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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BC8EF it is the complementary color #A43710. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BC8EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BC8EF shade: #60C8EA, #71DAFD, #82ECFF, #93FEFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BC8EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BC8EF shade: #5BC8EF, #4AB6DC, #39A4C9, #2892B6 and #1780A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BC8EF shade: #5CC8EE, #5CA0EE, #5C79EE, #675CEE and #8E5CEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BC8EF shade: #5CC8EE, #5CA0EE, #5C79EE and #5C5CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BC8EF shade matches the following richer shades: #5CC8EE and #4ECFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BC8EF shade: #5CC8EE, #6BC1E0, #79BAD2, #87B3C3 and #96ADB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BC8EF shade: #5CEEC5, #5CEEEC, #5CCAEE, #5CA3EE and #5C7CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BC8EF shade: #16ACE2, #37BBEB, #5CC8EE, #82D4F2 and #A7E1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BC8EF shade: #5BC8EF, #9E5CEE and #EED85C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BC8EF shade: #5BC8EF, #EE5CCA and #CAEE5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BC8EF shade: #5BC8EF, #9E5CEE, #EE815C and #ADEE5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BC8EF shade: #5BC8EF, #CA5CEE, #EE815C and #81EE5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

Complementary color

CMYK 0 / 66 / 90 / 36

HEX #A43710

RGB 164 55 16

HSL 15.81, 0.82%, 0.35%

LAB 39.01, 43.34, 45.2

 

CMYK 59 / 15 / 0 / 8

HEX #60C8EA

RGB 96 200 234

HSL 194.78, 0.77%, 0.65%

LAB 75.91, -20.43, -25.92

 

CMYK 55 / 14 / 0 / 1

HEX #71DAFD

RGB 113 218 253

HSL 195, 0.97%, 0.72%

LAB 82.24, -20.88, -26.34

 

CMYK 49 / 7 / 0 / 0

HEX #82ECFF

RGB 130 236 255

HSL 189.12, 1%, 0.75%

LAB 87.95, -25.78, -18.67

 

CMYK 42 / 0 / 0 / 0

HEX #93FEFF

RGB 147 254 255

HSL 180.56, 1%, 0.79%

LAB 93.58, -30.65, -10.17

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

CMYK 66 / 17 / 0 / 14

HEX #4AB6DC

RGB 74 182 220

HSL 195.62, 0.68%, 0.58%

LAB 69.53, -19.11, -28.17

 

CMYK 72 / 18 / 0 / 21

HEX #39A4C9

RGB 57 164 201

HSL 195.42, 0.57%, 0.51%

LAB 63.04, -18.2, -27.71

 

CMYK 78 / 20 / 0 / 29

HEX #2892B6

RGB 40 146 182

HSL 195.21, 0.64%, 0.44%

LAB 56.47, -17, -27.19

 

CMYK 86 / 21 / 0 / 36

HEX #1780A3

RGB 23 128 163

HSL 195, 0.75%, 0.36%

LAB 49.82, -15.4, -26.59

 

CMYK 61 / 16 / 0 / 7

HEX #5CC8EE

RGB 92 200 238

HSL 195.62, 0.81%, 0.65%

LAB 75.92, -19.96, -28.07

 

CMYK 61 / 33 / 0 / 7

HEX #5CA0EE

RGB 92 160 238

HSL 212.05, 0.81%, 0.65%

LAB 64.64, 1.77, -45.61

 

CMYK 61 / 49 / 0 / 7

HEX #5C79EE

RGB 92 121 238

HSL 228.08, 0.81%, 0.65%

LAB 54.16, 24.99, -62.29

 

CMYK 57 / 61 / 0 / 7

HEX #675CEE

RGB 103 92 238

HSL 244.52, 0.81%, 0.65%

LAB 47.89, 44.33, -72.39

 

CMYK 40 / 61 / 0 / 7

HEX #8E5CEE

RGB 142 92 238

HSL 260.55, 0.81%, 0.65%

LAB 51.36, 51.66, -66.61

 

CMYK 61 / 16 / 0 / 7

HEX #5CC8EE

RGB 92 200 238

HSL 195.62, 0.81%, 0.65%

LAB 75.92, -19.96, -28.07

 

CMYK 61 / 33 / 0 / 7

HEX #5CA0EE

RGB 92 160 238

HSL 212.05, 0.81%, 0.65%

LAB 64.64, 1.77, -45.61

 

CMYK 61 / 49 / 0 / 7

HEX #5C79EE

RGB 92 121 238

HSL 228.08, 0.81%, 0.65%

LAB 54.16, 24.99, -62.29

 

CMYK 61 / 61 / 0 / 7

HEX #5C5CEE

RGB 92 92 238

HSL 240, 0.81%, 0.65%

LAB 47.11, 42.57, -73.71

 

CMYK 61 / 16 / 0 / 7

HEX #5CC8EE

RGB 92 200 238

HSL 195.62, 0.81%, 0.65%

LAB 75.92, -19.96, -28.07

 

CMYK 69 / 18 / 0 / 1

HEX #4ECFFD

RGB 78 207 253

HSL 195.77, 0.98%, 0.65%

LAB 78.07, -21.11, -32.82

 

