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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FAD32 it is the complementary color #A052CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FAD32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FAD32 shade: #64AD2D, #75BF40, #86D153, #97E366 and #A8F579

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FAD32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FAD32 shade: #5FAD32, #4E9B1F, #3D890C, #2C7700 and #1B6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FAD32 shade: #5FAD32, #80AD32, #A2AD32, #AD9832 and #AD7732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FAD32 shade: #5FAD32, #3EAD32, #32AD47, #32AD69 and #32AD8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FAD32 shade matches the following richer shades: #5FAD32, #5AC020 and #55D20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FAD32 shade: #5FAD32, #649B44, #698956, #6E7768 and #73657B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FAD32 shade: #A1AD32, #80AD32, #5FAD32, #3EAD32 and #32AD47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FAD32 shade: #3C6D1F, #4E8D29, #5FAD32, #72C841 and #8AD161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FAD32 shade: #5FAD32, #32AD99 and #AD3291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FAD32 shade: #5FAD32, #325FAD and #AD325F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FAD32 shade: #5FAD32, #32AD99, #8032AD and #AD3247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FAD32 shade: #5FAD32, #329DAD, #8032AD and #AD4232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

Complementary color

CMYK 22 / 60 / 0 / 20

HEX #A052CD

RGB 160 82 205

HSL 278.05, 0.55%, 0.56%

LAB 49.39, 52.92, -50.96

 

CMYK 42 / 0 / 74 / 32

HEX #64AD2D

RGB 100 173 45

HSL 94.22, 0.59%, 0.43%

LAB 63.99, -44.08, 55.13

 

CMYK 39 / 0 / 66 / 25

HEX #75BF40

RGB 117 191 64

HSL 94.96, 0.5%, 0.5%

LAB 70.46, -44.45, 54.74

 

CMYK 36 / 0 / 60 / 18

HEX #86D153

RGB 134 209 83

HSL 95.71, 0.58%, 0.57%

LAB 76.86, -44.64, 53.94

 

CMYK 33 / 0 / 55 / 11

HEX #97E366

RGB 151 227 102

HSL 96.48, 0.69%, 0.65%

LAB 83.17, -44.71, 52.94

 

CMYK 31 / 0 / 51 / 4

HEX #A8F579

RGB 168 245 121

HSL 97.26, 0.86%, 0.72%

LAB 89.4, -44.7, 51.85

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 50 / 0 / 80 / 39

HEX #4E9B1F

RGB 78 155 31

HSL 97.26, 0.67%, 0.36%

LAB 57.23, -44.79, 52.98

 

CMYK 55 / 0 / 91 / 46

HEX #3D890C

RGB 61 137 12

HSL 96.48, 0.84%, 0.29%

LAB 50.58, -43.8, 51.68

 

CMYK 63 / 0 / 100 / 53

HEX #2C7700

RGB 44 119 0

HSL 97.82, 1%, 0.23%

LAB 43.84, -42.2, 48.31

 

CMYK 73 / 0 / 100 / 60

HEX #1B6500

RGB 27 101 0

HSL 103.96, 1%, 0.2%

LAB 37, -39.81, 42.68

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 26 / 0 / 71 / 32

HEX #80AD32

RGB 128 173 50

HSL 81.95, 0.55%, 0.44%

LAB 65.52, -33.51, 55.31

 

CMYK 6 / 0 / 71 / 32

HEX #A2AD32

RGB 162 173 50

HSL 65.37, 0.55%, 0.44%

LAB 67.87, -19.51, 58.43

 

CMYK 0 / 12 / 71 / 32

HEX #AD9832

RGB 173 152 50

HSL 49.76, 0.55%, 0.44%

LAB 62.99, -3.71, 53.91

 

CMYK 0 / 31 / 71 / 32

HEX #AD7732

RGB 173 119 50

HSL 33.66, 0.55%, 0.44%

LAB 54.35, 14.56, 45.03

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 64 / 0 / 71 / 32

HEX #3EAD32

RGB 62 173 50

HSL 114.15, 0.55%, 0.44%

LAB 62.63, -54.43, 51.43

 

CMYK 71 / 0 / 59 / 32

HEX #32AD47

RGB 50 173 71

HSL 130.24, 0.55%, 0.44%

LAB 62.52, -54.58, 42.15

 

CMYK 71 / 0 / 39 / 32

HEX #32AD69

RGB 50 173 105

HSL 146.83, 0.55%, 0.44%

LAB 63, -49.14, 25.49

 

CMYK 71 / 0 / 20 / 32

HEX #32AD8A

RGB 50 173 138

HSL 162.93, 0.55%, 0.44%

LAB 63.67, -41.88, 8.39

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 53 / 0 / 83 / 25

HEX #5AC020

RGB 90 192 32

HSL 98.25, 0.71%, 0.44%

LAB 69.45, -55.29, 64.08

 

