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Color name
HEX #59A135

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59A135 it is the complementary color #A65ECA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59A135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59A135 shade: #5EA130, #6FB343, #80C556, #91D769 and #A2E97C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59A135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59A135 shade: #59A135, #488F22, #377D0F, #266B00 and #155900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59A135 shade: #59A035, #76A035, #93A035, #A09135 and #A07435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59A135 shade: #59A035, #3CA035, #35A04B, #35A068 and #35A085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59A135 shade matches the following richer shades: #59A035, #53B124, #4DC312 and #47D401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59A135 shade: #59A035, #5F8F46, #647D58, #6A6C69 and #705B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59A135 shade: #92A035, #75A035, #59A035, #3CA035 and #35A04A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59A135 shade: #366220, #48812B, #59A035, #6ABF40 and #82C95F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59A135 shade: #59A135, #35A092 and #A03584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59A135 shade: #59A135, #3559A0 and #A03559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59A135 shade: #59A135, #35A092, #7C35A0 and #A03543

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59A135 shade: #59A135, #358EA0, #7C35A0 and #A04735

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 67 / 37

HEX #59A135

RGB 89 161 53

HSL 100, 0.5%, 0.42%

LAB 59.77, -42.11, 47.49

 

Complementary color

CMYK 18 / 53 / 0 / 21

HEX #A65ECA

RGB 166 94 202

HSL 280, 0.5%, 0.58%

LAB 52.26, 47.67, -44.63

 

CMYK 42 / 0 / 70 / 37

HEX #5EA130

RGB 94 161 48

HSL 95.58, 0.54%, 0.41%

LAB 59.96, -40.86, 49.82

 

CMYK 38 / 0 / 63 / 30

HEX #6FB343

RGB 111 179 67

HSL 96.43, 0.46%, 0.48%

LAB 66.54, -41.11, 49.12

 

CMYK 35 / 0 / 56 / 23

HEX #80C556

RGB 128 197 86

HSL 97.3, 0.49%, 0.55%

LAB 73.02, -41.21, 48.12

 

CMYK 33 / 0 / 51 / 16

HEX #91D769

RGB 145 215 105

HSL 98.18, 0.58%, 0.63%

LAB 79.41, -41.21, 47.01

 

CMYK 30 / 0 / 47 / 9

HEX #A2E97C

RGB 162 233 124

HSL 99.08, 0.71%, 0.7%

LAB 85.71, -41.14, 45.85

 

CMYK 45 / 0 / 67 / 37

HEX #59A135

RGB 89 161 53

HSL 100, 0.5%, 0.42%

LAB 59.77, -42.11, 47.49

 

CMYK 50 / 0 / 76 / 44

HEX #488F22

RGB 72 143 34

HSL 99.08, 0.62%, 0.35%

LAB 53.1, -41.67, 47.9

 

CMYK 56 / 0 / 88 / 51

HEX #377D0F

RGB 55 125 15

HSL 98.18, 0.79%, 0.27%

LAB 46.33, -40.81, 47.25

 

CMYK 64 / 0 / 100 / 58

HEX #266B00

RGB 38 107 0

HSL 98.69, 1%, 0.21%

LAB 39.46, -39.33, 44.76

 

CMYK 76 / 0 / 100 / 65

HEX #155900

RGB 21 89 0

HSL 105.84, 1%, 0.17%

LAB 32.49, -36.82, 39.03

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 26 / 0 / 67 / 37

HEX #76A035

RGB 118 160 53

HSL 83.55, 0.5%, 0.42%

LAB 61, -31.15, 49.26

 

CMYK 8 / 0 / 67 / 37

HEX #93A035

RGB 147 160 53

HSL 67.29, 0.5%, 0.42%

LAB 63.01, -19.16, 51.98

 

CMYK 0 / 9 / 67 / 37

HEX #A09135

RGB 160 145 53

HSL 51.59, 0.5%, 0.42%

LAB 59.87, -5.55, 49.06

 

CMYK 0 / 28 / 67 / 37

HEX #A07435

RGB 160 116 53

HSL 35.33, 0.5%, 0.42%

LAB 52.09, 10.63, 40.68

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 63 / 0 / 67 / 37

HEX #3CA035

RGB 60 160 53

HSL 116.07, 0.5%, 0.42%

LAB 58.38, -49.93, 45.67

 

CMYK 67 / 0 / 53 / 37

HEX #35A04B

RGB 53 160 75

HSL 132.34, 0.5%, 0.42%

LAB 58.42, -48.74, 35.31

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 67 / 0 / 17 / 37

HEX #35A085

RGB 53 160 133

HSL 164.86, 0.5%, 0.42%

LAB 59.52, -36.94, 5.25

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 53 / 0 / 80 / 31

HEX #53B124

RGB 83 177 36

HSL 100, 0.66%, 0.42%

LAB 64.49, -51.51, 58.34

 

CMYK 61 / 0 / 91 / 24

HEX #4DC312

RGB 77 195 18

HSL 100, 0.83%, 0.42%

LAB 69.93, -60.24, 67.19

 

