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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91FE7D it is the complementary color #6E0182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91FE7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91FE7D shade: #96FE78, #A7FF8B, #B8FF9E, #C9FFB1 and #DAFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91FE7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91FE7D shade: #91FE7D, #80EC6A, #6FDA57, #5EC844 and #4DB631

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91FE7D shade: #8FFD7B, #B2FD7B, #D5FD7B, #F8FD7B and #FDDF7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91FE7D shade: #8FFD7B, #7BFD8A, #7BFDAD, #7BFDD0 and #7BFDF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91FE7D shade matches the following richer shades: #8FFD7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91FE7D shade: #8FFD7B, #97F286, #9EE891, #A6DD9B and #ADD2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91FE7D shade: #D6FD7B, #B4FD7B, #91FD7B, #7BFD88 and #7BFDAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91FE7D shade: #4AFC2A, #6DFD52, #8FFD7B, #B2FEA4 and #D5FECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91FE7D shade: #91FE7D, #7BF9FD and #FD7BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91FE7D shade: #91FE7D, #7B91FD and #FD7B91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91FE7D shade: #91FE7D, #7BF9FD, #E87BFD and #FD807B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91FE7D shade: #91FE7D, #7BD2FD, #E87BFD and #FDA77B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

Complementary color

CMYK 15 / 99 / 0 / 49

HEX #6E0182

RGB 110 1 130

HSL 290.7, 0.98%, 0.26%

LAB 26.59, 56.12, -43.08

 

CMYK 41 / 0 / 53 / 0

HEX #96FE78

RGB 150 254 120

HSL 106.57, 0.99%, 0.73%

LAB 91.11, -54.29, 54.16

 

CMYK 35 / 0 / 45 / 0

HEX #A7FF8B

RGB 167 255 139

HSL 105.52, 1%, 0.77%

LAB 92.4, -47.18, 47.07

 

CMYK 28 / 0 / 38 / 0

HEX #B8FF9E

RGB 184 255 158

HSL 103.92, 1%, 0.81%

LAB 93.53, -39.18, 39.49

 

CMYK 21 / 0 / 31 / 0

HEX #C9FFB1

RGB 201 255 177

HSL 101.54, 1%, 0.85%

LAB 94.79, -30.81, 31.89

 

CMYK 15 / 0 / 23 / 0

HEX #DAFFC4

RGB 218 255 196

HSL 97.63, 1%, 0.88%

LAB 96.17, -22.19, 24.35

 

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

CMYK 46 / 0 / 55 / 7

HEX #80EC6A

RGB 128 236 106

HSL 109.85, 0.77%, 0.67%

LAB 84.8, -55.18, 52.79

 

CMYK 49 / 0 / 60 / 15

HEX #6FDA57

RGB 111 218 87

HSL 109.01, 0.64%, 0.6%

LAB 78.58, -55.04, 53.88

 

CMYK 53 / 0 / 66 / 22

HEX #5EC844

RGB 94 200 68

HSL 108.18, 0.55%, 0.53%

LAB 72.3, -54.72, 54.79

 

CMYK 58 / 0 / 73 / 29

HEX #4DB631

RGB 77 182 49

HSL 107.37, 0.58%, 0.45%

LAB 65.95, -54.13, 55.35

 

CMYK 43 / 0 / 51 / 1

HEX #8FFD7B

RGB 143 253 123

HSL 110.77, 0.97%, 0.74%

LAB 90.56, -55.61, 52.06

 

CMYK 30 / 0 / 51 / 1

HEX #B2FD7B

RGB 178 253 123

HSL 94.62, 0.97%, 0.74%

LAB 92.2, -44.57, 54.42

 

CMYK 16 / 0 / 51 / 1

HEX #D5FD7B

RGB 213 253 123

HSL 78.46, 0.97%, 0.74%

LAB 94.24, -32.09, 57.35

 

CMYK 2 / 0 / 51 / 1

HEX #F8FD7B

RGB 248 253 123

HSL 62.31, 0.97%, 0.74%

LAB 96.67, -18.72, 60.81

 

CMYK 0 / 12 / 51 / 1

HEX #FDDF7B

RGB 253 223 123

HSL 46.15, 0.97%, 0.74%

LAB 89.43, -1.91, 52.34

 

CMYK 43 / 0 / 51 / 1

HEX #8FFD7B

RGB 143 253 123

HSL 110.77, 0.97%, 0.74%

LAB 90.56, -55.61, 52.06

 

CMYK 51 / 0 / 45 / 1

HEX #7BFD8A

RGB 123 253 138

HSL 126.92, 0.97%, 0.74%

LAB 90, -59.04, 44.14

 

CMYK 51 / 0 / 32 / 1

HEX #7BFDAD

RGB 123 253 173

HSL 143.08, 0.97%, 0.74%

LAB 90.54, -53.36, 27.55

 

CMYK 51 / 0 / 18 / 1

HEX #7BFDD0

RGB 123 253 208

HSL 159.23, 0.97%, 0.74%

LAB 91.24, -46.4, 10.62

 

CMYK 51 / 0 / 4 / 1

HEX #7BFDF3

RGB 123 253 243

HSL 175.38, 0.97%, 0.74%

LAB 92.1, -38.3, -6.25

 

CMYK 43 / 0 / 51 / 1

HEX #8FFD7B

RGB 143 253 123

HSL 110.77, 0.97%, 0.74%

LAB 90.56, -55.61, 52.06

 