CMYK 60 / 0 / 93 / 18

HEX #55D20E

RGB 85 210 14

HSL 98.27, 0.88%, 0.44%

LAB 74.86, -63.48, 71.94

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 35 / 0 / 56 / 39

HEX #649B44

RGB 100 155 68

HSL 97.93, 0.39%, 0.44%

LAB 58.57, -34.2, 39.41

 

CMYK 23 / 0 / 37 / 46

HEX #698956

RGB 105 137 86

HSL 97.65, 0.23%, 0.44%

LAB 53.56, -21.2, 23.78

 

CMYK 8 / 0 / 13 / 53

HEX #6E7768

RGB 110 119 104

HSL 96, 0.07%, 0.44%

LAB 48.89, -6.39, 7.1

 

CMYK 7 / 18 / 0 / 52

HEX #73657B

RGB 115 101 123

HSL 278.18, 0.1%, 0.44%

LAB 44.78, 10.02, -10.23

 

CMYK 7 / 0 / 71 / 32

HEX #A1AD32

RGB 161 173 50

HSL 65.85, 0.55%, 0.44%

LAB 67.79, -19.93, 58.33

 

CMYK 26 / 0 / 71 / 32

HEX #80AD32

RGB 128 173 50

HSL 81.95, 0.55%, 0.44%

LAB 65.52, -33.51, 55.31

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 64 / 0 / 71 / 32

HEX #3EAD32

RGB 62 173 50

HSL 114.15, 0.55%, 0.44%

LAB 62.63, -54.43, 51.43

 

CMYK 71 / 0 / 59 / 32

HEX #32AD47

RGB 50 173 71

HSL 130.24, 0.55%, 0.44%

LAB 62.52, -54.58, 42.15

 

CMYK 45 / 0 / 72 / 57

HEX #3C6D1F

RGB 60 109 31

HSL 97.69, 0.56%, 0.27%

LAB 41.21, -31.39, 36.84

 

CMYK 45 / 0 / 71 / 45

HEX #4E8D29

RGB 78 141 41

HSL 97.8, 0.55%, 0.36%

LAB 52.76, -38.33, 44.94

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 43 / 0 / 68 / 22

HEX #72C841

RGB 114 200 65

HSL 98.22, 0.55%, 0.52%

LAB 73.07, -49.06, 57.06

 

CMYK 34 / 0 / 54 / 18

HEX #8AD161

RGB 138 209 97

HSL 98.04, 0.55%, 0.6%

LAB 77.2, -41.85, 48.05

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 71 / 0 / 12 / 32

HEX #32AD99

RGB 50 173 153

HSL 170.24, 0.55%, 0.44%

LAB 64.05, -38.01, 0.6

 

CMYK 0 / 71 / 16 / 32

HEX #AD3291

RGB 173 50 145

HSL 313.66, 0.55%, 0.44%

LAB 43.08, 59.11, -25.48

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 71 / 45 / 0 / 32

HEX #325FAD

RGB 50 95 173

HSL 218.05, 0.55%, 0.44%

LAB 41.02, 11.49, -46.28

 

CMYK 0 / 71 / 45 / 32

HEX #AD325F

RGB 173 50 95

HSL 338.05, 0.55%, 0.44%

LAB 41.2, 52.99, 2.57

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 71 / 0 / 12 / 32

HEX #32AD99

RGB 50 173 153

HSL 170.24, 0.55%, 0.44%

LAB 64.05, -38.01, 0.6

 

CMYK 26 / 71 / 0 / 32

HEX #8032AD

RGB 128 50 173

HSL 278.05, 0.55%, 0.44%

LAB 37.64, 53.7, -51.37

 

CMYK 0 / 71 / 59 / 32

HEX #AD3247

RGB 173 50 71

HSL 349.76, 0.55%, 0.44%

LAB 40.61, 50.96, 16.81

 

CMYK 45 / 0 / 71 / 32

HEX #5FAD32

RGB 95 173 50

HSL 98.05, 0.55%, 0.44%

LAB 63.8, -45.37, 53

 

CMYK 71 / 9 / 0 / 32

HEX #329DAD

RGB 50 157 173

HSL 187.8, 0.55%, 0.44%

LAB 59.72, -24.5, -17.09

 

CMYK 26 / 71 / 0 / 32

HEX #8032AD

RGB 128 50 173

HSL 278.05, 0.55%, 0.44%

LAB 37.64, 53.7, -51.37

 

CMYK 0 / 62 / 71 / 32

HEX #AD4232

RGB 173 66 50

HSL 7.8, 0.55%, 0.44%

LAB 42.78, 42.83, 32.26

 

Description

Color code: HEX #5FAD32 | qconv.com Color code: HEX #5FAD32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 173 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 173 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 71 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 71% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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