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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C849 it is the complementary color #A637B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C849 shade: #5EC844, #6FDA57, #80EC6A, #91FE7D and #A2FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C849 shade: #59C849, #48B636, #37A423, #269210 and #158000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C849 shade: #5AC94A, #7CC94A, #9EC94A, #C0C94A and #C9AF4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C849 shade: #5AC94A, #4AC95C, #4AC97E, #4AC9A0 and #4AC9C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C849 shade matches the following richer shades: #5AC94A, #4CDC37 and #3DEF24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C849 shade: #5AC94A, #68B65D, #76A370, #849083 and #937D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C849 shade: #9EC94A, #7DC94A, #5BC94A, #4AC95B and #4AC97D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C849 shade: #39942C, #45B435, #5AC94A, #77D26A and #94DC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C849 shade: #59C849, #4AC0C9 and #C94A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C849 shade: #59C849, #4A5BC9 and #C94A5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C849 shade: #59C849, #4AC0C9, #B84AC9 and #C9524A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C849 shade: #59C849, #4A9AC9, #B84AC9 and #C9784A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 64 / 22

HEX #59C849

RGB 89 200 73

HSL 112.44, 0.54%, 0.54%

LAB 72.17, -55.57, 52.51

 

Complementary color

CMYK 9 / 70 / 0 / 29

HEX #A637B6

RGB 166 55 182

HSL 292.44, 0.54%, 0.46%

LAB 44.54, 61.67, -45.31

 

CMYK 53 / 0 / 66 / 22

HEX #5EC844

RGB 94 200 68

HSL 108.18, 0.55%, 0.53%

LAB 72.3, -54.72, 54.79

 

CMYK 49 / 0 / 60 / 15

HEX #6FDA57

RGB 111 218 87

HSL 109.01, 0.64%, 0.6%

LAB 78.58, -55.04, 53.88

 

CMYK 46 / 0 / 55 / 7

HEX #80EC6A

RGB 128 236 106

HSL 109.85, 0.77%, 0.67%

LAB 84.8, -55.18, 52.79

 

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

CMYK 36 / 0 / 44 / 0

HEX #A2FF90

RGB 162 255 144

HSL 110.27, 1%, 0.78%

LAB 92.23, -48.09, 44.41

 

CMYK 56 / 0 / 64 / 22

HEX #59C849

RGB 89 200 73

HSL 112.44, 0.54%, 0.54%

LAB 72.17, -55.57, 52.51

 

CMYK 60 / 0 / 70 / 29

HEX #48B636

RGB 72 182 54

HSL 111.56, 0.54%, 0.46%

LAB 65.83, -54.98, 53.29

 

CMYK 66 / 0 / 79 / 36

HEX #37A423

RGB 55 164 35

HSL 110.7, 0.65%, 0.39%

LAB 59.42, -53.96, 53.52

 

CMYK 74 / 0 / 89 / 43

HEX #269210

RGB 38 146 16

HSL 109.85, 0.8%, 0.32%

LAB 52.96, -52.31, 52.65

 

CMYK 84 / 0 / 100 / 50

HEX #158000

RGB 21 128 0

HSL 110.16, 1%, 0.25%

LAB 46.44, -49.77, 50.16

 

CMYK 55 / 0 / 63 / 21

HEX #5AC94A

RGB 90 201 74

HSL 112.44, 0.54%, 0.54%

LAB 72.52, -55.58, 52.48

 

CMYK 38 / 0 / 63 / 21

HEX #7CC94A

RGB 124 201 74

HSL 96.38, 0.54%, 0.54%

LAB 73.9, -45.44, 54.4

 

CMYK 21 / 0 / 63 / 21

HEX #9EC94A

RGB 158 201 74

HSL 80.31, 0.54%, 0.54%

LAB 75.78, -33.11, 56.99

 

CMYK 4 / 0 / 63 / 21

HEX #C0C94A

RGB 192 201 74

HSL 64.25, 0.54%, 0.54%

LAB 78.15, -19.46, 60.23

 

CMYK 0 / 13 / 63 / 21

HEX #C9AF4A

RGB 201 175 74

HSL 47.72, 0.54%, 0.54%

LAB 71.94, -2.33, 53.79

 

CMYK 55 / 0 / 63 / 21

HEX #5AC94A

RGB 90 201 74

HSL 112.44, 0.54%, 0.54%

LAB 72.52, -55.58, 52.48

 

CMYK 63 / 0 / 54 / 21

HEX #4AC95C

RGB 74 201 92

HSL 128.5, 0.54%, 0.54%

LAB 72.23, -57.22, 43.87

 

CMYK 63 / 0 / 37 / 21

HEX #4AC97E

RGB 74 201 126

HSL 144.57, 0.54%, 0.54%

LAB 72.72, -51.8, 27.43

 

CMYK 63 / 0 / 20 / 21

HEX #4AC9A0

RGB 74 201 160

HSL 160.63, 0.54%, 0.54%

LAB 73.39, -44.68, 10.28

 

CMYK 63 / 0 / 3 / 21

HEX #4AC9C3

RGB 74 201 195

HSL 177.17, 0.54%, 0.54%

LAB 74.3, -35.81, -7.33

 

CMYK 55 / 0 / 63 / 21

HEX #5AC94A

RGB 90 201 74

HSL 112.44, 0.54%, 0.54%

LAB 72.52, -55.58, 52.48

 

CMYK 65 / 0 / 75 / 14

HEX #4CDC37

RGB 76 220 55

HSL 112.36, 0.7%, 0.54%

LAB 77.87, -67.01, 65.17

 

CMYK 74 / 0 / 85 / 6

HEX #3DEF24

RGB 61 239 36

HSL 112.61, 0.86%, 0.54%

LAB 83.36, -76.49, 75.28

 

