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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 54 187 it is the complementary color RGB 55 201 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 54 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 54 187 shade: RGB 205 54 182, RGB 222 72 201, RGB 239 90 220, RGB 255 108 239 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 54 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 183 36 168, RGB 166 18 149, RGB 149 0 130 and RGB 132 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 200 54 148, RGB 200 54 108, RGB 200 54 69 and RGB 200 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 173 54 200, RGB 134 54 200, RGB 95 54 200 and RGB 56 54 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 54 187 shade matches the following richer shades: RGB 200 54 187, RGB 220 34 204 and RGB 241 13 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 179 75 170, RGB 158 96 153, RGB 138 116 136 and RGB 117 137 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 54 187 shade: RGB 134 54 200, RGB 173 54 200, RGB 200 54 188, RGB 200 54 149 and RGB 200 54 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 54 187 shade: RGB 135 37 126, RGB 167 45 156, RGB 200 54 187, RGB 209 87 198 and RGB 217 119 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 200 96 54 and RGB 54 200 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 188 200 54 and RGB 54 188 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 200 96 54, RGB 54 200 66 and RGB 54 158 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 54 187 shade: RGB 200 54 187, RGB 200 139 54, RGB 54 200 66 and RGB 54 115 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

Complementary color

CMYK 73 / 0 / 66 / 21

HEX #37C944

RGB 55 201 68

HSL 125.34, 0.57%, 0.5%

LAB 71.56, -63.56, 53.68

 

CMYK 0 / 74 / 11 / 20

HEX #CD36B6

RGB 205 54 182

HSL 309.14, 0.6%, 0.51%

LAB 50.68, 70.76, -35.19

 

CMYK 0 / 68 / 9 / 13

HEX #DE48C9

RGB 222 72 201

HSL 308.4, 0.69%, 0.58%

LAB 56.47, 71.43, -36.9

 

CMYK 0 / 62 / 8 / 6

HEX #EF5ADC

RGB 239 90 220

HSL 307.65, 0.82%, 0.65%

LAB 62.36, 71.61, -38.25

 

CMYK 0 / 58 / 6 / 0

HEX #FF6CEF

RGB 255 108 239

HSL 306.53, 1%, 0.71%

LAB 68.18, 71.21, -39.56

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 80 / 8 / 28

HEX #B724A8

RGB 183 36 168

HSL 306.12, 0.67%, 0.43%

LAB 44.46, 69.02, -37

 

CMYK 0 / 89 / 10 / 35

HEX #A61295

RGB 166 18 149

HSL 306.89, 0.8%, 0.36%

LAB 39.09, 66.58, -34.25

 

CMYK 0 / 100 / 13 / 42

HEX #950082

RGB 149 0 130

HSL 307.65, 1%, 0.29%

LAB 33.99, 63.04, -30.82

 

CMYK 0 / 100 / 16 / 48

HEX #84006F

RGB 132 0 111

HSL 309.55, 1%, 0.26%

LAB 29.55, 57.17, -26.02

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 73 / 26 / 22

HEX #C83694

RGB 200 54 148

HSL 321.37, 0.57%, 0.5%

LAB 48.33, 64.97, -18.8

 

CMYK 0 / 73 / 46 / 22

HEX #C8366C

RGB 200 54 108

HSL 337.81, 0.57%, 0.5%

LAB 46.98, 60.64, 3.46

 

CMYK 0 / 73 / 66 / 22

HEX #C83645

RGB 200 54 69

HSL 353.84, 0.57%, 0.5%

LAB 46.11, 57.76, 26.16

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 14 / 73 / 0 / 22

HEX #AD36C8

RGB 173 54 200

HSL 288.9, 0.57%, 0.5%

LAB 46.57, 66.83, -52.5

 

CMYK 33 / 73 / 0 / 22

HEX #8636C8

RGB 134 54 200

HSL 272.88, 0.57%, 0.5%

LAB 41.02, 59.24, -61.74

 

CMYK 53 / 73 / 0 / 22

HEX #5F36C8

RGB 95 54 200

HSL 256.85, 0.57%, 0.5%

LAB 36.44, 52.66, -69.4

 

CMYK 72 / 73 / 0 / 22

HEX #3836C8

RGB 56 54 200

HSL 240.82, 0.57%, 0.5%

LAB 33.24, 47.82, -74.78

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 85 / 7 / 14

HEX #DC22CC

RGB 220 34 204

HSL 305.16, 0.73%, 0.5%

LAB 52.64, 81.88, -44.67

 

CMYK 0 / 95 / 8 / 5

HEX #F10DDD

RGB 241 13 221

HSL 305.26, 0.9%, 0.5%

LAB 56.3, 90.58, -48.35

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 58 / 5 / 30

HEX #B34BAA

RGB 179 75 170

HSL 305.19, 0.41%, 0.5%

LAB 48.91, 54.35, -31.23

 

