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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6038C8 it is the complementary color #9FC737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6038C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6038C8 shade: #6538C3, #764AD6, #875CE9, #986EFC and #A980FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6038C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6038C8 shade: #6038C8, #4F26B5, #3E14A2, #2D028F and #1C007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6038C8 shade: #5F36C8, #8636C8, #AD36C8, #C836BB and #C83694

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6038C8 shade: #5F36C8, #3836C8 and #3636C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6038C8 shade matches the following richer shades: #5F36C8, #5622DC and #4C0DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6038C8 shade: #5F36C8, #684BB3, #71609E, #7A748A and #838975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6038C8 shade: #365DC8, #3636C8, #5D36C8, #8436C8 and #AB36C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6038C8 shade: #402587, #4F2DA7, #5F36C8, #7957D1 and #9277D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6038C8 shade: #6038C8, #C83684 and #4AC836

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6038C8 shade: #6038C8, #C85D36 and #36C85D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6038C8 shade: #6038C8, #C83684, #A1C836 and #36C87A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6038C8 shade: #6038C8, #C83658, #A1C836 and #36C8A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 72 / 0 / 22

HEX #6038C8

RGB 96 56 200

HSL 256.67, 0.57%, 0.5%

LAB 36.9, 51.81, -68.64

 

Complementary color

CMYK 20 / 0 / 72 / 22

HEX #9FC737

RGB 159 199 55

HSL 76.67, 0.57%, 0.5%

LAB 75.14, -33.04, 63.68

 

CMYK 48 / 71 / 0 / 24

HEX #6538C3

RGB 101 56 195

HSL 259.42, 0.55%, 0.49%

LAB 36.99, 51.24, -65.55

 

CMYK 45 / 65 / 0 / 16

HEX #764AD6

RGB 118 74 214

HSL 258.86, 0.63%, 0.56%

LAB 43.66, 50.11, -65.61

 

CMYK 42 / 61 / 0 / 9

HEX #875CE9

RGB 135 92 233

HSL 258.3, 0.76%, 0.64%

LAB 50.32, 48.9, -65.52

 

CMYK 40 / 56 / 0 / 1

HEX #986EFC

RGB 152 110 252

HSL 257.75, 0.96%, 0.71%

LAB 56.93, 47.71, -65.36

 

CMYK 34 / 50 / 0 / 0

HEX #A980FF

RGB 169 128 255

HSL 259.37, 1%, 0.75%

LAB 62.59, 42.5, -57.86

 

CMYK 52 / 72 / 0 / 22

HEX #6038C8

RGB 96 56 200

HSL 256.67, 0.57%, 0.5%

LAB 36.9, 51.81, -68.64

 

CMYK 56 / 79 / 0 / 29

HEX #4F26B5

RGB 79 38 181

HSL 257.2, 0.65%, 0.43%

LAB 30.36, 52.78, -68.27

 

CMYK 62 / 88 / 0 / 36

HEX #3E14A2

RGB 62 20 162

HSL 257.75, 0.78%, 0.36%

LAB 24.11, 52.97, -67.22

 

CMYK 69 / 99 / 0 / 44

HEX #2D028F

RGB 45 2 143

HSL 258.3, 0.97%, 0.28%

LAB 18.3, 51.94, -65.21

 

CMYK 77 / 100 / 0 / 51

HEX #1C007C

RGB 28 0 124

HSL 253.55, 1%, 0.24%

LAB 13.84, 46.98, -60.67

 

CMYK 53 / 73 / 0 / 22

HEX #5F36C8

RGB 95 54 200

HSL 256.85, 0.57%, 0.5%

LAB 36.44, 52.66, -69.4

 

CMYK 33 / 73 / 0 / 22

HEX #8636C8

RGB 134 54 200

HSL 272.88, 0.57%, 0.5%

LAB 41.02, 59.24, -61.74

 

CMYK 14 / 73 / 0 / 22

HEX #AD36C8

RGB 173 54 200

HSL 288.9, 0.57%, 0.5%

LAB 46.57, 66.83, -52.5

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 73 / 26 / 22

HEX #C83694

RGB 200 54 148

HSL 321.37, 0.57%, 0.5%

LAB 48.33, 64.97, -18.8

 

CMYK 53 / 73 / 0 / 22

HEX #5F36C8

RGB 95 54 200

HSL 256.85, 0.57%, 0.5%

LAB 36.44, 52.66, -69.4

 

CMYK 72 / 73 / 0 / 22

HEX #3836C8

RGB 56 54 200

HSL 240.82, 0.57%, 0.5%

LAB 33.24, 47.82, -74.78

 

CMYK 73 / 73 / 0 / 22

HEX #3636C8

RGB 54 54 200

HSL 240, 0.57%, 0.5%

LAB 33.12, 47.64, -74.99

 

CMYK 53 / 73 / 0 / 22

HEX #5F36C8

RGB 95 54 200

HSL 256.85, 0.57%, 0.5%

LAB 36.44, 52.66, -69.4

 

CMYK 61 / 85 / 0 / 14

HEX #5622DC

RGB 86 34 220

HSL 256.77, 0.73%, 0.5%

LAB 34.58, 65.5, -84.08

 

CMYK 68 / 95 / 0 / 5

HEX #4C0DF1

RGB 76 13 241

HSL 256.58, 0.9%, 0.5%

LAB 34.35, 75.36, -96.48

 

CMYK 53 / 73 / 0 / 22

HEX #5F36C8

RGB 95 54 200

HSL 256.85, 0.57%, 0.5%

LAB 36.44, 52.66, -69.4

 

