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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BB218 it is the complementary color #A44DE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BB218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BB218 shade: #60B213, #71C426, #82D639, #93E84C and #A4FA5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BB218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BB218 shade: #5BB218, #4AA005, #398E00, #287C00 and #176A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BB218 shade: #5BB318, #85B318, #AFB318, #B38D18 and #B36318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BB218 shade: #5BB318, #32B318, #18B328, #18B352 and #18B37C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BB218 shade matches the following richer shades: #5BB318 and #59C407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BB218 shade: #5BB318, #5EA328, #609239, #628249 and #64715A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BB218 shade: #B0B318, #87B318, #5EB318, #34B318 and #18B325

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BB218 shade: #366A0E, #498F13, #5BB318, #6ED71D and #84E43A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BB218 shade: #5BB218, #18B38C and #B3189C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BB218 shade: #5BB218, #185EB3 and #B3185E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BB218 shade: #5BB218, #18B38C, #6D18B3 and #B3183F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BB218 shade: #5BB218, #18ABB3, #6D18B3 and #B32018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 87 / 30

HEX #5BB218

RGB 91 178 24

HSL 93.9, 0.76%, 0.4%

LAB 65.07, -50.06, 62.1

 

Complementary color

CMYK 29 / 67 / 0 / 9

HEX #A44DE7

RGB 164 77 231

HSL 273.9, 0.76%, 0.6%

LAB 50.65, 61.94, -63.7

 

CMYK 46 / 0 / 89 / 30

HEX #60B213

RGB 96 178 19

HSL 90.94, 0.81%, 0.39%

LAB 65.26, -48.65, 63.36

 

CMYK 42 / 0 / 81 / 23

HEX #71C426

RGB 113 196 38

HSL 91.52, 0.68%, 0.46%

LAB 71.64, -49.5, 64.83

 

CMYK 39 / 0 / 73 / 16

HEX #82D639

RGB 130 214 57

HSL 92.1, 0.66%, 0.53%

LAB 77.95, -50.07, 65.22

 

CMYK 37 / 0 / 67 / 9

HEX #93E84C

RGB 147 232 76

HSL 92.69, 0.77%, 0.6%

LAB 84.19, -50.45, 64.94

 

CMYK 34 / 0 / 62 / 2

HEX #A4FA5F

RGB 164 250 95

HSL 93.29, 0.94%, 0.68%

LAB 90.36, -50.68, 64.29

 

CMYK 49 / 0 / 87 / 30

HEX #5BB218

RGB 91 178 24

HSL 93.9, 0.76%, 0.4%

LAB 65.07, -50.06, 62.1

 

CMYK 54 / 0 / 97 / 37

HEX #4AA005

RGB 74 160 5

HSL 93.29, 0.94%, 0.32%

LAB 58.61, -48.88, 59.66

 

CMYK 60 / 0 / 100 / 44

HEX #398E00

RGB 57 142 0

HSL 95.92, 1%, 0.28%

LAB 52.08, -47.16, 55

 

CMYK 68 / 0 / 100 / 51

HEX #287C00

RGB 40 124 0

HSL 100.65, 1%, 0.24%

LAB 45.45, -45, 49.54

 

CMYK 78 / 0 / 100 / 58

HEX #176A00

RGB 23 106 0

HSL 106.98, 1%, 0.21%

LAB 38.71, -42.33, 44

 

CMYK 49 / 0 / 87 / 30

HEX #5BB318

RGB 91 179 24

HSL 94.06, 0.76%, 0.4%

LAB 65.38, -50.44, 62.37

 

CMYK 26 / 0 / 87 / 30

HEX #85B318

RGB 133 179 24

HSL 77.81, 0.76%, 0.4%

LAB 67.5, -35.5, 65.02

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 0 / 21 / 87 / 30

HEX #B38D18

RGB 179 141 24

HSL 45.29, 0.76%, 0.4%

LAB 60.52, 3.99, 60.72

 

CMYK 0 / 45 / 87 / 30

HEX #B36318

RGB 179 99 24

HSL 29.03, 0.76%, 0.4%

LAB 50.18, 27.28, 52.23

 

CMYK 49 / 0 / 87 / 30

HEX #5BB318

RGB 91 179 24

HSL 94.06, 0.76%, 0.4%

LAB 65.38, -50.44, 62.37

 

CMYK 72 / 0 / 87 / 30

HEX #32B318

RGB 50 179 24

HSL 109.94, 0.76%, 0.4%

LAB 64.15, -60.48, 60.82

 

CMYK 87 / 0 / 78 / 30

HEX #18B328

RGB 24 179 40

HSL 126.19, 0.76%, 0.4%

LAB 63.83, -63.03, 55.98

 

CMYK 87 / 0 / 54 / 30

HEX #18B352

RGB 24 179 82

HSL 142.45, 0.76%, 0.4%

LAB 64.2, -58.44, 38.76

 

CMYK 87 / 0 / 31 / 30

HEX #18B37C

RGB 24 179 124

HSL 158.71, 0.76%, 0.4%

LAB 64.87, -50.54, 17.71

 

CMYK 49 / 0 / 87 / 30

HEX #5BB318

RGB 91 179 24

HSL 94.06, 0.76%, 0.4%

LAB 65.38, -50.44, 62.37

 

CMYK 55 / 0 / 96 / 23

HEX #59C407

RGB 89 196 7

HSL 93.97, 0.93%, 0.4%

LAB 70.61, -57.73, 69.3

 

CMYK 49 / 0 / 87 / 30

HEX #5BB318

RGB 91 179 24

HSL 94.06, 0.76%, 0.4%

LAB 65.38, -50.44, 62.37

 

