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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CF702 it is the complementary color #A308FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CF702. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CF702 shade: #61F700, #72FF10, #83FF23, #94FF36 and #A5FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CF702. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CF702 shade: #5CF702, #4BE500, #3AD300, #29C100 and #18AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CF702 shade: #5CF702, #9EF702, #E0F702, #F7CC02 and #F78A02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CF702 shade: #5CF702, #1AF702, #02F72C, #02F76E and #02F7B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CF702 shade matches the following richer shades: #5CF702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CF702 shade: #5CF702, #61E316, #67CE2A, #6CBA3F and #71A653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CF702 shade: #E2F702, #A1F702, #60F702, #1FF702 and #02F727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CF702 shade: #3DA501, #4DCE02, #5CF702, #75FC26 and #8FFD4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CF702 shade: #5CF702, #02F7CA and #F702C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CF702 shade: #5CF702, #0260F7 and #F70260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CF702 shade: #5CF702, #02F7CA, #9902F7 and #F7022F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CF702 shade: #5CF702, #02DAF7, #9902F7 and #F71F02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

Complementary color

CMYK 36 / 97 / 0 / 1

HEX #A308FD

RGB 163 8 253

HSL 277.96, 0.98%, 0.51%

LAB 45.71, 85.17, -84.12

 

CMYK 61 / 0 / 100 / 3

HEX #61F700

RGB 97 247 0

HSL 96.44, 1%, 0.48%

LAB 86.54, -73.01, 82.75

 

CMYK 55 / 0 / 94 / 0

HEX #72FF10

RGB 114 255 16

HSL 95.4, 1%, 0.53%

LAB 89.46, -71.33, 84.01

 

CMYK 49 / 0 / 86 / 0

HEX #83FF23

RGB 131 255 35

HSL 93.82, 1%, 0.57%

LAB 90.08, -66.31, 82.05

 

CMYK 42 / 0 / 79 / 0

HEX #94FF36

RGB 148 255 54

HSL 91.94, 1%, 0.61%

LAB 90.82, -60.49, 78.63

 

CMYK 35 / 0 / 71 / 0

HEX #A5FF49

RGB 165 255 73

HSL 89.67, 1%, 0.64%

LAB 91.69, -53.97, 73.94

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 67 / 0 / 100 / 10

HEX #4BE500

RGB 75 229 0

HSL 100.35, 1%, 0.45%

LAB 80.48, -71.98, 77.71

 

CMYK 73 / 0 / 100 / 17

HEX #3AD300

RGB 58 211 0

HSL 103.51, 1%, 0.41%

LAB 74.5, -69.56, 72.81

 

CMYK 79 / 0 / 100 / 24

HEX #29C100

RGB 41 193 0

HSL 107.25, 1%, 0.38%

LAB 68.47, -66.77, 67.88

 

CMYK 86 / 0 / 100 / 31

HEX #18AF00

RGB 24 175 0

HSL 111.77, 1%, 0.34%

LAB 62.38, -63.48, 62.92

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 36 / 0 / 99 / 3

HEX #9EF702

RGB 158 247 2

HSL 81.8, 0.98%, 0.49%

LAB 88.83, -55.41, 85.37

 

CMYK 9 / 0 / 99 / 3

HEX #E0F702

RGB 224 247 2

HSL 65.63, 0.98%, 0.49%

LAB 92.74, -30.43, 90.06

 

CMYK 0 / 17 / 99 / 3

HEX #F7CC02

RGB 247 204 2

HSL 49.47, 0.98%, 0.49%

LAB 83.42, 0.28, 84.14

 

CMYK 0 / 44 / 99 / 3

HEX #F78A02

RGB 247 138 2

HSL 33.31, 0.98%, 0.49%

LAB 67.99, 34.65, 73.75

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 89 / 0 / 99 / 3

HEX #1AF702

RGB 26 247 2

HSL 114.12, 0.98%, 0.49%

LAB 85.38, -83.08, 81.17

 

CMYK 99 / 0 / 82 / 3

HEX #02F72C

RGB 2 247 44

HSL 130.29, 0.98%, 0.49%

LAB 85.36, -82.87, 75.07

 

CMYK 99 / 0 / 55 / 3

HEX #02F76E

RGB 2 247 110

HSL 146.45, 0.98%, 0.49%

LAB 85.84, -76.85, 51.65

 

CMYK 99 / 0 / 29 / 3

HEX #02F7B0

RGB 2 247 176

HSL 162.61, 0.98%, 0.49%

LAB 86.83, -65.08, 20.62

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 57 / 0 / 90 / 11

HEX #61E316

RGB 97 227 22

HSL 98.05, 0.82%, 0.49%

LAB 80.48, -66.07, 75.66

 

