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Color name
CMYK 39 / 0 / 66 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 0 / 66 / 25 it is the complementary color CMYK 27 / 66 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 0 / 66 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 36 / 0 / 69 / 25, CMYK 33 / 0 / 62 / 18, CMYK 31 / 0 / 57 / 11, CMYK 29 / 0 / 52 / 4 and CMYK 25 / 0 / 47 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 0 / 66 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 66 / 25, CMYK 42 / 0 / 73 / 32, CMYK 46 / 0 / 83 / 39, CMYK 52 / 0 / 94 / 46 and CMYK 59 / 0 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 67 / 25, CMYK 21 / 0 / 67 / 25, CMYK 3 / 0 / 67 / 25, CMYK 0 / 15 / 67 / 25 and CMYK 0 / 33 / 67 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 67 / 25, CMYK 58 / 0 / 67 / 25, CMYK 67 / 0 / 59 / 25, CMYK 67 / 0 / 40 / 25 and CMYK 67 / 0 / 23 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 39 / 0 / 66 / 25 shade matches the following richer shades: CMYK 39 / 0 / 67 / 25, CMYK 47 / 0 / 80 / 17, CMYK 53 / 0 / 91 / 9 and CMYK 58 / 0 / 100 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 67 / 25, CMYK 30 / 0 / 51 / 33, CMYK 17 / 0 / 30 / 42, CMYK 2 / 0 / 3 / 49 and CMYK 11 / 26 / 0 / 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 4 / 0 / 67 / 25, CMYK 21 / 0 / 67 / 25, CMYK 39 / 0 / 67 / 25, CMYK 57 / 0 / 67 / 25 and CMYK 67 / 0 / 59 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 40 / 0 / 67 / 49, CMYK 39 / 0 / 67 / 37, CMYK 39 / 0 / 67 / 25, CMYK 31 / 0 / 53 / 21 and CMYK 24 / 0 / 41 / 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 66 / 25, CMYK 67 / 0 / 15 / 25 and CMYK 0 / 67 / 13 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 66 / 25, CMYK 67 / 39 / 0 / 25 and CMYK 0 / 67 / 39 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 66 / 25, CMYK 67 / 0 / 15 / 25, CMYK 28 / 67 / 0 / 25 and CMYK 0 / 67 / 52 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 39 / 0 / 66 / 25 shade: CMYK 39 / 0 / 66 / 25, CMYK 67 / 6 / 0 / 25, CMYK 28 / 67 / 0 / 25 and CMYK 0 / 61 / 67 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 66 / 25

HEX #75BF41

RGB 117 191 65

HSL 95.24, 0.5%, 0.5%

LAB 70.47, -44.36, 54.34

 

Complementary color

CMYK 27 / 66 / 0 / 25

HEX #8A40BE

RGB 138 64 190

HSL 275.24, 0.5%, 0.5%

LAB 42.44, 53.26, -53.58

 

CMYK 36 / 0 / 69 / 25

HEX #7ABF3C

RGB 122 191 60

HSL 91.6, 0.52%, 0.49%

LAB 70.68, -43.04, 56.64

 

CMYK 33 / 0 / 62 / 18

HEX #8BD14F

RGB 139 209 79

HSL 92.31, 0.59%, 0.56%

LAB 77.07, -43.28, 55.98

 

CMYK 31 / 0 / 57 / 11

HEX #9CE362

RGB 156 227 98

HSL 93.02, 0.7%, 0.64%

LAB 83.38, -43.4, 55.05

 

CMYK 29 / 0 / 52 / 4

HEX #ADF575

RGB 173 245 117

HSL 93.75, 0.86%, 0.71%

LAB 89.61, -43.44, 54.01

 

CMYK 25 / 0 / 47 / 0

HEX #BEFF88

RGB 190 255 136

HSL 92.77, 1%, 0.77%

LAB 93.56, -39.91, 50.19

 

CMYK 39 / 0 / 66 / 25

HEX #75BF41

RGB 117 191 65

HSL 95.24, 0.5%, 0.5%

LAB 70.47, -44.36, 54.34

 

CMYK 42 / 0 / 73 / 32

HEX #64AD2E

RGB 100 173 46

HSL 94.49, 0.58%, 0.43%

LAB 63.99, -44.01, 54.77

 

CMYK 46 / 0 / 83 / 39

HEX #539B1B

RGB 83 155 27

HSL 93.75, 0.7%, 0.36%

LAB 57.43, -43.4, 54.43

 

