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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AF0CA it is the complementary color #A50F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AF0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AF0CA shade: #5FF0C5, #70FFD8, #81FFEB, #92FFFE and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AF0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AF0CA shade: #5AF0CA, #49DEB7, #38CCA4, #27BA91 and #16A87E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AF0CA shade: #5BEFCA, #5BEFA2, #5BEF7A, #64EF5B and #8CEF5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AF0CA shade: #5BEFCA, #5BEDEF, #5BC5EF, #5B9DEF and #5B75EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AF0CA shade matches the following richer shades: #5BEFCA and #4DFED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AF0CA shade: #5BEFCA, #6AE1C3, #78D2BC, #86C4B4 and #95B6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AF0CA shade: #5BEF79, #5BEFA0, #5BEFC8, #5BEFEF and #5BC8EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AF0CA shade: #15E3AF, #35ECBE, #5BEFCA, #81F3D6 and #A7F6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AF0CA shade: #5AF0CA, #5B65EF and #EF8D5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AF0CA shade: #5AF0CA, #C85BEF and #EFC85B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AF0CA shade: #5AF0CA, #5B65EF, #EF5B83 and #EFE55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AF0CA shade: #5AF0CA, #7E5BEF, #EF5B83 and #CDEF5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 16 / 6

HEX #5AF0CA

RGB 90 240 202

HSL 164.8, 0.83%, 0.65%

LAB 86.38, -48.64, 6.65

 

Complementary color

CMYK 0 / 91 / 68 / 35

HEX #A50F35

RGB 165 15 53

HSL 344.8, 0.83%, 0.35%

LAB 35.2, 57.28, 20.87

 

CMYK 60 / 0 / 18 / 6

HEX #5FF0C5

RGB 95 240 197

HSL 162.21, 0.83%, 0.66%

LAB 86.4, -48.92, 9.29

 

CMYK 56 / 0 / 15 / 0

HEX #70FFD8

RGB 112 255 216

HSL 163.64, 1%, 0.72%

LAB 91.65, -47.77, 7.03

 

CMYK 49 / 0 / 8 / 0

HEX #81FFEB

RGB 129 255 235

HSL 170.48, 1%, 0.75%

LAB 92.66, -39.89, -1.26

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFE

RGB 146 255 254

HSL 179.45, 1%, 0.79%

LAB 93.79, -31.59, -9.35

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 0 / 16 / 6

HEX #5AF0CA

RGB 90 240 202

HSL 164.8, 0.83%, 0.65%

LAB 86.38, -48.64, 6.65

 

CMYK 67 / 0 / 18 / 13

HEX #49DEB7

RGB 73 222 183

HSL 164.3, 0.69%, 0.58%

LAB 80.22, -48.31, 7.74

 

CMYK 73 / 0 / 20 / 20

HEX #38CCA4

RGB 56 204 164

HSL 163.78, 0.59%, 0.51%

LAB 74, -47.79, 8.94

 

CMYK 79 / 0 / 22 / 27

HEX #27BA91

RGB 39 186 145

HSL 163.27, 0.65%, 0.44%

LAB 67.72, -47.01, 10.27

 

CMYK 87 / 0 / 25 / 34

HEX #16A87E

RGB 22 168 126

HSL 162.74, 0.77%, 0.37%

LAB 61.38, -45.87, 11.74

 

CMYK 62 / 0 / 15 / 6

HEX #5BEFCA

RGB 91 239 202

HSL 165, 0.82%, 0.65%

LAB 86.12, -48.05, 6.27

 

CMYK 62 / 0 / 32 / 6

HEX #5BEFA2

RGB 91 239 162

HSL 148.78, 0.82%, 0.65%

LAB 85.28, -56.63, 25.84

 

CMYK 62 / 0 / 49 / 6

HEX #5BEF7A

RGB 91 239 122

HSL 132.57, 0.82%, 0.65%

LAB 84.67, -63.35, 44.91

 

CMYK 58 / 0 / 62 / 6

HEX #64EF5B

RGB 100 239 91

HSL 116.35, 0.82%, 0.65%

LAB 84.59, -65.18, 58.83

 

CMYK 41 / 0 / 62 / 6

HEX #8CEF5B

RGB 140 239 91

HSL 100.14, 0.82%, 0.65%

LAB 86.04, -54.29, 60.86

 

CMYK 62 / 0 / 15 / 6

HEX #5BEFCA

RGB 91 239 202

HSL 165, 0.82%, 0.65%

LAB 86.12, -48.05, 6.27

 

CMYK 62 / 1 / 0 / 6

HEX #5BEDEF

RGB 91 237 239

HSL 180.81, 0.82%, 0.65%

LAB 86.52, -37.77, -12.56

 

CMYK 62 / 18 / 0 / 6

HEX #5BC5EF

RGB 91 197 239

HSL 197.03, 0.82%, 0.65%

LAB 75.07, -18.28, -29.91

 

CMYK 62 / 34 / 0 / 6

HEX #5B9DEF

RGB 91 157 239

HSL 213.24, 0.82%, 0.65%

LAB 63.81, 3.64, -47.46

 

CMYK 62 / 51 / 0 / 6

HEX #5B75EF

RGB 91 117 239

HSL 229.46, 0.82%, 0.65%

LAB 53.14, 27.6, -64.48

 

CMYK 62 / 0 / 15 / 6

HEX #5BEFCA

RGB 91 239 202

HSL 165, 0.82%, 0.65%

LAB 86.12, -48.05, 6.27

 

