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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 0 / 0 / 34 it is the complementary color CMYK 0 / 21 / 21 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 0 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 11 / 0 / 3 / 34, CMYK 10 / 0 / 2 / 27, CMYK 10 / 0 / 1 / 20, CMYK 9 / 0 / 1 / 13 and CMYK 9 / 0 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 0 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 34, CMYK 15 / 0 / 1 / 41, CMYK 16 / 0 / 2 / 48, CMYK 18 / 0 / 3 / 55 and CMYK 20 / 0 / 4 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 35, CMYK 14 / 0 / 4 / 35, CMYK 14 / 0 / 8 / 35, CMYK 14 / 0 / 11 / 35 and CMYK 13 / 0 / 14 / 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 35, CMYK 14 / 4 / 0 / 35, CMYK 14 / 8 / 0 / 35, CMYK 14 / 11 / 0 / 35 and CMYK 14 / 14 / 0 / 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 14 / 0 / 0 / 34 shade matches the following richer shades: CMYK 14 / 0 / 0 / 35, CMYK 31 / 0 / 0 / 28, CMYK 44 / 0 / 0 / 22, CMYK 56 / 0 / 0 / 16 and CMYK 66 / 0 / 0 / 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 35, CMYK 0 / 5 / 5 / 38, CMYK 0 / 23 / 23 / 31, CMYK 0 / 38 / 38 / 25 and CMYK 0 / 50 / 50 / 19

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 8 / 35, CMYK 14 / 0 / 4 / 35, CMYK 14 / 0 / 0 / 35, CMYK 14 / 4 / 0 / 35 and CMYK 14 / 8 / 0 / 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 22 / 0 / 0 / 50, CMYK 19 / 0 / 0 / 42, CMYK 14 / 0 / 0 / 35, CMYK 10 / 0 / 0 / 27 and CMYK 7 / 0 / 0 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 34, CMYK 11 / 14 / 0 / 35 and CMYK 0 / 6 / 14 / 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 34, CMYK 0 / 14 / 0 / 35 and CMYK 0 / 0 / 14 / 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 34, CMYK 11 / 14 / 0 / 35, CMYK 0 / 14 / 14 / 35 and CMYK 3 / 0 / 14 / 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 14 / 0 / 0 / 34 shade: CMYK 14 / 0 / 0 / 34, CMYK 7 / 14 / 0 / 35, CMYK 0 / 14 / 14 / 35 and CMYK 7 / 0 / 14 / 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 0 / 34

HEX #91A8A8

RGB 145 168 168

HSL 180, 0.12%, 0.61%

LAB 67.17, -7.95, -2.7

 

Complementary color

CMYK 0 / 21 / 21 / 57

HEX #6E5757

RGB 110 87 87

HSL 0, 0.12%, 0.39%

LAB 39.27, 9.47, 3.6

 

CMYK 11 / 0 / 3 / 34

HEX #96A8A3

RGB 150 168 163

HSL 163.33, 0.09%, 0.62%

LAB 67.38, -7.29, 0.43

 

CMYK 10 / 0 / 2 / 27

HEX #A7BAB6

RGB 167 186 182

HSL 167.37, 0.12%, 0.69%

LAB 74, -7.3, -0.2

 

CMYK 10 / 0 / 1 / 20

HEX #B8CCC9

RGB 184 204 201

HSL 171, 0.16%, 0.76%

LAB 80.51, -7.32, -0.82

 

CMYK 9 / 0 / 1 / 13

HEX #C9DEDC

RGB 201 222 220

HSL 174.29, 0.24%, 0.83%

LAB 86.91, -7.34, -1.41

 

CMYK 9 / 0 / 0 / 6

HEX #DAF0EF

RGB 218 240 239

HSL 177.27, 0.42%, 0.9%

LAB 93.21, -7.38, -1.99

 

CMYK 14 / 0 / 0 / 34

HEX #91A8A8

RGB 145 168 168

HSL 180, 0.12%, 0.61%

LAB 67.17, -7.95, -2.7

 

CMYK 15 / 0 / 1 / 41

HEX #809695

RGB 128 150 149

HSL 177.27, 0.09%, 0.55%

LAB 60.4, -7.97, -2.1

 

CMYK 16 / 0 / 2 / 48

HEX #6F8482

RGB 111 132 130

HSL 174.29, 0.09%, 0.48%

LAB 53.49, -8, -1.47

 

CMYK 18 / 0 / 3 / 55

HEX #5E726F

RGB 94 114 111

HSL 171, 0.1%, 0.41%

LAB 46.39, -8.05, -0.81

 

