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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63D8D8 it is the complementary color #9C2727. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63D8D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63D8D8 shade: #68D8D3, #79EAE6, #8AFCF9, #9BFFFF and #ACFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63D8D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63D8D8 shade: #63D8D8, #52C6C5, #41B4B2, #30A29F and #1F908C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63D8D8 shade: #63D8D8, #63D8B8, #63D899, #63D87A and #6DD863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63D8D8 shade: #63D8D8, #63B8D8, #6399D8, #637AD8 and #6363D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63D8D8 shade matches the following richer shades: #63D8D8, #54E7E7 and #44F7F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63D8D8 shade: #63D8D8, #73C8C8, #83B8B8, #92A9A9 and #A29999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63D8D8 shade: #63D89A, #63D8B9, #63D8D8, #63B9D8 and #639AD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63D8D8 shade: #2EBABA, #42CFCF, #63D8D8, #84E0E0 and #A5E8E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63D8D8 shade: #63D8D8, #7B63D8 and #D8A963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63D8D8 shade: #63D8D8, #D863D8 and #D8D863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63D8D8 shade: #63D8D8, #7B63D8, #D86363 and #C0D863

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63D8D8 shade: #63D8D8, #9E63D8, #D86363 and #9ED863

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

Complementary color

CMYK 0 / 75 / 75 / 39

HEX #9C2727

RGB 156 39 39

HSL 0, 0.6%, 0.38%

LAB 35.33, 47.75, 29.39

 

CMYK 52 / 0 / 2 / 15

HEX #68D8D3

RGB 104 216 211

HSL 177.32, 0.59%, 0.63%

LAB 80.04, -33.07, -7.32

 

CMYK 48 / 0 / 2 / 8

HEX #79EAE6

RGB 121 234 230

HSL 177.88, 0.73%, 0.7%

LAB 86.32, -33.16, -8.03

 

CMYK 45 / 0 / 1 / 1

HEX #8AFCF9

RGB 138 252 249

HSL 178.42, 0.95%, 0.76%

LAB 92.51, -33.2, -8.69

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 59 / 0 / 1 / 22

HEX #52C6C5

RGB 82 198 197

HSL 179.48, 0.5%, 0.55%

LAB 73.68, -32.5, -9.31

 

CMYK 64 / 0 / 1 / 29

HEX #41B4B2

RGB 65 180 178

HSL 178.96, 0.47%, 0.48%

LAB 67.26, -32.1, -8.51

 

CMYK 70 / 0 / 2 / 36

HEX #30A29F

RGB 48 162 159

HSL 178.42, 0.54%, 0.41%

LAB 60.76, -31.5, -7.62

 

CMYK 78 / 0 / 3 / 44

HEX #1F908C

RGB 31 144 140

HSL 177.88, 0.65%, 0.34%

LAB 54.17, -30.62, -6.63

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 54 / 0 / 15 / 15

HEX #63D8B8

RGB 99 216 184

HSL 163.59, 0.6%, 0.62%

LAB 79.17, -40.74, 5.79

 

CMYK 54 / 0 / 29 / 15

HEX #63D899

RGB 99 216 153

HSL 147.69, 0.6%, 0.62%

LAB 78.5, -47.41, 21.25

 

CMYK 54 / 0 / 44 / 15

HEX #63D87A

RGB 99 216 122

HSL 131.79, 0.6%, 0.62%

LAB 77.97, -52.88, 36.49

 

CMYK 50 / 0 / 54 / 15

HEX #6DD863

RGB 109 216 99

HSL 114.87, 0.6%, 0.62%

LAB 78.03, -53.48, 47.79

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 54 / 15 / 0 / 15

HEX #63B8D8

RGB 99 184 216

HSL 196.41, 0.6%, 0.62%

LAB 70.8, -16.83, -23.97

 

CMYK 54 / 29 / 0 / 15

HEX #6399D8

RGB 99 153 216

HSL 212.31, 0.6%, 0.62%

LAB 61.99, 0.17, -37.57

 

CMYK 54 / 44 / 0 / 15

HEX #637AD8

RGB 99 122 216

HSL 228.21, 0.6%, 0.62%

LAB 53.52, 18.53, -50.94

 

CMYK 54 / 54 / 0 / 15

HEX #6363D8

RGB 99 99 216

HSL 240, 0.6%, 0.62%

LAB 47.67, 32.58, -60.34

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 64 / 0 / 0 / 9

HEX #54E7E7

RGB 84 231 231

HSL 180, 0.75%, 0.62%

LAB 84.38, -38.27, -11.55

 