CMYK 0 / 39 / 3 / 38

HEX #9E6099

RGB 158 96 153

HSL 304.84, 0.24%, 0.5%

LAB 49.42, 34.21, -20.64

 

CMYK 0 / 16 / 1 / 46

HEX #8A7488

RGB 138 116 136

HSL 305.45, 0.09%, 0.5%

LAB 51.46, 12.29, -7.72

 

CMYK 15 / 0 / 13 / 46

HEX #758977

RGB 117 137 119

HSL 126, 0.08%, 0.5%

LAB 55.08, -10.91, 7.25

 

CMYK 33 / 73 / 0 / 22

HEX #8636C8

RGB 134 54 200

HSL 272.88, 0.57%, 0.5%

LAB 41.02, 59.24, -61.74

 

CMYK 14 / 73 / 0 / 22

HEX #AD36C8

RGB 173 54 200

HSL 288.9, 0.57%, 0.5%

LAB 46.57, 66.83, -52.5

 

CMYK 0 / 73 / 6 / 22

HEX #C836BC

RGB 200 54 188

HSL 304.93, 0.57%, 0.5%

LAB 50.15, 70.54, -39.57

 

CMYK 0 / 73 / 26 / 22

HEX #C83695

RGB 200 54 149

HSL 320.96, 0.57%, 0.5%

LAB 48.37, 65.09, -19.33

 

CMYK 0 / 73 / 45 / 22

HEX #C8366E

RGB 200 54 110

HSL 336.99, 0.57%, 0.5%

LAB 47.03, 60.82, 2.32

 

CMYK 0 / 73 / 7 / 47

HEX #87257E

RGB 135 37 126

HSL 305.51, 0.57%, 0.34%

LAB 33.94, 51.4, -28.56

 

CMYK 0 / 73 / 7 / 35

HEX #A72D9C

RGB 167 45 156

HSL 305.41, 0.58%, 0.42%

LAB 41.99, 61.06, -33.9

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 58 / 5 / 18

HEX #D157C6

RGB 209 87 198

HSL 305.41, 0.57%, 0.58%

LAB 56.53, 61.72, -35.22

 

CMYK 0 / 45 / 4 / 15

HEX #D977D1

RGB 217 119 209

HSL 304.9, 0.56%, 0.66%

LAB 63.79, 50.66, -30.08

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 52 / 73 / 22

HEX #C86036

RGB 200 96 54

HSL 17.26, 0.57%, 0.5%

LAB 52.85, 38.54, 42.54

 

CMYK 73 / 0 / 23 / 22

HEX #36C89A

RGB 54 200 154

HSL 161.1, 0.57%, 0.5%

LAB 72.51, -48.79, 12.2

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 6 / 0 / 73 / 22

HEX #BCC836

RGB 188 200 54

HSL 64.93, 0.57%, 0.5%

LAB 77.44, -21.74, 66.95

 

CMYK 73 / 6 / 0 / 22

HEX #36BCC8

RGB 54 188 200

HSL 184.93, 0.57%, 0.5%

LAB 70.12, -31.04, -16.36

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 52 / 73 / 22

HEX #C86036

RGB 200 96 54

HSL 17.26, 0.57%, 0.5%

LAB 52.85, 38.54, 42.54

 

CMYK 73 / 0 / 67 / 22

HEX #36C842

RGB 54 200 66

HSL 124.93, 0.57%, 0.5%

LAB 71.2, -63.59, 54.11

 

CMYK 73 / 21 / 0 / 22

HEX #369EC8

RGB 54 158 200

HSL 197.26, 0.57%, 0.5%

LAB 61.14, -15.71, -30.09

 

CMYK 0 / 73 / 7 / 22

HEX #C836BB

RGB 200 54 187

HSL 305.34, 0.57%, 0.5%

LAB 50.1, 70.38, -39.07

 

CMYK 0 / 31 / 73 / 22

HEX #C88B36

RGB 200 139 54

HSL 34.93, 0.57%, 0.5%

LAB 62.52, 15.52, 52.67

 

CMYK 73 / 0 / 67 / 22

HEX #36C842

RGB 54 200 66

HSL 124.93, 0.57%, 0.5%

LAB 71.2, -63.59, 54.11

 

CMYK 73 / 43 / 0 / 22

HEX #3673C8

RGB 54 115 200

HSL 214.93, 0.57%, 0.5%

LAB 48.53, 9.39, -49.94

 

Description

Color code: RGB 200 54 187 | qconv.com Color code: RGB 200 54 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 54 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 54 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 7 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 7% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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