CMYK 20 / 0 / 4 / 62

HEX #4D605C

RGB 77 96 92

HSL 167.37, 0.11%, 0.34%

LAB 39.1, -8.13, -0.11

 

CMYK 14 / 0 / 0 / 35

HEX #8FA7A7

RGB 143 167 167

HSL 180, 0.12%, 0.61%

LAB 66.72, -8.29, -2.81

 

CMYK 14 / 0 / 4 / 35

HEX #8FA7A1

RGB 143 167 161

HSL 165, 0.12%, 0.61%

LAB 66.56, -9.55, 0.29

 

CMYK 14 / 0 / 8 / 35

HEX #8FA79A

RGB 143 167 154

HSL 147.5, 0.12%, 0.61%

LAB 66.37, -10.97, 3.92

 

CMYK 14 / 0 / 11 / 35

HEX #8FA794

RGB 143 167 148

HSL 132.5, 0.12%, 0.61%

LAB 66.22, -12.14, 7.04

 

CMYK 13 / 0 / 14 / 35

HEX #91A78F

RGB 145 167 143

HSL 115, 0.12%, 0.61%

LAB 66.24, -12.36, 9.86

 

CMYK 14 / 0 / 0 / 35

HEX #8FA7A7

RGB 143 167 167

HSL 180, 0.12%, 0.61%

LAB 66.72, -8.29, -2.81

 

CMYK 14 / 4 / 0 / 35

HEX #8FA1A7

RGB 143 161 167

HSL 195, 0.12%, 0.61%

LAB 65.06, -5.03, -5.26

 

CMYK 14 / 8 / 0 / 35

HEX #8F9AA7

RGB 143 154 167

HSL 212.5, 0.12%, 0.61%

LAB 63.13, -1.17, -8.13

 

CMYK 14 / 11 / 0 / 35

HEX #8F94A7

RGB 143 148 167

HSL 227.5, 0.12%, 0.61%

LAB 61.49, 2.18, -10.57

 

CMYK 14 / 14 / 0 / 35

HEX #8F8FA7

RGB 143 143 167

HSL 240, 0.12%, 0.61%

LAB 60.14, 5.02, -12.61

 

CMYK 14 / 0 / 0 / 35

HEX #8FA7A7

RGB 143 167 167

HSL 180, 0.12%, 0.61%

LAB 66.72, -8.29, -2.81

 

CMYK 31 / 0 / 0 / 28

HEX #7FB7B7

RGB 127 183 183

HSL 180, 0.28%, 0.61%

LAB 70.73, -18.1, -5.85

 

CMYK 44 / 0 / 0 / 22

HEX #6FC7C7

RGB 111 199 199

HSL 180, 0.44%, 0.61%

LAB 75.05, -26.41, -8.26

 

CMYK 56 / 0 / 0 / 16

HEX #5FD7D7

RGB 95 215 215

HSL 180, 0.6%, 0.61%

LAB 79.58, -33.32, -10.18

 

CMYK 66 / 0 / 0 / 9

HEX #4FE7E7

RGB 79 231 231

HSL 180, 0.76%, 0.61%

LAB 84.27, -38.99, -11.73

 

CMYK 14 / 0 / 0 / 35

HEX #8FA7A7

RGB 143 167 167

HSL 180, 0.12%, 0.61%

LAB 66.72, -8.29, -2.81

 

CMYK 0 / 5 / 5 / 38

HEX #9F9797

RGB 159 151 151

HSL 0, 0.04%, 0.61%

LAB 63.13, 2.93, 1.04

 

CMYK 0 / 23 / 23 / 31

HEX #AF8787

RGB 175 135 135

HSL 0, 0.2%, 0.61%

LAB 60.06, 15.27, 5.89

 

CMYK 0 / 38 / 38 / 25

HEX #BF7777

RGB 191 119 119

HSL 0, 0.36%, 0.61%

LAB 57.66, 28.21, 11.92

 

CMYK 0 / 50 / 50 / 19

HEX #CF6767

RGB 207 103 103

HSL 0, 0.52%, 0.61%

LAB 56.03, 41.04, 19.29

 

CMYK 14 / 0 / 8 / 35

HEX #8FA79A

RGB 143 167 154

HSL 147.5, 0.12%, 0.61%

LAB 66.37, -10.97, 3.92

 

CMYK 14 / 0 / 4 / 35

HEX #8FA7A1

RGB 143 167 161

HSL 165, 0.12%, 0.61%

LAB 66.56, -9.55, 0.29

 