CMYK 67 / 0 / 100 / 17

HEX #47D401

RGB 71 212 1

HSL 100.09, 0.99%, 0.42%

LAB 75.09, -67.46, 73.3

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 34 / 0 / 51 / 44

HEX #5F8F46

RGB 95 143 70

HSL 99.45, 0.34%, 0.42%

LAB 54.57, -30.17, 33.55

 

CMYK 20 / 0 / 30 / 51

HEX #647D58

RGB 100 125 88

HSL 100.54, 0.17%, 0.42%

LAB 49.59, -16.49, 17.29

 

CMYK 2 / 0 / 3 / 58

HEX #6A6C69

RGB 106 108 105

HSL 100, 0.01%, 0.42%

LAB 45.37, -1.38, 1.4

 

CMYK 8 / 25 / 0 / 52

HEX #705B7A

RGB 112 91 122

HSL 280.65, 0.15%, 0.42%

LAB 41.74, 14.78, -14.25

 

CMYK 9 / 0 / 67 / 37

HEX #92A035

RGB 146 160 53

HSL 67.85, 0.5%, 0.42%

LAB 62.94, -19.59, 51.88

 

CMYK 27 / 0 / 67 / 37

HEX #75A035

RGB 117 160 53

HSL 84.11, 0.5%, 0.42%

LAB 60.94, -31.55, 49.18

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 63 / 0 / 67 / 37

HEX #3CA035

RGB 60 160 53

HSL 116.07, 0.5%, 0.42%

LAB 58.38, -49.93, 45.67

 

CMYK 67 / 0 / 54 / 37

HEX #35A04A

RGB 53 160 74

HSL 131.78, 0.5%, 0.42%

LAB 58.41, -48.88, 35.8

 

CMYK 45 / 0 / 67 / 62

HEX #366220

RGB 54 98 32

HSL 100, 0.51%, 0.25%

LAB 37.16, -28.4, 31.93

 

CMYK 44 / 0 / 67 / 49

HEX #48812B

RGB 72 129 43

HSL 99.77, 0.5%, 0.34%

LAB 48.58, -34.99, 39.54

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 45 / 0 / 66 / 25

HEX #6ABF40

RGB 106 191 64

HSL 100.16, 0.5%, 0.5%

LAB 69.96, -48.05, 54.05

 

CMYK 35 / 0 / 53 / 21

HEX #82C95F

RGB 130 201 95

HSL 100.19, 0.5%, 0.58%

LAB 74.41, -41.29, 45.57

 

CMYK 45 / 0 / 67 / 37

HEX #59A135

RGB 89 161 53

HSL 100, 0.5%, 0.42%

LAB 59.77, -42.11, 47.49

 

CMYK 67 / 0 / 9 / 37

HEX #35A092

RGB 53 160 146

HSL 172.15, 0.5%, 0.42%

LAB 59.87, -33.49, -1.59

 

CMYK 0 / 67 / 18 / 37

HEX #A03584

RGB 160 53 132

HSL 315.7, 0.5%, 0.42%

LAB 40.71, 52.62, -21.39

 

CMYK 45 / 0 / 67 / 37

HEX #59A135

RGB 89 161 53

HSL 100, 0.5%, 0.42%

LAB 59.77, -42.11, 47.49

 

CMYK 67 / 44 / 0 / 37

HEX #3559A0

RGB 53 89 160

HSL 219.81, 0.5%, 0.42%

LAB 38.62, 11.05, -42.4

 

CMYK 0 / 67 / 44 / 37

HEX #A03559

RGB 160 53 89

HSL 339.81, 0.5%, 0.42%

LAB 39.14, 47.17, 3.07

 

CMYK 45 / 0 / 67 / 37

HEX #59A135

RGB 89 161 53

HSL 100, 0.5%, 0.42%

LAB 59.77, -42.11, 47.49

 

CMYK 67 / 0 / 9 / 37

HEX #35A092

RGB 53 160 146

HSL 172.15, 0.5%, 0.42%

LAB 59.87, -33.49, -1.59

 

CMYK 23 / 67 / 0 / 37

HEX #7C35A0

RGB 124 53 160

HSL 279.81, 0.5%, 0.42%

LAB 36.69, 48.58, -45.15

 

CMYK 0 / 67 / 58 / 37

HEX #A03543

RGB 160 53 67

HSL 352.15, 0.5%, 0.42%

LAB 38.59, 45.19, 16.21

 

CMYK 45 / 0 / 67 / 37

HEX #59A135

RGB 89 161 53

HSL 100, 0.5%, 0.42%

LAB 59.77, -42.11, 47.49

 

CMYK 67 / 11 / 0 / 37

HEX #358EA0

RGB 53 142 160

HSL 190.09, 0.5%, 0.42%

LAB 54.7, -20.37, -17.3

 

CMYK 23 / 67 / 0 / 37

HEX #7C35A0

RGB 124 53 160

HSL 279.81, 0.5%, 0.42%

LAB 36.69, 48.58, -45.15

 

CMYK 0 / 56 / 67 / 37

HEX #A04735

RGB 160 71 53

HSL 10.09, 0.5%, 0.42%

LAB 41.59, 35.63, 28.58

 

Description

Color code: HEX #59A135 | qconv.com Color code: HEX #59A135 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 161 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 161 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 67 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 67% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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