CMYK 61 / 16 / 0 / 7

HEX #5CC8EE

RGB 92 200 238

HSL 195.62, 0.81%, 0.65%

LAB 75.92, -19.96, -28.07

 

CMYK 52 / 14 / 0 / 12

HEX #6BC1E0

RGB 107 193 224

HSL 195.9, 0.65%, 0.65%

LAB 73.96, -17.54, -23.45

 

CMYK 42 / 11 / 0 / 18

HEX #79BAD2

RGB 121 186 210

HSL 196.18, 0.5%, 0.65%

LAB 72.12, -14.49, -18.59

 

CMYK 31 / 8 / 0 / 24

HEX #87B3C3

RGB 135 179 195

HSL 196, 0.33%, 0.65%

LAB 70.41, -10.81, -12.88

 

CMYK 17 / 4 / 0 / 29

HEX #96ADB5

RGB 150 173 181

HSL 195.48, 0.17%, 0.65%

LAB 69.26, -6.2, -6.77

 

CMYK 61 / 0 / 17 / 7

HEX #5CEEC5

RGB 92 238 197

HSL 163.15, 0.81%, 0.65%

LAB 85.73, -48.62, 8.33

 

CMYK 61 / 0 / 1 / 7

HEX #5CEEEC

RGB 92 238 236

HSL 179.18, 0.81%, 0.65%

LAB 86.74, -38.88, -10.64

 

CMYK 61 / 15 / 0 / 7

HEX #5CCAEE

RGB 92 202 238

HSL 194.79, 0.81%, 0.65%

LAB 76.49, -20.98, -27.19

 

CMYK 61 / 32 / 0 / 7

HEX #5CA3EE

RGB 92 163 238

HSL 210.82, 0.81%, 0.65%

LAB 65.47, 0.06, -44.29

 

CMYK 61 / 48 / 0 / 7

HEX #5C7CEE

RGB 92 124 238

HSL 226.85, 0.81%, 0.65%

LAB 54.93, 23.16, -61.04

 

CMYK 90 / 24 / 0 / 11

HEX #16ACE2

RGB 22 172 226

HSL 195.88, 0.82%, 0.49%

LAB 65.88, -17.05, -37.19

 

CMYK 77 / 20 / 0 / 8

HEX #37BBEB

RGB 55 187 235

HSL 196, 0.82%, 0.57%

LAB 71.11, -19.36, -33.93

 

CMYK 61 / 16 / 0 / 7

HEX #5CC8EE

RGB 92 200 238

HSL 195.62, 0.81%, 0.65%

LAB 75.92, -19.96, -28.07

 

CMYK 46 / 12 / 0 / 5

HEX #82D4F2

RGB 130 212 242

HSL 196.07, 0.81%, 0.73%

LAB 80.87, -17.25, -22.51

 

CMYK 32 / 9 / 0 / 4

HEX #A7E1F6

RGB 167 225 246

HSL 195.95, 0.81%, 0.81%

LAB 86.37, -13.51, -16.16

 

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

CMYK 34 / 61 / 0 / 7

HEX #9E5CEE

RGB 158 92 238

HSL 267.12, 0.81%, 0.65%

LAB 53.05, 55.05, -63.79

 

CMYK 0 / 9 / 61 / 7

HEX #EED85C

RGB 238 216 92

HSL 50.96, 0.81%, 0.65%

LAB 86.04, -6.77, 62.22

 

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

CMYK 0 / 61 / 15 / 7

HEX #EE5CCA

RGB 238 92 202

HSL 314.79, 0.81%, 0.65%

LAB 61.74, 67.88, -29.08

 

CMYK 15 / 0 / 61 / 7

HEX #CAEE5C

RGB 202 238 92

HSL 74.79, 0.81%, 0.65%

LAB 89.15, -31.91, 64.82

 

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

CMYK 34 / 61 / 0 / 7

HEX #9E5CEE

RGB 158 92 238

HSL 267.12, 0.81%, 0.65%

LAB 53.05, 55.05, -63.79

 

CMYK 0 / 46 / 61 / 7

HEX #EE815C

RGB 238 129 92

HSL 15.21, 0.81%, 0.65%

LAB 65.48, 38.63, 38.48

 

CMYK 27 / 0 / 61 / 7

HEX #ADEE5C

RGB 173 238 92

HSL 86.71, 0.81%, 0.65%

LAB 87.39, -42.72, 62.39

 

CMYK 62 / 16 / 0 / 6

HEX #5BC8EF

RGB 91 200 239

HSL 195.81, 0.82%, 0.65%

LAB 75.92, -19.83, -28.6

 

CMYK 15 / 61 / 0 / 7

HEX #CA5CEE

RGB 202 92 238

HSL 285.21, 0.81%, 0.65%

LAB 58.4, 64.98, -54.92

 

CMYK 0 / 46 / 61 / 7

HEX #EE815C

RGB 238 129 92

HSL 15.21, 0.81%, 0.65%

LAB 65.48, 38.63, 38.48

 

CMYK 46 / 0 / 61 / 7

HEX #81EE5C

RGB 129 238 92

HSL 104.79, 0.81%, 0.65%

LAB 85.3, -57.12, 59.49

 

Description

Color code: HEX #5BC8EF | qconv.com Color code: HEX #5BC8EF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 200 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 200 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 16 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 16% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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