CMYK 14 / 0 / 0 / 35

HEX #8FA7A7

RGB 143 167 167

HSL 180, 0.12%, 0.61%

LAB 66.72, -8.29, -2.81

 

CMYK 14 / 4 / 0 / 35

HEX #8FA1A7

RGB 143 161 167

HSL 195, 0.12%, 0.61%

LAB 65.06, -5.03, -5.26

 

CMYK 14 / 8 / 0 / 35

HEX #8F9AA7

RGB 143 154 167

HSL 212.5, 0.12%, 0.61%

LAB 63.13, -1.17, -8.13

 

CMYK 22 / 0 / 0 / 50

HEX #648080

RGB 100 128 128

HSL 180, 0.12%, 0.45%

LAB 51.5, -9.96, -3.3

 

CMYK 19 / 0 / 0 / 42

HEX #789595

RGB 120 149 149

HSL 180, 0.12%, 0.53%

LAB 59.58, -10.1, -3.37

 

CMYK 14 / 0 / 0 / 35

HEX #8FA7A7

RGB 143 167 167

HSL 180, 0.12%, 0.61%

LAB 66.72, -8.29, -2.81

 

CMYK 10 / 0 / 0 / 27

HEX #A6B9B9

RGB 166 185 185

HSL 180, 0.12%, 0.69%

LAB 73.74, -6.5, -2.23

 

CMYK 7 / 0 / 0 / 20

HEX #BDCBCB

RGB 189 203 203

HSL 180, 0.12%, 0.77%

LAB 80.65, -4.74, -1.65

 

CMYK 14 / 0 / 0 / 34

HEX #91A8A8

RGB 145 168 168

HSL 180, 0.12%, 0.61%

LAB 67.17, -7.95, -2.7

 

CMYK 11 / 14 / 0 / 35

HEX #948FA7

RGB 148 143 167

HSL 252.5, 0.12%, 0.61%

LAB 60.54, 6.72, -11.95

 

CMYK 0 / 6 / 14 / 35

HEX #A79D8F

RGB 167 157 143

HSL 35, 0.12%, 0.61%

LAB 65.21, 1.21, 8.63

 

CMYK 14 / 0 / 0 / 34

HEX #91A8A8

RGB 145 168 168

HSL 180, 0.12%, 0.61%

LAB 67.17, -7.95, -2.7

 

CMYK 0 / 14 / 0 / 35

HEX #A78FA7

RGB 167 143 167

HSL 300, 0.12%, 0.61%

LAB 62.21, 13.36, -9.28

 

CMYK 0 / 0 / 14 / 35

HEX #A7A78F

RGB 167 167 143

HSL 60, 0.12%, 0.61%

LAB 67.9, -4.24, 12.43

 

CMYK 14 / 0 / 0 / 34

HEX #91A8A8

RGB 145 168 168

HSL 180, 0.12%, 0.61%

LAB 67.17, -7.95, -2.7

 

CMYK 11 / 14 / 0 / 35

HEX #948FA7

RGB 148 143 167

HSL 252.5, 0.12%, 0.61%

LAB 60.54, 6.72, -11.95

 

CMYK 0 / 14 / 14 / 35

HEX #A78F8F

RGB 167 143 143

HSL 0, 0.12%, 0.61%

LAB 61.52, 8.99, 3.33

 

CMYK 3 / 0 / 14 / 35

HEX #A2A78F

RGB 162 167 143

HSL 72.5, 0.12%, 0.61%

LAB 67.5, -6.12, 11.82

 

CMYK 14 / 0 / 0 / 34

HEX #91A8A8

RGB 145 168 168

HSL 180, 0.12%, 0.61%

LAB 67.17, -7.95, -2.7

 

CMYK 7 / 14 / 0 / 35

HEX #9B8FA7

RGB 155 143 167

HSL 270, 0.12%, 0.61%

LAB 61.14, 9.14, -11

 

CMYK 0 / 14 / 14 / 35

HEX #A78F8F

RGB 167 143 143

HSL 0, 0.12%, 0.61%

LAB 61.52, 8.99, 3.33

 

CMYK 7 / 0 / 14 / 35

HEX #9BA78F

RGB 155 167 143

HSL 90, 0.12%, 0.61%

LAB 66.97, -8.72, 10.99

 

Description

Color code: CMYK 14 / 0 / 0 / 34 | qconv.com Color code: CMYK 14 / 0 / 0 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 168 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 168 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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