CMYK 42 / 0 / 75 / 36

HEX #5EA328

RGB 94 163 40

HSL 93.66, 0.61%, 0.4%

LAB 60.54, -42.27, 53.41

 

CMYK 34 / 0 / 61 / 43

HEX #609239

RGB 96 146 57

HSL 93.71, 0.44%, 0.4%

LAB 55.42, -32.69, 41.01

 

CMYK 25 / 0 / 44 / 49

HEX #628249

RGB 98 130 73

HSL 93.68, 0.28%, 0.4%

LAB 50.74, -22.21, 27.21

 

CMYK 12 / 0 / 20 / 56

HEX #64715A

RGB 100 113 90

HSL 93.91, 0.11%, 0.4%

LAB 45.99, -9.52, 11.16

 

CMYK 2 / 0 / 87 / 30

HEX #B0B318

RGB 176 179 24

HSL 61.16, 0.76%, 0.4%

LAB 70.55, -17.47, 68.8

 

CMYK 25 / 0 / 87 / 30

HEX #87B318

RGB 135 179 24

HSL 77.03, 0.76%, 0.4%

LAB 67.62, -34.7, 65.17

 

CMYK 47 / 0 / 87 / 30

HEX #5EB318

RGB 94 179 24

HSL 92.9, 0.76%, 0.4%

LAB 65.5, -49.51, 62.53

 

CMYK 71 / 0 / 87 / 30

HEX #34B318

RGB 52 179 24

HSL 109.16, 0.76%, 0.4%

LAB 64.19, -60.11, 60.87

 

CMYK 87 / 0 / 79 / 30

HEX #18B325

RGB 24 179 37

HSL 125.03, 0.76%, 0.4%

LAB 63.81, -63.23, 56.92

 

CMYK 49 / 0 / 87 / 58

HEX #366A0E

RGB 54 106 14

HSL 93.91, 0.77%, 0.24%

LAB 39.79, -33.36, 41.66

 

CMYK 49 / 0 / 87 / 44

HEX #498F13

RGB 73 143 19

HSL 93.87, 0.77%, 0.32%

LAB 53.07, -42.17, 52.48

 

CMYK 49 / 0 / 87 / 30

HEX #5BB318

RGB 91 179 24

HSL 94.06, 0.76%, 0.4%

LAB 65.38, -50.44, 62.37

 

CMYK 49 / 0 / 87 / 16

HEX #6ED71D

RGB 110 215 29

HSL 93.87, 0.76%, 0.48%

LAB 77.28, -58.09, 71.91

 

CMYK 42 / 0 / 75 / 11

HEX #84E43A

RGB 132 228 58

HSL 93.88, 0.76%, 0.56%

LAB 82.22, -54.93, 69.08

 

CMYK 49 / 0 / 87 / 30

HEX #5BB218

RGB 91 178 24

HSL 93.9, 0.76%, 0.4%

LAB 65.07, -50.06, 62.1

 

CMYK 87 / 0 / 22 / 30

HEX #18B38C

RGB 24 179 140

HSL 164.9, 0.76%, 0.4%

LAB 65.22, -46.72, 9.44

 

CMYK 0 / 87 / 13 / 30

HEX #B3189C

RGB 179 24 156

HSL 308.9, 0.76%, 0.4%

LAB 42.21, 69.1, -33.4

 

CMYK 49 / 0 / 87 / 30

HEX #5BB218

RGB 91 178 24

HSL 93.9, 0.76%, 0.4%

LAB 65.07, -50.06, 62.1

 

CMYK 87 / 47 / 0 / 30

HEX #185EB3

RGB 24 94 179

HSL 212.9, 0.76%, 0.4%

LAB 40.34, 11.55, -50.96

 

CMYK 0 / 87 / 47 / 30

HEX #B3185E

RGB 179 24 94

HSL 332.9, 0.76%, 0.4%

LAB 39.66, 62.07, 1.1

 

CMYK 49 / 0 / 87 / 30

HEX #5BB218

RGB 91 178 24

HSL 93.9, 0.76%, 0.4%

LAB 65.07, -50.06, 62.1

 

CMYK 87 / 0 / 22 / 30

HEX #18B38C

RGB 24 179 140

HSL 164.9, 0.76%, 0.4%

LAB 65.22, -46.72, 9.44

 

CMYK 39 / 87 / 0 / 30

HEX #6D18B3

RGB 109 24 179

HSL 272.9, 0.76%, 0.4%

LAB 32.17, 61.2, -63.97

 

CMYK 0 / 87 / 65 / 30

HEX #B3183F

RGB 179 24 63

HSL 344.9, 0.76%, 0.4%

LAB 38.89, 59.87, 19.81

 

CMYK 49 / 0 / 87 / 30

HEX #5BB218

RGB 91 178 24

HSL 93.9, 0.76%, 0.4%

LAB 65.07, -50.06, 62.1

 

CMYK 87 / 4 / 0 / 30

HEX #18ABB3

RGB 24 171 179

HSL 183.1, 0.76%, 0.4%

LAB 63.82, -32.11, -14.31

 

CMYK 39 / 87 / 0 / 30

HEX #6D18B3

RGB 109 24 179

HSL 272.9, 0.76%, 0.4%

LAB 32.17, 61.2, -63.97

 

CMYK 0 / 82 / 87 / 30

HEX #B32018

RGB 179 32 24

HSL 3.1, 0.76%, 0.4%

LAB 39.04, 56.5, 42.93

 

Description

Color code: HEX #5BB218 | qconv.com Color code: HEX #5BB218 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 178 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 178 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 87 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 87% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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