CMYK 52 / 0 / 94 / 46

HEX #428908

RGB 66 137 8

HSL 93.02, 0.89%, 0.28%

LAB 50.77, -42.39, 52.64

 

CMYK 59 / 0 / 100 / 53

HEX #317700

RGB 49 119 0

HSL 95.29, 1%, 0.23%

LAB 44.01, -40.8, 48.52

 

CMYK 39 / 0 / 67 / 25

HEX #74BF3F

RGB 116 191 63

HSL 95.16, 0.5%, 0.5%

LAB 70.41, -44.87, 55.07

 

CMYK 21 / 0 / 67 / 25

HEX #96BF3F

RGB 150 191 63

HSL 79.22, 0.5%, 0.5%

LAB 72.3, -32.38, 57.64

 

CMYK 3 / 0 / 67 / 25

HEX #B9BF3F

RGB 185 191 63

HSL 62.81, 0.5%, 0.5%

LAB 74.78, -18.07, 60.98

 

CMYK 0 / 15 / 67 / 25

HEX #BFA23F

RGB 191 162 63

HSL 46.41, 0.5%, 0.5%

LAB 67.48, -0.43, 53.59

 

CMYK 0 / 33 / 67 / 25

HEX #BF803F

RGB 191 128 63

HSL 30.47, 0.5%, 0.5%

LAB 58.86, 18.16, 44.25

 

CMYK 39 / 0 / 67 / 25

HEX #74BF3F

RGB 116 191 63

HSL 95.16, 0.5%, 0.5%

LAB 70.41, -44.87, 55.07

 

CMYK 58 / 0 / 67 / 25

HEX #51BF3F

RGB 81 191 63

HSL 111.56, 0.5%, 0.5%

LAB 69.02, -55.24, 53.17

 

CMYK 67 / 0 / 59 / 25

HEX #3FBF4F

RGB 63 191 79

HSL 127.5, 0.5%, 0.5%

LAB 68.67, -57.52, 45.67

 

CMYK 67 / 0 / 40 / 25

HEX #3FBF72

RGB 63 191 114

HSL 143.91, 0.5%, 0.5%

LAB 69.14, -52.18, 28.9

 

CMYK 67 / 0 / 23 / 25

HEX #3FBF94

RGB 63 191 148

HSL 159.84, 0.5%, 0.5%

LAB 69.79, -45.12, 11.63

 

CMYK 39 / 0 / 67 / 25

HEX #74BF3F

RGB 116 191 63

HSL 95.16, 0.5%, 0.5%

LAB 70.41, -44.87, 55.07

 

CMYK 47 / 0 / 80 / 17

HEX #70D32B

RGB 112 211 43

HSL 95.36, 0.66%, 0.5%

LAB 76.2, -55.41, 67.61

 

CMYK 53 / 0 / 91 / 9

HEX #6DE816

RGB 109 232 22

HSL 95.14, 0.83%, 0.5%

LAB 82.39, -64.67, 77.41

 

CMYK 58 / 0 / 100 / 1

HEX #69FD01

RGB 105 253 1

HSL 95.24, 0.99%, 0.5%

LAB 88.57, -73.07, 84.38

 

CMYK 39 / 0 / 67 / 25

HEX #74BF3F

RGB 116 191 63

HSL 95.16, 0.5%, 0.5%

LAB 70.41, -44.87, 55.07

 

CMYK 30 / 0 / 51 / 33

HEX #77AA54

RGB 119 170 84

HSL 95.58, 0.34%, 0.5%

LAB 64.41, -32.42, 38.73

 

CMYK 17 / 0 / 30 / 42

HEX #7B9569

RGB 123 149 105

HSL 95.45, 0.17%, 0.5%

LAB 58.72, -17.58, 20.31

 

CMYK 2 / 0 / 3 / 49

HEX #7F817D

RGB 127 129 125

HSL 90, 0.02%, 0.5%

LAB 53.7, -1.53, 1.9

 

CMYK 11 / 26 / 0 / 43

HEX #826C92

RGB 130 108 146

HSL 274.74, 0.15%, 0.5%

LAB 48.94, 16.27, -17.51

 

CMYK 4 / 0 / 67 / 25

HEX #B8BF3F

RGB 184 191 63

HSL 63.28, 0.5%, 0.5%

LAB 74.71, -18.49, 60.87

 

CMYK 21 / 0 / 67 / 25

HEX #96BF3F

RGB 150 191 63

HSL 79.22, 0.5%, 0.5%

LAB 72.3, -32.38, 57.64

 