CMYK 42 / 58 / 0 / 30

HEX #684BB3

RGB 104 75 179

HSL 256.73, 0.41%, 0.5%

LAB 39.96, 36.91, -51.32

 

CMYK 28 / 39 / 0 / 38

HEX #71609E

RGB 113 96 158

HSL 256.45, 0.24%, 0.5%

LAB 44.72, 20.88, -31.27

 

CMYK 12 / 16 / 0 / 46

HEX #7A748A

RGB 122 116 138

HSL 256.36, 0.09%, 0.5%

LAB 50.05, 6.92, -11.16

 

CMYK 4 / 0 / 15 / 46

HEX #838975

RGB 131 137 117

HSL 78, 0.08%, 0.5%

LAB 56.09, -6, 9.98

 

CMYK 73 / 54 / 0 / 22

HEX #365DC8

RGB 54 93 200

HSL 223.97, 0.57%, 0.5%

LAB 42.43, 23.4, -59.75

 

CMYK 73 / 73 / 0 / 22

HEX #3636C8

RGB 54 54 200

HSL 240, 0.57%, 0.5%

LAB 33.12, 47.64, -74.99

 

CMYK 54 / 73 / 0 / 22

HEX #5D36C8

RGB 93 54 200

HSL 256.03, 0.57%, 0.5%

LAB 36.24, 52.37, -69.73

 

CMYK 34 / 73 / 0 / 22

HEX #8436C8

RGB 132 54 200

HSL 272.05, 0.57%, 0.5%

LAB 40.76, 58.87, -62.18

 

CMYK 15 / 73 / 0 / 22

HEX #AB36C8

RGB 171 54 200

HSL 288.08, 0.57%, 0.5%

LAB 46.27, 66.42, -53

 

CMYK 53 / 73 / 0 / 47

HEX #402587

RGB 64 37 135

HSL 256.53, 0.57%, 0.34%

LAB 24.2, 37.78, -50.4

 

CMYK 53 / 73 / 0 / 35

HEX #4F2DA7

RGB 79 45 167

HSL 256.72, 0.58%, 0.42%

LAB 30.23, 45.42, -60.11

 

CMYK 53 / 73 / 0 / 22

HEX #5F36C8

RGB 95 54 200

HSL 256.85, 0.57%, 0.5%

LAB 36.44, 52.66, -69.4

 

CMYK 42 / 58 / 0 / 18

HEX #7957D1

RGB 121 87 209

HSL 256.72, 0.57%, 0.58%

LAB 46.29, 42.18, -58.47

 

CMYK 33 / 45 / 0 / 15

HEX #9277D9

RGB 146 119 217

HSL 256.53, 0.56%, 0.66%

LAB 56.4, 32.01, -46.71

 

CMYK 52 / 72 / 0 / 22

HEX #6038C8

RGB 96 56 200

HSL 256.67, 0.57%, 0.5%

LAB 36.9, 51.81, -68.64

 

CMYK 0 / 73 / 34 / 22

HEX #C83684

RGB 200 54 132

HSL 327.95, 0.57%, 0.5%

LAB 47.73, 63.07, -10.06

 

CMYK 63 / 0 / 73 / 22

HEX #4AC836

RGB 74 200 54

HSL 111.78, 0.57%, 0.5%

LAB 71.58, -60.82, 59.21

 

CMYK 52 / 72 / 0 / 22

HEX #6038C8

RGB 96 56 200

HSL 256.67, 0.57%, 0.5%

LAB 36.9, 51.81, -68.64

 

CMYK 0 / 54 / 73 / 22

HEX #C85D36

RGB 200 93 54

HSL 16.03, 0.57%, 0.5%

LAB 52.26, 40.05, 41.89

 

CMYK 73 / 0 / 54 / 22

HEX #36C85D

RGB 54 200 93

HSL 136.03, 0.57%, 0.5%

LAB 71.48, -60.36, 42.37

 

CMYK 52 / 72 / 0 / 22

HEX #6038C8

RGB 96 56 200

HSL 256.67, 0.57%, 0.5%

LAB 36.9, 51.81, -68.64

 

CMYK 0 / 73 / 34 / 22

HEX #C83684

RGB 200 54 132

HSL 327.95, 0.57%, 0.5%

LAB 47.73, 63.07, -10.06

 

CMYK 20 / 0 / 73 / 22

HEX #A1C836

RGB 161 200 54

HSL 76.03, 0.57%, 0.5%

LAB 75.55, -32.77, 64.47

 

CMYK 73 / 0 / 39 / 22

HEX #36C87A

RGB 54 200 122

HSL 147.95, 0.57%, 0.5%

LAB 71.89, -55.57, 28.33

 

CMYK 52 / 72 / 0 / 22

HEX #6038C8

RGB 96 56 200

HSL 256.67, 0.57%, 0.5%

LAB 36.9, 51.81, -68.64

 

CMYK 0 / 73 / 56 / 22

HEX #C83658

RGB 200 54 88

HSL 346.03, 0.57%, 0.5%

LAB 46.47, 58.99, 15.05

 

CMYK 20 / 0 / 73 / 22

HEX #A1C836

RGB 161 200 54

HSL 76.03, 0.57%, 0.5%

LAB 75.55, -32.77, 64.47

 

CMYK 73 / 0 / 17 / 22

HEX #36C8A6

RGB 54 200 166

HSL 166.03, 0.57%, 0.5%

LAB 72.79, -45.88, 6.12

 

Description

Color code: HEX #6038C8 | qconv.com Color code: HEX #6038C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 56 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 56 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 72 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 72% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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