CMYK 50 / 0 / 80 / 19

HEX #67CE2A

RGB 103 206 42

HSL 97.68, 0.66%, 0.49%

LAB 74.31, -56.26, 66.02

 

CMYK 42 / 0 / 66 / 27

HEX #6CBA3F

RGB 108 186 63

HSL 98.05, 0.49%, 0.49%

LAB 68.51, -45.44, 52.93

 

CMYK 32 / 0 / 50 / 35

HEX #71A653

RGB 113 166 83

HSL 98.31, 0.33%, 0.49%

LAB 62.85, -32.84, 37.25

 

CMYK 9 / 0 / 99 / 3

HEX #E2F702

RGB 226 247 2

HSL 65.14, 0.98%, 0.49%

LAB 92.88, -29.62, 90.23

 

CMYK 35 / 0 / 99 / 3

HEX #A1F702

RGB 161 247 2

HSL 81.06, 0.98%, 0.49%

LAB 88.97, -54.37, 85.54

 

CMYK 61 / 0 / 99 / 3

HEX #60F702

RGB 96 247 2

HSL 96.98, 0.98%, 0.49%

LAB 86.51, -73.2, 82.56

 

CMYK 87 / 0 / 99 / 3

HEX #1FF702

RGB 31 247 2

HSL 112.9, 0.98%, 0.49%

LAB 85.41, -82.75, 81.22

 

CMYK 99 / 0 / 84 / 3

HEX #02F727

RGB 2 247 39

HSL 129.06, 0.98%, 0.49%

LAB 85.34, -83.1, 76.2

 

CMYK 63 / 0 / 99 / 35

HEX #3DA501

RGB 61 165 1

HSL 98.05, 0.99%, 0.33%

LAB 59.8, -54.24, 61.02

 

CMYK 63 / 0 / 99 / 19

HEX #4DCE02

RGB 77 206 2

HSL 97.94, 0.98%, 0.41%

LAB 73.37, -64.23, 71.89

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 54 / 0 / 85 / 1

HEX #75FC26

RGB 117 252 38

HSL 97.85, 0.97%, 0.57%

LAB 88.71, -68.99, 80.09

 

CMYK 43 / 0 / 69 / 1

HEX #8FFD4F

RGB 143 253 79

HSL 97.93, 0.98%, 0.65%

LAB 90.16, -59.8, 69.98

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 99 / 0 / 18 / 3

HEX #02F7CA

RGB 2 247 202

HSL 168.98, 0.98%, 0.49%

LAB 87.39, -59, 7.95

 

CMYK 0 / 99 / 21 / 3

HEX #F702C2

RGB 247 2 194

HSL 312.98, 0.98%, 0.49%

LAB 55.8, 89.02, -33.61

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 99 / 61 / 0 / 3

HEX #0260F7

RGB 2 96 247

HSL 216.98, 0.98%, 0.49%

LAB 45.76, 36.04, -81.07

 

CMYK 0 / 99 / 61 / 3

HEX #F70260

RGB 247 2 96

HSL 336.98, 0.98%, 0.49%

LAB 52.58, 80.63, 19.96

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 99 / 0 / 18 / 3

HEX #02F7CA

RGB 2 247 202

HSL 168.98, 0.98%, 0.49%

LAB 87.39, -59, 7.95

 

CMYK 38 / 99 / 0 / 3

HEX #9902F7

RGB 153 2 247

HSL 276.98, 0.98%, 0.49%

LAB 43.55, 83.54, -84.34

 

CMYK 0 / 99 / 81 / 3

HEX #F7022F

RGB 247 2 47

HSL 348.98, 0.98%, 0.49%

LAB 51.86, 78.69, 47.84

 

CMYK 63 / 0 / 99 / 3

HEX #5CF702

RGB 92 247 2

HSL 97.96, 0.98%, 0.49%

LAB 86.41, -74.08, 82.43

 

CMYK 99 / 12 / 0 / 3

HEX #02DAF7

RGB 2 218 247

HSL 187.1, 0.98%, 0.49%

LAB 80.11, -33.76, -26.59

 

CMYK 38 / 99 / 0 / 3

HEX #9902F7

RGB 153 2 247

HSL 276.98, 0.98%, 0.49%

LAB 43.55, 83.54, -84.34

 

CMYK 0 / 87 / 99 / 3

HEX #F71F02

RGB 247 31 2

HSL 7.1, 0.98%, 0.49%

LAB 52.68, 75.04, 65.51

 

Description

Color code: HEX #5CF702 | qconv.com Color code: HEX #5CF702 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 247 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 247 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 99 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 99% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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