CMYK 39 / 0 / 67 / 25

HEX #74BF3F

RGB 116 191 63

HSL 95.16, 0.5%, 0.5%

LAB 70.41, -44.87, 55.07

 

CMYK 57 / 0 / 67 / 25

HEX #52BF3F

RGB 82 191 63

HSL 111.09, 0.5%, 0.5%

LAB 69.05, -54.98, 53.22

 

CMYK 67 / 0 / 59 / 25

HEX #3FBF4E

RGB 63 191 78

HSL 127.03, 0.5%, 0.5%

LAB 68.66, -57.64, 46.11

 

CMYK 40 / 0 / 67 / 49

HEX #4E812B

RGB 78 129 43

HSL 95.58, 0.5%, 0.34%

LAB 48.88, -32.86, 39.95

 

CMYK 39 / 0 / 67 / 37

HEX #61A035

RGB 97 160 53

HSL 95.33, 0.5%, 0.42%

LAB 59.83, -38.98, 47.67

 

CMYK 39 / 0 / 67 / 25

HEX #74BF3F

RGB 116 191 63

HSL 95.16, 0.5%, 0.5%

LAB 70.41, -44.87, 55.07

 

CMYK 31 / 0 / 53 / 21

HEX #8AC95E

RGB 138 201 94

HSL 95.33, 0.5%, 0.58%

LAB 74.82, -38.65, 46.63

 

CMYK 24 / 0 / 41 / 17

HEX #A1D37D

RGB 161 211 125

HSL 94.88, 0.49%, 0.66%

LAB 79.41, -31.35, 37.4

 

CMYK 39 / 0 / 66 / 25

HEX #75BF41

RGB 117 191 65

HSL 95.24, 0.5%, 0.5%

LAB 70.47, -44.36, 54.34

 

CMYK 67 / 0 / 15 / 25

HEX #3FBFA3

RGB 63 191 163

HSL 166.88, 0.5%, 0.5%

LAB 70.15, -41.47, 3.97

 

CMYK 0 / 67 / 13 / 25

HEX #BF3FA7

RGB 191 63 167

HSL 311.25, 0.5%, 0.5%

LAB 48.79, 62.08, -29.51

 

CMYK 39 / 0 / 66 / 25

HEX #75BF41

RGB 117 191 65

HSL 95.24, 0.5%, 0.5%

LAB 70.47, -44.36, 54.34

 

CMYK 67 / 39 / 0 / 25

HEX #3F74BF

RGB 63 116 191

HSL 215.16, 0.5%, 0.5%

LAB 48.65, 6.87, -44.57

 

CMYK 0 / 67 / 39 / 25

HEX #BF3F74

RGB 191 63 116

HSL 335.16, 0.5%, 0.5%

LAB 46.83, 55.46, -1.83

 

CMYK 39 / 0 / 66 / 25

HEX #75BF41

RGB 117 191 65

HSL 95.24, 0.5%, 0.5%

LAB 70.47, -44.36, 54.34

 

CMYK 67 / 0 / 15 / 25

HEX #3FBFA3

RGB 63 191 163

HSL 166.88, 0.5%, 0.5%

LAB 70.15, -41.47, 3.97

 

CMYK 28 / 67 / 0 / 25

HEX #8A3FBF

RGB 138 63 191

HSL 275.16, 0.5%, 0.5%

LAB 42.34, 53.96, -54.34

 

CMYK 0 / 67 / 52 / 25

HEX #BF3F5B

RGB 191 63 91

HSL 346.88, 0.5%, 0.5%

LAB 46.16, 53.08, 12.52

 

CMYK 39 / 0 / 66 / 25

HEX #75BF41

RGB 117 191 65

HSL 95.24, 0.5%, 0.5%

LAB 70.47, -44.36, 54.34

 

CMYK 67 / 6 / 0 / 25

HEX #3FB4BF

RGB 63 180 191

HSL 185.16, 0.5%, 0.5%

LAB 67.62, -28.64, -15.16

 

CMYK 28 / 67 / 0 / 25

HEX #8A3FBF

RGB 138 63 191

HSL 275.16, 0.5%, 0.5%

LAB 42.34, 53.96, -54.34

 

CMYK 0 / 61 / 67 / 25

HEX #BF4A3F

RGB 191 74 63

HSL 5.16, 0.5%, 0.5%

LAB 47.41, 46.33, 30.97

 

Description

Color code: CMYK 39 / 0 / 66 / 25 | qconv.com Color code: CMYK 39 / 0 / 66 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 191 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 191 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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