575, #607075, #606A75, #606475 and #616075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #606A76 shade: #3B4148, #4D555F, #606A75, #737E8C and #89939F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #606A76 shade: #606A76, #706075 and #727560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #606A76 shade: #606A76, #75606A and #6A7560

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #606A76 shade: #606A76, #706075, #756B60 and #667560

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #606A76 shade: #606A76, #756075, #756B60 and #607561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

Complementary color

CMYK 0 / 6 / 14 / 38

HEX #9F9589

RGB 159 149 137

HSL 32.73, 0.1%, 0.58%

LAB 62.23, 1.57, 7.65

 

CMYK 11 / 6 / 0 / 56

HEX #656A71

RGB 101 106 113

HSL 215, 0.06%, 0.42%

LAB 44.61, -0.38, -4.57

 

CMYK 11 / 6 / 0 / 48

HEX #767C84

RGB 118 124 132

HSL 214.29, 0.06%, 0.49%

LAB 51.76, -0.52, -5.12

 

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

CMYK 11 / 6 / 0 / 33

HEX #98A0AA

RGB 152 160 170

HSL 213.33, 0.1%, 0.63%

LAB 65.53, -0.8, -6.17

 

CMYK 11 / 6 / 0 / 26

HEX #A9B2BD

RGB 169 178 189

HSL 213, 0.13%, 0.7%

LAB 72.2, -0.93, -6.68

 

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

CMYK 20 / 11 / 0 / 61

HEX #4F5863

RGB 79 88 99

HSL 213, 0.11%, 0.35%

LAB 37.01, -0.87, -7.52

 

CMYK 23 / 13 / 0 / 69

HEX #3E4650

RGB 62 70 80

HSL 213.33, 0.13%, 0.28%

LAB 29.37, -0.72, -7.08

 

CMYK 26 / 15 / 0 / 76

HEX #2D343D

RGB 45 52 61

HSL 213.75, 0.15%, 0.21%

LAB 21.4, -0.55, -6.64

 

CMYK 33 / 19 / 0 / 84

HEX #1C222A

RGB 28 34 42

HSL 214.29, 0.2%, 0.14%

LAB 12.97, -0.34, -6.23

 

CMYK 18 / 9 / 0 / 54

HEX #606A75

RGB 96 106 117

HSL 211.43, 0.1%, 0.42%

LAB 44.35, -1.26, -7.43

 

CMYK 18 / 15 / 0 / 54

HEX #606475

RGB 96 100 117

HSL 228.57, 0.1%, 0.42%

LAB 42.59, 2.35, -10.06

 

CMYK 16 / 18 / 0 / 54

HEX #626075

RGB 98 96 117

HSL 245.71, 0.1%, 0.42%

LAB 41.61, 5.5, -11.53

 

CMYK 12 / 18 / 0 / 54

HEX #676075

RGB 103 96 117

HSL 260, 0.1%, 0.42%

LAB 42.05, 7.31, -10.81

 

CMYK 7 / 18 / 0 / 54

HEX #6D6075

RGB 109 96 117

HSL 277.14, 0.1%, 0.42%

LAB 42.61, 9.51, -9.91

 

CMYK 18 / 9 / 0 / 54

HEX #606A75

RGB 96 106 117

HSL 211.43, 0.1%, 0.42%

LAB 44.35, -1.26, -7.43

 

CMYK 18 / 15 / 0 / 54

HEX #606475

RGB 96 100 117

HSL 228.57, 0.1%, 0.42%

LAB 42.59, 2.35, -10.06

 

CMYK 18 / 18 / 0 / 54

HEX #606075

RGB 96 96 117

HSL 240, 0.1%, 0.42%

LAB 41.43, 4.78, -11.81

 

CMYK 18 / 9 / 0 / 54

HEX #606A75

RGB 96 106 117

HSL 211.43, 0.1%, 0.42%

LAB 44.35, -1.26, -7.43

 

CMYK 41 / 23 / 0 / 47

HEX #4F6887

RGB 79 104 135

HSL 213.21, 0.26%, 0.42%

LAB 43.23, -0.71, -20.07

 

CMYK 60 / 33 / 0 / 40

HEX #3D6698

RGB 61 102 152

HSL 212.97, 0.43%, 0.42%

LAB 42.4, 1.47, -31.61

 

CMYK 74 / 40 / 0 / 34

HEX #2C65A9

RGB 44 101 169

HSL 212.64, 0.59%, 0.42%

LAB 42.32, 5.27, -41.86

 

CMYK 86 / 47 / 0 / 27

HEX #1B63BB

RGB 27 99 187

HSL 213, 0.75%, 0.42%

LAB 42.38, 11.7, -52.35

 

