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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 142 151 it is the complementary color RGB 120 113 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 142 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 142 151 shade: RGB 140 142 146, RGB 157 160 165, RGB 174 178 184, RGB 191 196 203 and RGB 208 214 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 142 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 142 151 shade: RGB 135 142 151, RGB 118 124 132, RGB 101 106 113, RGB 84 88 94 and RGB 67 70 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 142 151 shade: RGB 134 141 150, RGB 134 137 150, RGB 136 134 150, RGB 140 134 150 and RGB 145 134 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 142 151 shade: RGB 134 141 150, RGB 134 137 150 and RGB 134 134 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 142 151 shade matches the following richer shades: RGB 134 141 150, RGB 116 139 168, RGB 98 137 186, RGB 80 135 205 and RGB 62 132 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 142 151 shade: RGB 134 141 150, RGB 153 144 132, RGB 171 146 114, RGB 189 148 96 and RGB 207 150 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 142 151 shade: RGB 134 150 150, RGB 134 146 150, RGB 134 142 150, RGB 134 137 150 and RGB 136 134 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 142 151 shade: RGB 94 100 108, RGB 113 121 130, RGB 134 141 150, RGB 157 162 169 and RGB 179 183 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 142 151 shade: RGB 135 142 151, RGB 146 134 150 and RGB 148 150 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 142 151 shade: RGB 135 142 151, RGB 150 134 142 and RGB 142 150 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 142 151 shade: RGB 135 142 151, RGB 146 134 150, RGB 150 143 134 and RGB 138 150 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 142 151 shade: RGB 135 142 151, RGB 150 134 149, RGB 150 143 134 and RGB 134 150 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

Complementary color

CMYK 0 / 6 / 13 / 53

HEX #787168

RGB 120 113 104

HSL 33.75, 0.07%, 0.44%

LAB 48.01, 1.03, 5.96

 

CMYK 4 / 3 / 0 / 43

HEX #8C8E92

RGB 140 142 146

HSL 220, 0.03%, 0.56%

LAB 58.97, 0.07, -2.38

 

CMYK 5 / 3 / 0 / 35

HEX #9DA0A5

RGB 157 160 165

HSL 217.5, 0.04%, 0.63%

LAB 65.77, -0.09, -2.98

 

CMYK 5 / 3 / 0 / 28

HEX #AEB2B8

RGB 174 178 184

HSL 216, 0.07%, 0.7%

LAB 72.43, -0.24, -3.55

 

CMYK 6 / 3 / 0 / 20

HEX #BFC4CB

RGB 191 196 203

HSL 215, 0.1%, 0.77%

LAB 78.97, -0.38, -4.11

 

CMYK 6 / 4 / 0 / 13

HEX #D0D6DE

RGB 208 214 222

HSL 214.29, 0.18%, 0.84%

LAB 85.39, -0.52, -4.65

 

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

CMYK 11 / 6 / 0 / 48

HEX #767C84

RGB 118 124 132

HSL 214.29, 0.06%, 0.49%

LAB 51.76, -0.52, -5.12

 

CMYK 11 / 6 / 0 / 56

HEX #656A71

RGB 101 106 113

HSL 215, 0.06%, 0.42%

LAB 44.61, -0.38, -4.57

 

CMYK 11 / 6 / 0 / 63

HEX #54585E

RGB 84 88 94

HSL 216, 0.06%, 0.35%

LAB 37.25, -0.23, -4.01

 

CMYK 11 / 7 / 0 / 71

HEX #43464B

RGB 67 70 75

HSL 217.5, 0.06%, 0.28%

LAB 29.62, -0.06, -3.43

 

CMYK 11 / 6 / 0 / 41

HEX #868D96

RGB 134 141 150

HSL 213.75, 0.07%, 0.56%

LAB 58.34, -0.66, -5.66

 

CMYK 11 / 9 / 0 / 41

HEX #868996

RGB 134 137 150

HSL 228.75, 0.07%, 0.56%

LAB 57.23, 1.61, -7.3

 

CMYK 9 / 11 / 0 / 41

HEX #888696

RGB 136 134 150

HSL 247.5, 0.07%, 0.56%

LAB 56.57, 4.02, -8.27

 

CMYK 7 / 11 / 0 / 41

HEX #8C8696

RGB 140 134 150

HSL 262.5, 0.07%, 0.56%

LAB 56.91, 5.44, -7.74

 

CMYK 3 / 11 / 0 / 41

HEX #918696

RGB 145 134 150

HSL 281.25, 0.07%, 0.56%

LAB 57.34, 7.23, -7.05

 

CMYK 11 / 6 / 0 / 41

HEX #868D96

RGB 134 141 150

HSL 213.75, 0.07%, 0.56%

LAB 58.34, -0.66, -5.66

 

CMYK 11 / 9 / 0 / 41

HEX #868996

RGB 134 137 150

HSL 228.75, 0.07%, 0.56%

LAB 57.23, 1.61, -7.3

 

CMYK 11 / 11 / 0 / 41

HEX #868696

RGB 134 134 150

HSL 240, 0.07%, 0.56%

LAB 56.41, 3.32, -8.53

 

CMYK 11 / 6 / 0 / 41

HEX #868D96

RGB 134 141 150

HSL 213.75, 0.07%, 0.56%

LAB 58.34, -0.66, -5.66

 

CMYK 31 / 17 / 0 / 34

HEX #748BA8

RGB 116 139 168

HSL 213.46, 0.23%, 0.56%

LAB 57.08, -1.17, -17.99

 