CMYK 43 / 0 / 51 / 1

HEX #8FFD7B

RGB 143 253 123

HSL 110.77, 0.97%, 0.74%

LAB 90.56, -55.61, 52.06

 

CMYK 38 / 0 / 45 / 5

HEX #97F286

RGB 151 242 134

HSL 110.56, 0.81%, 0.74%

LAB 87.87, -47.31, 43.62

 

CMYK 32 / 0 / 38 / 9

HEX #9EE891

RGB 158 232 145

HSL 111.03, 0.65%, 0.74%

LAB 85.52, -39.21, 35.22

 

CMYK 25 / 0 / 30 / 13

HEX #A6DD9B

RGB 166 221 155

HSL 110, 0.49%, 0.74%

LAB 83.01, -30, 26.87

 

CMYK 18 / 0 / 21 / 18

HEX #ADD2A6

RGB 173 210 166

HSL 110.45, 0.33%, 0.74%

LAB 80.59, -20.49, 17.85

 

CMYK 15 / 0 / 51 / 1

HEX #D6FD7B

RGB 214 253 123

HSL 78, 0.97%, 0.74%

LAB 94.3, -31.71, 57.44

 

CMYK 29 / 0 / 51 / 1

HEX #B4FD7B

RGB 180 253 123

HSL 93.69, 0.97%, 0.74%

LAB 92.3, -43.89, 54.57

 

CMYK 43 / 0 / 51 / 1

HEX #91FD7B

RGB 145 253 123

HSL 109.85, 0.97%, 0.74%

LAB 90.64, -55.03, 52.18

 

CMYK 51 / 0 / 46 / 1

HEX #7BFD88

RGB 123 253 136

HSL 126, 0.97%, 0.74%

LAB 89.97, -59.32, 45.06

 

CMYK 51 / 0 / 32 / 1

HEX #7BFDAB

RGB 123 253 171

HSL 142.15, 0.97%, 0.74%

LAB 90.51, -53.72, 28.51

 

CMYK 71 / 0 / 83 / 1

HEX #4AFC2A

RGB 74 252 42

HSL 110.86, 0.97%, 0.58%

LAB 87.6, -78.05, 77.83

 

CMYK 57 / 0 / 68 / 1

HEX #6DFD52

RGB 109 253 82

HSL 110.53, 0.98%, 0.66%

LAB 88.97, -68.78, 67.26

 

CMYK 43 / 0 / 51 / 1

HEX #8FFD7B

RGB 143 253 123

HSL 110.77, 0.97%, 0.74%

LAB 90.56, -55.61, 52.06

 

CMYK 30 / 0 / 35 / 0

HEX #B2FEA4

RGB 178 254 164

HSL 110.67, 0.98%, 0.82%

LAB 93.03, -39.83, 35.81

 

CMYK 16 / 0 / 19 / 0

HEX #D5FECD

RGB 213 254 205

HSL 110.2, 0.96%, 0.9%

LAB 95.76, -21.97, 19.16

 

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

CMYK 51 / 2 / 0 / 1

HEX #7BF9FD

RGB 123 249 253

HSL 181.85, 0.97%, 0.74%

LAB 91.26, -33.94, -12.69

 

CMYK 0 / 51 / 22 / 1

HEX #FD7BC5

RGB 253 123 197

HSL 325.85, 0.97%, 0.74%

LAB 68.81, 57.73, -15.27

 

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

CMYK 51 / 43 / 0 / 1

HEX #7B91FD

RGB 123 145 253

HSL 229.85, 0.97%, 0.74%

LAB 62.97, 21.44, -56.36

 

CMYK 0 / 51 / 43 / 1

HEX #FD7B91

RGB 253 123 145

HSL 349.85, 0.97%, 0.74%

LAB 67.35, 51.52, 11.89

 

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

CMYK 51 / 2 / 0 / 1

HEX #7BF9FD

RGB 123 249 253

HSL 181.85, 0.97%, 0.74%

LAB 91.26, -33.94, -12.69

 

CMYK 8 / 51 / 0 / 1

HEX #E87BFD

RGB 232 123 253

HSL 290.31, 0.97%, 0.74%

LAB 68.32, 60.85, -47.24

 

CMYK 0 / 49 / 51 / 1

HEX #FD807B

RGB 253 128 123

HSL 2.31, 0.97%, 0.74%

LAB 67.84, 47.05, 24.93

 

CMYK 43 / 0 / 51 / 0

HEX #91FE7D

RGB 145 254 125

HSL 110.7, 0.98%, 0.74%

LAB 90.95, -55.19, 51.64

 

CMYK 51 / 17 / 0 / 1

HEX #7BD2FD

RGB 123 210 253

HSL 199.85, 0.97%, 0.74%

LAB 80.4, -14.76, -29.12

 

CMYK 8 / 51 / 0 / 1

HEX #E87BFD

RGB 232 123 253

HSL 290.31, 0.97%, 0.74%

LAB 68.32, 60.85, -47.24

 

CMYK 0 / 34 / 51 / 1

HEX #FDA77B

RGB 253 167 123

HSL 20.31, 0.97%, 0.74%

LAB 76.04, 27.14, 35.69

 

Description

Color code: HEX #91FE7D | qconv.com Color code: HEX #91FE7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 254 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 254 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 51 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 51% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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