CMYK 55 / 0 / 63 / 21

HEX #5AC94A

RGB 90 201 74

HSL 112.44, 0.54%, 0.54%

LAB 72.52, -55.58, 52.48

 

CMYK 43 / 0 / 49 / 29

HEX #68B65D

RGB 104 182 93

HSL 112.58, 0.38%, 0.54%

LAB 67.42, -41.73, 37.74

 

CMYK 28 / 0 / 31 / 36

HEX #76A370

RGB 118 163 112

HSL 112.94, 0.22%, 0.54%

LAB 62.69, -25.39, 21.76

 

CMYK 8 / 0 / 9 / 44

HEX #849083

RGB 132 144 131

HSL 115.38, 0.06%, 0.54%

LAB 58.5, -6.92, 5.42

 

CMYK 2 / 17 / 0 / 41

HEX #937D96

RGB 147 125 150

HSL 292.8, 0.11%, 0.54%

LAB 55.15, 13.14, -10.3

 

CMYK 21 / 0 / 63 / 21

HEX #9EC94A

RGB 158 201 74

HSL 80.31, 0.54%, 0.54%

LAB 75.78, -33.11, 56.99

 

CMYK 38 / 0 / 63 / 21

HEX #7DC94A

RGB 125 201 74

HSL 95.91, 0.54%, 0.54%

LAB 73.95, -45.11, 54.46

 

CMYK 55 / 0 / 63 / 21

HEX #5BC94A

RGB 91 201 74

HSL 111.97, 0.54%, 0.54%

LAB 72.56, -55.32, 52.53

 

CMYK 63 / 0 / 55 / 21

HEX #4AC95B

RGB 74 201 91

HSL 128.03, 0.54%, 0.54%

LAB 72.22, -57.35, 44.33

 

CMYK 63 / 0 / 38 / 21

HEX #4AC97D

RGB 74 201 125

HSL 144.09, 0.54%, 0.54%

LAB 72.7, -51.98, 27.92

 

CMYK 61 / 0 / 70 / 42

HEX #39942C

RGB 57 148 44

HSL 112.5, 0.54%, 0.38%

LAB 54.27, -47.06, 45.04

 

CMYK 62 / 0 / 71 / 29

HEX #45B435

RGB 69 180 53

HSL 112.44, 0.55%, 0.46%

LAB 65.09, -55.06, 52.89

 

CMYK 55 / 0 / 63 / 21

HEX #5AC94A

RGB 90 201 74

HSL 112.44, 0.54%, 0.54%

LAB 72.52, -55.58, 52.48

 

CMYK 43 / 0 / 50 / 18

HEX #77D26A

RGB 119 210 106

HSL 112.5, 0.54%, 0.62%

LAB 76.71, -47.3, 42.96

 

CMYK 33 / 0 / 38 / 14

HEX #94DC89

RGB 148 220 137

HSL 112.05, 0.54%, 0.7%

LAB 81.45, -38.24, 33.84

 

CMYK 56 / 0 / 64 / 22

HEX #59C849

RGB 89 200 73

HSL 112.44, 0.54%, 0.54%

LAB 72.17, -55.57, 52.51

 

CMYK 63 / 4 / 0 / 21

HEX #4AC0C9

RGB 74 192 201

HSL 184.25, 0.54%, 0.54%

LAB 71.81, -29.86, -14.32

 

CMYK 0 / 63 / 30 / 21

HEX #C94A8D

RGB 201 74 141

HSL 328.35, 0.54%, 0.54%

LAB 50.96, 56.8, -10.6

 

CMYK 56 / 0 / 64 / 22

HEX #59C849

RGB 89 200 73

HSL 112.44, 0.54%, 0.54%

LAB 72.17, -55.57, 52.51

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BC9

RGB 74 91 201

HSL 231.97, 0.54%, 0.54%

LAB 43, 28.01, -59.37

 

CMYK 0 / 63 / 55 / 21

HEX #C94A5B

RGB 201 74 91

HSL 351.97, 0.54%, 0.54%

LAB 49.58, 51.69, 17.48

 

CMYK 56 / 0 / 64 / 22

HEX #59C849

RGB 89 200 73

HSL 112.44, 0.54%, 0.54%

LAB 72.17, -55.57, 52.51

 

CMYK 63 / 4 / 0 / 21

HEX #4AC0C9

RGB 74 192 201

HSL 184.25, 0.54%, 0.54%

LAB 71.81, -29.86, -14.32

 

CMYK 8 / 63 / 0 / 21

HEX #B84AC9

RGB 184 74 201

HSL 291.97, 0.54%, 0.54%

LAB 51.04, 61.59, -45.84

 

CMYK 0 / 59 / 63 / 21

HEX #C9524A

RGB 201 82 74

HSL 3.78, 0.54%, 0.54%

LAB 50.62, 46.86, 28.92

 

CMYK 56 / 0 / 64 / 22

HEX #59C849

RGB 89 200 73

HSL 112.44, 0.54%, 0.54%

LAB 72.17, -55.57, 52.51

 

CMYK 63 / 23 / 0 / 21

HEX #4A9AC9

RGB 74 154 201

HSL 202.2, 0.54%, 0.54%

LAB 60.59, -10.11, -31.46

 

CMYK 8 / 63 / 0 / 21

HEX #B84AC9

RGB 184 74 201

HSL 291.97, 0.54%, 0.54%

LAB 51.04, 61.59, -45.84

 

CMYK 0 / 40 / 63 / 21

HEX #C9784A

RGB 201 120 74

HSL 21.73, 0.54%, 0.54%

LAB 58.36, 27.45, 38.35

 

Description

Color code: HEX #59C849 | qconv.com Color code: HEX #59C849 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 200 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 200 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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