CMYK 18 / 9 / 0 / 54

HEX #606A75

RGB 96 106 117

HSL 211.43, 0.1%, 0.42%

LAB 44.35, -1.26, -7.43

 

CMYK 0 / 5 / 12 / 56

HEX #716B64

RGB 113 107 100

HSL 32.31, 0.06%, 0.42%

LAB 45.56, 1.01, 4.75

 

CMYK 0 / 17 / 37 / 49

HEX #836D53

RGB 131 109 83

HSL 32.5, 0.22%, 0.42%

LAB 47.48, 4.69, 17.78

 

CMYK 0 / 26 / 56 / 42

HEX #946E41

RGB 148 110 65

HSL 32.53, 0.39%, 0.42%

LAB 49.29, 9.61, 30.75

 

CMYK 0 / 32 / 71 / 35

HEX #A57030

RGB 165 112 48

HSL 32.82, 0.55%, 0.42%

LAB 51.61, 14.84, 42.79

 

CMYK 18 / 0 / 0 / 54

HEX #607575

RGB 96 117 117

HSL 180, 0.1%, 0.42%

LAB 47.62, -7.68, -2.58

 

CMYK 18 / 4 / 0 / 54

HEX #607075

RGB 96 112 117

HSL 194.29, 0.1%, 0.42%

LAB 46.12, -4.79, -4.78

 

CMYK 18 / 9 / 0 / 54

HEX #606A75

RGB 96 106 117

HSL 211.43, 0.1%, 0.42%

LAB 44.35, -1.26, -7.43

 

CMYK 18 / 15 / 0 / 54

HEX #606475

RGB 96 100 117

HSL 228.57, 0.1%, 0.42%

LAB 42.59, 2.35, -10.06

 

CMYK 17 / 18 / 0 / 54

HEX #616075

RGB 97 96 117

HSL 242.86, 0.1%, 0.42%

LAB 41.52, 5.14, -11.67

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 19 / 11 / 0 / 63

HEX #4D555F

RGB 77 85 95

HSL 213.33, 0.1%, 0.34%

LAB 35.79, -0.75, -6.87

 

CMYK 18 / 9 / 0 / 54

HEX #606A75

RGB 96 106 117

HSL 211.43, 0.1%, 0.42%

LAB 44.35, -1.26, -7.43

 

CMYK 18 / 10 / 0 / 45

HEX #737E8C

RGB 115 126 140

HSL 213.6, 0.1%, 0.5%

LAB 52.35, -0.92, -8.94

 

CMYK 14 / 8 / 0 / 38

HEX #89939F

RGB 137 147 159

HSL 212.73, 0.1%, 0.58%

LAB 60.51, -1.05, -7.55

 

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

CMYK 4 / 18 / 0 / 54

HEX #706075

RGB 112 96 117

HSL 285.71, 0.1%, 0.42%

LAB 42.91, 10.63, -9.44

 

CMYK 3 / 0 / 18 / 54

HEX #727560

RGB 114 117 96

HSL 68.57, 0.1%, 0.42%

LAB 48.44, -5.11, 11.22

 

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

CMYK 0 / 18 / 9 / 54

HEX #75606A

RGB 117 96 106

HSL 331.43, 0.1%, 0.42%

LAB 43.05, 10.31, -2.48

 

CMYK 9 / 0 / 18 / 54

HEX #6A7560

RGB 106 117 96

HSL 91.43, 0.1%, 0.42%

LAB 47.79, -8.31, 10.22

 

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

CMYK 4 / 18 / 0 / 54

HEX #706075

RGB 112 96 117

HSL 285.71, 0.1%, 0.42%

LAB 42.91, 10.63, -9.44

 

CMYK 0 / 9 / 18 / 54

HEX #756B60

RGB 117 107 96

HSL 31.43, 0.1%, 0.42%

LAB 45.83, 1.92, 7.58

 

CMYK 13 / 0 / 18 / 54

HEX #667560

RGB 102 117 96

HSL 102.86, 0.1%, 0.42%

LAB 47.48, -9.88, 9.74

 

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

CMYK 0 / 18 / 0 / 54

HEX #756075

RGB 117 96 117

HSL 300, 0.1%, 0.42%

LAB 43.41, 12.5, -8.64

 

CMYK 0 / 9 / 18 / 54

HEX #756B60

RGB 117 107 96

HSL 31.43, 0.1%, 0.42%

LAB 45.83, 1.92, 7.58

 

CMYK 18 / 0 / 17 / 54

HEX #607561

RGB 96 117 97

HSL 122.86, 0.1%, 0.42%

LAB 47.07, -11.99, 8.5

 

Description

Color code: HEX #606A76 | qconv.com Color code: HEX #606A76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 106 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 106 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 10 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 10% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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