CMYK 70 / 0 / 18 / 0

HEX #4DFED1

RGB 77 254 209

HSL 164.75, 0.99%, 0.65%

LAB 90.35, -54.75, 8.67

 

CMYK 62 / 0 / 15 / 6

HEX #5BEFCA

RGB 91 239 202

HSL 165, 0.82%, 0.65%

LAB 86.12, -48.05, 6.27

 

CMYK 53 / 0 / 13 / 12

HEX #6AE1C3

RGB 106 225 195

HSL 164.87, 0.66%, 0.65%

LAB 82.3, -40.71, 4.5

 

CMYK 43 / 0 / 10 / 18

HEX #78D2BC

RGB 120 210 188

HSL 165.33, 0.5%, 0.65%

LAB 78.3, -32.16, 2.49

 

CMYK 32 / 0 / 8 / 23

HEX #86C4B4

RGB 134 196 180

HSL 164.52, 0.34%, 0.65%

LAB 74.73, -23.33, 1.69

 

CMYK 18 / 0 / 5 / 29

HEX #95B6AD

RGB 149 182 173

HSL 163.64, 0.18%, 0.65%

LAB 71.46, -13.01, 0.86

 

CMYK 62 / 0 / 49 / 6

HEX #5BEF79

RGB 91 239 121

HSL 132.16, 0.82%, 0.65%

LAB 84.66, -63.49, 45.37

 

CMYK 62 / 0 / 33 / 6

HEX #5BEFA0

RGB 91 239 160

HSL 147.97, 0.82%, 0.65%

LAB 85.25, -57.02, 26.81

 

CMYK 62 / 0 / 16 / 6

HEX #5BEFC8

RGB 91 239 200

HSL 164.19, 0.82%, 0.65%

LAB 86.07, -48.52, 7.24

 

CMYK 62 / 0 / 0 / 6

HEX #5BEFEF

RGB 91 239 239

HSL 180, 0.82%, 0.65%

LAB 87.09, -38.69, -11.7

 

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

CMYK 91 / 0 / 23 / 11

HEX #15E3AF

RGB 21 227 175

HSL 164.85, 0.83%, 0.49%

LAB 80.85, -57.3, 12.76

 

CMYK 78 / 0 / 19 / 7

HEX #35ECBE

RGB 53 236 190

HSL 164.92, 0.83%, 0.57%

LAB 84.21, -54.88, 9.71

 

CMYK 62 / 0 / 15 / 6

HEX #5BEFCA

RGB 91 239 202

HSL 165, 0.82%, 0.65%

LAB 86.12, -48.05, 6.27

 

CMYK 47 / 0 / 12 / 5

HEX #81F3D6

RGB 129 243 214

HSL 164.74, 0.83%, 0.73%

LAB 88.74, -39.32, 3.95

 

CMYK 32 / 0 / 8 / 4

HEX #A7F6E2

RGB 167 246 226

HSL 164.81, 0.81%, 0.81%

LAB 91.51, -28.35, 1.92

 

CMYK 63 / 0 / 16 / 6

HEX #5AF0CA

RGB 90 240 202

HSL 164.8, 0.83%, 0.65%

LAB 86.38, -48.64, 6.65

 

CMYK 62 / 58 / 0 / 6

HEX #5B65EF

RGB 91 101 239

HSL 235.95, 0.82%, 0.65%

LAB 49.21, 37.35, -70.85

 

CMYK 0 / 41 / 62 / 6

HEX #EF8D5B

RGB 239 141 91

HSL 20.27, 0.82%, 0.65%

LAB 68.14, 32.76, 42.26

 

CMYK 63 / 0 / 16 / 6

HEX #5AF0CA

RGB 90 240 202

HSL 164.8, 0.83%, 0.65%

LAB 86.38, -48.64, 6.65

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 0 / 16 / 62 / 6

HEX #EFC85B

RGB 239 200 91

HSL 44.19, 0.82%, 0.65%

LAB 82.06, 1.75, 58.31

 

CMYK 63 / 0 / 16 / 6

HEX #5AF0CA

RGB 90 240 202

HSL 164.8, 0.83%, 0.65%

LAB 86.38, -48.64, 6.65

 

CMYK 62 / 58 / 0 / 6

HEX #5B65EF

RGB 91 101 239

HSL 235.95, 0.82%, 0.65%

LAB 49.21, 37.35, -70.85

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 0 / 4 / 62 / 6

HEX #EFE55B

RGB 239 229 91

HSL 55.95, 0.82%, 0.65%

LAB 89.46, -12.92, 66.37

 

CMYK 63 / 0 / 16 / 6

HEX #5AF0CA

RGB 90 240 202

HSL 164.8, 0.83%, 0.65%

LAB 86.38, -48.64, 6.65

 

CMYK 47 / 62 / 0 / 6

HEX #7E5BEF

RGB 126 91 239

HSL 254.19, 0.82%, 0.65%

LAB 49.68, 49.3, -69.97

 

CMYK 0 / 62 / 45 / 6

HEX #EF5B83

RGB 239 91 131

HSL 343.78, 0.82%, 0.65%

LAB 59.41, 60.09, 8.39

 

CMYK 14 / 0 / 62 / 6

HEX #CDEF5B

RGB 205 239 91

HSL 73.78, 0.82%, 0.65%

LAB 89.61, -31.29, 65.79

 

Description

Color code: HEX #5AF0CA | qconv.com Color code: HEX #5AF0CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 240 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 240 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 16 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 16% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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