CMYK 72 / 0 / 0 / 3

HEX #44F7F7

RGB 68 247 247

HSL 180, 0.92%, 0.62%

LAB 89.14, -43.13, -12.87

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 43 / 0 / 0 / 22

HEX #73C8C8

RGB 115 200 200

HSL 180, 0.44%, 0.62%

LAB 75.53, -25.69, -8.07

 

CMYK 29 / 0 / 0 / 28

HEX #83B8B8

RGB 131 184 184

HSL 180, 0.27%, 0.62%

LAB 71.26, -17.22, -5.59

 

CMYK 14 / 0 / 0 / 34

HEX #92A9A9

RGB 146 169 169

HSL 180, 0.12%, 0.62%

LAB 67.54, -7.94, -2.7

 

CMYK 0 / 6 / 6 / 36

HEX #A29999

RGB 162 153 153

HSL 0, 0.05%, 0.62%

LAB 63.97, 3.29, 1.17

 

CMYK 54 / 0 / 29 / 15

HEX #63D89A

RGB 99 216 154

HSL 148.21, 0.6%, 0.62%

LAB 78.52, -47.21, 20.76

 

CMYK 54 / 0 / 14 / 15

HEX #63D8B9

RGB 99 216 185

HSL 164.1, 0.6%, 0.62%

LAB 79.19, -40.51, 5.29

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 54 / 14 / 0 / 15

HEX #63B9D8

RGB 99 185 216

HSL 195.9, 0.6%, 0.62%

LAB 71.08, -17.35, -23.53

 

CMYK 54 / 29 / 0 / 15

HEX #639AD8

RGB 99 154 216

HSL 211.79, 0.6%, 0.62%

LAB 62.27, -0.4, -37.14

 

CMYK 75 / 0 / 0 / 27

HEX #2EBABA

RGB 46 186 186

HSL 180, 0.6%, 0.45%

LAB 68.93, -35.17, -10.48

 

CMYK 68 / 0 / 0 / 19

HEX #42CFCF

RGB 66 207 207

HSL 180, 0.59%, 0.54%

LAB 76.25, -36.45, -10.94

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 41 / 0 / 0 / 12

HEX #84E0E0

RGB 132 224 224

HSL 180, 0.6%, 0.7%

LAB 83.76, -27.37, -8.61

 

CMYK 29 / 0 / 0 / 9

HEX #A5E8E8

RGB 165 232 232

HSL 180, 0.59%, 0.78%

LAB 87.75, -20.81, -6.75

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 43 / 54 / 0 / 15

HEX #7B63D8

RGB 123 99 216

HSL 252.31, 0.6%, 0.62%

LAB 49.61, 37.67, -57.11

 

CMYK 0 / 22 / 54 / 15

HEX #D8A963

RGB 216 169 99

HSL 35.9, 0.6%, 0.62%

LAB 72.15, 9.06, 42.38

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 0 / 54 / 0 / 15

HEX #D863D8

RGB 216 99 216

HSL 300, 0.6%, 0.62%

LAB 60.32, 61.24, -39.44

 

CMYK 0 / 0 / 54 / 15

HEX #D8D863

RGB 216 216 99

HSL 60, 0.6%, 0.62%

LAB 84.28, -15.28, 56.67

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 43 / 54 / 0 / 15

HEX #7B63D8

RGB 123 99 216

HSL 252.31, 0.6%, 0.62%

LAB 49.61, 37.67, -57.11

 

CMYK 0 / 54 / 54 / 15

HEX #D86363

RGB 216 99 99

HSL 0, 0.6%, 0.62%

LAB 56.51, 45.95, 22.48

 

CMYK 11 / 0 / 54 / 15

HEX #C0D863

RGB 192 216 99

HSL 72.31, 0.6%, 0.62%

LAB 82.5, -24.88, 54.15

 

CMYK 54 / 0 / 0 / 15

HEX #63D8D8

RGB 99 216 216

HSL 180, 0.6%, 0.62%

LAB 80.02, -32.76, -10.04

 

CMYK 27 / 54 / 0 / 15

HEX #9E63D8

RGB 158 99 216

HSL 270.26, 0.6%, 0.62%

LAB 53.11, 46.11, -51.3

 

CMYK 0 / 54 / 54 / 15

HEX #D86363

RGB 216 99 99

HSL 0, 0.6%, 0.62%

LAB 56.51, 45.95, 22.48

 

CMYK 27 / 0 / 54 / 15

HEX #9ED863

RGB 158 216 99

HSL 89.74, 0.6%, 0.62%

LAB 80.34, -37.74, 51.09

 

Description

Color code: HEX #63D8D8 | qconv.com Color code: HEX #63D8D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 216 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 216 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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