CMYK 47 / 26 / 0 / 27

HEX #6289BA

RGB 98 137 186

HSL 213.41, 0.39%, 0.56%

LAB 56.12, 0.01, -29.84

 

CMYK 61 / 34 / 0 / 20

HEX #5087CD

RGB 80 135 205

HSL 213.6, 0.56%, 0.56%

LAB 55.52, 3.25, -41.62

 

CMYK 72 / 41 / 0 / 13

HEX #3E84DF

RGB 62 132 223

HSL 213.91, 0.72%, 0.56%

LAB 54.92, 8.38, -52.75

 

CMYK 11 / 6 / 0 / 41

HEX #868D96

RGB 134 141 150

HSL 213.75, 0.07%, 0.56%

LAB 58.34, -0.66, -5.66

 

CMYK 0 / 6 / 14 / 40

HEX #999084

RGB 153 144 132

HSL 34.29, 0.09%, 0.56%

LAB 60.23, 1.2, 7.56

 

CMYK 0 / 15 / 33 / 33

HEX #AB9272

RGB 171 146 114

HSL 33.68, 0.25%, 0.56%

LAB 62.02, 4.54, 20.45

 

CMYK 0 / 22 / 49 / 26

HEX #BD9460

RGB 189 148 96

HSL 33.55, 0.41%, 0.56%

LAB 64.03, 8.87, 33.27

 

CMYK 0 / 28 / 62 / 19

HEX #CF964E

RGB 207 150 78

HSL 33.49, 0.57%, 0.56%

LAB 66.23, 13.93, 45.68

 

CMYK 11 / 0 / 0 / 41

HEX #869696

RGB 134 150 150

HSL 180, 0.07%, 0.56%

LAB 60.85, -5.69, -1.95

 

CMYK 11 / 3 / 0 / 41

HEX #869296

RGB 134 146 150

HSL 195, 0.07%, 0.56%

LAB 59.73, -3.47, -3.6

 

CMYK 11 / 5 / 0 / 41

HEX #868E96

RGB 134 142 150

HSL 210, 0.07%, 0.56%

LAB 58.62, -1.23, -5.25

 

CMYK 11 / 9 / 0 / 41

HEX #868996

RGB 134 137 150

HSL 228.75, 0.07%, 0.56%

LAB 57.23, 1.61, -7.3

 

CMYK 9 / 11 / 0 / 41

HEX #888696

RGB 136 134 150

HSL 247.5, 0.07%, 0.56%

LAB 56.57, 4.02, -8.27

 

CMYK 13 / 7 / 0 / 58

HEX #5E646C

RGB 94 100 108

HSL 214.29, 0.07%, 0.4%

LAB 42.12, -0.52, -5.31

 

CMYK 13 / 7 / 0 / 49

HEX #717982

RGB 113 121 130

HSL 211.76, 0.07%, 0.48%

LAB 50.45, -1.02, -5.94

 

CMYK 11 / 6 / 0 / 41

HEX #868D96

RGB 134 141 150

HSL 213.75, 0.07%, 0.56%

LAB 58.34, -0.66, -5.66

 

CMYK 7 / 4 / 0 / 34

HEX #9DA2A9

RGB 157 162 169

HSL 215, 0.07%, 0.64%

LAB 66.42, -0.38, -4.25

 

CMYK 5 / 3 / 0 / 26

HEX #B3B7BD

RGB 179 183 189

HSL 216, 0.07%, 0.72%

LAB 74.27, -0.24, -3.53

 

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

CMYK 3 / 11 / 0 / 41

HEX #928696

RGB 146 134 150

HSL 285, 0.07%, 0.56%

LAB 57.43, 7.59, -6.9

 

CMYK 1 / 0 / 11 / 41

HEX #949686

RGB 148 150 134

HSL 67.5, 0.07%, 0.56%

LAB 61.51, -3.69, 8.19

 

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

CMYK 0 / 11 / 5 / 41

HEX #96868E

RGB 150 134 142

HSL 330, 0.07%, 0.56%

LAB 57.55, 7.5, -2.08

 

CMYK 5 / 0 / 11 / 41

HEX #8E9686

RGB 142 150 134

HSL 90, 0.07%, 0.56%

LAB 61.03, -5.95, 7.45

 

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

CMYK 3 / 11 / 0 / 41

HEX #928696

RGB 146 134 150

HSL 285, 0.07%, 0.56%

LAB 57.43, 7.59, -6.9

 

CMYK 0 / 5 / 11 / 41

HEX #968F86

RGB 150 143 134

HSL 33.75, 0.07%, 0.56%

LAB 59.75, 0.95, 5.7

 

CMYK 8 / 0 / 11 / 41

HEX #8A9686

RGB 138 150 134

HSL 105, 0.07%, 0.56%

LAB 60.73, -7.43, 6.97

 

CMYK 11 / 6 / 0 / 41

HEX #878E97

RGB 135 142 151

HSL 213.75, 0.07%, 0.56%

LAB 58.72, -0.66, -5.65

 

CMYK 0 / 11 / 1 / 41

HEX #968695

RGB 150 134 149

HSL 303.75, 0.07%, 0.56%

LAB 57.76, 8.85, -5.8

 

CMYK 0 / 5 / 11 / 41

HEX #968F86

RGB 150 143 134

HSL 33.75, 0.07%, 0.56%

LAB 59.75, 0.95, 5.7

 

CMYK 11 / 0 / 10 / 41

HEX #869687

RGB 134 150 135

HSL 123.75, 0.07%, 0.56%

LAB 60.45, -8.71, 5.97

 

Description

Color code: RGB 135 142 151 | qconv.com Color code: RGB 135 142 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 142 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 142 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 6 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 6% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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